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Each encounter involved either a mutual engagement or the writing of critical texts or catalogue prefaces—texts that illuminate not only the work of the artists but also the production of the philosopher-writer concerned.Although the protagonists of “French theory” are universally known and studied, their thought is presented without a sense of contiguity, chronology, or context in translation, while the artists with whom they engaged are virtually unknown outside the French-speaking world. This account restores the lived context of artistic production. 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Les Gesammelte Schriften dont il est l'auteur sont cependant des textes de référence faisant autorité auprès de nombreux chercheurs qui s'intéressent aux débuts de la Renaissance à Florence, à l'Allemagne du temps de la Réforme luthérienne. Warburg contribue au renouvellement du concept de Renaissance stylistique par le problème qu'il fait sien, l'étude des stéréotypes formels empruntés à l'antiquité classique, qui servent à exprimer le mouvement et la passion. Il s'intéresse en effet non point aux principes d'engendrement et aux règles de construction d'un espace géométrique ou perspectif, mais aux règles de la représentation d'un espace intérieur rendu visible sur l'écran plastique à deux dimensions par des procédés beaucoup plus mystérieux. Cependant le principe méthodologique auquel il se conforme lui interdit de dissocier l'étude des formes et celles des fonctions, l'étude de l'œuvre de celle de ses usages sociaux et du monde de l'art dans lequel elle a été créée. D'où une conception interdisciplinaire de l'histoire de l'art.", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "", "date": "1990", "publisher": "Klincksieck", "place": "", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "376", "ISBN": "978-2-252-03409-5", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "fr", "libraryCatalog": "Google Books", "callNumber": "", "rights": "", "extra": "Google-Books-ID: uQXlAAAAMAAJ", "tags": [ { "tag": "Art / Criticism & Theory", "type": 1 }, { "tag": "Art / General", "type": 1 } ], "collections": [ "XM66FTJV" ], "relations": {}, "dateAdded": "2016-09-27T12:01:28Z", "dateModified": "2016-09-27T12:01:42Z" } }, { "key": "VTB6E5ZC", "version": 118, "library": { "type": "group", "id": 719128, "name": "Figura - Body, Art, Space, Language", "links": { "alternate": { "href": "https://www.zotero.org/groups/figura_-_body_art_space_language", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/719128/items/VTB6E5ZC", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/figura_-_body_art_space_language/items/VTB6E5ZC", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/719128/items/7X3XB476", "type": "application/json" } }, "meta": { "createdByUser": { "id": 3381203, "username": "alexmaxim", "name": "Alexandru Claudiu Maxim", "links": { "alternate": { "href": "https://www.zotero.org/alexmaxim", "type": "text/html" } } } }, "data": { "key": "VTB6E5ZC", "version": 118, "parentItem": "7X3XB476", "itemType": "attachment", "linkMode": "linked_url", "title": "Google Books Link", "accessDate": "2016-09-27T12:01:28Z", "url": "https://books.google.ro/books?id=uQXlAAAAMAAJ", "note": "", "contentType": "text/html", "charset": "", "tags": [], "relations": {}, "dateAdded": "2016-09-27T12:01:28Z", "dateModified": "2016-09-27T12:01:28Z" } }, { "key": "22M9TRE3", "version": 116, "library": { "type": "group", "id": 719128, "name": "Figura - 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Cet essai se propose de parcourir quelques-unes des grandes pensées figurales de l’image qui ont marqué l’histoire de l’art et la théorie du cinéma. Jacques Aumont, Hubert Damisch, Georges Didi-Huberman, Philippe Dubois, Louis Marin ou Christian Metz ont chacun à leur manière dessiné l’architecture conceptuelle de cette nouvelle économie du visible. Leurs avancées théoriques sont examinées dans ce livre et accompagnées des analyses de films qui en explorent la portée. En soumettant l’image à un nouveau modèle de compréhension, l’auteur entend ainsi montrer que l’analyse figurale est solidaire d’une phénoménologie de l’image et d’une poétique du film, attentive aux procédés de figuration qui rendent possibles de nouveaux agencements du texte filmique. Luc Vancheri est maître de conférences (HDR) en études cinématographiques à l’université Lyon 2. Il enseigne l’esthétique du cinéma et la théorie des images. 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