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1870-1945", "links": { "alternate": { "href": "https://www.zotero.org/groups/unistra_littrature_scandinave_-_1870-1945", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/574269/items/UJUWWGXN", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/unistra_littrature_scandinave_-_1870-1945/items/UJUWWGXN", "type": "text/html" } }, "meta": { "createdByUser": { "id": 398825, "username": "tmohnike", "name": "Thomas Mohnike", "links": { "alternate": { "href": "https://www.zotero.org/tmohnike", "type": "text/html" } } }, "creatorSummary": "Segrestin", "parsedDate": "2006", "numChildren": 1 }, "data": { "key": "UJUWWGXN", "version": 106, "itemType": "journalArticle", "title": "Le néoromantisme dans les pays scandinaves", "creators": [ { "creatorType": "author", "firstName": "Marthe", "lastName": "Segrestin" } ], "abstractNote": "Alors que les années 1870 et 1880 ont été marquées par le mouvement de la «percée moderne» (moderne gennembrud) et la montée en puissance du naturalisme, orchestrés par le critique danois Georg Brandes, les littératures scandinaves ont connu un revirement dans les années 1890, beaucoup d’auteurs réclamant un retour au lyrisme, à une littérature inspirée, opposant à la tristesse naturaliste une nouvelle joie de vivre. Cependant, il s’agit ici de montrer que cette vague néoromantique des années 1890 prolonge le mouvement de la «percée moderne» bien plus qu’elle ne rompt avec lui. Dans cette perspective, Brandes apparaît comme une figure-clé: fossoyeur d’une conception étriquée et bourgeoise du romantisme et promoteur d’un romantisme libéral, inspiré par Heine, Shelley, Byron, il a influencé une nouvelle génération d’auteurs, pas seulement au Danemark, mais dans l’ensemble des pays scandinaves.", "publicationTitle": "Romantisme", "publisher": "Persée - Portail des revues scientifiques en SHS", "place": "", "date": "2006", "volume": "36", "issue": "132", "section": "", "partNumber": "", "partTitle": "", "pages": "37-48", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "", "DOI": "10.3406/roman.2006.6458", "citationKey": "", "url": "https://www.persee.fr/doc/roman_0048-8593_2006_num_36_132_6458", "accessDate": "2020-09-17T08:35:24Z", "PMID": "", "PMCID": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "fre", "libraryCatalog": "www.persee.fr", "callNumber": "", "rights": "free", "extra": "", "tags": [], "collections": [], "relations": {}, "dateAdded": "2020-09-17T08:35:24Z", "dateModified": "2020-09-17T08:35:24Z" } }, { "key": "P79W4ZBI", "version": 90, "library": { "type": "group", "id": 574269, "name": "UNISTRA littérature scandinave - 1870-1945", "links": { "alternate": { "href": "https://www.zotero.org/groups/unistra_littrature_scandinave_-_1870-1945", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/574269/items/P79W4ZBI", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/unistra_littrature_scandinave_-_1870-1945/items/P79W4ZBI", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/574269/items/L4GND7A8", "type": "application/json" } }, "meta": { "createdByUser": { "id": 398825, "username": "tmohnike", "name": "Thomas Mohnike", "links": { "alternate": { "href": "https://www.zotero.org/tmohnike", "type": "text/html" } } } }, "data": { "key": "P79W4ZBI", "version": 90, "parentItem": "L4GND7A8", "itemType": "attachment", "linkMode": "imported_url", "title": "Snapshot", "accessDate": "2020-09-17T07:38:07Z", "url": "https://journals.openedition.org/germanica/430", "note": "", "contentType": "text/html", "charset": "utf-8", "filename": "430.html", "md5": null, "mtime": null, "tags": [], "relations": {}, "dateAdded": "2020-09-17T07:38:07Z", "dateModified": "2020-09-17T07:38:07Z" } }, { "key": "2HICS6HH", "version": 90, "library": { "type": "group", "id": 574269, "name": "UNISTRA littérature scandinave - 1870-1945", "links": { "alternate": { "href": "https://www.zotero.org/groups/unistra_littrature_scandinave_-_1870-1945", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/574269/items/2HICS6HH", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/unistra_littrature_scandinave_-_1870-1945/items/2HICS6HH", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/574269/items/L4GND7A8", "type": "application/json" } }, "meta": { "createdByUser": { "id": 398825, "username": "tmohnike", "name": "Thomas Mohnike", "links": { "alternate": { "href": "https://www.zotero.org/tmohnike", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "2HICS6HH", "version": 90, "parentItem": "L4GND7A8", "itemType": "attachment", "linkMode": "imported_url", "title": "Full Text PDF", "accessDate": "2020-09-17T07:38:06Z", "url": "http://journals.openedition.org/germanica/pdf/430", "note": "", "contentType": "application/pdf", "charset": "", "filename": "Brostrøm - 1993 - La percée du modernisme dans la littérature nordiq.pdf", "md5": null, "mtime": null, "tags": [], "relations": {}, "dateAdded": "2020-09-17T07:38:06Z", "dateModified": "2020-09-17T07:38:06Z" } }, { "key": "L4GND7A8", "version": 106, "library": { "type": "group", "id": 574269, "name": "UNISTRA littérature scandinave - 1870-1945", "links": { "alternate": { "href": "https://www.zotero.org/groups/unistra_littrature_scandinave_-_1870-1945", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/574269/items/L4GND7A8", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/unistra_littrature_scandinave_-_1870-1945/items/L4GND7A8", "type": "text/html" } }, "meta": { "createdByUser": { "id": 398825, "username": "tmohnike", "name": "Thomas Mohnike", "links": { "alternate": { "href": "https://www.zotero.org/tmohnike", "type": "text/html" } } }, "creatorSummary": "Brostrøm", "parsedDate": "1993-06-01", "numChildren": 2 }, "data": { "key": "L4GND7A8", "version": 106, "itemType": "journalArticle", "title": "La percée du modernisme dans la littérature nordique", "creators": [ { "creatorType": "author", "firstName": "Torben", "lastName": "Brostrøm" } ], "abstractNote": "Le modernisme, tel une pieuvre, est un animal étrange, insaisissable, en perpétuel mouvement. Ses multiples expressions prennent toujours leur point de départ dans un potentiel de protestation. À tout moment dans le modernisme on a le sentiment d’un abîme qui guette, d’une perte de sens, alors qu’en surface une danse endiablée traduit l’ivresse d’être délivré d’un vieux poids mort.Les concepts admis généralement dans cette grande rupture avec les normes sont à la fois de nature positive et négative, la notion d’avant-garde restant, quant à elle, fondamentale. Le modernisme est inséparable de tout changement de civilisation. Deux voies d’accès, ouvertes l’une par Walt Whitman et l’autre par Charles Baudelaire, lui ont permis sa percée. Il est vrai qu’il s’est fait annoncer par tous les mouvements littéraires qui l’ont précédé, surtout en Scandinavie, naturalisme, symbolisme ou néo-romantisme. Les écrits de Johannes V. Jensen en fournissent une illustration typique.La situation des -ismes en Europe au début du xxe siècle, cubisme, expressionnisme, dadaïsme, surréalisme avec son idée quasi dogmatique de l’ouverture à l’inconscient, montre que le plus souvent c’est la poésie, avec la peinture, qui est à l’origine du renouvellement. Face à cette situation, l’étude du modernisme nordique en littérature devient souvent un exercice de littérature comparée, un phénomène d’intertextualité. Edit Södergran ou Emil Bonnelycke et Tom Kristensen ? Finlande ou Danemark ? Les historiens de la littérature sont divisés quant au lieu de naissance du modernisme nordique. Au Danemark l’année 1922, la plus importante dans l’histoire du modernisme, est exemplaire des scandales et polémiques qui accompagnent toujours ce mouvement.En Suède, Pär Lagerkvist a été le premier à exprimer son extase devant l’homme nouveau et son angoisse existentielle. La première vague moderniste y eut lieu à la fin des années 20, sous l’influence de Whitman, introduit par Artur Lundkvist ; elle reste très marquée par le modernisme danois. En revanche, la deuxième vague ouverte vers 1940 par Erik Lindegren, y a connu des sommets et des réussites remarquables.En Norvège, pays qui venait d’accéder à l’indépendance politique, le modernisme s’est plutôt manifesté en sourdine, en évitant les expérimentations formelles, malgré des auteurs de premier plan comme Knut Hamsun. S’il fallait mentionner un poète Scandinave incarnant le mieux le modernisme, ce serait probablement Gustav Munch-Petersen, dont l’œuvre est le point de convergence de nombreuses tendances. Publiée dans les années 30, elle ne fut absolument pas comprise. Ce n’est qu’avec la vague du modernisme des années d’après-guerre qu’on a commencé à lui dédier un véritable culte, reconnaissant que la poésie est anarchiste dans son essence même, une constante expérimentation avec la langue.Dans le Nord, comme ailleurs, la phase de la lutte du modernisme pour s’imposer est achevée. Mais cela recèle un nouveau danger, car il risque déjà de devenir tradition à son tour. Alors, pour le renouveler encore, faut-il se sentir avec la génération des années 80 « en révolte contre les révoltes » ? Toute nouveauté est en même temps un retour. Il y a indéniablement un « monde de la modernité », mais il possède de nombreuses tentacules. 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Dessa är av tradition oftast män och kvinnornas roll är i dessa framställningar mera undanskymd. Men i 1800-talets väckelser finner vi många kvinnor, verksamma inom olika områden i tidens många, sinsemellan ofta olika väckelserörelser. Nya verksamhetsformer ger upphov till ny litteratur, och i tidens nya andliga strömningar i de nordiska länderna finner vi kvinnliga skribenter, psalmdiktare och även predikanter.Haugianismen är en viktig faktor i Norges andliga och kulturella liv under 1800-talet och en av de många väckelserörelser av större eller mindre format och betydelse som uppstår under århundradet i de nordiska länderna. 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