[ { "key": "VRCNIFPS", "version": 1, "library": { "type": "group", "id": 54391, "name": "FMS 865", "links": { "alternate": { "href": "https://www.zotero.org/groups/fms_865", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/54391/items/VRCNIFPS", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/fms_865/items/VRCNIFPS", "type": "text/html" } }, "meta": { "createdByUser": { "id": 799940, "username": "J Weather", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/j_weather", "type": "text/html" } } }, "creatorSummary": "Kooijman and et al.", "parsedDate": "2008", "numChildren": 0 }, "data": { "key": "VRCNIFPS", "version": 1, "itemType": "book", "title": "Mind the Screen : Media Concepts According to Thomas Elsaesser", "creators": [ { "creatorType": "editor", "firstName": "Jaap", "lastName": "Kooijman" }, { "creatorType": "editor", "firstName": "", "lastName": "et al." } ], "abstractNote": "Table of Contents --\nA Looking Glass for Old and New Screens;\nACT I: Melodrama, Memory, Mind Game - \nCinephilia in Transition;\nTheorizing Melodrama;\nOf Surfaces and Depths;\nFailed Tragedy and Traumatic Love in IngmarBergman’s Shame;\nMediated Memories;\nRunning on Failure;\nInto the Mind and Out to the World;\nA Critical Mind;\nIntermezzo: Scholars, Dreams, and Memory Tapes;\nACT II: Europe-Hollywood-Europe - \nThe Cheetah of Cinema;\nBear Life;\nConstitutive Contingencies;\nLili and Rachel;\nAmsterdamned Global Village;\nSoundtracks of Double Occupancy;\nHollywood Face to Face with the World;\nTo Be or Not to Be Post-Classical;\nBumper Stories;\nIntermezzo “Where Were You When ...?” or “I Phone,Therefore I Am”;\nACT III: Archaeology, Avant-Garde, Archive -\nReflections in a Laserdisc;\nS/M;\nConsumer Technology after Surveillance Theory;\nMigratory Terrorism;\nThe Echo Chamber of History;\nDisplacing the Colonial Archive;\nFound Footage, Performance, Reenactment;\nDigital Convergence Ten Years Later;\nNotes on Contributors;\nKey Publications by Thomas Elsaesser", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "", "date": "2008", "publisher": "Amsterdam UP", "place": "", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "375", "ISBN": "", "DOI": "", "citationKey": "", "url": "http://catalog.lib.ku.edu/cgi-bin/Pwebrecon.cgi?bbid=7469341", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "", "callNumber": "PN1995 -- .M536 2008eb", "rights": "", "extra": "", "tags": [], "collections": [], "relations": {}, "dateAdded": "2011-11-11T18:02:14Z", "dateModified": "2011-11-11T18:06:19Z" } }, { "key": "U2DDF45U", "version": 1, "library": { "type": "group", "id": 54391, "name": "FMS 865", "links": { "alternate": { "href": "https://www.zotero.org/groups/fms_865", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/54391/items/U2DDF45U", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/fms_865/items/U2DDF45U", "type": "text/html" } }, "meta": { "createdByUser": { "id": 799940, "username": "J Weather", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/j_weather", "type": "text/html" } } }, "creatorSummary": "Elsaesser", "parsedDate": "2001", "numChildren": 0 }, "data": { "key": "U2DDF45U", "version": 1, "itemType": "journalArticle", "title": "Six degrees of Nosferatu", "creators": [ { "creatorType": "author", "firstName": "Thomas", "lastName": "Elsaesser" } ], "abstractNote": "E. Elias Merhige's recent film Shadow of the Vampire revolves around the idea that the character of Nosferatu in F. W. Murnau's 1922 film is not played by an actor but by a vampire. In the film business, this metaphor—the actor-as-star-as-vampire, needing fresh blood and being paid in unknowing victims—is not so far fetched. In Shadow of the Vampire, Murnau's ruthlessness in sacrificing his leading lady to his vampire-actor for heightened artistic effect is shown as equal to the vampire's lust for blood. The vampire movie is like a Faustian pact, whether entered into out of world-weary longing for youth, love, and eternal life or out of a search for truth, beauty, and the perfection of artifice by ambitious artists or mad scientists.", "publicationTitle": "Sight & Sound", "publisher": "", "place": "", "date": "2001", "volume": "ns11", "issue": "2", "section": "", "partNumber": "", "partTitle": "", "pages": "12-15", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "PMID": "", "PMCID": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "", "callNumber": "", "rights": "", "extra": "", "tags": [], "collections": [], "relations": {}, "dateAdded": "2011-11-11T17:46:06Z", "dateModified": "2011-11-11T17:46:06Z" } }, { "key": "XT7PG4IX", "version": 1, "library": { "type": "group", "id": 54391, "name": "FMS 865", "links": { "alternate": { "href": "https://www.zotero.org/groups/fms_865", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/54391/items/XT7PG4IX", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/fms_865/items/XT7PG4IX", "type": "text/html" } }, "meta": { "createdByUser": { "id": 799940, "username": "J Weather", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/j_weather", "type": "text/html" } } }, "creatorSummary": "Trifonova", "parsedDate": "2004", "numChildren": 0 }, "data": { "key": "XT7PG4IX", "version": 1, "itemType": "journalArticle", "title": "A Nonhuman Eye: Deleuze on Cinema", "creators": [ { "creatorType": "author", "firstName": "Temenuga", "lastName": "Trifonova" } ], "abstractNote": "In lieu of an abstract, here is a preview of the article:\n\nSartre's Imagination and The Psychology of Imagination play an important role in philosophy's renewed attempts to go beyond the human, to annihilate subjectivity, to return to pure perception in which objects vary for one another rather than for one privileged image or center of reference (consciousness). Before Sartre, Bergson was already interested in pure (inhuman) experience \"above that decisive turn, where, taking a bias in the direction of our utility, it becomes properly human experience'\" (Deleuze, Bergsonism 27). Deleuze confirms that human intelligence is bound to reduce differences in kind to differences in degree and that the former are rediscovered only \"above the turn\" in the examination of the conditions of experience by intuition:\n\nTo open us up to the inhuman and the superhuman (durations which are inferior or superior to our own), to go beyond the human condition: This is the meaning of philosophy, in so far as our condition condemns us to live among badly analyzed composites and to be badly analyzed composites ourselves.\n\n(ibid., 28)\n\nDeleuze's task in the two volumes of Cinema is to demonstrate how modern cinema in particular has made it possible to surpass the human condition by abolishing subjectivity as a privileged image in what Bergson calls \"the aggregate of images\" (the material world).\n\nBergson's theory of duration, of the contemporaneousness of perception and memory, is based on his analysis of the phenomenon of deja vu, which he considers the most authentic expression of the true nature of our", "publicationTitle": "SubStance", "publisher": "", "place": "", "date": "2004", "volume": "33", "issue": "104", "section": "", "partNumber": "", "partTitle": "", "pages": "134-152", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "", "DOI": "", "citationKey": "", "url": "http://muse.jhu.edu/journals/substance/v033/33.2trifonova.html", "accessDate": "", "PMID": "", "PMCID": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "Project MUSE - Premium Collection", "callNumber": "", "rights": "", "extra": "", "tags": [], "collections": [], "relations": {}, "dateAdded": "2011-11-02T16:01:46Z", "dateModified": "2011-11-02T16:02:31Z" } }, { "key": "T48PADQS", "version": 1, "library": { "type": "group", "id": 54391, "name": "FMS 865", "links": { "alternate": { "href": "https://www.zotero.org/groups/fms_865", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/54391/items/T48PADQS", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/fms_865/items/T48PADQS", "type": "text/html" } }, "meta": { "createdByUser": { "id": 731146, "username": "tlreid13", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/tlreid13", "type": "text/html" } } }, "creatorSummary": "Berger", "parsedDate": "1990", "numChildren": 0 }, "data": { "key": "T48PADQS", "version": 1, "itemType": "book", "title": "Ways of Seeing", "creators": [ { "creatorType": "author", "firstName": "John", "lastName": "Berger" } ], "abstractNote": "Initially a BBC programme series from 1972, this work penetrates everyday, western images to unearth the hidden ideologies in the representations of women, advertisement, painting and photography.", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "First", "date": "1990", "publisher": "Penguin", "place": "", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "176", "ISBN": "978-0140135152", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "", "callNumber": "", "rights": "", "extra": "", "tags": [], "collections": [], "relations": {}, "dateAdded": "2011-10-15T21:53:36Z", "dateModified": "2011-10-15T21:53:36Z" } }, { "key": "FHWRZISS", "version": 1, "library": { "type": "group", "id": 54391, "name": "FMS 865", "links": { "alternate": { "href": "https://www.zotero.org/groups/fms_865", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/54391/items/FHWRZISS", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/fms_865/items/FHWRZISS", "type": "text/html" } }, "meta": { "createdByUser": { "id": 731146, "username": "tlreid13", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/tlreid13", "type": "text/html" } } }, "creatorSummary": "Grenfell, Michael", "parsedDate": "2007", "numChildren": 0 }, "data": { "key": "FHWRZISS", "version": 1, "itemType": "book", "title": "Art Rules: Pierre Bourdieu and the Visual Arts", "creators": [ { "creatorType": "author", "firstName": "Hardy, Cheryl", "lastName": "Grenfell, Michael" } ], "abstractNote": "A study that examines Bourdieu's aesthetic and cultural analyses of consumption as applied to photography, painting and museums.", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "", "date": "2007", "publisher": "Berg", "place": "", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "256", "ISBN": "978-1845202330", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "", "callNumber": "", "rights": "", "extra": "", "tags": [], "collections": [], "relations": {}, "dateAdded": "2011-10-15T21:47:11Z", "dateModified": "2011-10-15T21:47:11Z" } }, { "key": "5EWQ4E6N", "version": 1, "library": { "type": "group", "id": 54391, "name": "FMS 865", "links": { "alternate": { "href": "https://www.zotero.org/groups/fms_865", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/54391/items/5EWQ4E6N", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/fms_865/items/5EWQ4E6N", "type": "text/html" } }, "meta": { "createdByUser": { "id": 731146, "username": "tlreid13", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/tlreid13", "type": "text/html" } } }, "creatorSummary": "Debord", "parsedDate": "2010", "numChildren": 0 }, "data": { "key": "5EWQ4E6N", "version": 1, "itemType": "book", "title": "Society of the Spectacle", "creators": [ { "creatorType": "author", "firstName": "Guy", "lastName": "Debord" } ], "abstractNote": "Situationist cultural theory addressing the nature of spectacle, representation replacing authentic social life, mass media, commodity as fetish. A call to revolt using détournement.", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "Reprint", "date": "2010", "publisher": "Black and Red", "place": "Detroit", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "132", "ISBN": "978-0934868075", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "", "callNumber": "", "rights": "", "extra": "", "tags": [], "collections": [], "relations": {}, "dateAdded": "2011-10-15T21:23:54Z", "dateModified": "2011-10-15T21:23:54Z" } }, { "key": "9AGIHK7Q", "version": 1, "library": { "type": "group", "id": 54391, "name": "FMS 865", "links": { "alternate": { "href": "https://www.zotero.org/groups/fms_865", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/54391/items/9AGIHK7Q", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/fms_865/items/9AGIHK7Q", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/54391/items/8EPJT75D", "type": "application/json" } }, "meta": { "createdByUser": { "id": 537766, "username": "ADame", "name": "Avery Dame-Griff", "links": { "alternate": { "href": "https://www.zotero.org/adame", "type": "text/html" } } } }, "data": { "key": "9AGIHK7Q", "version": 1, "parentItem": "8EPJT75D", "itemType": "attachment", "linkMode": "linked_url", "title": "1576221", "accessDate": "2011-10-07T20:46:22Z", "url": "http://www.jstor.org/stable/1576221", "note": "", "contentType": "", "charset": "", "tags": [], "relations": {}, "dateAdded": "2011-10-07T20:46:54Z", "dateModified": "2011-10-07T20:46:54Z" } }, { "key": "8EPJT75D", "version": 1, "library": { "type": "group", "id": 54391, "name": "FMS 865", "links": { "alternate": { "href": "https://www.zotero.org/groups/fms_865", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/54391/items/8EPJT75D", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/fms_865/items/8EPJT75D", "type": "text/html" } }, "meta": { "createdByUser": { "id": 537766, "username": "ADame", "name": "Avery Dame-Griff", "links": { "alternate": { "href": "https://www.zotero.org/adame", "type": "text/html" } } }, "creatorSummary": "Davis", "parsedDate": "1995-01-01", "numChildren": 1 }, "data": { "key": "8EPJT75D", "version": 1, "itemType": "journalArticle", "title": "The Work of Art in the Age of Digital Reproduction (An Evolving Thesis: 1991-1995)", "creators": [ { "creatorType": "author", "firstName": "Douglas", "lastName": "Davis" } ], "abstractNote": "THE AUTHOR ARGUES THAT THE WORK OF ART IN THE AGE OF DIGITAL reproduction is physically and formally chameleon. There is no longer a clear conceptual distinction between original and reproduction in virtually any medium. These two states, one pure and original, the other imitative and impure, are now fictions. Images, sounds, and words are received, deconstructed, rearranged, and restored wherever they are seen, heard, and stored. What has happened to the aura surrounding the original work of art, so prized by generations of collectors and critics? Digitalization transfers this aura to the individuated copy. Artist and viewer perform together. The dead replica and the living, authentic original are merging, like lovers entwined in mutual ecstasy.", "publicationTitle": "Leonardo", "publisher": "", "place": "", "date": "January 01, 1995", "volume": "28", "issue": "5", "section": "", "partNumber": "", "partTitle": "", "pages": "381-386", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "", "DOI": "", "citationKey": "", "url": "http://www.jstor.org/stable/1576221", "accessDate": "", "PMID": "", "PMCID": "", "ISSN": "0024094X", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "", "callNumber": "", "rights": "", "extra": "ArticleType: research-article / Issue Title: Third Annual New York Digital Salon / Full publication date: 1995 / Copyright © 1995 Leonardo", "tags": [], "collections": [], "relations": {}, "dateAdded": "2011-10-07T20:46:54Z", "dateModified": "2011-10-07T20:46:54Z" } }, { "key": "I25IFTMV", "version": 1, "library": { "type": "group", "id": 54391, "name": "FMS 865", "links": { "alternate": { "href": "https://www.zotero.org/groups/fms_865", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/54391/items/I25IFTMV", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/fms_865/items/I25IFTMV", "type": "text/html" } }, "meta": { "createdByUser": { "id": 537766, "username": "ADame", "name": "Avery Dame-Griff", "links": { "alternate": { "href": "https://www.zotero.org/adame", "type": "text/html" } } }, "creatorSummary": "Stam and Spence", "parsedDate": "1983-03-01", "numChildren": 0 }, "data": { "key": "I25IFTMV", "version": 1, "itemType": "journalArticle", "title": "Colonialism, Racism and Representation", "creators": [ { "creatorType": "author", "firstName": "Robert", "lastName": "Stam" }, { "creatorType": "author", "firstName": "Louise", "lastName": "Spence" } ], "abstractNote": "", "publicationTitle": "Screen", "publisher": "", "place": "", "date": "March 01 , 1983", "volume": "24", "issue": "2", "section": "", "partNumber": "", "partTitle": "", "pages": "2 -20", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "", "DOI": "10.1093/screen/24.2.2", "citationKey": "", "url": "http://screen.oxfordjournals.org/content/24/2/2.short", "accessDate": "", "PMID": "", "PMCID": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "", "callNumber": "", "rights": "", "extra": "", "tags": [], "collections": [], "relations": {}, "dateAdded": "2011-09-23T20:55:02Z", "dateModified": "2011-09-23T20:55:02Z" } }, { "key": "W9BKHAAQ", "version": 1, "library": { "type": "group", "id": 54391, "name": "FMS 865", "links": { "alternate": { "href": "https://www.zotero.org/groups/fms_865", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/54391/items/W9BKHAAQ", "type": "application/json" }, "alternate": { "href": 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"", "language": "", "libraryCatalog": "", "callNumber": "", "rights": "", "extra": "", "tags": [], "collections": [], "relations": {}, "dateAdded": "2011-09-16T03:48:07Z", "dateModified": "2011-09-16T03:53:15Z" } }, { "key": "NVNV7I9S", "version": 1, "library": { "type": "group", "id": 54391, "name": "FMS 865", "links": { "alternate": { "href": "https://www.zotero.org/groups/fms_865", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/54391/items/NVNV7I9S", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/fms_865/items/NVNV7I9S", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/54391/items/W9BKHAAQ", "type": "application/json" } }, "meta": { "createdByUser": { "id": 537766, "username": "ADame", "name": "Avery Dame-Griff", "links": { "alternate": { "href": "https://www.zotero.org/adame", "type": "text/html" } } } }, "data": { "key": "NVNV7I9S", "version": 1, "parentItem": "W9BKHAAQ", "itemType": 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