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            "note": "<h2><strong>Annotated Bibliography:</strong></h2>\n<div style=\"line-height: 2em; margin-left: 0.5in; text-indent: -0.5in;\">\n<h3 style=\"margin: 0pt;\">Digital Museums</h3>\n<p style=\"margin: 0pt;\">Addis, Matthew et al. “SCULPTEUR: Towards a New Paradigm for Multimedia Museum Information Handling.” <span style=\"font-style: italic;\">The SemanticWeb - ISWC 2003</span>. 2003. 582-596. 4 Sep 2009 &lt;<a href=\"http://www.springerlink.com/content/nt40n5f4q4b84rk0%3E\">http://www.springerlink.com/content/nt40n5f4q4b84rk0&gt;</a></p>\n<p style=\"margin: 0pt;\">Parry, Ross. <span style=\"font-style: italic;\">Recoding the museum</span>. Routledge, 2007. &lt;<a href=\"http://books.google.com/books?id=dXJEPgAACAAJ&amp;source=gbs_ViewAPI%3E\">http://books.google.com/books?id=dXJEPgAACAAJ&amp;source=gbs_ViewAPI&gt;</a>.&nbsp; <span title=\"url_ver=Z39.88-2004&amp;ctx_ver=Z39.88-2004&amp;rft_id=urn%3Aisbn%3A0415353874%2C%209780415353878&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Recoding%20the%20museum&amp;rft.publisher=Routledge&amp;rft.aufirst=Ross&amp;rft.aulast=Parry&amp;rft.au=Ross%20Parry&amp;rft.date=2007-12-03&amp;rft.isbn=0415353874%2C%209780415353878\"><br /></span></p>\n<h3 style=\"margin: 2em 0pt 0pt;\">Imaging</h3>\n<p style=\"margin: 2em 0pt 0pt;\">Besser, Howard. “Imaging: Fine arts.” <span style=\"font-style: italic;\">Journal of the American Society for Information Science</span> 42.8 (1991): 589-596. <span title=\"url_ver=Z39.88-2004&amp;ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.atitle=Imaging%3A%20Fine%20arts&amp;rft.jtitle=Journal%20of%20the%20American%20Society%20for%20Information%20Science&amp;rft.volume=42&amp;rft.issue=8&amp;rft.aufirst=Howard&amp;rft.aulast=Besser&amp;rft.au=Howard%20Besser&amp;rft.date=1991&amp;rft.pages=589-596\"> </span></p>\n<p style=\"margin: 0pt;\">Chen, Ching-chih et al. “Digital imagery for significant cultural and historical materials.” <span style=\"font-style: italic;\">International Journal on Digital Libraries</span> 5.4 (2005): 275-286.</p>\n<p style=\"margin: 0pt;\">Martinez, K. et al. “Ten years of art imaging research.” <span style=\"font-style: italic;\">Proceedings of the IEEE</span> 90.1 (2002): 28-41.&nbsp; <span title=\"url_ver=Z39.88-2004&amp;ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.atitle=Ten%20years%20of%20art%20imaging%20research&amp;rft.jtitle=Proceedings%20of%20the%20IEEE&amp;rft.stitle=Proceedings%20of%20the%20IEEE&amp;rft.volume=90&amp;rft.issue=1&amp;rft.aufirst=K.&amp;rft.aulast=Martinez&amp;rft.au=K.%20Martinez&amp;rft.au=J.%20Cupitt&amp;rft.au=D.%20Saunders&amp;rft.au=R.%20Pillay&amp;rft.date=2002&amp;rft.pages=28-41&amp;rft.issn=0018-9219\"><br /></span></p>\n<p style=\"margin: 0pt;\">&nbsp;</p>\n<h3 style=\"margin: 0pt;\">Museum Informatics</h3>\n<p style=\"margin: 0pt;\"><span title=\"url_ver=Z39.88-2004&amp;ctx_ver=Z39.88-2004&amp;rft_id=urn%3Aisbn%3A9780824725815&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Museum%20informatics%20%3A%20people%2C%20information%2C%20and%20technology%20in%20museums&amp;rft.place=New%20York&amp;rft.publisher=Routledge&amp;rft.aufirst=Paul&amp;rft.aulast=Marty&amp;rft.au=Paul%20Marty&amp;rft.date=2008&amp;rft.isbn=9780824725815\"> </span></p>\n<p style=\"margin: 2em 0pt 0pt;\">Archives &amp; Museum Informatics (Firm). “Archives and Museum Informatics Technical Report.” <span style=\"font-style: italic;\">e Archives and museum informatics technical report</span> 3.1 (1989). &lt;<a href=\"http://catalog.lib.utexas.edu/record=b3590569%7ES5%3E\">http://catalog.lib.utexas.edu/record=b3590569~S5&gt;</a>.<span title=\"url_ver=Z39.88-2004&amp;ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.atitle=Archives%20and%20Museum%20Informatics%20Technical%20Report&amp;rft.jtitle=e%20%09Archives%20and%20museum%20informatics%20technical%20report&amp;rft.volume=3&amp;rft.issue=1&amp;rft.aulast=Archives%20%26%20Museum%20Informatics%20(Firm)&amp;rft.au=Archives%20%26%20Museum%20Informatics%20(Firm)&amp;rft.date=1989&amp;rft.issn=1042-1459\"> </span></p>\n<p style=\"margin: 2em 0pt 0pt;\">---. “Directory of Software for Archives &amp; Museums.” <span style=\"font-style: italic;\">Directory of software for archives &amp; museums.</span> (1990). &lt;<a href=\"http://catalog.lib.utexas.edu/record=b3364204%7ES5%3E\">http://catalog.lib.utexas.edu/record=b3364204~S5&gt;</a>.</p>\n<p style=\"margin: 2em 0pt 0pt;\">Marty, Paul. <span style=\"font-style: italic;\">Museum informatics : people, information, and technology in museums</span>. New York: Routledge, 2008.</p>\n</div>\n<h3 style=\"margin: 0pt;\">Museums in Society</h3>\n<div style=\"line-height: 2em; margin-left: 0.5in; text-indent: -0.5in;\">\n<p style=\"margin: 0pt;\">Watson, Sheila. <span style=\"font-style: italic;\">Museums and their communities</span>. Routledge, 2007.&nbsp; <span title=\"url_ver=Z39.88-2004&amp;ctx_ver=Z39.88-2004&amp;rft_id=urn%3Aisbn%3A041540259X%2C%209780415402590&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Museums%20and%20their%20communities&amp;rft.publisher=Routledge&amp;rft.aufirst=Sheila&amp;rft.aulast=Watson&amp;rft.au=Sheila%20Watson&amp;rft.date=2007&amp;rft.isbn=041540259X%2C%209780415402590\"><br /></span></p>\n</div>\n<h3>Visual Culture, Visual Studies, Aesthetic Experience &amp; Art History</h3>\n<p style=\"margin: 2em 0pt 0pt;\">Csikszentmihalyi, Mihaly, and Rick E. Robinson. <span style=\"font-style: italic;\">The Art of Seeing: An Interpretation of the Aesthetic Encounter.</span> Getty Center for Education in the Arts, 401 Wilshire Blvd., Suite 950, Santa Monica, CA 90401., 1990. 4 Sep 2009 &lt;<a href=\"http://www.eric.ed.gov/ERICWebPortal/contentdelivery/servlet/ERICServlet?accno=ED388602%3E\">http://www.eric.ed.gov/ERICWebPortal/contentdelivery/servlet/ERICServlet?accno=ED388602&gt;</a>.<span title=\"url_ver=Z39.88-2004&amp;ctx_ver=Z39.88-2004&amp;rft_id=urn%3Aisbn%3AISBN-0-89236-156-5&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The%20Art%20of%20Seeing%3A%20An%20Interpretation%20of%20the%20Aesthetic%20Encounter.&amp;rft.publisher=Getty%20Center%20for%20Education%20in%20the%20Arts%2C%20401%20Wilshire%20Blvd.%2C%20Suite%20950%2C%20Santa%20Monica%2C%20CA%2090401.&amp;rft.aufirst=Mihaly&amp;rft.aulast=Csikszentmihalyi&amp;rft.au=Mihaly%20Csikszentmihalyi&amp;rft.au=Rick%20E.%20Robinson&amp;rft.date=1990&amp;rft.isbn=ISBN-0-89236-156-5\"> </span></p>\n<p style=\"margin: 2em 0pt 0pt;\">Cuno, James B. <span style=\"font-style: italic;\">Who owns antiquity?</span> Princeton University Press, 2008. &lt;<a href=\"http://books.google.com/books?id=fAlIqUEVW7UC&amp;lpg=PP1&amp;ots=eTmZuxfSaC&amp;dq=who%20owns%20antiquity&amp;pg=PR4#v=onepage&amp;q=&amp;f=false%3E\">http://books.google.com/books?id=fAlIqUEVW7UC&amp;lpg=PP1&amp;ots=eTmZuxfSaC&amp;dq=who%20owns%20antiquity&amp;pg=PR4#v=onepage&amp;q=&amp;f=false&gt;</a>.<span title=\"url_ver=Z39.88-2004&amp;ctx_ver=Z39.88-2004&amp;rft_id=urn%3Aisbn%3A0691137129%2C%209780691137124&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Who%20owns%20antiquity%3F&amp;rft.publisher=Princeton%20University%20Press&amp;rft.aufirst=James%20B.&amp;rft.aulast=Cuno&amp;rft.au=James%20B.%20Cuno&amp;rft.date=2008&amp;rft.isbn=0691137129%2C%209780691137124\"> </span></p>\n<p style=\"margin: 2em 0pt 0pt;\">Dikovitskaya, Margarita. <span style=\"font-style: italic;\">Visual culture</span>. MIT Press, 2005.<span title=\"url_ver=Z39.88-2004&amp;ctx_ver=Z39.88-2004&amp;rft_id=urn%3Aisbn%3A026204224X%2C%209780262042246&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Visual%20culture&amp;rft.publisher=MIT%20Press&amp;rft.aufirst=Margarita&amp;rft.aulast=Dikovitskaya&amp;rft.au=Margarita%20Dikovitskaya&amp;rft.date=2005&amp;rft.isbn=026204224X%2C%209780262042246\"> </span></p>\n<p style=\"margin: 2em 0pt 0pt;\">Elkins, James. <span style=\"font-style: italic;\">Visual studies</span>. Routledge, 2003.&nbsp; <span title=\"url_ver=Z39.88-2004&amp;ctx_ver=Z39.88-2004&amp;rft_id=urn%3Aisbn%3A0415966817%2C%209780415966818&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Visual%20studies&amp;rft.publisher=Routledge&amp;rft.aufirst=James&amp;rft.aulast=Elkins&amp;rft.au=James%20Elkins&amp;rft.date=2003&amp;rft.isbn=0415966817%2C%209780415966818\"><br /></span></p>\n<div style=\"line-height: 2em; margin-left: 0.5in; text-indent: -0.5in;\">\n<p style=\"margin: 0pt;\">&nbsp;</p>\n<p style=\"margin: 0pt;\">Gumbrecht, Hans Ulrich, and Michael Marrinan. <span style=\"font-style: italic;\">Mapping Benjamin</span>. Stanford University Press, 2003.</p>\n<p style=\"margin: 0pt;\">Hooper-Greenhill, Eilean. <span style=\"font-style: italic;\">Museums and the interpretation of visual culture</span>. Routledge, 2000.&nbsp; <span title=\"url_ver=Z39.88-2004&amp;ctx_ver=Z39.88-2004&amp;rft_id=urn%3Aisbn%3A0415086337%2C%209780415086332&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Museums%20and%20the%20interpretation%20of%20visual%20culture&amp;rft.publisher=Routledge&amp;rft.aufirst=Eilean&amp;rft.aulast=Hooper-Greenhill&amp;rft.au=Eilean%20Hooper-Greenhill&amp;rft.date=2000&amp;rft.isbn=0415086337%2C%209780415086332\"><br /></span></p>\n</div>\n<div style=\"line-height: 2em; margin-left: 0.5in; text-indent: -0.5in;\">\n<p>&nbsp;</p>\n</div>",
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            "note": "<p><strong>Meeting Notes</strong></p>\n<p>10/5/09</p>\n<p><strong>Architecture and museum digitization</strong></p>\n<p>New media vs. digitizing static objects</p>\n<p>Metadata: does it describe the image, scan</p>\n<p> </p>\n<p><span style=\"text-decoration: underline;\">Information field</span></p>\n<p> </p>\n<p>Visual as opposed to text –  metadata</p>\n<p>Access</p>\n<p>Preservation</p>\n<p>Object – System, communication with the public</p>\n<p>Use computer power to increase access (public interest)</p>\n<p> </p>\n<p>Information professional: our role is to preserve and provide access to the works of others –  artists, architects</p>\n<p> </p>\n<h3>Timeline: See Power point</h3>\n<h3>Timeline Ideas</h3>\n<p>Reading the assigned ARIST Museum Informatics chapter I was struck by his point that initially museums and libraries were both striving to begin automating their collections. Musuems were unable to agreed on a data standard and this hurt automation initiatives. Museums fell behind libraries in automation. With the rise of computers in the workplace museums begain developing databas and other systems at their own institutions. Later collaboration became yet more difficult because the systems the institutions developed were incompatible.</p>\n<p>I think it would be intersting to map our timeline on a board LIS timeline. In order to give perspective on museum technology advancements.</p>\n<p style=\"padding-left: 30px;\"> </p>\n<ul>\n<li>Look at when architects began using CAD</li>\n<li>What are major projects</li>\n</ul>\n<h3>Timeline Bibliography</h3>\n<div style=\"line-height: 2em; margin-left: 0.5in; text-indent: -0.5in;\">\n<p style=\"margin: 0pt;\">Marty, P. F., Rayward, B. W., &amp; Twidale, M. B. (2003). Museum informatics. In <span style=\"font-style: italic;\">Annual Review of Information Science and Technology</span>, Annual Review of Information Science and Technology (Vol. 37, pp. 259-294).  <span title=\"url_ver=Z39.88-2004&amp;ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=bookitem&amp;rft.atitle=Museum%20informatics&amp;rft.series=Annual%20Review%20of%20Information%20Science%20and%20Technology&amp;rft.aufirst=Paul%20F.&amp;rft.aulast=Marty&amp;rft.au=Paul%20F.%20Marty&amp;rft.au=Boyd%20W.%20Rayward&amp;rft.au=Michael%20B.%20Twidale&amp;rft.date=2003&amp;rft.pages=259-294\"><br /></span></p>\n</div>",
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            "note": "<h2>Reading Notes: (Shared Copy)</h2>\n<ul>\n<li>This was an excellect reource that serves well as a review of key literature. (p. 261)</li>\n<li>The authors also point out that capturing information in a museum is a difficult task because it is complex and information exists at several levels simultaneously. (p. 262)</li>\n<li>Lack of cooperation early on led to museums developing systems seperately and these weren't extremely compatible for sharing information with one another. (p. 265)</li>\n<li>The author lists several benefits that could be enjoyed if museums developed a common standard form documenting musuem artifacts. (p. 267)</li>\n<li>Types of data sharing initiatives are mentioned by the authors, all seems to have had limited success although I am unfamiliar with the particulars. (p. 267)</li>\n<li>Standardized use of terminolgy has had some success (p. 267)</li>\n<li>The authors mention that even within a \"wired museum\" some important information exists outside of the systems and off line. (p. 268)</li>\n<li>The authors reference Orna and Pettitt's discussion fo the the \"meaning of information in a museum context\", while later referencing Marty's own investigation in for the communication dynamics within museums. (p.  270)</li>\n<li>The authors note collaboration efforts including AMICO and CHIN as well as research into a long term project in Austrailia called the Austrailian Museums and Galleries Online. (p. 271)</li>\n<li>Some studies have investigated museum professionals themselves. (p. 272)</li>\n<li>There has been significant research into the potential  ability of electronic information to increase the value of museum objects themselves. See Hoopes 1997 and Hickerson 1997. (p. 274)</li>\n<li>Opales project referenced by the authors could be seen as a predecessor to the Smithosonian Common / Smithosonian 2.0 initiative. (p. 274)</li>\n<li>The author address fears with in the museum communitiy about the changing role of the museum. (p. 275)</li>\n<li><span style=\"background-color: #ffffff;\">Berkeley MOA uses PDAs for a personalized museums experience initiating many similiar projects both in museums and research facilities including Xerox Parc One project of note is the Seattle Experience Music Project. These projects and those like them led to a Consortium for the Interchange of Museum Information. (p. 277 -278)</span></li>\n<li><span style=\"background-color: #ffffff;\">The authors raise questions about museum values and the role of the museum visitor. (p. 279)</span></li>\n<li><span style=\"background-color: #ffffff;\">The authors also list some topics of worry and disent within the museum community about the role of technology in the museum. (p. 281)</span></li>\n<li><span style=\"background-color: #ffffff;\">Exposition on the difficulties of information caputred in objects and in images. In addition to attempts to access this information with IBMs Query by Images and UC Berkeley's Blob World. (p. 284) <br /></span></li>\n<li><span style=\"background-color: #ffffff;\">Several investigations into data exchange standards have been led by the CIMI from the late ninties into the 2000s. (p. 285)</span></li>\n<li><span style=\"background-color: #ffffff;\">The authors cite research into museum application development at Vienna University. (p. 285)</span></li>\n</ul>\n<h3>Timeline:</h3>\n<ul>\n<li><span style=\"background-color: #ffcc99;\">1960s <br /></span> \n<ul>\n<li><span style=\"background-color: #ffcc99;\">According to the authors interest in museum technology as a research topic began in the 1960s. (Marty, p. 261)</span></li>\n<li><span style=\"background-color: #ffcc99;\">late 1960s - the Smithsonian Institution attemps to computerize their museum collections. (Marty, p. 264)<br /></span></li>\n<li><span style=\"background-color: #ffcc99;\">1968 - first conference addressing computers in museum at Museum of Modern Art.  (Marty, p. 264)<br /></span></li>\n</ul>\n</li>\n<li><span style=\"background-color: #ffcc99;\">1970s</span> \n<ul>\n<li><span style=\"background-color: #ffcc99;\">1977 - Museum DOcumentation Association established, and whence makes an attempt to establish an minimum information standard called SPECTRUM. (Marty, p. 264)<br /></span></li>\n<li><span style=\"background-color: #ffcc99;\">1979 -  The organization of museum information has been a distict area of stude dating back to 1979 with Dudley and Wilkenson (Marty, p. 263)</span></li>\n</ul>\n</li>\n<li><span style=\"background-color: #ffcc99;\">1980s</span> \n<ul>\n<li><span style=\"background-color: #ffcc99;\">Art and Architecture Thesaurus developed and used by museum professionals. (</span><span style=\"background-color: #ffcc99;\">Marty, p. </span><span style=\"background-color: #ffcc99;\"><strong></strong>268)</span></li>\n</ul>\n</li>\n<li><span style=\"background-color: #ffcc99;\">1990s</span> \n<ul>\n<li><span style=\"background-color: #ffcc99;\">1995 - Berkeley MOA uses PDAs for a personalized museums experience initiating many similiar projects both in museums and research facilities including Xerox Parc One porject of note is the Seattle Experience Music Project. (</span><span style=\"background-color: #ffcc99;\">Marty, p. </span><span style=\"background-color: #ffcc99;\">277)</span></li>\n<li><span style=\"background-color: #ffcc99;\">1997 - The first Museums and Web conference is held. See Bowen 1997. (</span><span style=\"background-color: #ffcc99;\">Marty, p. </span><span style=\"background-color: #ffcc99;\">275)</span></li>\n<li><span style=\"background-color: #ffcc99;\"><br /></span></li>\n</ul>\n</li>\n</ul>\n<h3>Quotes:</h3>\n<ol>\n<li>definiton of 'museum informatics '(p.259)</li>\n<li>acknowledgement of the need for data standards (p. 260)</li>\n<li>information is limited by its organization (p. 263)</li>\n<li>acknowledgement and expression of a fundamental problem of museum information i.e. the uniqueness of the museum object as museums fall behind in automation achievements whilst libraries serge ahead.  This leads or exacerbates a second fundamental problem which is the lack of cooperation in museum data. (p. 264)</li>\n<li>lack of coordination made automation virtually impossible in the 1960s and 1970s, by the 1980s museums needing a systems delveloped them independently. (p. 266)</li>\n<li>trusim: technology is transformative. (p. 268)</li>\n<li>truism: technology can foster collaboration. (p. 270)</li>\n<li>going digital has allowed both museum professionals and museum visitors to do things not possible in the analog world including making new connections between artifacts some of which were housed in storage and not available for display. (p. 276)</li>\n<li>The notions of museums of as object repositiories are being replaced with notions of museums as information utilities. I wonder are museums going meta? (p. 280)</li>\n<li>Museums have been studied as complex \"sociotechnico environments\" (p. 283 )</li>\n<li>Information about museum objects as important as museum objective themselves. (p. 286)</li>\n<li>Semantic links in museums (p. 287)</li>\n<li>Potential groundwork for the integration of libraries, museums and archives. (p. 287)</li>\n<li>The notion of purposes of museums (p. 287-288)</li>\n<li>The museums struggle with their identity and the importance of the museum experience in physical form including the notion of \"aura\" from a seminal work by Benjamin in 1968. (p. 281)</li>\n<li>see 15.</li>\n</ol>",
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            "note": "<h2>Key Players in Museum Technology</h2>\n<h3>Academic:</h3>\n<p style=\"padding-left: 30px;\">Addis, Matthew J.</p>\n<p style=\"padding-left: 30px;\">Besser, Howard</p>\n<p style=\"padding-left: 30px;\">Marty, Paul F.</p>\n<h3>Professional:</h3>\n<p style=\"padding-left: 30px;\"><a href=\"http://www.archimuse.com/consulting/bearman.html\" target=\"_blank\">Bearman, David</a>, Museums and Web, Archives &amp; <em>Museum Informatics</em></p>\n<p style=\"padding-left: 30px;\"><a href=\"http://www.brooklynmuseum.org/community/blogosphere/bloggers/author/bernsteins/\" target=\"_blank\">Bernstein, Shelley</a>,  Chief of Technology at the Brooklyn Museum</p>\n<p style=\"padding-left: 30px;\">Orna, Elizabeth, author on Museum Informatics books (<a href=\"http://www.librarything.com/author/ornaelizabeth\">library thing</a>)</p>\n<p style=\"padding-left: 30px;\"><a href=\"http://museumtwo.tumblr.com/\" target=\"_blank\">Simon, Nina</a>, Museum 2.0 blog, design consultant</p>\n<p style=\"padding-left: 30px;\"><a href=\"http://www.archimuse.com/consulting/trant.html\" target=\"_blank\">Trant, Jennifer</a>, Museums and Web, Archives &amp; <em>Museum Informatics</em></p>\n<p style=\"padding-left: 30px;\"><em><br /></em></p>\n<h3>Blogs:</h3>\n<p style=\"padding-left: 30px;\"><a href=\"http://musematic.net/\" target=\"_blank\">Musematic</a></p>\n<p style=\"padding-left: 30px;\"><a href=\"http://museumtwo.blogspot.com/\" target=\"_blank\">Museum 2.0</a></p>\n<p style=\"padding-left: 30px;\">Mobile Museums</p>\n<h3>Museum Players</h3>\n<p style=\"padding-left: 30px;\">Cuno, James</p>\n<p style=\"padding-left: 30px;\">Benjamin, Walter  (1936 \"Artwork\" essay)</p>\n<h3>Internships</h3>\n<p style=\"padding-left: 30px;\"><a href=\"http://www.uflib.ufl.edu/afa/pdc/internshiproster.htm\">ARLIS Internship Roster</a><a href=\"http://www.getty.edu/grants/education/grad_interns.html\">Getty</a><a href=\"http://www.hnip.net/intern/contentID.10/intern.asp\">HACU National Internship Program</a><a href=\"http://www.library.yale.edu/lhr/jobs/intern.html\">Kress Fellowship in Art Librarianship</a><a href=\"http://www.loc.gov/hr/employment/index.php?action=cFellowships.showHome\">Library of Congress</a><a href=\"http://www.metmuseum.org/education/er_internship.asp#sum\">Metropolitan Museum of Art</a><a href=\"http://moma.org/education/internships_available.html\">Museum of Modern Art</a><a href=\"http://www.nga.gov/education/index.shtm\">National Gallery of Art</a><a href=\"http://www.si.edu/ofg/\">Smithsonian</a></p>\n<ul>\n</ul>\n<h3>Companies</h3>\n<ul>\n<li>Luna Imaging Incorporated</li>\n<li>Ideum</li>\n<li>Second Story Design Studio</li>\n<li><a href=\"http://www.artnet.com/\">Artnet</a></li>\n</ul>\n<h3>Museum Informatics Subject Headings:</h3>\n<ul>\n</ul>\n<h3>Key Organizations and Conferences</h3>\n<ul>\n<li><a href=\"http://www.mip.berkeley.edu/\" target=\"_blank\">Museum Informatic Project</a>, UC Berkely</li>\n<li><strong>ArTex School of Information </strong><a href=\"http://www.ut-artex.blogspot.com/\" target=\"_blank\">blog</a></li>\n<li><strong>American Association of Museums</strong></li>\n<li><strong>Museum Computer Network</strong></li>\n<li><strong>Museums and Web<br /></strong> \n<ul>\n<li>Annual Conference in Denver<br />April 13-17. 2010</li>\n<li>In operation since 1997.</li>\n</ul>\n</li>\n<li><strong>Visual Resources Association</strong><br /> \n<ul>\n<li>Annual Conference in Atlanta, Georgia, March 17-20, 2010</li>\n<li>VRA Core 4.0 and Cataloging Cultural Objects</li>\n<li><a href=\"http://www.vraweb.org/organization/pdf/intro_history.pdf\" target=\"_blank\">Organization's history</a> (pdf)</li>\n<li><a href=\"http://www.vraweb.org/chapters/texas/index.html\">Texas Chapter</a></li>\n</ul>\n</li>\n</ul>",
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