[ { "key": "XHR2BB8R", "version": 15496, "library": { "type": "group", "id": 569199, "name": "Frick Art Research Library Subject Bibliographies", "links": { "alternate": { "href": "https://www.zotero.org/groups/frick_art_research_library_subject_bibliographies", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/569199/items/XHR2BB8R", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/frick_art_research_library_subject_bibliographies/items/XHR2BB8R", "type": "text/html" } }, "meta": { "createdByUser": { "id": 529387, "username": "fricklibrary", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/fricklibrary", "type": "text/html" } } }, "creatorSummary": "Van Diemen Lilien Galleries", "parsedDate": "1954", "numChildren": 0 }, "data": { "key": "XHR2BB8R", "version": 15496, "itemType": "book", "title": "Retrospective show of paintings by Rifka Angel.", "creators": [ { "creatorType": "author", "name": "Van Diemen Lilien Galleries" } ], "abstractNote": "", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "", "date": "1954", "publisher": "Van Diemen-Lilienfeld Galleries", "place": "New York City", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "", "ISBN": "", "DOI": "", "citationKey": "", "url": "https://library.frick.org/permalink/01NYA_INST/1qqhid8/alma991006050129707141", "accessDate": "", "ISSN": "7897-3023", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "eng", "libraryCatalog": "library.frick.org", "callNumber": "", "rights": "", "extra": "", "tags": [ { "tag": "Angel, Rifka, 1899-approximately 1986", "type": 1 }, { "tag": "Exhibitions", "type": 1 } ], "collections": [ "8L4EBI4E", "E5H36Q28", "L387ZVRU", "MY6WQHG3" ], "relations": { "owl:sameAs": "http://zotero.org/groups/336002/items/H7N7693R" }, "dateAdded": "2023-09-19T22:53:54Z", "dateModified": "2023-09-19T22:53:54Z" } }, { "key": "DATJDUYC", "version": 15496, "library": { "type": "group", "id": 569199, "name": "Frick Art Research Library Subject Bibliographies", "links": { "alternate": { "href": "https://www.zotero.org/groups/frick_art_research_library_subject_bibliographies", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/569199/items/DATJDUYC", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/frick_art_research_library_subject_bibliographies/items/DATJDUYC", "type": "text/html" } }, "meta": { "createdByUser": { "id": 529387, "username": "fricklibrary", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/fricklibrary", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "DATJDUYC", "version": 15496, "itemType": "webpage", "title": "Lowengrund, Margaret | Archives Directory for the History of Collecting", "creators": [], "abstractNote": "Lowengrund, Margaret, Archives Directory for the History of Collecting in America, timeline for the history of collecting in America", "websiteTitle": "", "websiteType": "", "date": "", "publisher": "Center for the History of Collecting, The Frick Collection", "place": "", "DOI": "", "citationKey": "", "url": "https://research.frick.org/directory/detail/5367", "accessDate": "2023-07-26T16:00:43Z", "shortTitle": "", "language": "en", "rights": "", "extra": "", "tags": [], "collections": [ "8L4EBI4E", "E5H36Q28", "GC8XD6UC", "L387ZVRU" ], "relations": { "owl:sameAs": "http://zotero.org/groups/336002/items/FCKAZQCS" }, "dateAdded": "2023-09-19T22:53:54Z", "dateModified": "2023-09-19T22:53:54Z" } }, { "key": "MP2LX6PZ", "version": 15496, "library": { "type": "group", "id": 569199, "name": "Frick Art Research Library Subject Bibliographies", "links": { "alternate": { "href": "https://www.zotero.org/groups/frick_art_research_library_subject_bibliographies", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/569199/items/MP2LX6PZ", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/frick_art_research_library_subject_bibliographies/items/MP2LX6PZ", "type": "text/html" } }, "meta": { "createdByUser": { "id": 529387, "username": "fricklibrary", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/fricklibrary", "type": "text/html" } } }, "creatorSummary": "Carlton-Smith", "parsedDate": "1990", "numChildren": 0 }, "data": { "key": "MP2LX6PZ", "version": 15496, "itemType": "thesis", "title": "A New Deal for women: Women artists and the Federal Art Project, 1935-1939", "creators": [ { "creatorType": "author", "firstName": "Kimn", "lastName": "Carlton-Smith" } ], "abstractNote": "My study explores the nature and scope of women's participation on the Works Progress Administration's Federal Art Project operating in New York City from 1935 through 1939. This study examines the effects of gender, race, and class on black and white women's struggle to establish themselves and maintain their careers as professional artists during the Depression. Specific areas of concentration include: the influence of gender, race, and class on women's decision to pursue art as a career, the impact of welfare and work relief regulations on women's participation on the Federal Art Project, the contributions of women administrators and artists in shaping the Project's structure and goals, the role of black women in the Project's community art center program, and finally, the construction of gender presented in the art work produced by women printmakers. The findings of this study reveal that, like many of the New Deal programs, New York City's Federal Art Project provided unique opportunities for white and black women during its years in operation; yet, it failed to institute major reforms within the art world that would serve to amend the white, male bias of the art world once economic recovery returned.", "thesisType": "", "university": "ProQuest Dissertations Publishing", "place": "", "date": "1990", "series": "", "seriesNumber": "", "numPages": "", "DOI": "", "ISBN": "979-8-207-76884-7", "citationKey": "", "url": "https://search.proquest.com/docview/303897316?pq-origsite=primo", "accessDate": "2023-07-26T13:15:07Z", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "A New Deal for women", "language": "eng", "libraryCatalog": "library.nyarc.org", "callNumber": "", "rights": "", "extra": "Book Title: A New Deal for women: Women artists and the Federal Art Project, 1935-1939", "tags": [ { "tag": "American history", "type": 1 }, { "tag": "American studies", "type": 1 }, { "tag": "History", "type": 1 }, { "tag": "Modern history", "type": 1 }, { "tag": "Womens studies", "type": 1 } ], "collections": [ "8L4EBI4E", "E5H36Q28", "L387ZVRU" ], "relations": { "owl:sameAs": "http://zotero.org/groups/336002/items/5YDMZKEQ" }, "dateAdded": "2023-09-19T22:53:54Z", "dateModified": "2023-09-19T22:53:54Z" } }, { "key": "R8JLMP4I", "version": 15495, "library": { "type": "group", "id": 569199, "name": "Frick Art Research Library Subject Bibliographies", "links": { "alternate": { "href": "https://www.zotero.org/groups/frick_art_research_library_subject_bibliographies", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/569199/items/R8JLMP4I", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/frick_art_research_library_subject_bibliographies/items/R8JLMP4I", "type": "text/html" } }, "meta": { "createdByUser": { "id": 529387, "username": "fricklibrary", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/fricklibrary", "type": "text/html" } } }, "creatorSummary": "VANDIVER", "parsedDate": "2016", "numChildren": 0 }, "data": { "key": "R8JLMP4I", "version": 15495, "itemType": "journalArticle", "title": "Off the Wall, into the Archive Black Feminist Curatorial Practices of the 1970s", "creators": [ { "creatorType": "author", "firstName": "REBECCA K.", "lastName": "VANDIVER" } ], "abstractNote": "[In the fall of 1978, Corcoran Gallery of Art registrar Theresa Simmons, Renwick Gallery museum technician Edith T. Martin, and others organized a national show of black women artists to coincide with the 1979 annual meeting of the College Art Association. The show never secured adequate funding, and was canceled. This essay explores Contemporary Afro-American Women Artists through its documentation in the Archives of American Art. It considers the historiographical ramifications of Martin’s decision to lend her research files for the exhibition to the Archives for microfilming in relation to feminist and black revisionist curatorial practices of the 1970s. This analysis of the failed exhibition and its paper trail offers a critique of the power and the limitations of the archive for the study of African American art.]", "publicationTitle": "Archives of American Art Journal", "publisher": "[The University of Chicago Press, The Archives of American Art, Smithsonian Institution]", "place": "", "date": "2016", "volume": "55", "issue": "2", "section": "", "partNumber": "", "partTitle": "", "pages": "26-45", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "", "DOI": "", "citationKey": "", "url": "https://www.jstor.org/stable/26566605", "accessDate": "2023-07-19", "PMID": "", "PMCID": "", "ISSN": "00039853, 23270667", "archive": "JSTOR", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "", "callNumber": "", "rights": "", "extra": "", "tags": [], "collections": [ "HKGCPDYL", "L387ZVRU" ], "relations": { "owl:sameAs": "http://zotero.org/groups/336002/items/J6KI65YG" }, "dateAdded": "2023-09-19T22:53:54Z", "dateModified": "2023-09-19T22:53:54Z" } }, { "key": "JI6EK4ZQ", "version": 15495, "library": { "type": "group", "id": 569199, "name": "Frick Art Research Library Subject Bibliographies", "links": { "alternate": { "href": "https://www.zotero.org/groups/frick_art_research_library_subject_bibliographies", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/569199/items/JI6EK4ZQ", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/frick_art_research_library_subject_bibliographies/items/JI6EK4ZQ", "type": "text/html" } }, "meta": { "createdByUser": { "id": 529387, "username": "fricklibrary", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/fricklibrary", "type": "text/html" } } }, "creatorSummary": "Brown", "parsedDate": "2012", "numChildren": 0 }, "data": { "key": "JI6EK4ZQ", "version": 15495, "itemType": "book", "title": "The Black female body in American literature and art: performing identity", "creators": [ { "creatorType": "author", "firstName": "Caroline A.", "lastName": "Brown" } ], "abstractNote": "\"This book examines how African-American writers and visual artists interweave icon and inscription in order to re-present the black female body, traditionally rendered alien and inarticulate within Western discursive and visual systems. Brown considers how the writings of Toni Morrison, Gayl Jones, Paule Marshall, Edwidge Danticat, Jamaica Kincaid, Andrea Lee, Gloria Naylor, and Martha Southgate are bound to such contemporary, postmodern visual artists as Lorna Simpson, Carrie Mae Weems, Kara Walker, Betye Saar, and Faith Ringgold. While the artists and authors rely on radically different media--photos, collage, video, and assembled objects, as opposed to words and rhythm--both sets of intellectual activists insist on the primacy of the black aesthetic. Both assert artistic agency and cultural continuity in the face of the oppression, social transformation, and cultural multiplicity of the late twentieth and early twenty-first centuries. This book examines how African-American performative practices mediate the tension between the ostensibly de-racialized body politic and the hyper-racialized black, female body, reimagining the cultural and political ground that guides various articulations of American national belonging. Brown shows how and why black women writers and artists matter as agents of change, how and why the form and content of their works must be recognized and reconsidered in the increasingly frenzied arena of cultural production and political debate.\"-- Provided by publisher.", "series": "Routledge interdisciplinary perspectives on literature", "seriesNumber": "5", "volume": "", "numberOfVolumes": "", "edition": "", "date": "2012", "publisher": "Routledge", "place": "New York", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "309", "ISBN": "978-1-136-28919-4", "DOI": "10.4324/9780203113981", "citationKey": "", "url": "https://library.frick.org/permalink/01NYA_INST/1qqhid8/alma991013559629407141", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "The Black female body in American literature and art", "language": "eng", "libraryCatalog": "library.frick.org", "callNumber": "", "rights": "", "extra": "", "tags": [ { "tag": "20th century", "type": 1 }, { "tag": "Aesthetics", "type": 1 }, { "tag": "African American authors", "type": 1 }, { "tag": "African American women novelists", "type": 1 }, { "tag": "American fiction", "type": 1 }, { "tag": "Art and literature", "type": 1 }, { "tag": "History and criticism", "type": 1 }, { "tag": "United States", "type": 1 }, { "tag": "Women authors", "type": 1 } ], "collections": [ "QS2ZVVM6" ], "relations": { "owl:sameAs": "http://zotero.org/groups/336002/items/YJ6QFD6P" }, "dateAdded": "2023-09-19T22:53:54Z", "dateModified": "2023-09-19T22:53:54Z" } }, { "key": "8PWNSUY8", "version": 15495, "library": { "type": "group", "id": 569199, "name": "Frick Art Research Library Subject Bibliographies", "links": { "alternate": { "href": "https://www.zotero.org/groups/frick_art_research_library_subject_bibliographies", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/569199/items/8PWNSUY8", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/frick_art_research_library_subject_bibliographies/items/8PWNSUY8", "type": "text/html" } }, "meta": { "createdByUser": { "id": 529387, "username": "fricklibrary", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/fricklibrary", "type": "text/html" } } }, "creatorSummary": "Shahn", "parsedDate": "1991", "numChildren": 0 }, "data": { "key": "8PWNSUY8", "version": 15495, "itemType": "book", "title": "Ben Shān ten = Ben Shahn retrospective exhibition", "creators": [ { "creatorType": "author", "firstName": "Ben", "lastName": "Shahn" }, { "creatorType": "contributor", "firstName": "Kenneth W.", "lastName": "Prescott" }, { "creatorType": "contributor", "name": "Fukushima Kenritsu Bijutsukan" }, { "creatorType": "contributor", "name": "Himeji Shiritsu Bijutsukan" }, { "creatorType": "contributor", "name": "Isetan Bijutsukan" } ], "abstractNote": "", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "", "date": "1991", "publisher": "Ben Shān Ten Katarogu Iinkai", "place": "Tōkyō", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "185", "ISBN": "", "DOI": "", "citationKey": "", "url": "https://library.frick.org/permalink/01NYA_INST/1qqhid8/alma991005011399707141", "accessDate": "", "ISSN": "2426-5500", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "jpn;eng", "libraryCatalog": "library.frick.org", "callNumber": "", "rights": "", "extra": "", "tags": [ { "tag": "Exhibitions", "type": 1 }, { "tag": "Shahn, Ben, 1898-1969", "type": 1 } ], "collections": [ "GBTMKSU4", "HZQZ22TW", "L387ZVRU", "MS7V2HY5", "XXK57ZSB" ], "relations": { "owl:sameAs": "http://zotero.org/groups/336002/items/8NFEFYD3" }, "dateAdded": "2023-09-19T22:53:54Z", "dateModified": "2023-09-19T22:53:54Z" } }, { "key": "K58LR5QW", "version": 15495, "library": { "type": "group", "id": 569199, "name": "Frick Art Research Library Subject Bibliographies", "links": { "alternate": { "href": "https://www.zotero.org/groups/frick_art_research_library_subject_bibliographies", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/569199/items/K58LR5QW", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/frick_art_research_library_subject_bibliographies/items/K58LR5QW", "type": "text/html" } }, "meta": { "createdByUser": { "id": 529387, "username": "fricklibrary", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/fricklibrary", "type": "text/html" } } }, "creatorSummary": "Cooke and Boundary Trouble The Self-Taught Artist and American Avant-Gardes", "parsedDate": "2022", "numChildren": 0 }, "data": { "key": "K58LR5QW", "version": 15495, "itemType": "conferencePaper", "title": "Boundary trouble in American vanguard art, 1920-2020", "creators": [ { "creatorType": "author", "firstName": "Lynne", "lastName": "Cooke" }, { "creatorType": "author", "name": "Boundary Trouble The Self-Taught Artist and American Avant-Gardes" } ], "abstractNote": "\"The artists in Boundary Trouble in American Vanguard Art defy binary constructs of insider and outsider. Some are credentialed professionals, others are self identified amateurs, and yet others are indifferent to categorical classification systems. These shifting identifications and concepts are examined in 16 essays, challenging established narratives of American and modernist art histories. The book considers the work of Romare Bearden, James Castle, Minnie Evans, Marisol, Betye Saar, Rosie Lee Tompkins, and more. Rooted in intersectional disciplinary studies that draw on race, queer, and feminist scholarship, these groundbreaking perspectives argue for expanding how we engage with works and makers that are routinely marginalized within mainstream visual culture. These essays make a compelling case for the necessity of a level playing field for all artists, trained and untrained, where difference is both recognized and embraced\"-- Provided by publisher.", "proceedingsTitle": "", "conferenceName": "", "publisher": "National Gallery of Art", "place": "Washington", "date": "2022", "eventPlace": "", "volume": "", "issue": "", "numberOfVolumes": "", "pages": "", "series": "Studies in the history of art", "seriesNumber": "84", "DOI": "", "ISBN": "978-0-300-26711-2", "citationKey": "", "url": "https://library.frick.org/permalink/01NYA_INST/1qqhid8/alma991013607115607141", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "eng", "libraryCatalog": "library.frick.org", "callNumber": "", "rights": "", "extra": "", "tags": [ { "tag": "20th century", "type": 1 }, { "tag": "21st century", "type": 1 }, { "tag": "Art and society", "type": 1 }, { "tag": "Art, American", "type": 1 }, { "tag": "Avant-garde (Aesthetics)", "type": 1 }, { "tag": "Congresses", "type": 1 }, { "tag": "Folk art", "type": 1 }, { "tag": "History", "type": 1 }, { "tag": "Modernism (Art)", "type": 1 }, { "tag": "Outsider art", "type": 1 }, { "tag": "Primitivism in art", "type": 1 }, { "tag": "United States", "type": 1 } ], "collections": [ "HKGCPDYL", "L387ZVRU", "QS2ZVVM6" ], "relations": { "owl:sameAs": "http://zotero.org/groups/336002/items/BC9KI8YN" }, "dateAdded": "2023-09-19T22:53:54Z", "dateModified": "2023-09-19T22:53:54Z" } }, { "key": "NQDIUS4F", "version": 15495, "library": { "type": "group", "id": 569199, "name": "Frick Art Research Library Subject Bibliographies", "links": { "alternate": { "href": "https://www.zotero.org/groups/frick_art_research_library_subject_bibliographies", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/569199/items/NQDIUS4F", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/frick_art_research_library_subject_bibliographies/items/NQDIUS4F", "type": "text/html" } }, "meta": { "createdByUser": { "id": 529387, "username": "fricklibrary", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/fricklibrary", "type": "text/html" } } }, "creatorSummary": "Jones", "parsedDate": "2017", "numChildren": 0 }, "data": { "key": "NQDIUS4F", "version": 15495, "itemType": "book", "title": "South of Pico: African American artists in Los Angeles in the 1960s and 1970s", "creators": [ { "creatorType": "author", "firstName": "Kellie", "lastName": "Jones" } ], "abstractNote": "Named a Best Art Book of 2017 by the New York Times and ArtforumIn South of Pico Kellie Jones explores how the artists in Los Angeles's black communities during the 1960s and 1970s created a vibrant, productive, and engaged activist arts scene in the face of structural racism. Emphasizing the importance of African American migration, as well as L.A.'s housing and employment politics, Jones shows how the work of black Angeleno artists such as Betye Saar, Charles White, Noah Purifoy, and Senga Nengudi spoke to the dislocation of migration, L.A.'s urban renewal, and restrictions on black mobility. Jones characterizes their works as modern migration narratives that look to the past to consider real and imagined futures. She also attends to these artists' relationships with gallery and museum culture and the establishment of black-owned arts spaces. With South of Pico, Jones expands the understanding of the histories of black arts and creativity in Los Angeles and beyond.", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "", "date": "2017", "publisher": "Duke University Press", "place": "Durham", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "", "ISBN": "978-0-8223-7416-9", "DOI": "10.1515/9780822374169", "citationKey": "", "url": "https://library.frick.org/permalink/01NYA_INST/1qqhid8/alma991013559460907141", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "South of Pico", "language": "eng", "libraryCatalog": "library.frick.org", "callNumber": "", "rights": "", "extra": "", "tags": [ { "tag": "20th century", "type": 1 }, { "tag": "African American artists", "type": 1 }, { "tag": "African American arts", "type": 1 }, { "tag": "African Americans", "type": 1 }, { "tag": "Artists and community", "type": 1 }, { "tag": "California", "type": 1 }, { "tag": "History", "type": 1 }, { "tag": "Los Angeles", "type": 1 }, { "tag": "Los Angeles (Calif.)", "type": 1 }, { "tag": "Race relations", "type": 1 }, { "tag": "Social aspects", "type": 1 } ], "collections": [ "HKGCPDYL", "L387ZVRU", "QS2ZVVM6" ], "relations": { "owl:sameAs": "http://zotero.org/groups/336002/items/JRTSK5FN" }, "dateAdded": "2023-09-19T22:53:54Z", "dateModified": "2023-09-19T22:53:54Z" } }, { "key": "PNNCWM2S", "version": 15481, "library": { "type": "group", "id": 569199, "name": "Frick Art Research Library Subject Bibliographies", "links": { "alternate": { "href": "https://www.zotero.org/groups/frick_art_research_library_subject_bibliographies", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/569199/items/PNNCWM2S", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/frick_art_research_library_subject_bibliographies/items/PNNCWM2S", "type": "text/html" } }, "meta": { "createdByUser": { "id": 529387, "username": "fricklibrary", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/fricklibrary", "type": "text/html" } } }, "creatorSummary": "Bliss and Lamont", "parsedDate": "2010", "numChildren": 0 }, "data": { "key": "PNNCWM2S", "version": 15481, "itemType": "journalArticle", "title": "Documenting WPA Murals in California", "creators": [ { "creatorType": "author", "firstName": "Laurel", "lastName": "Bliss" }, { "creatorType": "author", "firstName": "Melissa", "lastName": "Lamont" } ], "abstractNote": "Librarians at San Diego State University developed a database and research guide as part of their inventory of the Works Progress Administration (WPA) murals in California. The project was inspired by the discovery of several Depression-era murals on campus, and it was designed to help place those murals into their historical context. The hours spent researching and tracking down murals resulted in a searchable online inventory documenting over 350 murals. 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