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Kerim Friedman", "links": { "alternate": { "href": "https://www.zotero.org/kerim", "type": "text/html" } } }, "creatorSummary": "de Farias", "parsedDate": "2008", "numChildren": 1 }, "data": { "key": "6RAF66ET", "version": 1, "itemType": "journalArticle", "title": "Constructing Verbal Art: Performance and Ethos in Popular Culture of the Brazilian Hinterland", "creators": [ { "creatorType": "author", "firstName": "Jorge F.", "lastName": "de Farias" } ], "abstractNote": "This study is based on the verbal art of a musical group ?Cordel do Fogo Encantado? (CFE) from Arcoverde, hinterland of Pernambuco, Brazil. From an ethnographic inquiry on CFE's performance recorded in video and observed in loco, this group constitutes itself as an interpreter/translator of a partner-cultural dimension of hinterlander in Brazil. By observing the self-evidence of CFE's performance, it is possible to verify the emergence of an ethos of symbolic elements that constitutes the Brazilian hinterlander's social imaginary.\nThis study is based on the verbal art of a musical group ?Cordel do Fogo Encantado? (CFE) from Arcoverde, hinterland of Pernambuco, Brazil. From an ethnographic inquiry on CFE's performance recorded in video and observed in loco, this group constitutes itself as an interpreter/translator of a partner-cultural dimension of hinterlander in Brazil. 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They have the potential to trigger significant sociolinguistic effects, circulating novel forms and contributing to language change. The paradigms used in this theme issue for approaching language performance include Bakhtin's notion of Stylization, Bell's Audience and Referee Design, Silverstein's Indexicality, Agha's Enregisterment, and Bauman's construct of Discursive Culture. Themes that run through the articles include: a concept of identity that is part product, part process; the centrality of the audience; the reflexivity of staged performance; and the importance of non-linguistic modalities such as music and appearance. The language analysis in this collection of papers concentrates mainly on phonological features of varieties of English, finding instances of selectivity, mis-realization, overshoot and undershoot in their performances of a range of targeted dialects.", "publicationTitle": "Journal of Sociolinguistics", "publisher": "", "place": "", "date": "2011/11/01", "volume": "15", "issue": "5", "section": "", "partNumber": "", "partTitle": "", "pages": "555-572", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "", "DOI": "10.1111/j.1467-9841.2011.00517.x", "citationKey": "", "url": "http://onlinelibrary.wiley.com/doi/10.1111/j.1467-9841.2011.00517.x/abstract", "accessDate": "2012-02-16T07:52:21Z", "PMID": "", "PMCID": "", "ISSN": "1467-9841", "archive": "", "archiveLocation": "", "shortTitle": "Staging language", "language": "en", "libraryCatalog": "Wiley Online Library", "callNumber": "", "rights": "", "extra": "", "tags": [ { "tag": "Performance", "type": 1 }, { "tag": "audience", "type": 1 }, { "tag": "enregisterment", "type": 1 }, { "tag": "indexicality", "type": 1 }, { "tag": "multi‐modality", "type": 1 }, { "tag": "referee design", "type": 1 }, { "tag": "reflexivity", "type": 1 }, { "tag": "stylization", "type": 1 } ], "collections": [ "5DT5EWEV" ], "relations": {}, "dateAdded": "2012-02-16T09:41:25Z", "dateModified": "2012-02-16T09:41:25Z" } }, { "key": "HDWTTQBA", "version": 1, "library": { "type": "group", "id": 69268, "name": "Grad Students", "links": { "alternate": { "href": "https://www.zotero.org/groups/grad_students", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/69268/items/HDWTTQBA", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/grad_students/items/HDWTTQBA", "type": "text/html" } }, "meta": { "createdByUser": { "id": 11830, "username": "kerim", "name": "P. 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I consider first the undeveloped potential for performance-oriented work in variationist sociolinguistics, and then turn to performance as virtuosic display, as developed principally in linguistic anthropology, performance as theatricality, with special attention to the analysis of the interaction order, and cultural performance as a marked, heightened event that affords a richly reflexive vantage point on culture. 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