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], "abstractNote": "Critics of sex and gender in Tudor-Stuart theater generally subordinate the polymorphic eroticism of Jonson' plays to the rigor of his finales. But his meantimes and endings are dialectically intervolved. Delay, embodied in boy actors, is vital to his dramaturgy. For example, wooing Celia, Volpone imagines that he is playing young Antinous, retarding phallic threat with feminized display. In Volpone's deferrals and sartorial excitements, early modern spectators beheld a pattern of their own pleasures, in which sexual and social lusts commingled. Proposing that Jonson was more flexible than many have supposed, I analyze the convergence of homo- and heteroerotic desire on the figure of the pretty youth. Arguing that Epicoene's versatile appeal illuminates the charms of boy actors, I suggest that female spectators may have enjoyed boys, and the female roles the boys performed, without disturbing men's territorial enjoyments. 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"dateAdded": "2010-02-11T20:28:42Z", "dateModified": "2010-02-11T20:28:42Z" } }, { "key": "3MKTFNVT", "version": 1, "library": { "type": "group", "id": 69, "name": "Early Modern Gender in England", "links": { "alternate": { "href": "https://www.zotero.org/groups/early_modern_gender_in_england", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/69/items/3MKTFNVT", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/early_modern_gender_in_england/items/3MKTFNVT", "type": "text/html" } }, "meta": { "createdByUser": { "id": 13468, "username": "jeffreywindsor", "name": "Jeffrey Windsor", "links": { "alternate": { "href": "https://www.zotero.org/jeffreywindsor", "type": "text/html" } } }, "creatorSummary": "Erickson", "parsedDate": "1982-10", "numChildren": 1 }, "data": { "key": "3MKTFNVT", "version": 1, "itemType": "journalArticle", "title": "Patriarchal Structures in The Winter's Tale", "creators": [ { "creatorType": "author", "firstName": "Peter B", "lastName": "Erickson" } ], "abstractNote": "From the perspective of sexual politics, The Winter's Tale is a remarkable achievement: it recovers the possibility of harmonious male-female relations from the destructive antagonism between the sexes in the tragedies. In particular, it expands the role of women, making the combined forces of Hermione, Paulina, and Perdita central to the dramatic action. This development is so moving that we tend simply to welcome it without inquiring into the centrality of women and the terms of the sexual reconciliation. I argue that such an inquiry must be made. A sentimental reading of the play looks exclusively at its positive aspects and fails to recognize that women's power remains strictly circumscribed within the patriarchal framework. 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