[ { "key": "7P9WHI3X", "version": 8618, "library": { "type": "group", "id": 8498, "name": "UVA MDST 3703", "links": { "alternate": { "href": "https://www.zotero.org/groups/uva_mdst_3703", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/8498/items/7P9WHI3X", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/uva_mdst_3703/items/7P9WHI3X", "type": "text/html" } }, "meta": { "createdByUser": { "id": 10812, "username": "ontoligent", "name": "Rafael C. Alvarado", "links": { "alternate": { "href": "https://www.zotero.org/ontoligent", "type": "text/html" } } }, "creatorSummary": "Anderson", "parsedDate": "1983", "numChildren": 0 }, "data": { "key": "7P9WHI3X", "version": 8618, "itemType": "bookSection", "title": "The Nation as Imagined Community", "creators": [ { "creatorType": "author", "firstName": "Benedict", "lastName": "Anderson" } ], "abstractNote": "Perhaps the most read book about nationalism. Anderson adheres to the modernization argument explaining the origin of nations. In other words, nations developed as a necessary component of industrial society, though neither \"economic interest, Liberalism, nor Enlightenment could, or did, create in themselves the kind, or shape, or imagined community\" (65). Breaking from Gellner (the Nations and Nationalism appeared in the same year (1983) as the first edition of Imagined Communities), Anderson places greater emphasis on the constructed nature of culture and on the role of print capitalism to the development of nations. On the cultural front, Anderson argues that pre-national culture was religious culture. Nations replaced this religious culture with their own uniquely constructed national cultures. Anderson places print capitalism at the very heart of his theory, claiming that it was print capitalism which allowed for the development of these new national cultures and created the specific formations which the new nations would eventually take. [E. Zuelow]", "bookTitle": "Imagined Communities: Reflections on the Origin and Spread of Nationalism", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "Revised Edition", "date": "1983", "publisher": "Verso", "place": "New York", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "pages": "5-7", "ISBN": "", "DOI": "", "citationKey": "", "url": "http://www.nationalismproject.org/what/anderson.htm", "accessDate": "2010-02-03T15:39:49Z", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "", "callNumber": "0050", "rights": "", "extra": "", "tags": [], "collections": [], "relations": {}, "dateAdded": "2013-11-16T02:14:57Z", "dateModified": "2013-11-16T02:14:57Z" } }, { "key": "ZUBKDV3V", "version": 1, "library": { "type": "group", "id": 8498, "name": "UVA MDST 3703", "links": { "alternate": { "href": "https://www.zotero.org/groups/uva_mdst_3703", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/8498/items/ZUBKDV3V", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/uva_mdst_3703/items/ZUBKDV3V", "type": "text/html" } }, "meta": { "createdByUser": { "id": 10812, "username": "ontoligent", "name": "Rafael C. 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M.", "lastName": "Turing" } ], "abstractNote": "", "publicationTitle": "The Journal of Symbolic Logic", "publisher": "", "place": "", "date": "1948", "volume": "13", "issue": "2", "section": "", "partNumber": "", "partTitle": "", "pages": "80-94", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "", "DOI": "", "citationKey": "", "url": "http://www.jstor.org/stable/2267329", "accessDate": "", "PMID": "", "PMCID": "", "ISSN": "00224812", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "", "callNumber": "0014", "rights": "", "extra": "ArticleType: primary_article / Full publication date: Jun., 1948 / Copyright © 1948 Association for Symbolic Logic", "tags": [], "collections": [], "relations": {}, "dateAdded": "2009-12-04T00:46:14Z", "dateModified": "2012-08-29T16:05:19Z" } }, { "key": "XZJDXI8V", "version": 1, "library": { "type": "group", "id": 8498, "name": "UVA MDST 3703", "links": { "alternate": { "href": "https://www.zotero.org/groups/uva_mdst_3703", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/8498/items/XZJDXI8V", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/uva_mdst_3703/items/XZJDXI8V", "type": "text/html" } }, "meta": { "createdByUser": { "id": 10812, "username": "ontoligent", "name": "Rafael C. Alvarado", "links": { "alternate": { "href": "https://www.zotero.org/ontoligent", "type": "text/html" } } }, "creatorSummary": "Manovich", "parsedDate": "1999", "numChildren": 3 }, "data": { "key": "XZJDXI8V", "version": 1, "itemType": "journalArticle", "title": "Database as Symbolic Form", "creators": [ { "creatorType": "author", "firstName": "Lev", "lastName": "Manovich" } ], "abstractNote": "After the novel, and subsequently cinema, privileged narrative as the key form of cultural expression of the modern age, the computer age introduces its correlate - database. Many new media objects do not tell stories; they don't have a beginning or end; in fact, they don't have any development, thematically, formally or otherwise which would organise their elements into a sequence. Instead, they are collections of individual items, where every item has the same significance as any other. Why do new media favour database form over others? Can we explain its popularity by analysing the specificity of the digital medium and computer programming? What is the relationship between database and another form, which has traditionally dominated human culture - narrative? In addressing these questions, the article discusses the connection between the computer's ontology - the way the computer's organisation of data represents the world - and the new cultural forms privileged by computer culture such as database. Saussure's notions of the paradigm and the syntagm are used to theorise the relationship between database and narrative. A possible history of a database form in modern media and culture in general is sketched. The last part of the article addreses the tension between database and narrative in the history of cinema. It considers the works of such filmmakers as Peter Greenaway and Dziga Vertov as part of the tradition which can be called 'database cinema'. This cinema tries to merge databases and narrative into a new form, thus anticipating one of the key problems of new media art.", "publicationTitle": "Convergence", "publisher": "", "place": "", "date": "1999", "volume": "5", "issue": "2", "section": "", "partNumber": "", "partTitle": "", "pages": "80-99", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "", "DOI": "10.1177/135485659900500206", "citationKey": "", "url": "http://con.sagepub.com/cgi/content/abstract/5/2/80", "accessDate": "2009-08-24T18:02:09Z", "PMID": "", "PMCID": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "Sage Journals Online", "callNumber": "0077", "rights": "", "extra": "", "tags": [ { "tag": "algorithm" }, { "tag": "database" }, { "tag": "discourse" }, { "tag": "gaming" }, { "tag": "new media studies" } ], "collections": [], "relations": {}, "dateAdded": "2009-12-04T00:46:14Z", "dateModified": "2012-08-29T16:05:18Z" } }, { "key": "XUI3NRS7", "version": 1, "library": { "type": "group", "id": 8498, "name": "UVA MDST 3703", "links": { "alternate": { "href": "https://www.zotero.org/groups/uva_mdst_3703", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/8498/items/XUI3NRS7", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/uva_mdst_3703/items/XUI3NRS7", "type": "text/html" } }, "meta": { "createdByUser": { "id": 10812, "username": "ontoligent", "name": "Rafael C. 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Next it is suggested that the relationship between sanctity and authority changes with technological development. Finally, some tentative suggestions concerning the origins of the sacred are advanced.", "publicationTitle": "American Anthropologist", "publisher": "", "place": "", "date": "1971", "volume": "73", "issue": "1", "section": "", "partNumber": "", "partTitle": "", "pages": "59-76", "series": "New Series", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "", "DOI": "", "citationKey": "", "url": "http://www.jstor.org/stable/671812", "accessDate": "2009-10-21T01:19:47Z", "PMID": "", "PMCID": "", "ISSN": "00027294", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "JSTOR", "callNumber": "0000", "rights": "", "extra": "ArticleType: primary_article / Full publication date: Feb., 1971 / Copyright © 1971 American Anthropological Association", "tags": [], "collections": [], "relations": {}, "dateAdded": "2009-12-04T00:46:14Z", "dateModified": "2012-08-29T16:05:14Z" } }, { "key": "WE645UVJ", "version": 1, "library": { "type": "group", "id": 8498, "name": "UVA MDST 3703", "links": { "alternate": { "href": "https://www.zotero.org/groups/uva_mdst_3703", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/8498/items/WE645UVJ", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/uva_mdst_3703/items/WE645UVJ", "type": "text/html" } }, "meta": { "createdByUser": { "id": 10812, "username": "ontoligent", "name": "Rafael C. 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Alvarado", "links": { "alternate": { "href": "https://www.zotero.org/ontoligent", "type": "text/html" } } }, "creatorSummary": "Drucker", "parsedDate": "2001", "numChildren": 1 }, "data": { "key": "W9JIXT8E", "version": 1, "itemType": "journalArticle", "title": "Digital Ontologies: The Ideality of Form in/and Code Storage--or--Can Graphesis Challenge Mathesis?", "creators": [ { "creatorType": "author", "firstName": "Johanna", "lastName": "Drucker" } ], "abstractNote": "", "publicationTitle": "Leonardo", "publisher": "", "place": "", "date": "2001", "volume": "34", "issue": "2", "section": "", "partNumber": "", "partTitle": "", "pages": "141-145", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "", "DOI": "", "citationKey": "", "url": "http://muse.jhu.edu/journals/leonardo/v034/34.2drucker.html", "accessDate": "2009-09-29T00:11:11Z", "PMID": "", "PMCID": "", "ISSN": "1530-9282", "archive": "", "archiveLocation": "", "shortTitle": "Digital Ontologies", "language": "", "libraryCatalog": "Project MUSE", "callNumber": "0012", "rights": "", "extra": "Volume 34, Number 2, April 2001", "tags": [ { "tag": "Adorno" }, { "tag": "Husserl" }, { "tag": "art" }, { "tag": "image" }, { "tag": "ontology" } ], "collections": [], "relations": {}, "dateAdded": "2009-12-04T00:46:14Z", "dateModified": "2012-08-29T16:05:12Z" } }, { "key": "W8T9BUTQ", "version": 1, "library": { "type": "group", "id": 8498, "name": "UVA MDST 3703", "links": { "alternate": { "href": "https://www.zotero.org/groups/uva_mdst_3703", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/8498/items/W8T9BUTQ", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/uva_mdst_3703/items/W8T9BUTQ", "type": "text/html" } }, "meta": { "createdByUser": { "id": 10812, "username": "ontoligent", "name": "Rafael C. 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Alvarado", "links": { "alternate": { "href": "https://www.zotero.org/ontoligent", "type": "text/html" } } }, "creatorSummary": "Bird and Liberman", "parsedDate": "1999", "numChildren": 1 }, "data": { "key": "W7VWZCZR", "version": 1, "itemType": "document", "title": "Annotation Graphs as a Framework for Multidimensional Linguistic Data Analysis", "creators": [ { "creatorType": "author", "firstName": "Steven", "lastName": "Bird" }, { "creatorType": "author", "firstName": "Mark", "lastName": "Liberman" } ], "abstractNote": "In recent work we have presented a formal framework for linguistic annotation based on labeled acyclic digraphs. These `annotation graphs' offer a simple yet powerful method for representing complex annotation structures incorporating hierarchy and overlap. Here, we motivate and illustrate our approach using discourse-level annotations of text and speech data drawn from the CALLHOME, COCONUT, MUC-7, DAMSL and TRAINS annotation schemes. With the help of domain specialists, we have constructed a hybrid multi-level annotation for a fragment of the Boston University Radio Speech Corpus which includes the following levels: segment, word, breath, ToBI, Tilt, Treebank, coreference and named entity. We show how annotation graphs can represent hybrid multi-level structures which derive from a diverse set of file formats. We also show how the approach facilitates substantive comparison of multiple annotations of a single signal based on different theoretical models. 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Examining the first of these here I argue for research toward an open-ended, interoperable set of primitives based on previous work in the field and designed for the emerging digital library environment. 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This article presents the author’s creation of StageGraph -- a tool for the visualization of dramatic structure -- as a “narrative of process” and uses it to consider the implications of such a change against the broader backdrop of literary studies. 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