[ { "key": "Z6V2TQ96", "version": 6, "library": { "type": "group", "id": 93979, "name": "Building Green and Heritage Conservation", "links": { "alternate": { "href": "https://www.zotero.org/groups/building_green_and_heritage_conservation", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/93979/items/Z6V2TQ96", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/building_green_and_heritage_conservation/items/Z6V2TQ96", "type": "text/html" } }, "meta": { "createdByUser": { "id": 525246, "username": "ccdelacruz", "name": "Christopher Cruz de la Cruz", "links": { "alternate": { "href": "https://www.zotero.org/ccdelacruz", "type": "text/html" } } }, "creatorSummary": "Alterio et al.", "parsedDate": "2011-05-10", "numChildren": 2 }, "data": { "key": "Z6V2TQ96", "version": 6, "itemType": "journalArticle", "title": "Microclimate Management for the Preservation of Cultural Heritage", "creators": [ { "creatorType": "author", "firstName": "Salvatore", "lastName": "Alterio" }, { "creatorType": "author", "firstName": "Salvatore", "lastName": "Barbaro" }, { "creatorType": "author", "firstName": "Francesco Claudio", "lastName": "Campione" }, { "creatorType": "author", "firstName": "Amanda", "lastName": "Campodonico" }, { "creatorType": "author", "firstName": "Elisa", "lastName": "Nicastri" } ], "abstractNote": "Microclimate Management for the Preservation of Cultural Heritage", "publicationTitle": "Conservation Science in Cultural Heritage", "publisher": "", "place": "", "date": "05/10/2011", "volume": "10", "issue": "", "section": "", "partNumber": "", "partTitle": "", "pages": "71-100", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "", "DOI": "", "citationKey": "", "url": "http://conservation-science.unibo.it/article/view/2319", "accessDate": "2012-10-06T15:54:32Z", "PMID": "", "PMCID": "", "ISSN": "1973-9494", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "en", "libraryCatalog": "conservation-science.unibo.it", "callNumber": "", "rights": "This journal is licensed under a Creative Commons Attribution 3.0 Unported License .", "extra": "00003 \nThis paper presents a line of research aimed at studying in detail the interaction between air conditioning/heating systems and thermo hygrometric conditions inside museums. An experimental test was carried out on the microclimatic conditions inside a building envelope, using as case studies the interiors of the Castle of Chiaramonte in Favara (Agrigento), and the Church of Saint Matthew (Palermo). In this phase of the work the “real” measured values and the recommended “optimal” values were compared for the various museum exhibits displayed. The analysis of the complex dynamic interaction of climate conditions, the need for the museum pieces to be preserved in a situation of maximum stability, the problems regarding thermal comfort in relation to users’ enjoyment of the exhibition space, the construction model of the building envelope – the synergy between all these variables led to establishing the final design project. This consists of an air conditioning system with radiant panels, floor heating, cooling system and primary air, in which the benefits seen from an environmental and energy point of view, are fully explained. The conservation of cultural heritage collections in museums, on the one hand implies that the attention of the specialists must turn to the prevention of the natural degradation caused through time and on the other to improve the quality of the environment. This means environmental parameters must be checked and monitoring techniques used. Since the connective tissue between the museum and its container is the environment, the building-plant system must be held responsible for the “degradation suffered by the museum itself” or “be largely responsible for its optimal conservation with the passing of time”.", "tags": [ { "tag": "cultural heritage", "type": 1 }, { "tag": "microclimate", "type": 1 }, { "tag": "radiant floor heating and cooling system", "type": 1 } ], "collections": [], "relations": {}, "dateAdded": "2012-10-06T15:54:32Z", "dateModified": "2015-05-08T12:43:20Z" } }, { "key": "XG2QFABD", "version": 6, "library": { "type": "group", "id": 93979, "name": "Building Green and Heritage Conservation", "links": { "alternate": { "href": "https://www.zotero.org/groups/building_green_and_heritage_conservation", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/93979/items/XG2QFABD", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/building_green_and_heritage_conservation/items/XG2QFABD", "type": "text/html" } }, "meta": { "createdByUser": { "id": 525246, "username": "ccdelacruz", "name": "Christopher Cruz de la Cruz", "links": { "alternate": { "href": "https://www.zotero.org/ccdelacruz", "type": "text/html" } } }, "creatorSummary": "Lo Presti et al.", "parsedDate": "2011-12-31", "numChildren": 2 }, "data": { "key": "XG2QFABD", "version": 6, "itemType": "journalArticle", "title": "Artificial Stone in Architecture: New Restoration Techniques of Intervention in the Utveggio Castle in Palermo", "creators": [ { "creatorType": "author", "firstName": "Salvatore", "lastName": "Lo Presti" }, { "creatorType": "author", "firstName": "Francesco", "lastName": "Di Paola" }, { "creatorType": "author", "firstName": "Serena", "lastName": "Mineo" } ], "abstractNote": "Artificial Stone in Architecture: New Restoration Techniques of Intervention in the Utveggio Castle in Palermo", "publicationTitle": "Conservation Science in Cultural Heritage", "publisher": "", "place": "", "date": "31/12/2011", "volume": "11", "issue": "", "section": "", "partNumber": "", "partTitle": "", "pages": "195-217", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "", "DOI": "", "citationKey": "", "url": "http://conservation-science.unibo.it/article/view/2698", "accessDate": "2012-10-06T15:55:19Z", "PMID": "", "PMCID": "", "ISSN": "1973-9494", "archive": "", "archiveLocation": "", "shortTitle": "Artificial Stone in Architecture", "language": "en", "libraryCatalog": "conservation-science.unibo.it", "callNumber": "", "rights": "This journal is licensed under a Creative Commons Attribution 3.0 Unported License .", "extra": "00000 \nIn the particular field of the protection, conservation and valorization of Cultural Heritage, there are many scientific and technological advances implemented through financed projects between research institutions, universities and specializing companies in this area. On an operational level, to make this renewal effective, it is necessary to promote the formation of interdisciplinary teams of different professional skills, and to carry out tests and define methodologies and protocols. This study investigates these themes, focusing on the historic building “Grand Hotel Utveggio Castle”, which, by virtue of its chosen location and intended use, is exceptional for its technical and construction aspects and presents distinctive characteristics of place identity deeply connected with the city of Palermo. The project of knowledge and conservation aimed at acquiring and gaining experimental data, is directed at finding intervention methods for philological recovery, respecting the existing materials, preserving the dimensions of the structural parts and  identifying the physical-mechanical compatibility between the historical materials and those of  new generation. Riassunto Nello specifico ambito della tutela, della conservazione e della valorizzazione dei Beni Culturali, si registrano validi e numerosi progressi scientifici tra enti di ricerca, università, aziende ed imprese specializzate nel settore. Sul piano operativo, per rendere il rinnovamento efficace, è necessario promuovere la formazione di gruppi interdisciplinari di competenze professionali diverse, sperimentare e definire metodologie e protocolli operativi. Il presente studio approfondisce le tematiche, su esposte, ponendo l’attenzione sull’edificio storico “Il Grande Albergo Castello Utveggio”, che, per scelta di luogo e di destinazione d’uso, eccezionale per avvenimenti tecnici e costruttivi finalizzati a realizzarlo, presenta caratteristiche peculiari di identità di luogo fortemente correlato con la città di Palermo. Il progetto di conoscenza e di conservazione intrapreso mira all’acquisizione e all’elaborazione di dati sperimentali che vadano ad individuare metodi di intervento di ripristino filologico, nel rispetto della materia esistente, nel mantenimento dimensionale delle parti strutturali e nella compatibilità fisico-meccanica tra i materiali storici impiegati e quelli di nuova generazione. Résumé Dans le domaine spécifique de la sauvegarde, de la conservation et de la valorisation des Biens Culturels, on enregistre de valides et nombreux progrès scientifiques parmi les organismes de recherche, les universités et les entreprises spécialisées dans le secteur. Sur le plan opérationnel, pour rendre la rénovation efficace, il est nécessaire de promouvoir la formation de groupes interdisciplinaires de compétences professionnelles différentes, expérimenter et définir des méthodologies et des protocoles opérationnels. L’étude présente approfondit les thèmes, exposés ci-dessus, en mettant l’attention sur l’édifice historique « Il Grande Albergo Castello Utveggio », qui, pour le choix du lieu et de la destination d’emploi, exceptionnelle pour les événements techniques et constructifs finalisés à sa réalisation, présente des caractéristiques particulières d’identité de lieu fortement corrélé avec la ville de Palerme. Le projet de connaissance et de conservation entrepris vise à l’acquisition et à l’élaboration de données expérimentales qui déterminent des méthodes d’intervention de rétablissement philologique, dans le respect de la matière existante, dans le maintien dimensionnel des parties structurelles et dans la compatibilité physico-mécanique entre les matériaux historiques utilisés et ceux de nouvelle génération. Zusammenfassung Auf dem Gebiet des Schutzes, der Konservierung und der Pflege der Kulturgüter sind in Forschungsinstituten, Universitäten, Firmen und Fachunternehmen der Branche zahlreiche und bedeutende wissenschaftliche Fortschritte zu verzeichnen. Auf der Durchführungsebene müssen, um die Neuerung wirksam zu machen, die Bildung interdisziplinärer Gruppen von unterschiedlichen professionellen Kompetenzen gefördert und erprobt und Methodologien und Arbeitsprotokolle definiert werden. Die vorliegende Untersuchung vertieft die oben genannten Themenkreise an Hand des historischen Gebäudes “Il Grande Albergo Castello Utveggio”, das auf Grund seiner Lage und seines Bestimmungszwecks sowie des außergewöhnlichen technischen und konstruktiven Aufwands für seine Realisierung eine ganz eigene Identität eines eng mit der Stadt Palermo verbundenen Orts aufweist. Der Plan für das Erkennen und Erhalten zielt auf die Erfassung und Verarbeitung experimenteller Daten ab, an Hand deren Eingriffsverfahren für die originalgetreue Instandsetzung gefunden werden sollen, bei den das vorhandene Material und die Maße der Strukturteile erhalten und die physikalisch-mechanische Kompatibilität zwischen den verwendeten historischen Materialien und denen der neuen Generation gewährleistet wird. Resumen En el ámbito específico de la tutela, conservación y valorización de los Bienes Culturales, se registran numerosos y muy válidos progresos científicos en organismos de investigación, universidades, empresas y entidades especializadas en el sector. En el plano operativo, para que la renovación resulte eficaz, es necesario promover la formación de grupos interdisciplina de distinto ámbitos profesionales, experimentar y definir métodos y protocolos operativos. El presente estudio profundiza en las temáticas expuestas, centrando la atención en el edificio histórico “El Gran Hotel Castello Utveggio”, que, por la elección del lugar y el uso al que está destinado, excepcional en cuanto a las circunstancias técnicas y de construcción que interviene en su realización, presenta peculiares características de identidad como lugar en fuerte correlación con la ciudad de Palermo. El proyecto de conocimiento y conservación emprendido apunta a la adquisición y elaboración de datos experimentales que lleven a identificar métodos de intervención de regeneración filológica, respetando la materia existente, manteniendo las dimensiones de las partes estructurales y asegurando la compatibilidad físico-mecánica entre los materiales históricos empleados y los materiales de nuevo cuño.", "tags": [ { "tag": "artificial stone", "type": 1 }, { "tag": "diagnosis of deterioration", "type": 1 }, { "tag": "interdisciplinary research", "type": 1 }, { "tag": "new intervention methodologies", "type": 1 } ], "collections": [], "relations": {}, "dateAdded": "2012-10-06T15:55:19Z", "dateModified": "2015-05-08T12:43:19Z" } }, { "key": "P8JPUQNN", "version": 6, "library": { "type": "group", "id": 93979, "name": "Building Green and Heritage Conservation", "links": { "alternate": { "href": "https://www.zotero.org/groups/building_green_and_heritage_conservation", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/93979/items/P8JPUQNN", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/building_green_and_heritage_conservation/items/P8JPUQNN", "type": "text/html" } }, "meta": { "createdByUser": { "id": 525246, "username": "ccdelacruz", "name": "Christopher Cruz de la Cruz", "links": { "alternate": { "href": "https://www.zotero.org/ccdelacruz", "type": "text/html" } } }, "creatorSummary": "Farneti et al.", "parsedDate": "2011-12-31", "numChildren": 2 }, "data": { "key": "P8JPUQNN", "version": 6, "itemType": "journalArticle", "title": "Working towards the Advanced Management of Cultural Heritage", "creators": [ { "creatorType": "author", "firstName": "Giuseppe", "lastName": "Farneti" }, { "creatorType": "author", "firstName": "Carlotta", "lastName": "del Sordo" }, { "creatorType": "author", "firstName": "Rebecca", "lastName": "Levy Orelly" } ], "abstractNote": "Working towards the Advanced Management of Cultural Heritage", "publicationTitle": "Conservation Science in Cultural Heritage", "publisher": "", "place": "", "date": "31/12/2011", "volume": "11", "issue": "", "section": "", "partNumber": "", "partTitle": "", "pages": "153-177", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "", "DOI": "", "citationKey": "", "url": "http://conservation-science.unibo.it/article/view/2696", "accessDate": "2012-10-06T15:54:12Z", "PMID": "", "PMCID": "", "ISSN": "1973-9494", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "en", "libraryCatalog": "conservation-science.unibo.it", "callNumber": "", "rights": "This journal is licensed under a Creative Commons Attribution 3.0 Unported License .", "extra": "00000 \nWithin the broad framework of public administration reform, the Act of the ministerial directive, 10 th May 2001, regarding the “technical/scientific criteria and standards for the functioning and development of museums” constitutes an essential tool in promoting the rapid growth of this sector. In fact, following in the footsteps of Icom's Deontological Code and through the advantageous involvement of regions and local authorities, the document underlines the importance of service quality and defines scopes, criteria and standards for operating and developing museums. On the basis of the subsidiarity principle, regions are the main actors in the implementation of the Directive Act, and in the last few years they have launched progressive plans aimed at increasing quality in museums by implementing standards and initiating accreditation processes. The aim of this study is to analyse the procedure enacted by the region of Emilia-Romagna, referring both to the regulations and the state of the art implementation of standards and its effect on museum management. In implementing the Directive Act, regions must be given more power, so that they are able to foster progressive plans aimed at increasing quality in museums and realizing accreditation processes. Riassunto Nel quadro generale di riforma della pubblica amministrazione, l’Atto di indirizzo ministeriale del 10 maggio 2001 sui ‘‘Criteri tecnico- scientifici e standard per il funzionamento e lo sviluppo dei musei” rappresenta un elemento fondamentale e un fattore di accelerazione. Sul tracciato del Codice deontologico dell’Icom e attraverso un proficuo coinvolgimento delle regioni e delle autonomie locali, il documento ha sottolineato l’importanza della qualità dei servizi offerti, definendo gli ambiti, i criteri e gli standard per il funzionamento e lo sviluppo dei musei. Sulla base del principio di sussidiarietà, i principali attori dell’attuazione e messa in pratica dell’Atto di indirizzo sono le regioni, che in quest’ultimi anni hanno avviato progressivi percorsi di miglioramento della qualità dei musei attraverso l’adozione degli standard e l’avvio di processi di accreditamento. In particolare, è stato analizzato l’iter seguito dall’Emilia-Romagna sia con riferimento alla normativa che allo stato dell’arte. Résumé Dans le cadre général de la réforme de l’administration publique, l’Acte d’orientation ministérielle du 10 mai 2001 sur les « Critères technico-scientifiques et les standards pour le fonctionnement et le développement des musées » représente un élément fondamental et un facteur d’accélération. Sur le tracé du Code déontologique de l’Icom et à travers une implication avantageuse des régions et des autonomies locales, le document a souligné l’importance de la qualité des services offerts, définissant les domaines, les critères et les standards pour le fonctionnement et le développement des musées. Sur la base du principe de subsidiarité, les principaux acteurs de l’actuation et de la mise en pratique de l’Acte d’orientation sont les régions, qui, ces dernières années, ont amorcé des parcours progressifs d’amélioration de la qualité des musées à travers l’adoption des standards et le début de processus d’accréditation. En particulier, on a analysé le cheminement suivi par l’Emilie Romagne tant en référence à la normative qu’à l’état de l’art. Zusammenfassung Im großen Rahmen der Reform der öffentlichen Verwaltung stellt die ministerielle Richtlinie vom 10. Mai 2001 über ‘‘Technisch-wissenschaftlichen Kriterien und Standards für den Betrieb und die Entwicklung der Museen” ein grundlegendes Element und einen Beschleunigungsfaktor dar. Mit Blick auf die Ethischen Richtlinien des ICOM und über eine fruchtbare Einbeziehung der Regionen und der unabhängigen örtlichen Strukturen unterstreicht dieses Dokument die Bedeutung der Qualität der angebotenen Dienstleistungen und definiert die Umgebung, die Kriterien und die Standards für den Betrieb und die Entwicklung der Museen. Nach dem Subsidiaritätsprinzip sind die wichtigsten Stellen für die Durchführung und die praktische Umsetzung der Planungsrichtlinie die Regionen, die in den letzten Jahren schrittweise Ansätze für die Verbesserung der Qualität der Museen durch Anwendung der Standards und durch den Einsatz von Akkreditierungsverfahren auf den Weg gebracht haben. Es wurde insbesondere die von der Region Emilia Romagna eingeschlagene Vorgehensweise analysiert, sowohl im Hinblick auf die Normvorgaben als auch auf den erreichten Stand. Resumen En el marco general de reforma de la administración pública, el Acto de orientación ministerial de 10 mayo de 2001 sobre \"Criterios técnico-científicos y estándares para el funcionamiento y desarrollo de los museos” representa un elemento fundamental y un factor de aceleración. Siguiendo las líneas del Código deontológico del Icom y a través de una productiva participación de las regiones y de las autonomías locales, el documento ha puesto de relieve la importancia de la calidad de los servicios ofrecidos, definiendo los ámbitos, los criterios y los estándares para el funcionamiento y el desarrollo de los museos. Basándose en el principio de subsidiariedad, los principales actores de la implementación y puesta en práctica del Acto de orientación son las regiones, que en estos últimos años han puesto en marcha planes progresivos de mejora de la calidad de los museos a través de la adopción de los estándares y procesos de acreditación. En particular, se ha analizado el proceso seguido por la región de Emilia-Romaña tanto en referencia a la normativa como a los últimos avances.", "tags": [ { "tag": "cultural heritage", "type": 1 }, { "tag": "governance", "type": 1 }, { "tag": "management", "type": 1 }, { "tag": "public administration reform", "type": 1 } ], "collections": [], "relations": {}, "dateAdded": "2012-10-06T15:54:12Z", "dateModified": "2015-05-08T12:43:18Z" } }, { "key": "99TAGBTV", "version": 6, "library": { "type": "group", "id": 93979, "name": "Building Green and Heritage Conservation", "links": { "alternate": { "href": "https://www.zotero.org/groups/building_green_and_heritage_conservation", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/93979/items/99TAGBTV", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/building_green_and_heritage_conservation/items/99TAGBTV", "type": "text/html" } }, "meta": { "createdByUser": { "id": 525246, "username": "ccdelacruz", "name": "Christopher Cruz de la Cruz", "links": { "alternate": { "href": "https://www.zotero.org/ccdelacruz", "type": "text/html" } } }, "creatorSummary": "Lorusso", "parsedDate": "2011-12-31", "numChildren": 2 }, "data": { "key": "99TAGBTV", "version": 6, "itemType": "journalArticle", "title": "Artistic Heritage and Social Capital in Intercultural Society", "creators": [ { "creatorType": "author", "firstName": "Piero", "lastName": "Lorusso" } ], "abstractNote": "Artistic Heritage and Social Capital in Intercultural Society", "publicationTitle": "Conservation Science in Cultural Heritage", "publisher": "", "place": "", "date": "31/12/2011", "volume": "11", "issue": "", "section": "", "partNumber": "", "partTitle": "", "pages": "179-194", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "", "DOI": "", "citationKey": "", "url": "http://conservation-science.unibo.it/article/view/2697", "accessDate": "2012-10-06T15:53:50Z", "PMID": "", "PMCID": "", "ISSN": "1973-9494", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "en", "libraryCatalog": "conservation-science.unibo.it", "callNumber": "", "rights": "This journal is licensed under a Creative Commons Attribution 3.0 Unported License .", "extra": "00000 \nThe extreme latitude of the multi-disciplinary scenarios outlined by the social, humanistic and economic sciences – from the re-reading of the “classics” and the founding contributions accrued in philosophy, literature, anthropology and sociology – becomes the basis in formulating the working hypothesis of a new discipline. For the author, the sociological analysis of cultural heritage moves from the recognition of the sector as an all-embracing source of value – cultural, civic and economic – for the individual and for the nation. Nevertheless, it should be recognised how the radical changes associated with redefining judicial and organisational trends in the sector, with the impact of technologies, and more importantly, with the profound change in users, have essentially left intact - at the same time “democratising it” for new audiences – the most universal asset that artistic-cultural heritage possesses: that is to say, the ability to “consult” the social actors themselves in depth, referring them to a system of “aspirational” values. A strength – as is well-known – that both upholds and goes beyond the duties of daily life, including the ambivalent need for social “belonging” and “distinction” which is nourished by consuming art and culture. Hence, a sense of the “sacred”, albeit in lesser terms than in the past, emerges once more in cultural heritage. The direction it takes is towards the spiritualisation of existence and is such for an increasingly varied number of social sectors, which nowadays are “fashioned” for the enjoyment of culture owing to improved levels of  education and available skills. Cultural heritage can consequently be seen as a relational resource and a “social capital” ante litteram: due to the participatory role of culture, when real “citizenship” assets are consumed, they create a new source of social values, which are cohesive and create community interaction for today’s social actors. Riassunto L’estrema latitudine degli scenari multi-disciplinari delineati dalle scienze sociali, umanistiche ed economiche ? a partire dalla rilettura dei “classici” e dei contributi fondativi maturati in ambito filosofico, letterario, antropologico e sociologico – diventa l’orizzonte di partenza per la formulazione delle ipotesi di lavoro di una nuova disciplina. Nell’ intenzione dichiarata dell’ autore, l’analisi sociologica dei beni culturali muove dal riconoscimento del settore come fonte di valore a tutto tondo – culturale, civico ed economico ? per i singoli e per il sistema-paese. D’altra parte, occorre riconoscere quanto i radicali cambiamenti legati alla ridefinizione degli assetti giuridici e organizzativi di settore, all’impatto delle tecnologie e, non ultimo, al cambiamento profondo dell’utenza, abbiano lasciano fondamentalmente intatto – a un tempo “democratizzandolo” per nuove fasce di pubblico – il valore più universale di cui il patrimonio artistico-culturale è portatore: la capacità di “interpellare” in profondità gli attori sociali, richiamandoli a un sistema di valori “di aspirazione”. Un potere che – come noto ? sostiene e travalica allo stesso tempo le incombenze della vita quotidiana,  compreso l’ambivalente bisogno di “appartenenza” e “distinzione” sociale che proprio dal consumo culturale e artistico trae fondamentale linfa. Torna a emergere così, seppur in termini inediti rispetto al passato, un senso del “sacro” nei beni culturali, che va in direzione della spiritualizzazione dell’esistenza e che è tale per settori sociali sempre più ampi, oggi “abilitati” al godimento della cultura da crescenti livelli di istruzione e competenza fruitiva. I beni culturali si offrono dunque all’osservazione come una risorsa relazionale e un “capitale sociale” ante litteram: veri e propri beni “di cittadinanza”, il cui consumo, in virtù  della funzione partecipativa della cultura, è di per sé fonte di nuovi valori sociali, coesivi e comunitari per gli attori contemporanei. Résumé L’extrême latitude des panoramas multidisciplinaires tracés par les sciences sociales, humanistes et économiques ? à partir de la relecture des « classiques » et des contributions fondatives mûries dans le domaine philosophique, littéraire, anthropologique et sociologique – devient l’horizon de départ pour la formulation des hypothèses de travail d’une nouvelle discipline. Dans l’intention déclarée de l’auteur, l’analyse sociologique des biens culturels part de la reconnaissance du secteur comme source de valeur complète – culturel, civique et économique ? pour tout un chacun et pour le pays tout entier. D’autre part, il faut reconnaître que les changements radicaux liés à la redéfinition des aménagements juridiques et d’organisation du secteur, à l’impact des technologies et, pas en dernier lieu, au changement profond des usagers, ont laissé fondamentalement intact – dans un temps en le « démocratisant » pour des nouvelles cibles de public – la valeur plus universelle dont le patrimoine artistique-culturel est porteur : la capacité d’ « interpeller » en profondeur les acteurs sociaux, les rappelant à un système de valeurs « d’aspiration ». Un pouvoir qui – comme on le sait ? soutient et franchit en même temps les tâches de la vie quotidienne, y compris l’ambivalent besoin d’« appartenance » et « distinction » sociale qui tire sa lymphe fondamentale, justement, de la consommation culturelle et artistique. C’est ainsi qu’émerge, même si en termes inédits par rapport au passé, un sens du « sacré » dans les biens culturels, qui va dans la direction de la spiritualisation de l’existence et qui est telle pour des secteurs sociaux toujours plus vastes, aujourd’hui « habilités » à la jouissance de la culture depuis des niveaux croissants d’instruction et de compétence jouissive. Les biens culturels s’offrent donc à l’observation comme une ressource relationnelle et un « capital social » ante litteram : des véritables biens de «  citoyenneté », dont la consommation, en vertu de la fonction participative de la culture, est elle-même source de nouvelles valeurs sociales, cohésives et communautaires pour les acteurs contemporains. Zusammenfassung Die extreme Bandbreite der multidisziplinären Szenarien, die von den Gesellschafts-, Human- und Wirtschaftswissenschaften aufgezeigt werden ? angefangen von der Wiederlektüre der “Klassiker” und der grundlegenden Schriften auf den Gebieten Philosophie, Literatur, Anthropologie und Soziologie – bildet den Ausgangspunkt für die Formulierung der Arbeitshypothesen einer neuen Disziplin. Nach der erklärten Absicht des Autors geht die soziologische Analyse der Kulturgüter von der Anerkennung dieses Sektors als voll gültiger Wertequelle – in kultureller, gesellschaftlicher und wirtschaftlicher Hinsicht ? für den Einzelnen und das Staatsgefüge aus. Andererseits muss anerkannt werden, wie sehr die radikalen Veränderungen im Zusammenhang mit der Neudefinition der juristischen und organisatorischen Bedingungen, mit den Auswirkungen der Technologien und nicht zuletzt mit dem tief greifenden Wandel der Nutzer den universellsten Wert, dessen Träger das Kunst- und Kulturerbe ist, grundsätzlich intakt gelassen und gleichzeitig für neue Publikumsschichten “demokratisiert” haben: die Fähigkeit, die sozialen Akteure “interpellare” in profondità gli, und sie auf ein System von \"anzustrebenden\" Werten zu verweisen. Eine Fähigkeit, die – wie bekannt ? die Obliegenheiten des täglichen Lebens unterstützt und gleichzeitig über sie hinaus führt, einschließlich des ambivalenten Bedürfnisses nach gesellschaftlicher “Zugehörigkeit” und “Unterscheidung”, das ja gerade aus dem Kultur- und Kunstkonsum seinen wesentlichen Antrieb bezieht. Damit taucht wieder, wenn auch in einem anderen Sinn als früher, der Begriff des “Heiligen” in den Kulturgütern auf, der in Richtung der Spiritualisierung der Existenz geht und die immer breiteren Gesellschaftsschichten betrifft, die heute durch ein höheres Bildungsniveau und besseres Sachverständnis zum Kulturgenuss “befähigt” sind. Die Kulturgüter erscheinen daher als eine relationale Ressource und ein “Gesellschaftskapital”, das bestand, bevor es diese Begriffe gab, wahre “Volksgüter”, deren Konsum auf Grund der Beteiligungsfunktion der Kultur für sich eine Quelle neuer gesellschaftlicher, verbindender und gemeinschaftlicher Werte ist. Resumen La extrema amplitud de los escenarios multi-disciplina delineados por las ciencias sociales, humanísticas y económicas, a partir de la relectura de los \"clásicos\" y de las aportaciones fundacionales gestadas en los campos filosófico, literario, antropológico y sociológico, se constituyen en horizonte inicial para la formulación de las hipótesis de trabajo de una nueva disciplina. En la intención declarada del autor, el análisis sociológico de los bienes culturales lleva al reconocimiento del sector como fuente de valor en todos los aspectos -cultural, cívico y económico- tanto para los individuos como para el sistema-país. Por otra parte, es necesario reconocer en qué medida los radicales cambios vinculados con la redefinición de los dominios jurídicos y organizativos del sector, con el impacto de las tecnologías y, no en último lugar, con el profundo cambio de los usuarios, han dejado fundamentalmente intacto (\"democratizándolo\" al mismo tiempo para nuevos sectores del público) el valor más universal del patrimonio artístico–cultural: la capacidad de \"interpelar\" con profundidad a los actores sociales, remitiéndoles a un sistema de valores \"de aspiración\". Un poder que -como se sabe- sostiene y a la vez pasa por alto los eventos del cotidiano devenir, incluyendo la ambivalente necesidad de \"pertenencia\" y \"distinción\" social, que extraen una linfa fundamental precisamente del consumo cultural y artístico. Vuelve a emerger así, si bien en términos inéditos con respecto al pasado, un sentido de lo \"sagrado\" en los bienes culturales, que apunta a la espiritualización de la existencia y que se manifiesta como tal para unos sectores sociales cada vez más amplios, actualmente \"habilitados\" para el disfrute de la cultura por unos niveles cada vez más altos de instrucción y de capacitación para su disfrute. De ese modo, los bienes culturales se ofrecen a la observación como un recurso de relación y, literalmente, un \"capital social\": bienes \"de ciudadanía\" propiamente dichos, cuyo consumo, en virtud de la función participativa de la cultura, es de por sí fuente de nuevos valores sociales, de cohesión y comunitarios para los actores de nuestra época.", "tags": [ { "tag": "cultural heritage", "type": 1 }, { "tag": "interculturalism", "type": 1 }, { "tag": "social capital", "type": 1 } ], "collections": [], "relations": {}, "dateAdded": "2012-10-06T15:53:50Z", "dateModified": "2015-05-08T12:43:17Z" } }, { "key": "DFDTMQVE", "version": 1, "library": { "type": "group", "id": 93979, "name": "Building Green and Heritage Conservation", "links": { "alternate": { "href": "https://www.zotero.org/groups/building_green_and_heritage_conservation", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/93979/items/DFDTMQVE", "type": "application/json" }, "alternate": 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