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            "abstractNote": "Summary  Pictorial communication of shape and form is not simply a learned visual language. Whatever processes of learning, if any,\nunderly our ability to perceive represented surfaces’ edges-without which the communication of shape is impossible-in response\nto outline drawings, probably occurs very early in life in consequence of our normal commerce with spatial objects. Although\nthis probability makes the problems of“learning to see pictures”relatively inaccessible, it simplifies the study of the rules\nwhich govern edge- and surface-perception in pictures. The applicability of such rules depends, eventually, on knowing",
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            "abstractNote": "The author examines the validity of various proposals for modifying pictorial perspective to make it correspond more closely with the world as it is perceived. He then considers pictures that deviate from accurate perspective construction and discusses why the deviations occurred. The consequences of viewing perspective pictures from a position other than the projection point are analyzed. The evidence for the intelligibility of pictures, including those in perspective, to naive viewers is discussed. He concludes that, although a perspective picture normally seen does not duplicate the scene that it depicts (viewers are aware that they are looking at a flat surface as well as a depicted space), its perception does not require any learning other than learning to discriminate between information for flatness, which is supplied by surface relationships and information for depth in the form of invariant relationships, which is provided by the artist.",
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