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            "abstractNote": "<strong>\"The Internet seems to be better at saying 'stop' than it is at saying 'go.' In this urgent overview of a decade of experiments in online organizing, Micah Sifry shows us what happened and lays out what's next.\" -Seth Godin\n\n\"No one better grasps the interplay between innovative media technology and politics than Micah Sifry.\" -Kevin Phillips\n\n\"A leading participant in and observer of how the Internet is changing politics and society.\" -Katrina vanden Heuvel</strong>\n\nNow that communication can be as quick as thought, why hasn't our ability to organize politically-to establish gains and beyond that, to maintain them-kept pace? The web has given us both capacity and speed: but progressive change seems to be something perpetually in the air, rarely manifesting, even more rarely staying with us.\nMicah L. Sifry, a longtime analyst of democracy and its role on the net, examines what he calls \"The Big Disconnect.\" In his usual pithy, to-the-point style, he explores why data-driven politics and our digital overlords have failed or misled us, and how they can be made to serve us instead, in a real balance between citizens and state, independent of corporations.\nThe web and social media have enabled an explosive increase in participation in the public arena-but not much else has changed. For the next step beyond connectivity, writes Sifry, \"we need a real digital public square, not one hosted by Facebook, shaped by Google and snooped on by the National Security Agency. If we don't build one, then any notion of democracy as 'rule by the people' will no longer be meaningful. We will be a nation of Big Data, by Big Email, for the powers that be.\"",
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            "title": "The Beach Beneath the Street: The Everyday Life and Glorious Times of the Situationist International",
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            "abstractNote": "Over fifty years after the Situationist International appeared, its legacy continues to inspire activists, artists and theorists around the world. Such a legend has accrued to this movement that the story of the SI now demands to be told in a contemporary voice capable of putting it into the context of twenty-first-century struggles.McKenzie Wark delves into the Situationists’ unacknowledged diversity, revealing a world as rich in practice as it is in theory. Tracing the group’s development from the bohemian Paris of the ’50s to the explosive days of May ’68, Wark’s take on the Situationists is biographically and historically rich, presenting the group as an ensemble creation, rather than the brainchild and dominion of its most famous member, Guy Debord. Roaming through Europe and the lives of those who made up the movement – including Constant, Asger Jorn, Michèle Bernstein, Alex Trocchi and Jacqueline De Jong – Wark uncovers an international movement riven with conflicting passions.Accessible to those who have only just discovered the Situationists and filled with new insights, The Beach Beneath the Street rereads the group’s history in the light of our contemporary experience of communications, architecture, and everyday life. The Situationists tried to escape the world of twentieth-century spectacle and failed in the attempt. Wark argues that they may still help us to escape the twenty-first century, while we still can.",
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            "abstractNote": "Explores how young people from communities targeted in the War on Terror engage with the “political,” even while they are under constant scrutiny and surveillance    Since the attacks of 9/11, the banner of national security has led to intense monitoring of the politics of Muslim and Arab Americans. Young people from these communities have come of age in a time when the question of political engagement is both urgent and fraught.  In The 9/11 Generation, Sunaina Marr Maira uses extensive ethnography to understand the meaning of political subjecthood and mobilization for Arab, South Asian, and Afghan American youth. Maira explores how young people from communities targeted in the War on Terror engage with the “political,” forging coalitions based on new racial and ethnic categories, even while they are under constant scrutiny and surveillance, and organizing around notions of civil rights and human rights. The 9/11 Generation explores the possibilities and pitfalls of rights-based organizing at a moment when the vocabulary of rights and democracy has been used to justify imperial interventions, such as the U.S. wars in Iraq and Afghanistan. Maira further reconsiders political solidarity in cross-racial and interfaith alliances at a time when U.S. nationalism is understood as not just multicultural but also post-racial. Throughout, she weaves stories of post-9/11 youth activism through key debates about neoliberal democracy, the “radicalization” of Muslim youth, gender, and humanitarianism.",
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    {
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                    "firstName": "Marguerite S.",
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            "abstractNote": "In the United States today many people are as likely to identify themselves by their ethnicity or region as by their nationality. In this country with its diversity and inequalities, can there be a shared public culture? Is there an unbridgeable gap between cultural variety and civic unity, or can public forms of expression provide an opportunity for Americans to come together as a people?In Public Culture: Diversity, Democracy, and Community in the United States, an interdisciplinary group of scholars addresses these questions while considering the state of American public culture over the past one hundred years. From medicine shows to the Internet, from the Los Angeles Plaza to the Las Vegas Strip, from the commemoration of the Oklahoma City bombing to television programming after 9/11, public sights and scenes provide ways to negotiate new forms of belonging in a diverse, postmodern community. By analyzing these cultural phenomena, the essays in this volume reveal how mass media, consumerism, increased privatization of space, and growing political polarization have transformed public culture and the very notion of the American public.Focusing on four central themes—public action, public image, public space, and public identity—and approaching shared culture from a range of disciplines—including mass communication, history, sociology, urban studies, ethnic studies, and cultural studies—Public Culture offers refreshing perspectives on a subject of perennial significance.",
            "series": "",
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            "date": "March 5, 2012",
            "publisher": "University of Pennsylvania Press",
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            "shortTitle": "Public Culture",
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