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Bakhtin: \"dialogical imagination\"

\n

parallels between museum and church as choreographed environments designed to heighten viewers' experiences of symbolic artifacts

\n

D&G explanation of rhizome (thousand plateaus, pp. 5-12)

\n

 

\n

five types of knowledge viewers bring: perceptual, autobiographic, cultural, interdisciplinary, and institutional

\n

also references Foucault, Barthes, Mitchell, Merleau-Ponty

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"abstractNote": "The composition of limestone samples taken from the Romanesque arch at The Cloisters Museum and from a portal at Notre-Dame d'Aiguevives was determined by neutron activation analysis. 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