[ { "key": "B269HR3M", "version": 422, "library": { "type": "group", "id": 6441975, "name": "Exhibition and Performance Documentation", "links": { "alternate": { "href": "https://www.zotero.org/groups/exhibition_and_performance_documentation", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/6441975/items/B269HR3M", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/exhibition_and_performance_documentation/items/B269HR3M", "type": "text/html" } }, "meta": { "createdByUser": { "id": 20154597, "username": "Maiamer2525", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/maiamer2525", "type": "text/html" } } }, "lastModifiedByUser": { "id": 6956522, "username": "Zoerenaudie", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/zoerenaudie", "type": "text/html" } } }, "creatorSummary": "Dekker", "parsedDate": "2022-10-26", "numChildren": 0 }, "data": { "key": "B269HR3M", "version": 422, "itemType": "bookSection", "title": "The tension between static documentation and dynamic digital art", "creators": [ { "creatorType": "bookAuthor", "firstName": "Annet", "lastName": "Dekker" }, { "creatorType": "bookAuthor", "firstName": "Gabriella", "lastName": "Giannachi" }, { "creatorType": "author", "firstName": "Annet", "lastName": "Dekker" } ], "abstractNote": "", "bookTitle": "Documentation as Art", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "1", "date": "2022-10-26", "publisher": "Routledge", "place": "London", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "pages": "16-26", "ISBN": "978-1-003-13096-3", "DOI": "", "citationKey": "dekkerTensionStaticDocumentation2022", "url": "https://www.taylorfrancis.com/books/9781003130963/chapters/10.4324/9781003130963-3", "accessDate": "2026-07-12T21:16:07Z", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "en", "libraryCatalog": 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"url": "https://www.taylorfrancis.com/books/9781003130963", "accessDate": "2026-07-12T21:13:50Z", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "Documentation as Art", "language": "en", "libraryCatalog": "DOI.org (Crossref)", "callNumber": "", "rights": "", "extra": "DOI: 10.4324/9781003130963", "tags": [ { "tag": "exhibition and performance documentation" }, { "tag": "exhibition documentation" }, { "tag": "performance exhibition" } ], "collections": [ "EJT4TG8U" ], "relations": {}, "dateAdded": "2026-07-12T21:13:51Z", "dateModified": "2026-07-12T21:14:40Z" } }, { "key": "C689QVNZ", "version": 424, "library": { "type": "group", "id": 6441975, "name": "Exhibition and Performance Documentation", "links": { "alternate": { "href": "https://www.zotero.org/groups/exhibition_and_performance_documentation", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/6441975/items/C689QVNZ", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/exhibition_and_performance_documentation/items/C689QVNZ", "type": "text/html" } }, "meta": { "createdByUser": { "id": 20154597, "username": "Maiamer2525", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/maiamer2525", "type": "text/html" } } }, "lastModifiedByUser": { "id": 6956522, "username": "Zoerenaudie", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/zoerenaudie", "type": "text/html" } } }, "creatorSummary": "Dekker and Giannachi", "parsedDate": "2022", "numChildren": 0 }, "data": { "key": "C689QVNZ", "version": 424, "itemType": "journalArticle", "title": "The Qualities and Significance of Documentation", "creators": [ { "creatorType": "author", "firstName": "Annet", "lastName": "Dekker" }, { "creatorType": "author", "firstName": "Gabriella", "lastName": "Giannachi" }, { "creatorType": "contributor", "name": "mediarep.org" } ], "abstractNote": "Documentation is usually regarded as an art project’s remain or trace that is created and used in different ways. In performance and digital art, documentation has become the focus of conservation and presentation strategies; however, there is a lack of standardized methods on how to make effective use of the different types of documentation. Using case studies from their own collections/practices, LIMA in Amsterdam, in collaboration with Tate and various artists / initiatives, in June 2020 organized a series of workshops to identify a typological framework of documentation. Specific attention was paid to performative installations, performance art in the museum, networked and research-based art projects.", "publicationTitle": "", "publisher": "", "place": "", "date": "2022", "volume": "", "issue": "", "section": "", "partNumber": "", "partTitle": "", "pages": "", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "", "DOI": "10.25969/MEDIAREP/22285", "citationKey": "dekkerQualitiesSignificanceDocumentation2022", "url": "https://mediarep.org/handle/doc/23712", "accessDate": "2026-07-12T21:11:14Z", "PMID": "", "PMCID": "", "ISSN": "2191-0901", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "en", "libraryCatalog": "DOI.org (Datacite)", "callNumber": "", "rights": "", "extra": "", "tags": [ { "tag": "700" }, { "tag": "Digital Art" }, { "tag": "Documentation" }, { "tag": "LIMA Amsterdam" }, { "tag": "Networked Art Projects" }, { "tag": "Performative Installations" }, { "tag": "exhibition and performance documentation" }, { "tag": "exhibition documentation" }, { "tag": "performance exhibition" } ], "collections": [ "EJT4TG8U" ], "relations": {}, "dateAdded": "2026-07-12T21:11:15Z", "dateModified": "2026-07-12T21:12:04Z" } }, { "key": "YGQ6W2WG", "version": 425, "library": { "type": "group", "id": 6441975, "name": "Exhibition and Performance Documentation", "links": { "alternate": { "href": "https://www.zotero.org/groups/exhibition_and_performance_documentation", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/6441975/items/YGQ6W2WG", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/exhibition_and_performance_documentation/items/YGQ6W2WG", "type": "text/html" } }, "meta": { "createdByUser": { "id": 20154597, "username": "Maiamer2525", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/maiamer2525", "type": "text/html" } } }, "lastModifiedByUser": { "id": 6956522, "username": "Zoerenaudie", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/zoerenaudie", "type": "text/html" } } }, "creatorSummary": "Dekker and Giannachi", "parsedDate": "2024", "numChildren": 0 }, "data": { "key": "YGQ6W2WG", "version": 425, "itemType": "journalArticle", "title": "Doing Documentation. Editorial", "creators": [ { "creatorType": "author", "firstName": "Annet", "lastName": "Dekker" }, { "creatorType": "author", "firstName": "Gabriella", "lastName": "Giannachi" }, { "creatorType": "contributor", "name": "mediarep.org" } ], "abstractNote": "Documentation is a burgeoning field that has been explored by researchers in a range of disciplines and practices, including performance, theatre, film, music, opera, digital and new media arts, archival and museum studies, conservation, curation, and human computer interaction. Methods have varied significantly across these fields, though the increased popularity of performative and digital practices has tended to bring disciplinary approaches closer together. More and more commonly do artists, researchers, and cultural organisations document not only the reception or user experiences of an artwork, but also its creation (even retrospectively) and iterative development over time, offering detail about a given artwork’s context, convergence, and even deterioration. Here, we chose to bring together a series of researchers from different disciplines spanning music, conservation, curation, film, festivals, video games, digital art, and installation art to map the very latest trends in their respective fields which they chose to discuss through a series of case studies focussing on specific museums, artworks, festivals and conservation practices.", "publicationTitle": "", "publisher": "", "place": "", "date": "2024", "volume": "", "issue": "", "section": "", "partNumber": "", "partTitle": "", "pages": "", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "", "DOI": "10.25969/MEDIAREP/23001", "citationKey": "dekkerDoingDocumentationEditorial2024", "url": "https://mediarep.org/handle/doc/24623", "accessDate": "2026-07-12T21:05:09Z", "PMID": "", "PMCID": "", "ISSN": "2191-0901", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "en", "libraryCatalog": "DOI.org (Datacite)", "callNumber": "", "rights": "", "extra": "", "tags": [ { "tag": "700" }, { "tag": "Conservation" }, { "tag": "Digital art" }, { "tag": "Documentation" }, { "tag": "Performance" }, { "tag": "exhibition and performance documentation" }, { "tag": "exhibition documentation" }, { "tag": "performance exhibition" } ], "collections": [ "EJT4TG8U" ], "relations": {}, "dateAdded": "2026-07-12T21:05:09Z", "dateModified": "2026-07-12T21:06:36Z" } }, { "key": "T3JWRNGF", "version": 426, "library": { "type": "group", "id": 6441975, "name": "Exhibition and Performance Documentation", "links": { "alternate": { "href": "https://www.zotero.org/groups/exhibition_and_performance_documentation", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/6441975/items/T3JWRNGF", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/exhibition_and_performance_documentation/items/T3JWRNGF", "type": "text/html" } }, "meta": { "createdByUser": { "id": 20154597, "username": "Maiamer2525", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/maiamer2525", "type": "text/html" } } }, "lastModifiedByUser": { "id": 6956522, "username": "Zoerenaudie", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/zoerenaudie", "type": "text/html" } } }, "creatorSummary": "Bénichou", "parsedDate": "2015", "numChildren": 0 }, "data": { "key": "T3JWRNGF", "version": 426, "itemType": "journalArticle", "title": "Exhibiting Performance Art: a Historiographical Laboratory? Hypermedia, Heterotopia, Repertory, and Parallax", "creators": [ { "creatorType": "author", "firstName": "Anne", "lastName": "Bénichou" } ], "abstractNote": "", "publicationTitle": "", "publisher": "", "place": "", "date": "2015", "volume": "", "issue": "3", "section": "", "partNumber": "", "partTitle": "", "pages": "81–96", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "THEMA – La revue des Musées de la civilisation", "DOI": "", "citationKey": "benichouExhibitingPerformanceArt2015", "url": "https://thema.mcq.org/index.php/Thema/article/view/65", "accessDate": "", "PMID": "", "PMCID": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "", "callNumber": "", "rights": "", "extra": "", "tags": [ { "tag": "exhibition and performance documentation" }, { "tag": "exhibition documentation" }, { "tag": "performance exhibition" } ], "collections": [ "EJT4TG8U" ], "relations": {}, "dateAdded": "2026-07-12T20:58:53Z", "dateModified": "2026-07-12T21:01:33Z" } }, { "key": "E5NIUGH4", "version": 427, "library": { "type": "group", "id": 6441975, "name": "Exhibition and Performance Documentation", "links": { "alternate": { "href": "https://www.zotero.org/groups/exhibition_and_performance_documentation", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/6441975/items/E5NIUGH4", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/exhibition_and_performance_documentation/items/E5NIUGH4", "type": "text/html" } }, "meta": { "createdByUser": { "id": 20154597, "username": "Maiamer2525", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/maiamer2525", "type": "text/html" } } }, "lastModifiedByUser": { "id": 6956522, "username": "Zoerenaudie", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/zoerenaudie", "type": "text/html" } } }, "creatorSummary": "Bardiot", "parsedDate": "2015", "numChildren": 0 }, "data": { "key": "E5NIUGH4", "version": 427, "itemType": "journalArticle", "title": "Video recording and documentation of the performing arts: from the annotation to the visualization of metadata, the example of the Rekall software", "creators": [ { "creatorType": "author", "firstName": "Clarisse", "lastName": "Bardiot" } ], "abstractNote": "", "publicationTitle": "", "publisher": "", "place": "", "date": "2015", "volume": "", "issue": "14", "section": "", "partNumber": "", "partTitle": "", "pages": "159–168", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "Acoustic Space Journal", "DOI": "", "citationKey": "bardiotVideoRecordingDocumentation2015", "url": "https://hal.science/hal-02338015", "accessDate": "", "PMID": "", "PMCID": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "", "callNumber": "", "rights": "", "extra": "", "tags": [ { "tag": "exhibition and performance documentation" }, { "tag": "exhibition documentation" }, { "tag": "performance exhibition" } ], "collections": [ "E562XEZF", "EJT4TG8U" ], "relations": {}, "dateAdded": "2026-07-12T20:47:51Z", "dateModified": "2026-07-12T20:52:22Z" } }, { "key": "9A3DF2VG", "version": 352, "library": { "type": "group", "id": 6441975, "name": "Exhibition and Performance Documentation", "links": { "alternate": { "href": "https://www.zotero.org/groups/exhibition_and_performance_documentation", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/6441975/items/9A3DF2VG", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/exhibition_and_performance_documentation/items/9A3DF2VG", "type": "text/html" } }, "meta": { "createdByUser": { "id": 6956522, "username": "Zoerenaudie", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/zoerenaudie", "type": "text/html" } } }, "creatorSummary": "Lawson et al.", "parsedDate": "2021", "numChildren": 0 }, "data": { "key": "9A3DF2VG", "version": 352, "itemType": "newspaperArticle", "title": "Strategy for the Documentation and Conservation of Performance", "creators": [ { "creatorType": "author", "firstName": "Louise", "lastName": "Lawson" }, { "creatorType": "author", "firstName": "Acatia", "lastName": "Finbow" }, { "creatorType": "author", "firstName": "Duncan", "lastName": "Harvey" }, { "creatorType": "author", "firstName": "Hélia", "lastName": "Marçal" }, { "creatorType": "author", "firstName": "Ana", "lastName": "Ribeiro" }, { "creatorType": "author", "firstName": "Lia", "lastName": "Kramer" } ], "abstractNote": "", "publicationTitle": "Documentation and Conservation of Performance (March 2016 – March 2021), a Time-based Media Conservation project at Tate, https://www.tate.org.uk/about-us/projects/documentation-conservation-performance/strategy-and-glossary", "publisher": "Tate", "place": "London", "date": "2021", "volume": "", "issue": "", "edition": "", "section": "", "pages": "", "ISSN": "", "DOI": "", "citationKey": "kramerStrategyDocumentationConservation", "url": "https://www.tate.org.uk/about-us/projects/documentation-conservation-performance/strategy-and-glossary", "accessDate": "2026-06-24T22:09:30Z", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "en-GB", "libraryCatalog": "", "callNumber": "", "rights": "", "extra": "", "tags": [ { "tag": "conservation" }, { "tag": "documentation" }, { "tag": "performance" } ], "collections": [ "E562XEZF", "EJT4TG8U" ], "relations": {}, "dateAdded": "2026-06-24T22:09:30Z", "dateModified": "2026-07-08T15:29:53Z" } }, { "key": "QSD8NUVD", "version": 351, "library": { "type": "group", "id": 6441975, "name": "Exhibition and Performance Documentation", "links": { "alternate": { "href": "https://www.zotero.org/groups/exhibition_and_performance_documentation", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/6441975/items/QSD8NUVD", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/exhibition_and_performance_documentation/items/QSD8NUVD", "type": "text/html" } }, "meta": { "createdByUser": { "id": 20154597, "username": "Maiamer2525", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/maiamer2525", "type": "text/html" } } }, "lastModifiedByUser": { "id": 6956522, "username": "Zoerenaudie", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/zoerenaudie", "type": "text/html" } } }, "creatorSummary": "Barbut", "parsedDate": "2017-09-20", "numChildren": 0 }, "data": { "key": "QSD8NUVD", "version": 351, "itemType": "journalArticle", "title": "Raconter la performance : l’entretien comme cadre pour la reprise et la transmission des performances. Entretiens avec Esther Ferrer et Nil Yalter", "creators": [ { "creatorType": "author", "firstName": "Clélia", "lastName": "Barbut" } ], "abstractNote": "À partir d’entretiens avec les artistes contemporaines Esther Ferrer et Nil Yalter, l’auteure interroge les vertus de l’entretien pour l’histoire de l’art et en particulier pour l’histoire des oeuvres performatives. Elle aborde les enjeux de l’oralité comme source et comme matière, et tente d’ouvrir des pistes de recherche historiographiques autour des affects et des incertitudes. \n , \n Based on interviews with contemporary artists Esther Ferrer and Nil Yalter, the author interrogates the value of the interview itself for art history, particularly for the history of performance art. The article focuses on the challenges of oral archives both as source and subject, and attempts to open new pathways for historiographic research into the role of affect and uncertainty.", "publicationTitle": "Intermédialités", "publisher": "", "place": "", "date": "2017-09-20", "volume": "", "issue": "28-29", "section": "", "partNumber": "", "partTitle": "", "pages": "", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "im", "DOI": "10.7202/1041081ar", "citationKey": "barbutRaconterPerformanceLentretien2017a", "url": "http://id.erudit.org/iderudit/1041081ar", "accessDate": "2026-06-26T10:38:10Z", "PMID": "", "PMCID": "", "ISSN": "1920-3136", "archive": "", "archiveLocation": "", "shortTitle": "Raconter la performance", "language": "", "libraryCatalog": "DOI.org (Crossref)", "callNumber": "", "rights": "", "extra": "", "tags": [ { "tag": "documentation" }, { "tag": "exhibition" }, { "tag": "performance" } ], "collections": [ "E562XEZF", "EJT4TG8U" ], "relations": { "dc:replaces": [ "http://zotero.org/groups/6441975/items/KM4KIE6U", "http://zotero.org/groups/6441975/items/HQHYRHRI" ] }, "dateAdded": "2026-06-26T10:38:11Z", "dateModified": "2026-07-08T15:29:42Z" } }, { "key": "HDH3DHSN", "version": 350, "library": { "type": "group", "id": 6441975, "name": "Exhibition and Performance Documentation", "links": { "alternate": { "href": "https://www.zotero.org/groups/exhibition_and_performance_documentation", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/6441975/items/HDH3DHSN", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/exhibition_and_performance_documentation/items/HDH3DHSN", "type": "text/html" } }, "meta": { "createdByUser": { "id": 20154597, "username": "Maiamer2525", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/maiamer2525", "type": "text/html" } } }, "lastModifiedByUser": { "id": 6956522, "username": "Zoerenaudie", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/zoerenaudie", "type": "text/html" } } }, "creatorSummary": "Pierre", "parsedDate": "2017", "numChildren": 0 }, "data": { "key": "HDH3DHSN", "version": 350, "itemType": "journalArticle", "title": "L'immobilité et ses failles dans la performance des années 1990 / Immobility and its Flaws in 1990s Performance Art", "creators": [ { "creatorType": "author", "firstName": "Saurisse", "lastName": "Pierre" } ], "abstractNote": "", "publicationTitle": "", "publisher": "", "place": "", "date": "2017", "volume": "", "issue": "115", "section": "", "partNumber": "", "partTitle": "", "pages": "12–19", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "Espace art actuel", "DOI": "", "citationKey": "pierreLimmobiliteSesFailles2017", "url": "https://id.erudit.org/iderudit/84380ac", "accessDate": "", "PMID": "", "PMCID": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "French", "libraryCatalog": "", "callNumber": "", "rights": "", "extra": "", "tags": [ { "tag": "documentation" }, { "tag": "exhibition" }, { "tag": "performance" } ], "collections": [ "EJT4TG8U" ], "relations": { "dc:replaces": "http://zotero.org/groups/6441975/items/IDZTUACR" }, "dateAdded": "2026-06-26T11:13:52Z", "dateModified": "2026-07-08T15:29:19Z" } }, { "key": "3YKRJHBK", "version": 349, "library": { "type": "group", "id": 6441975, "name": "Exhibition and Performance Documentation", "links": { "alternate": { "href": "https://www.zotero.org/groups/exhibition_and_performance_documentation", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/6441975/items/3YKRJHBK", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/exhibition_and_performance_documentation/items/3YKRJHBK", "type": "text/html" } }, "meta": { "createdByUser": { "id": 20154597, "username": "Maiamer2525", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/maiamer2525", "type": "text/html" } } }, "lastModifiedByUser": { "id": 6956522, "username": "Zoerenaudie", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/zoerenaudie", "type": "text/html" } } }, "creatorSummary": "Parcollet and Szacka", "parsedDate": "2013", "numChildren": 0 }, "data": { "key": "3YKRJHBK", "version": 349, "itemType": "journalArticle", "title": "Écrire l’histoire des expositions : réflexions sur la constitution d’un catalogue raisonné d’expositions", "creators": [ { "creatorType": "author", "firstName": "Remi", "lastName": "Parcollet" }, { "creatorType": "author", "firstName": "Léa-Catherine", "lastName": "Szacka" } ], "abstractNote": "Writing the history of exhibitions : reflections on the framing of a catalogue raisonné of exhibitions. \n If museum objects and artefacts need to be documented, how can we account for the work of the museum in its most visible form, namely the exhibition ? The article aims at questioning the notion of the catalogue, in its various forms, taking into account its recent evolution in respect to the exhibition. Indeed, is the principle of establishing the most complete inventory of the work of an artist or collection applicable to an institution production in the form of exhibitions ? The Centre Georges-Pompidou appears as an exemplary case study. In the framework of its program of research and globalization, this institution develops, since 2010, a reflection on exhibitions history. Analysing this initiative thought for facilitating the documentation and cataloguing of all exhibitions while focusing on the critical success of past initiatives, will allow us to consider the exhibition as a cultural object that can be historically put into perspective. \n , \n Si l’objet muséal nécessite d’être documenté, comment peut-on rendre compte du travail du musée dans sa forme la plus visible, à savoir l’exposition ? Le propos de l’article est d’interroger la notion de catalogue, ses différents genres et son évolution récente vis-à-vis de l’exposition. En effet le principe de constituer l’inventaire le plus complet de l’oeuvre d’un artiste ou d’une collection est-il applicable à une institution productrice d’expositions ? Le Centre Georges-Pompidou apparaît comme une étude de cas exemplaire. Dans le cadre de son programme de recherche et mondialisation, l’institution développe, depuis 2010, une réflexion sur l’histoire des expositions. Analyser cette initiative visant à faciliter la documentation et le catalogage des expositions tout en mettant l’accent sur la fortune critique de ces initiatives passées, permet de prendre en compte l’exposition comme objet culturel en soi, un objet dont on peut, par divers moyens, tracer l’histoire. \n , \n Escribir la historia de las exposiciones : reflexiones sobre la creación de un catálogo razonado de las exposiciones. \n Si el objeto museal debiese ser documentado, ¿ Cómo podríamos dar cuenta del trabajo de museo en su forma más visible, es decir, la exposición ? El objeto de este artículo es interrogar la noción de catálogo, sus diferentes géneros y su evolución reciente en cuanto a la exposición. El principio de constituir el inventario más completo de la obra de un artista ó de una colección, ¿ Es aplicable a una institución productora de exposiciones ? En este contexto, el Centro Pompidou aparece como un caso de estudio ejemplar. En el marco de su programa de investigación y globalización, el instituto desarrolla, desde 2010, una reflexión sobre la historia de las exposiciones. Analizar esta iniciativa bajo la óptica de facilitar la documentación y el trabajo de catálogo de las exposiciones, enfatizando la suerte crítica que tuvieron estas iniciativas, permite tomar en cuenta la exposición como un objeto cultural en sí, un objeto a partir del cual podemos, por diversos medios, delinear la historia.", "publicationTitle": "Culture & Musées", "publisher": "", "place": "", "date": "2013", "volume": "22", "issue": "1", "section": "", "partNumber": "", "partTitle": "", "pages": "137-162", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "pumus", "DOI": "10.3406/pumus.2013.1755", "citationKey": "parcolletEcrireLhistoireExpositions2013", "url": "https://www.persee.fr/doc/pumus_1766-2923_2013_num_22_1_1755", "accessDate": "2026-06-26T11:20:40Z", "PMID": "", "PMCID": "", "ISSN": "1766-2923", "archive": "", "archiveLocation": "", "shortTitle": "Écrire l’histoire des expositions", "language": "fr", "libraryCatalog": "DOI.org (Crossref)", "callNumber": "", "rights": "", "extra": "", "tags": [ { "tag": "documentation" }, { "tag": "exhibition" }, { "tag": "performance" } ], "collections": [ "E562XEZF", "EJT4TG8U" ], "relations": { "dc:replaces": "http://zotero.org/groups/6441975/items/GNZVSQSS" }, "dateAdded": "2026-06-26T11:20:41Z", "dateModified": "2026-07-08T15:29:09Z" } }, { "key": "Y3NC2FHT", "version": 348, "library": { "type": "group", "id": 6441975, "name": "Exhibition and Performance Documentation", "links": { "alternate": { "href": "https://www.zotero.org/groups/exhibition_and_performance_documentation", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/6441975/items/Y3NC2FHT", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/exhibition_and_performance_documentation/items/Y3NC2FHT", "type": "text/html" } }, "meta": { "createdByUser": { "id": 6956522, "username": "Zoerenaudie", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/zoerenaudie", "type": "text/html" } } }, "creatorSummary": "Jim", "parsedDate": "1996", "numChildren": 0 }, "data": { "key": "Y3NC2FHT", "version": 348, "itemType": "journalArticle", "title": "An Analysis and Documentation of the 1989 Exhibition Black Wimmin: When and Where We Enter", "creators": [ { "creatorType": "author", "firstName": "Alice", "lastName": "Jim" } ], "abstractNote": "Cet article analyse l’arrivée des femmes artistes noires sur la scène artistique canadienne dans les années 80 en examinant l’exposition-jalon, Black Wimmin: When and Where We Enter. Elle montrait les travaux de onze femmes artistes faisant partie de la diaspora africaine du Canada. Présentée d’abord à A Space Gallery de Toronto en janvier 1989 et se déplaçant, la même année, à travers le Canada, vers quatre autres galeries gérées par des artistes, cette exposition créait deux précédents : d’abord elle se donnait comme un exemple significatif de travail anti-raciste et, ensuite, elle écrivait un chapitre important du développement culturel de l’histoire canadienne de l’art. En effet, elle était la première exposition canadienne à être vouée entièrement au travail de femmes artistes noires et, aussi, la première à être entièrement organisée par des femmes conservateurs toutes d’origine africaine.", "publicationTitle": "RACAR : Revue d'art canadienne / Canadian Art Review", "publisher": "UAAC-AAUC (University Art Association of Canada | Association d'art des universités du Canada)", "place": "", "date": "1996", "volume": "23", "issue": "1-2", "section": "", "partNumber": "", "partTitle": "", "pages": "71-83", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "racar", "DOI": "10.7202/1073294ar", "citationKey": "jimAnalysisDocumentation19891996", "url": "https://www.erudit.org/en/journals/racar/1996-v23-n1-2-racar05646/1073294ar/", "accessDate": "2026-06-22T21:26:03Z", "PMID": "", "PMCID": "", "ISSN": "0315-9906, 1918-4778", "archive": "", "archiveLocation": "", "shortTitle": "An Analysis and Documentation of the 1989 Exhibition Black Wimmin", "language": "en", "libraryCatalog": "www.erudit.org", "callNumber": "", "rights": "", "extra": "", "tags": [ { "tag": "documentation" }, { "tag": "exhibition" } ], "collections": [ "E562XEZF", "EJT4TG8U" ], "relations": {}, "dateAdded": "2026-06-22T21:26:03Z", "dateModified": "2026-07-08T15:28:56Z" } }, { "key": "ULRV3K4P", "version": 346, "library": { "type": "group", "id": 6441975, "name": "Exhibition and Performance Documentation", "links": { "alternate": { "href": "https://www.zotero.org/groups/exhibition_and_performance_documentation", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/6441975/items/ULRV3K4P", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/exhibition_and_performance_documentation/items/ULRV3K4P", "type": "text/html" } }, "meta": { "createdByUser": { "id": 20154597, "username": "Maiamer2525", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/maiamer2525", "type": "text/html" } } }, "lastModifiedByUser": { "id": 6956522, "username": "Zoerenaudie", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/zoerenaudie", "type": "text/html" } } }, "creatorSummary": "Knez and Wright", "parsedDate": "1970", "numChildren": 0 }, "data": { "key": "ULRV3K4P", "version": 346, "itemType": "journalArticle", "title": "The Museum as a Communications System: An Assessment of Cameron's Viewpoint", "creators": [ { "creatorType": "author", "firstName": "Eugene I.", "lastName": "Knez" }, { "creatorType": "author", "firstName": "A. Gilbert", "lastName": "Wright" } ], "abstractNote": "", "publicationTitle": "Curator: The Museum Journal", "publisher": "", "place": "", "date": "09/1970", "volume": "13", "issue": "3", "section": "", "partNumber": "", "partTitle": "", "pages": "204-212", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "Curator The Museum Journal", "DOI": "10.1111/j.2151-6952.1970.tb00404.x", "citationKey": "knezMuseumCommunicationsSystem1970", "url": "https://onlinelibrary.wiley.com/doi/10.1111/j.2151-6952.1970.tb00404.x", "accessDate": "2026-06-26T10:59:35Z", "PMID": "", "PMCID": "", "ISSN": "0011-3069, 2151-6952", "archive": "", "archiveLocation": "", "shortTitle": "The Museum as a Communications System", "language": "en", "libraryCatalog": "DOI.org (Crossref)", "callNumber": "", "rights": "http://onlinelibrary.wiley.com/termsAndConditions#vor", "extra": "", "tags": [ { "tag": "documentation" }, { "tag": "exhibition" }, { "tag": "performance" } ], "collections": [ 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"username": "Zoerenaudie", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/zoerenaudie", "type": "text/html" } } }, "creatorSummary": "Cameron", "parsedDate": "1968", "numChildren": 0 }, "data": { "key": "CAZABR9E", "version": 345, "itemType": "journalArticle", "title": "A Viewpoint: The Museum as a Communications System and Implications for Museum Education1", "creators": [ { "creatorType": "author", "firstName": "Duncan F.", "lastName": "Cameron" } ], "abstractNote": "", "publicationTitle": "Curator: The Museum Journal", "publisher": "", "place": "", "date": "03/1968", "volume": "11", "issue": "1", "section": "", "partNumber": "", "partTitle": "", "pages": "33-40", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "Curator The Museum Journal", "DOI": "10.1111/j.2151-6952.1968.tb00883.x", "citationKey": "cameronViewpointMuseumCommunications1968", "url": "https://onlinelibrary.wiley.com/doi/10.1111/j.2151-6952.1968.tb00883.x", "accessDate": "2026-06-26T10:55:54Z", "PMID": "", "PMCID": "", "ISSN": "0011-3069, 2151-6952", "archive": "", "archiveLocation": "", "shortTitle": "A Viewpoint", "language": "en", "libraryCatalog": "DOI.org (Crossref)", "callNumber": "", "rights": "http://onlinelibrary.wiley.com/termsAndConditions#vor", "extra": "", "tags": [ { "tag": "documentation" }, { "tag": "exhibition" }, { "tag": "performance" } ], "collections": [ "E562XEZF", "EJT4TG8U" ], "relations": { "dc:replaces": "http://zotero.org/groups/6441975/items/TR9WIAGD" }, "dateAdded": "2026-06-26T10:55:55Z", "dateModified": "2026-07-08T15:28:29Z" } }, { "key": "93JG4XVK", "version": 245, "library": { "type": "group", "id": 6441975, "name": "Exhibition and Performance Documentation", "links": { "alternate": { "href": "https://www.zotero.org/groups/exhibition_and_performance_documentation", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/6441975/items/93JG4XVK", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/exhibition_and_performance_documentation/items/93JG4XVK", "type": "text/html" } }, "meta": { "createdByUser": { "id": 6956522, "username": "Zoerenaudie", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/zoerenaudie", "type": "text/html" } } }, "creatorSummary": "de Keijzer", "parsedDate": "1996", "numChildren": 0 }, "data": { "key": "93JG4XVK", "version": 245, "itemType": "journalArticle", "title": "Tradition in documenting exhibitions", "creators": [ { "creatorType": "author", "firstName": "Vincent", "lastName": "de Keijzer" } ], "abstractNote": "", "publicationTitle": "Art Documentation: Journal of the Art Libraries Society of North America", "publisher": "ARLIS/NA (Art Libraries Society of North America)", "place": "", "date": "1996", "volume": "15", "issue": "", "section": "", "partNumber": "", "partTitle": "", "pages": "21–23", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "", "DOI": "", "citationKey": "de1996tradition", "url": "", "accessDate": "", "PMID": "", "PMCID": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "", "callNumber": "", "rights": "", "extra": "Citation Key: de1996tradition", "tags": [ { "tag": "documentation" }, { "tag": "exhibition" } ], "collections": [ "E562XEZF", "EJT4TG8U" ], "relations": {}, "dateAdded": "2026-06-22T21:22:08Z", "dateModified": "2026-06-24T21:44:44Z" } }, { "key": "7XHCR8KK", "version": 235, "library": { "type": "group", "id": 6441975, "name": "Exhibition and Performance Documentation", "links": { "alternate": { "href": "https://www.zotero.org/groups/exhibition_and_performance_documentation", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/6441975/items/7XHCR8KK", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/exhibition_and_performance_documentation/items/7XHCR8KK", "type": "text/html" } }, "meta": { "createdByUser": { "id": 6956522, "username": "Zoerenaudie", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/zoerenaudie", "type": "text/html" } } }, "creatorSummary": "Carboni", "parsedDate": "2025", "numChildren": 0 }, "data": { "key": "7XHCR8KK", "version": 235, "itemType": "conferencePaper", "title": "Ontological patterns for modeling art exhibitions: An initial investigation", "creators": [ { "creatorType": "author", "firstName": "Nicola", "lastName": "Carboni" }, { "creatorType": "editor", "firstName": "Michalis", "lastName": "Sfakakis" }, { "creatorType": "editor", "firstName": "Emmanouel", "lastName": "Garoufallou" }, { "creatorType": "editor", "firstName": "Matthew", "lastName": "Damigos" }, { "creatorType": "editor", "firstName": "Athena", "lastName": "Salaba" }, { "creatorType": "editor", "firstName": "Christos", "lastName": "Papatheodorou" } ], "abstractNote": "Exhibitions play a crucial role in shaping art history by defining artistic movements and promoting visual canons. However, current models fail to capture their complex dynamics, especially in terms of contingency and participation. This study proposes a framework for modeling catalog-derived and database-derived exhibition data, by employing a bottom-up approach based on two major datasets: the Artl@s BasArt project (catalog-derived) and the MoMA Exhibition Index (database-derived). Developed using CIDOC-CRM, a de-facto standard ontology in the heritage domain, the model specifies ontological patterns for documenting key aspects of exhibitions, such as their temporal duration, spatial extension, mereological structures, source of knowledge, the role of its participants and the function of the artwork exposed. The adoption of the proposed model facilitates the integration and analysis of diverse exhibition data, enabling a comprehensive and richer understanding of the spatial, temporal, and participatory dimensions of each exhibition, helping to contextualize their reach and impact within the global artistic milieu, and enabling better data-driven studies in digital art history and cultural analytics.", "proceedingsTitle": "Metadata and semantic research", "conferenceName": "", "publisher": "Springer Nature Switzerland", "place": "Cham", "date": "2025", "eventPlace": "", "volume": "", "issue": "", "numberOfVolumes": "", "pages": "256–267", "series": "", "seriesNumber": "", "DOI": "", "ISBN": "978-3-031-81974-2", "citationKey": "10.1007/978-3-031-81974-2_22", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "", "callNumber": "", "rights": "", "extra": "Citation Key: 10.1007/978-3-031-81974-2_22", "tags": [ { "tag": "documentation" }, { "tag": "exhibition" } ], "collections": [ "EJT4TG8U" ], "relations": { "dc:replaces": "http://zotero.org/groups/6441975/items/Q69VDAU9" }, "dateAdded": "2026-03-03T10:09:31Z", "dateModified": "2026-06-24T16:41:57Z" } }, { "key": "DBABWD9J", "version": 228, "library": { "type": "group", "id": 6441975, "name": "Exhibition and Performance Documentation", "links": { "alternate": { "href": "https://www.zotero.org/groups/exhibition_and_performance_documentation", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/6441975/items/DBABWD9J", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/exhibition_and_performance_documentation/items/DBABWD9J", "type": "text/html" } }, "meta": { "createdByUser": { "id": 6956522, "username": "Zoerenaudie", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/zoerenaudie", "type": "text/html" } } }, "creatorSummary": "Giannachi", "parsedDate": "2022", "numChildren": 0 }, "data": { "key": "DBABWD9J", "version": 228, "itemType": "bookSection", "title": "The use of documentation for preservation and exhibition: The cases of SFMOMA, Tate, Guggenheim, MOMA, and LIMA", "creators": [ { "creatorType": "author", "firstName": "Gabriella", "lastName": "Giannachi" } ], "abstractNote": "Tracing three major shifts in the ways digital artworks are documented within the museum context, Gabriella Giannachi’s contribution analyses the use of documentation for preservation and exhibition, highlighting the value of documenting the audience experience and showing that documentation is both past and future facing, constituting an increasingly essential mechanism for the conservation of past artworks as well as for the creation of future artworks.", "bookTitle": "Documentation as Art", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "", "date": "2022", "publisher": "Routledge", "place": "", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "pages": "", "ISBN": "", "DOI": "", "citationKey": "giannachiUseDocumentationPreservation2022", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "The use of documentation for preservation and exhibition", "language": "", "libraryCatalog": "", "callNumber": "", "rights": "", "extra": "Num Pages: 12", "tags": [ { "tag": "documentation" }, { "tag": "exhibition" } ], "collections": [ "E562XEZF", "EJT4TG8U" ], "relations": {}, "dateAdded": "2026-06-22T21:20:13Z", "dateModified": "2026-06-24T16:40:26Z" } }, { "key": "SMFQ2BQY", "version": 224, "library": { "type": "group", "id": 6441975, "name": "Exhibition and Performance Documentation", "links": { "alternate": { "href": "https://www.zotero.org/groups/exhibition_and_performance_documentation", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/6441975/items/SMFQ2BQY", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/exhibition_and_performance_documentation/items/SMFQ2BQY", "type": "text/html" } }, "meta": { "createdByUser": { "id": 6956522, "username": "Zoerenaudie", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/zoerenaudie", "type": "text/html" } } }, "creatorSummary": "Sharp", "parsedDate": "2026", "numChildren": 0 }, "data": { "key": "SMFQ2BQY", "version": 224, "itemType": "thesis", "title": "O desenho técnico como instrumento de comunicação museológica: uma análise a partir do Museu Paulista da Universidade de São Paulo.", "creators": [ { "creatorType": "author", "firstName": "Georgia R. B.", "lastName": "Sharp" } ], "abstractNote": "", "thesisType": "Master's Dissertation in Museology", "university": "University of São Paulo", "place": "Sao Paolo, Brazil", "date": "2026", "series": "Interunit Graduate Program in Museology", "seriesNumber": "", "numPages": "", "DOI": "", "ISBN": "", "citationKey": "zotero-item-19164", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "", "callNumber": "", "rights": "", "extra": "", "tags": [ { "tag": "documentation" }, { "tag": "exhibition" } ], "collections": [ "EJT4TG8U" ], "relations": {}, "dateAdded": "2026-06-24T16:38:31Z", "dateModified": "2026-06-24T16:39:57Z" } } ]