Titled Opening, the twenty-eight-minute event was based on an edited transcript of a UAE-pavilion press conference given by Zolghadr and his commissioner at Art Basel Miami Beach in 2008. This version was then recorded by actors and, at the pavilion in Venice, lip-synched by two other actors (upgraded look-alikes of Zolghadr and Hamdan). The highlight was a journalist (\"John Smith\") asking pointed questions from the authence, also entirely lipsynched for the live event. The effect was riveting, not just for the actors' ability to lip-synch an entire discussion-as well as feign the bored restlessness that epitomizes all press conferences-but also for the content of Smith's questions: Isn't culture in the UAE a top-down initiative? Isn't it true that only the rich can survive as artists there? Shouldn't the country be dealing with its appalling immigrant-labor conditions before buying up Western art history? (Actually, this last question is mine, but there was no opportunity to join in.)
\nThrough this performance, and in the pavilion as a whole, Zolghadr has managed to ventriloquize his own ambivalence about the UAE, but only while promoting and complicating the Western perception of this country. He acknowledges international unease about the UAE's voracious cultural development, but only by displaying this alongside artists usually absent from the promotional literature. And in this regard, perhaps Zolghadr ventriloquizes the ambivalences that should beset the curator of any state's pavilion: the use of art as a display of national prowess, whether (or not) to show the domestic context for cultural production, and the question of how to be critical in the hype-rich, time-poor world of the Biennale. The UAE pavilion includes very little art but an awful lot of curatorial authorship that stays just on the right side of knowing glibness. Zolghadr has pulled off the not inconsiderable feat of setting himself at a distance from the goals of his funders while managing to serve them anyway (as evidenced by this article). This is doublespeak at its double-edged finest.
", "tags": [], "relations": {}, "dateAdded": "2010-10-27T03:41:13Z", "dateModified": "2013-08-03T19:16:45Z" } }, { "key": "54HZAXFK", "version": 838, "library": { "type": "group", "id": 8775, "name": "anthologizing", "links": { "alternate": { "href": "https://www.zotero.org/groups/anthologizing", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/8775/items/54HZAXFK", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/anthologizing/items/54HZAXFK", "type": "text/html" } }, "meta": { "createdByUser": { "id": 84854, "username": "leary.chris", "name": "Christopher Leary", "links": { "alternate": { "href": "https://www.zotero.org/leary.chris", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "54HZAXFK", "version": 838, "itemType": "note", "note": "relationship between students anthologizing and folksonomy:
\nfolksonomy is the classification process seen in tagging, where content is classified by anyone who is interested in doing so. “folks” intervene, flood the classification process, using their sheer numbers to dominate any attempt to impose order from above. the order is imposed from below.
\nit is just so in classroom anthologizing. students place their own order on the world. they take the materials in their environment and shape them in ways that are colored by their emotions, their tastes, their histories, their logics, and their languages.
\ndecanonization, the categories get less hardened, less calcified.
", "tags": [], "collections": [], "relations": {}, "dateAdded": "2010-10-27T03:41:13Z", "dateModified": "2013-08-03T19:16:45Z" } }, { "key": "S4VSXA96", "version": 838, "library": { "type": "group", "id": 8775, "name": "anthologizing", "links": { "alternate": { "href": "https://www.zotero.org/groups/anthologizing", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/8775/items/S4VSXA96", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/anthologizing/items/S4VSXA96", "type": "text/html" } }, "meta": { "createdByUser": { "id": 84854, "username": "leary.chris", "name": "Christopher Leary", "links": { "alternate": { "href": "https://www.zotero.org/leary.chris", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "S4VSXA96", "version": 838, "itemType": "note", "note": "Therborn: the nature of \"disarticulating events\" which provoke social change
\n1. Forces of Production: raw materials, labor/workers,
buildings/factories/communication facilities/transportation tools andcommunication instruments, utilities, machines/technologies including robotics/industrial processes.
\"The UK Museums Association has a great agreed definition of a museum. Basically, a museum is somewhere that collects, cares for and interprets artefacts.\"
", "tags": [], "relations": {}, "dateAdded": "2010-10-27T03:41:13Z", "dateModified": "2010-10-27T03:41:13Z" } }, { "key": "WQFQQBXX", "version": 1, "library": { "type": "group", "id": 8775, "name": "anthologizing", "links": { "alternate": { "href": "https://www.zotero.org/groups/anthologizing", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/8775/items/WQFQQBXX", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/anthologizing/items/WQFQQBXX", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/8775/items/E7FIPXI5", "type": "application/json" } }, "meta": { "createdByUser": { "id": 84854, "username": "leary.chris", "name": "Christopher Leary", "links": { "alternate": { "href": "https://www.zotero.org/leary.chris", "type": "text/html" } } } }, "data": { "key": "WQFQQBXX", "version": 1, "parentItem": "E7FIPXI5", "itemType": "attachment", "linkMode": "imported_url", "title": "Gmail - Postmodern Pedagogy of Imitation - leary.chris@gmail.com", "accessDate": "2009-12-10T04:02:46Z", "url": "https://mail.google.com/mail/?dest=http%3A%2F%2Fgmail.google.com%2Fgmail#label/anthologizing/10baa162548c12bd", "note": "", "contentType": "text/html", "charset": "utf-8", "filename": "mail.html", "md5": null, "mtime": 1260417783000, "tags": [], "relations": {}, "dateAdded": "2010-10-27T03:41:13Z", "dateModified": "2010-10-27T03:41:13Z" } }, { "key": "3K9KU7TE", "version": 1, "library": { "type": "group", "id": 8775, "name": "anthologizing", "links": { "alternate": { "href": "https://www.zotero.org/groups/anthologizing", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/8775/items/3K9KU7TE", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/anthologizing/items/3K9KU7TE", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/8775/items/5GBTMQW5", "type": "application/json" } }, "meta": { "createdByUser": { "id": 84854, "username": "leary.chris", "name": "Christopher Leary", "links": { "alternate": { "href": "https://www.zotero.org/leary.chris", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "3K9KU7TE", "version": 1, "parentItem": "5GBTMQW5", "itemType": "note", "note": "As scholars gain mastery in digital collocation and produce innovative research environments, they are practicing a new kind of collection development. Thematic collections are conceived not only as support for scholarship but as contributions to scholarship. They provide dense configurations of materials that strongly represent the relationships between different kinds of sources and different subject areas, and they are designed and instrumented to encourage scholarly interaction with these materials. Through contextual mass, interdisciplinary platform, and activity support they add density and flexibility to previously scattered and static stores of research materials. These collections can assist in the production of new research, but they also have the potential to substantively improve the scholarly research process. In thematic collections research materials are closely tied to the processes of inquiry, making the contours of scholarship more visible as they are inscribed into the the
collection. The questions and methods that propel scholarship become part of the representation, and as scholars build the partnerships it takes to construct quality collections, networks of researchers and institutions involved in a research area become
more explicit. Thematic collections are a substantive contributition to the rebuilding of research resources in the digital age, adding richness to our stores of research collections and new opportunities for humanities scholarship.
CAROLE L. PALMER
We thrive in information-thick worlds because of our marvelous and everyday capacities to select, edit, single out, structure, highlight, group, pair, merge, harmonize synthesize, focus, organize, condense, reduce, boil down, choose, categorize, catalog, classify, list, abstract, scan, look into, idealize, isolate, discriminate, distinguish, screen, pigeonhole, pick over, sort, intergrate, blend, inspect, filter, lump, skip, smooth, chunk, average, approximate, cluster, aggregate, outline, summarize, itemize, review, dip into, flip through, browse, glance into, leaf through, skim, refine, enumerate, glean, synopsize, winnow the wheat from the chafe, and separate the sheep from the goats.
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\n...does not detect so much as it sorts into predetermined interested categories
\nWhat is the radar that sortss people into genders? What is the radar that engenders?
", "tags": [], "relations": {}, "dateAdded": "2010-10-27T03:41:13Z", "dateModified": "2010-10-27T03:41:13Z" } }, { "key": "9X3IRG4Z", "version": 1, "library": { "type": "group", "id": 8775, "name": "anthologizing", "links": { "alternate": { "href": "https://www.zotero.org/groups/anthologizing", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/8775/items/9X3IRG4Z", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/anthologizing/items/9X3IRG4Z", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/8775/items/XT3QTP3M", "type": "application/json" } }, "meta": { "createdByUser": { "id": 84854, "username": "leary.chris", "name": "Christopher Leary", "links": { "alternate": { "href": "https://www.zotero.org/leary.chris", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "9X3IRG4Z", "version": 1, "parentItem": "XT3QTP3M", "itemType": "note", "note": "the boundary is created by the system (62)
", "tags": [], "relations": {}, "dateAdded": "2010-10-27T03:41:13Z", "dateModified": "2010-10-27T03:41:13Z" } }, { "key": "RK2ADXGT", "version": 1, "library": { "type": "group", "id": 8775, "name": "anthologizing", "links": { "alternate": { "href": "https://www.zotero.org/groups/anthologizing", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/8775/items/RK2ADXGT", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/anthologizing/items/RK2ADXGT", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/8775/items/XT3QTP3M", "type": "application/json" } }, "meta": { "createdByUser": { "id": 84854, "username": "leary.chris", "name": "Christopher Leary", "links": { "alternate": { "href": "https://www.zotero.org/leary.chris", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "RK2ADXGT", "version": 1, "parentItem": "XT3QTP3M", "itemType": "note", "note": "Systems are patterns...
\n... of ongoing events, the raw material being communications which happen in multilevel, non-linear ways (see performativity)
\n\n
Communications work to distinguish programs and to self-produce programs
\n", "tags": [], "relations": {}, "dateAdded": "2010-10-27T03:41:13Z", "dateModified": "2010-10-27T03:41:13Z" } }, { "key": "E5PH3D6T", "version": 1, "library": { "type": "group", "id": 8775, "name": "anthologizing", "links": { "alternate": { "href": "https://www.zotero.org/groups/anthologizing", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/8775/items/E5PH3D6T", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/anthologizing/items/E5PH3D6T", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/8775/items/XT3QTP3M", "type": "application/json" } }, "meta": { "createdByUser": { "id": 84854, "username": "leary.chris", "name": "Christopher Leary", "links": { "alternate": { "href": "https://www.zotero.org/leary.chris", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "E5PH3D6T", "version": 1, "parentItem": "XT3QTP3M", "itemType": "note", "note": "
self-observation and self-description is an operation of distingushing
", "tags": [], "relations": {}, "dateAdded": "2010-10-27T03:41:13Z", "dateModified": "2010-10-27T03:41:13Z" } }, { "key": "N96QSECG", "version": 1, "library": { "type": "group", "id": 8775, "name": "anthologizing", "links": { "alternate": { "href": "https://www.zotero.org/groups/anthologizing", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/8775/items/N96QSECG", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/anthologizing/items/N96QSECG", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/8775/items/XT3QTP3M", "type": "application/json" } }, "meta": { "createdByUser": { "id": 84854, "username": "leary.chris", "name": "Christopher Leary", "links": { "alternate": { "href": "https://www.zotero.org/leary.chris", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "N96QSECG", "version": 1, "parentItem": "XT3QTP3M", "itemType": "note", "note": "performative rituals of identity production and exclusion
\nperformative statements position me in relation to interlocuter and to language although this is often onscured buy the referentail simension of the sttemnet
\nisnt a univers with life in it different from a universe without
\nthe distinction between ontology and semantics belongs to semantics
\na statements' poiesis is its power to shape and make the sustem of which it is part
\nreflexivity in finance: to what extent do predictions participate in what is being predicted a la the Jim Cramer show on MSNBC
\nto see the self-reference of a statemnt detracts from them as pedagogy or news
\ntexts, like other living things, can remain alive only by remaining unborn, by remaining hooked into ecology
\nregular interplay of patterned energy through matter
\nwheatever they use as identities and differences is of their own making
\nstructuralism models systems as spatial organizations frozen at a single moment in time; autopoessi understands them as patterns of ongoing events contuniaully under construction (this echoes Turner in Anthropology of Performance describing the processual turn, temporalizing space instead of spatializing process)
\nsmolin the physiciast: there are no things only processes
\ncant separate the activity of producing (verb) from the autopoeitic system (noun) yet english grammar demands it except in the case of \"it rains\" and such other formations
\nexplain codetermination of subjects, verbs, and objects is undermined by explaining with subjects, verbs, and objects
\na boundary is a set of operations not a physical structure
\nboundaries should be observed because thats where processes are at work
\nlook at nounds and structures until you see participles (crystallizings) and processes
\nan edge is an ongoing negotiation
\nboundaries dont just create traffic; they are traffic
\nautopoeitic system is a black box because its inputs and outputs are observable evern though the internal organzation is entirely opaque; the system itself can observe its functioning and make self-representations and represent the difference between self and environment
\nthe interaction between differnce within and difference between -------> meaining
\nthe name is manufactured by the system and is an important part of the sustem (see Maturanas naming of autopoeisis)
\nphobia of nightswimming -- fear of being grasped -- similar feeling when writing. thats why we avoid writing because it feels similar to being sucked under by a creature during nightswimming
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