Includes index
", "tags": [], "relations": {}, "dateAdded": "2012-01-08T11:54:32Z", "dateModified": "2012-04-17T15:31:59Z" } }, { "key": "99EACPZT", "version": 1, "library": { "type": "group", "id": 61291, "name": "musarc", "links": { "alternate": { "href": "https://www.zotero.org/groups/musarc", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/61291/items/99EACPZT", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/musarc/items/99EACPZT", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/61291/items/KX2BE75G", "type": "application/json" } }, "meta": { "createdByUser": { "id": 829082, "username": "kohlmaij", "name": "Joseph Kohlmaier", "links": { "alternate": { "href": "https://www.zotero.org/kohlmaij", "type": "text/html" } } } }, "data": { "key": "99EACPZT", "version": 1, "parentItem": "KX2BE75G", "itemType": "attachment", "linkMode": "linked_url", "title": "Google Books Link", "accessDate": "2012-04-16T19:30:18Z", "url": "http://books.google.co.uk/books?id=qLCamEv25MkC", "note": "", "contentType": "text/html", "charset": "", "tags": [], "relations": {}, "dateAdded": "2012-04-16T19:30:18Z", "dateModified": "2012-04-16T19:30:18Z" } }, { "key": "KX2BE75G", "version": 1, "library": { "type": "group", "id": 61291, "name": "musarc", "links": { "alternate": { "href": "https://www.zotero.org/groups/musarc", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/61291/items/KX2BE75G", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/musarc/items/KX2BE75G", "type": "text/html" } }, "meta": { "createdByUser": { "id": 829082, "username": "kohlmaij", "name": "Joseph Kohlmaier", "links": { "alternate": { "href": "https://www.zotero.org/kohlmaij", "type": "text/html" } } }, "creatorSummary": "Wiles", "parsedDate": "2003-10-02", "numChildren": 1 }, "data": { "key": "KX2BE75G", "version": 1, "itemType": "book", "title": "A Short History of Western Performance Space", "creators": [ { "creatorType": "author", "firstName": "David", "lastName": "Wiles" } ], "abstractNote": "This innovative book provides a historical account of performance space within the theatrical traditions of western Europe. David Wiles takes a broad-based view of theatrical activity as something that occurs in churches, streets, pubs and galleries as much as in buildings explicitly designed to be ëtheatresí. He traces a diverse set of continuities from Greece and Rome to the present, including many areas that do not figure in standard accounts of theatre history. Drawing on the cultural geography of Henri Lefebvre, the book identifies theatrical performances as spatial practices characteristic of particular social structures. It is not a history of contexts for dramatic literature, but the history of an activity rooted in bodies and environments. Wiles uses this historical material to address a pressing concern of the present: is theatre better performed in modern architect-designed, apparently neutral empty spaces, or characterful ëfoundí spaces?", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "", "date": "2003-10-02", "publisher": "Cambridge University Press", "place": "", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "332", "ISBN": "9780521012744", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "en", "libraryCatalog": "Google Books", "callNumber": "", "rights": "", "extra": "", "tags": [ { "tag": "Drama / Ancient & Classical", "type": 1 }, { "tag": "Drama / General", "type": 1 }, { "tag": "Literary Criticism / African", "type": 1 }, { "tag": "Performing Arts / Theater / General", "type": 1 }, { "tag": "Performing Arts / Theater / History & Criticism", "type": 1 }, { "tag": "Theater", "type": 1 }, { "tag": "Theater/ Europe/ History", "type": 1 }, { "tag": "Theaters", "type": 1 }, { "tag": "Theaters/ Europe/ History", "type": 1 } ], "collections": [ "AB4ZQX43" ], "relations": {}, "dateAdded": "2012-04-16T19:30:18Z", "dateModified": "2012-04-16T19:30:18Z" } }, { "key": "EVTAWABT", "version": 1, "library": { "type": "group", "id": 61291, "name": "musarc", "links": { "alternate": { "href": "https://www.zotero.org/groups/musarc", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/61291/items/EVTAWABT", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/musarc/items/EVTAWABT", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/61291/items/FEUFFFTM", "type": "application/json" } }, "meta": { "createdByUser": { "id": 829082, "username": "kohlmaij", "name": "Joseph Kohlmaier", "links": { "alternate": { "href": "https://www.zotero.org/kohlmaij", "type": "text/html" } } } }, "data": { "key": "EVTAWABT", "version": 1, "parentItem": "FEUFFFTM", "itemType": "attachment", "linkMode": "linked_url", "title": "Google Books Link", "accessDate": "2012-04-07T10:38:04Z", "url": "http://books.google.co.uk/books?id=520IvSWRIr4C", "note": "", "contentType": "text/html", "charset": "", "tags": [], "relations": {}, "dateAdded": "2012-04-07T10:38:04Z", "dateModified": "2012-04-07T10:38:04Z" } }, { "key": "FEUFFFTM", "version": 1, "library": { "type": "group", "id": 61291, "name": "musarc", "links": { "alternate": { "href": "https://www.zotero.org/groups/musarc", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/61291/items/FEUFFFTM", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/musarc/items/FEUFFFTM", "type": "text/html" } }, "meta": { "createdByUser": { "id": 829082, "username": "kohlmaij", "name": "Joseph Kohlmaier", "links": { "alternate": { "href": "https://www.zotero.org/kohlmaij", "type": "text/html" } } }, "creatorSummary": "Picker", "parsedDate": "2003-09-04", "numChildren": 1 }, "data": { "key": "FEUFFFTM", "version": 1, "itemType": "book", "title": "Victorian soundscapes", "creators": [ { "creatorType": "author", "firstName": "John M.", "lastName": "Picker" } ], "abstractNote": "Far from the hushed restraint we associate with the Victorians, their world pulsated with sound. This book shows how, in more ways than one, Victorians were hearing things. The representations close listeners left of their soundscapes offered new meanings for silence, music, noise, voice, and echo that constitute an important part of the Victorian legacy to us today. In chronicling the shift from Romantic to modern configurations of sound and voice, Picker draws upon literary and scientific works to recapture the sense of aural discovery figures such as Babbage, Helmholtz, Freud, Bell, and Edison shared with the likes of Dickens, George Eliot, Tennyson, Stoker, and Conrad.", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "", "date": "2003-09-04", "publisher": "Oxford University Press", "place": "", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "234", "ISBN": "9780195151916", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "en", "libraryCatalog": "Google Books", "callNumber": "", "rights": "", "extra": "", "tags": [ { "tag": "English literature", "type": 1 }, { "tag": "English literature - 19th century - History and criticism", "type": 1 }, { "tag": "English literature 19th century History and criticism", "type": 1 }, { "tag": "English literature/ 19th century/ History and criticism", "type": 1 }, { "tag": "Literary Criticism / European / English, Irish, Scottish, Welsh", "type": 1 }, { "tag": "Literary Criticism / General", "type": 1 }, { "tag": "Music / Recording & Reproduction", "type": 1 }, { "tag": "Sound", "type": 1 }, { "tag": "Sound - Recording and reproducing - Great Britain - History - 19th century", "type": 1 }, { "tag": "Sound Recording and reproducing Great Britain History 19th century", "type": 1 }, { "tag": "Sound in literature", "type": 1 }, { "tag": "Sound/ Recording and reproducing/ Great Britain/ History/ 19th century", "type": 1 }, { "tag": "Sounds in literature", "type": 1 }, { "tag": "Speech in literature", "type": 1 }, { "tag": "Voice in literature", "type": 1 } ], "collections": [ "H4DTMCIP" ], "relations": {}, "dateAdded": "2012-04-07T10:38:04Z", "dateModified": "2012-04-07T10:38:04Z" } }, { "key": "9H9JF4SX", "version": 1, "library": { "type": "group", "id": 61291, "name": "musarc", "links": { "alternate": { "href": "https://www.zotero.org/groups/musarc", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/61291/items/9H9JF4SX", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/musarc/items/9H9JF4SX", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/61291/items/6R274T36", "type": "application/json" } }, "meta": { "createdByUser": { "id": 829082, "username": "kohlmaij", "name": "Joseph Kohlmaier", "links": { "alternate": { "href": "https://www.zotero.org/kohlmaij", "type": "text/html" } } } }, "data": { "key": "9H9JF4SX", "version": 1, "parentItem": "6R274T36", "itemType": "attachment", "linkMode": "linked_url", "title": "Google Books Link", "accessDate": "2012-04-07T10:37:04Z", "url": "http://books.google.co.uk/books?id=rZpxLGUWcEYC", "note": "", "contentType": "text/html", "charset": "", "tags": [], "relations": {}, "dateAdded": "2012-04-07T10:37:04Z", "dateModified": "2012-04-07T10:37:04Z" } }, { "key": "CTE6ZV92", "version": 1, "library": { "type": "group", "id": 61291, "name": "musarc", "links": { "alternate": { "href": "https://www.zotero.org/groups/musarc", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/61291/items/CTE6ZV92", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/musarc/items/CTE6ZV92", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/61291/items/FBVTH879", "type": "application/json" } }, "meta": { "createdByUser": { "id": 829082, "username": "kohlmaij", "name": "Joseph Kohlmaier", "links": { "alternate": { "href": "https://www.zotero.org/kohlmaij", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "CTE6ZV92", "version": 1, "parentItem": "FBVTH879", "itemType": "note", "note": "Sterne reads \"No corner for the devil to hide\" in his course on Soundscapes
", "tags": [], "relations": {}, "dateAdded": "2012-04-07T10:35:55Z", "dateModified": "2012-04-07T10:36:14Z" } }, { "key": "A4MTVN7V", "version": 1, "library": { "type": "group", "id": 61291, "name": "musarc", "links": { "alternate": { "href": "https://www.zotero.org/groups/musarc", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/61291/items/A4MTVN7V", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/musarc/items/A4MTVN7V", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/61291/items/FBVTH879", "type": "application/json" } }, "meta": { "createdByUser": { "id": 829082, "username": "kohlmaij", "name": "Joseph Kohlmaier", "links": { "alternate": { "href": "https://www.zotero.org/kohlmaij", "type": "text/html" } } } }, "data": { "key": "A4MTVN7V", "version": 1, "parentItem": "FBVTH879", "itemType": "attachment", "linkMode": "linked_url", "title": "Google Books Link", "accessDate": "2012-04-07T10:34:55Z", "url": "http://books.google.co.uk/books?id=0946oDkasdIC", "note": "", "contentType": "text/html", "charset": "", "tags": [], "relations": {}, "dateAdded": "2012-04-07T10:34:55Z", "dateModified": "2012-04-07T10:34:55Z" } }, { "key": "FBVTH879", "version": 1, "library": { "type": "group", "id": 61291, "name": "musarc", "links": { "alternate": { "href": "https://www.zotero.org/groups/musarc", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/61291/items/FBVTH879", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/musarc/items/FBVTH879", "type": "text/html" } }, "meta": { "createdByUser": { "id": 829082, "username": "kohlmaij", "name": "Joseph Kohlmaier", "links": { "alternate": { "href": "https://www.zotero.org/kohlmaij", "type": "text/html" } } }, "creatorSummary": "Rath", "parsedDate": "2005-10", "numChildren": 2 }, "data": { "key": "FBVTH879", "version": 1, "itemType": "book", "title": "How Early America Sounded", "creators": [ { "creatorType": "author", "firstName": "Richard Cullen", "lastName": "Rath" } ], "abstractNote": "SAVE 20% on our new and recent titles in American History. Enter the promotional code CCHO at checkout. Discounts are applied to the price of the book, not to shipping or sales tax (if applicable).\"My hope is that by attending to sound I have been able to open up parts of these worlds, not to get a glimpse of them but to listen in. These were worlds much more alive with sound than our own, worlds not yet disenchanted, worlds perhaps even chanted into being.\"-from the IntroductionIn early America, every sound had a living, willful force at its source. Sometimes these forces were not human or even visible. In this fascinating and highly original work of cultural history, Richard Cullen Rath recreates in rich detail a world remote from our own, one in which sounds were charged with meaning and power.From thunder and roaring waterfalls to bells and drums, natural and human-made sounds other than language were central to the lives of the inhabitants of colonial America. Rath considers the multiple soundscapes shaped by European Americans, Native Americans, and African Americans from 1600 to 1770, and particularly the methods that people used to interpret and express their beliefs about sound. In the process he shows how sound shaped identities, bonded communities, and underscored-or undermined-the power of authorities.This book's stunning evidence of the importance of sound in early America-even among the highly literate New England Puritans-reminds us of a time before a world dominated by the visual, a young country where hearing was a more crucial part of living.", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "", "date": "2005-10", "publisher": "Cornell University Press", "place": "", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "244", "ISBN": "9780801472725", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "en", "libraryCatalog": "Google Books", "callNumber": "", "rights": "", "extra": "", "tags": [ { "tag": "Hearing", "type": 1 }, { "tag": "Hearing/ Social aspects/ United States/ History", "type": 1 }, { "tag": "History / General", "type": 1 }, { "tag": "History / United States / Colonial Period (1600-1775)", "type": 1 }, { "tag": "History / United States / Revolutionary Period (1775-1800)", "type": 1 }, { "tag": "Listening", "type": 1 }, { "tag": "Medical / Audiology & Speech Pathology", "type": 1 }, { "tag": "Music / Ethnomusicology", "type": 1 }, { "tag": "Psychology / General", "type": 1 }, { "tag": "Science / Acoustics & Sound", "type": 1 }, { "tag": "Social Science / Customs & Traditions", "type": 1 }, { "tag": "Social Science / Sociology / General", "type": 1 }, { "tag": "Sound", "type": 1 }, { "tag": "Sound/ Social aspects/ United States/ History", "type": 1 }, { "tag": "United States", "type": 1 }, { "tag": "Voice", "type": 1 }, { "tag": "Voice/ Social aspects/ United States/ History", "type": 1 } ], "collections": [ "H4DTMCIP" ], "relations": {}, "dateAdded": "2012-04-07T10:34:55Z", "dateModified": "2012-04-07T10:34:55Z" } }, { "key": "D8QXEG7V", "version": 1, "library": { "type": "group", "id": 61291, "name": "musarc", "links": { "alternate": { "href": "https://www.zotero.org/groups/musarc", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/61291/items/D8QXEG7V", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/musarc/items/D8QXEG7V", "type": "text/html" } }, "meta": { "createdByUser": { "id": 829082, "username": "kohlmaij", "name": "Joseph Kohlmaier", "links": { "alternate": { "href": "https://www.zotero.org/kohlmaij", "type": "text/html" } } }, "creatorSummary": "Johnson", "parsedDate": "1996-12-04", "numChildren": 1 }, "data": { "key": "D8QXEG7V", "version": 1, "itemType": "book", "title": "Listening in Paris: A Cultural History", "creators": [ { "creatorType": "author", "firstName": "James H.", "lastName": "Johnson" } ], "abstractNote": "Beginning with the simple question, \"Why did audiences grow silent?\" Listening in Paris gives a spectator's-eye view of opera and concert life from the Old Regime to the Romantic era, describing the transformation in musical experience from social event to profound aesthetic encounter. James H. Johnson recreates the experience of audiences during these rich decades with brio and wit. Woven into the narrative is an analysis of the political, musical, and aesthetic factors that produced more engaged listening. Johnson shows the gradual pacification of audiences from loud and unruly listeners to the attentive public we know today.Drawing from a wide range of sources--novels, memoirs, police files, personal correspondence, newspaper reviews, architectural plans, and the like--Johnson brings the performances to life: the hubbub of eighteenth-century opera, the exuberance of Revolutionary audiences, Napoleon's musical authoritarianism, the bourgeoisie's polite consideration. He singles out the music of Gluck, Haydn, Rossini, and Beethoven as especially important in forging new ways of hearing. This book's theoretical edge will appeal to cultural and intellectual historians in many fields and periods.", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "", "date": "1996-12-04", "publisher": "University of California Press", "place": "", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "406", "ISBN": "9780520206489", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "Listening in Paris", "language": "en", "libraryCatalog": "Google Books", "callNumber": "", "rights": "", "extra": "", "tags": [ { "tag": "Electronic books", "type": 1 }, { "tag": "History / Europe / France", "type": 1 }, { "tag": "History / Europe / General", "type": 1 }, { "tag": "History / General", "type": 1 }, { "tag": "History / World", "type": 1 }, { "tag": "Music", "type": 1 }, { "tag": "Music - France - History and criticism", "type": 1 }, { "tag": "Music - Social aspects", "type": 1 }, { "tag": "Music / General", "type": 1 }, { "tag": "Music / History & Criticism", "type": 1 }, { "tag": "Music / Instruction & Study / Appreciation", "type": 1 }, { "tag": "Music appreciation", "type": 1 }, { "tag": "Social Science / Customs & Traditions", "type": 1 } ], "collections": [ "H4DTMCIP" ], "relations": {}, "dateAdded": "2012-04-07T10:33:53Z", "dateModified": "2012-04-07T10:33:53Z" } }, { "key": "A436T2SB", "version": 1, "library": { "type": "group", "id": 61291, "name": "musarc", "links": { "alternate": { "href": "https://www.zotero.org/groups/musarc", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/61291/items/A436T2SB", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/musarc/items/A436T2SB", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/61291/items/D8QXEG7V", "type": "application/json" } }, "meta": { "createdByUser": { "id": 829082, "username": "kohlmaij", "name": "Joseph Kohlmaier", "links": { "alternate": { "href": "https://www.zotero.org/kohlmaij", "type": "text/html" } } } }, "data": { "key": "A436T2SB", "version": 1, "parentItem": "D8QXEG7V", "itemType": "attachment", "linkMode": "linked_url", "title": "Google Books Link", "accessDate": "2012-04-07T10:33:53Z", "url": "http://books.google.co.uk/books?id=TOZBFLwOnEUC", "note": "", "contentType": "text/html", "charset": "", "tags": [], "relations": {}, "dateAdded": "2012-04-07T10:33:53Z", "dateModified": "2012-04-07T10:33:53Z" } }, { "key": "URBAVEAR", "version": 1, "library": { "type": "group", "id": 61291, "name": "musarc", "links": { "alternate": { "href": "https://www.zotero.org/groups/musarc", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/61291/items/URBAVEAR", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/musarc/items/URBAVEAR", "type": "text/html" } }, "meta": { "createdByUser": { "id": 829082, "username": "kohlmaij", "name": "Joseph Kohlmaier", "links": { "alternate": { "href": "https://www.zotero.org/kohlmaij", "type": "text/html" } } }, "creatorSummary": "Meintjes", "parsedDate": "2003-01-15", "numChildren": 1 }, "data": { "key": "URBAVEAR", "version": 1, "itemType": "book", "title": "Sound of Africa!: Making Music Zulu in a South African Studio", "creators": [ { "creatorType": "author", "firstName": "Louise", "lastName": "Meintjes" } ], "abstractNote": "Boosting the bass guitar, blending the vocals, overdubbing percussion while fretting over shoot-outs in the street. Grumbling about a producer, teasing a white engineer, challenging an artist to feel his African beat. Sound of Africa! is a riveting account of the production of a mbaqanga album in a state-of-the-art recording studio in Johannesburg. Made popular internationally by Mahlathini and the Mahotella Queens, mbaqanga's distinctive style features a bass solo voice and soaring harmonies of a female frontline over electric guitar, bass, keyboard, and drumset. Louise Meintjes chronicles the recording and mixing of an album by Izintombi Zesimanje, historically the rival group of the Mahotella Queens. Set in the early 1990s during South Africa’s tumultuous transition from apartheid to democratic rule, Sound of Africa! offers a rare portrait of the music recording process. It tracks the nuanced interplay among South African state controls, the music industry's transnational drive, and the mbaqanga artists' struggles for political, professional, and personal voice. Focusing on the ways artists, producers, and sound engineers collaborate in the studio control room, Meintjes reveals not only how particular mbaqanga sounds are shaped technically, but also how egos and artistic sensibilities and race and ethnicity influence the mix. She analyzes how the turbulent identity politics surrounding Zulu ethnic nationalism impacted mbaqanga artists' decisions in and out of the studio. Conversely, she explores how the global consumption of Afropop and African images fed back into mbaqanga during the recording process. Meintjes is especially attentive to the ways the emotive qualities of timbre (sound quality or tone color) forge complex connections between aesthetic practices and political ideology. 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