Les machines font-elles l’histoire ? La réponse à cette question établit une articulation entre les outils et les machines, d’une part, et la technique et la « technologie » d’autre part, cela afin de montrer comment la transition des systèmes « qualifiés » à des systèmes « mécaniquement déterminants » décompose ce « faire » en étapes indépendantes (la conception et l’exécution) et déplace l’intervention humaine du centre à la périphérie de la production. Compte tenu du fait que la capacité humaine de travail relève non seulement des possibilités physiques mais aussi des connaissances et des qualifications (elles-mêmes portées par [...]
", "tags": [], "relations": {}, "dateAdded": "2017-08-29T19:09:54Z", "dateModified": "2020-05-25T20:46:22Z" } }, { "key": "97RZZTT9", "version": 119, "library": { "type": "group", "id": 531162, "name": "Formation doctorant cresson", "links": { "alternate": { "href": "https://www.zotero.org/groups/formation_doctorant_cresson", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/531162/items/97RZZTT9", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/formation_doctorant_cresson/items/97RZZTT9", "type": "text/html" } }, "meta": { "createdByUser": { "id": 1986301, "username": "svanhollebek", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/svanhollebek", "type": "text/html" } } }, "creatorSummary": "Gibson", "parsedDate": "2014", "numChildren": 0 }, "data": { "key": "97RZZTT9", "version": 119, "itemType": "book", "title": "Approche écologique de la perception visuelle", "creators": [ { "creatorType": "author", "firstName": "James Jerome", "lastName": "Gibson" }, { "creatorType": "translator", "firstName": "Olivier", "lastName": "Putois" }, { "creatorType": "contributor", "firstName": "Claude", "lastName": "Romano" } ], "abstractNote": "James J. Gibson est à l'origine d'une nouvelle théorie de la perception dont la version finale est présentée dans l'Approche écologique de la perception visuelle. Paru en 1979, cet ouvrage constitue le testament de celui que Ken Nakayama qualifie de \" plus grand psychologue de la perception des cent dernières années \". Abandonnant l'équivalence cartésienne entre vision et représentation, Gibson propose une approche dite \" écologique \" de la perception. Celle-ci caractérise l'objet perçu non plus comme le corrélat d'une représentation, mais comme \" affordance \" ou \" invite \", c'est-à-dire comme un pôle d'interactions, directement accessible à l'exploration. Cette thèse implique ainsi de ré-inscrire la vision dans l'environnement qu'elle est vouée à révéler à l'animal, par l'intermédiaire de son corps, afin que celui-ci puisse s'y développer. Si l'Approche ... est un livre de psychologie, il mobilise une charpente philosophique qui en est indissociable et qui explique pourquoi celui-ci continue aujourd'hui à jouer un rôle central en sciences cognitives et philosophie de l'esprit. (4e de couv.).", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "", "date": "2014", "publisher": "Éd. Dehors", "place": "Bellevaux", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "", "ISBN": "978-2-36751-005-7", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "French", "libraryCatalog": "Open WorldCat", "callNumber": "", "rights": "", "extra": "OCLC: 875172260", "tags": [], "collections": [], "relations": {}, "dateAdded": "2020-03-23T17:11:43Z", "dateModified": "2020-03-23T17:12:22Z" } }, { "key": "GEPXCUAT", "version": 116, "library": { "type": "group", "id": 531162, "name": "Formation doctorant cresson", "links": { "alternate": { "href": "https://www.zotero.org/groups/formation_doctorant_cresson", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/531162/items/GEPXCUAT", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/formation_doctorant_cresson/items/GEPXCUAT", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/531162/items/44NWTE6R", "type": "application/json" } }, "meta": { "createdByUser": { "id": 850526, "username": "Suzel Balez", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/suzel_balez", "type": "text/html" } } }, "lastModifiedByUser": { "id": 1986301, "username": "svanhollebek", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/svanhollebek", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "GEPXCUAT", "version": 116, "parentItem": "44NWTE6R", "itemType": "note", "note": "In this article we show that mainstream practices of design in western industrialised societies aspire towards a logic of form which reduces our ability to perceive the depth and scope of our material involvement with the world around us. According to this logic of form, lines or conduits of energetic and material circulation are wrapped up within opaque, enclosing surfaces which conspire to hide these circulations from perception and present the appearance of discrete, finished entities. Drawing on the philosophy of Vilém Flusser , we show that this logic stems from an imperative to cast the material world in the [...]
", "tags": [], "relations": {}, "dateAdded": "2017-08-29T19:09:54Z", "dateModified": "2018-08-17T13:42:58Z" } }, { "key": "EUUY4NHS", "version": 114, "library": { "type": "group", "id": 531162, "name": "Formation doctorant cresson", "links": { "alternate": { "href": "https://www.zotero.org/groups/formation_doctorant_cresson", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/531162/items/EUUY4NHS", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/formation_doctorant_cresson/items/EUUY4NHS", "type": "text/html" } }, "meta": { "createdByUser": { "id": 850526, "username": "Suzel Balez", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/suzel_balez", "type": "text/html" } } }, "creatorSummary": "Drobnick", "parsedDate": "2015", "numChildren": 0 }, "data": { "key": "EUUY4NHS", "version": 114, "itemType": "bookSection", "title": "Smell: the hybrid art", "creators": [ { "creatorType": "editor", "firstName": "Chantal", "lastName": "Jaquet" }, { "creatorType": "editor", "firstName": "", "lastName": "Université de Paris IV: Paris-Sorbonne" }, { "creatorType": "author", "firstName": "Jim", "lastName": "Drobnick" } ], "abstractNote": "", "bookTitle": "L'art olfactif contemporain", "series": "Rencontres", "seriesNumber": "120", "volume": "", "numberOfVolumes": "", "edition": "", "date": "2015", "publisher": "Classiques Garnier", "place": "Paris", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "pages": "173-190", "ISBN": "978-2-8124-3551-5", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "fre eng", "libraryCatalog": "Library of Congress ISBN", "callNumber": "N8234.O36 C64 2014", "rights": "", "extra": "", "tags": [ { "tag": "20th century", "type": 1 }, { "tag": "21st century", "type": 1 }, { "tag": "Arts, Modern", "type": 1 }, { "tag": "Congresses", "type": 1 }, { "tag": "Odors in art", "type": 1 }, { "tag": "Perfumes", "type": 1 }, { "tag": "Smell", "type": 1 } ], "collections": [], "relations": {}, "dateAdded": "2018-04-16T08:48:18Z", "dateModified": "2018-04-16T08:53:25Z" } }, { "key": "5BYIAEG2", "version": 114, "library": { "type": "group", "id": 531162, "name": "Formation doctorant cresson", "links": { "alternate": { "href": "https://www.zotero.org/groups/formation_doctorant_cresson", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/531162/items/5BYIAEG2", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/formation_doctorant_cresson/items/5BYIAEG2", "type": "text/html" } }, "meta": { "createdByUser": { "id": 850526, "username": "Suzel Balez", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/suzel_balez", "type": "text/html" } } }, "creatorSummary": "Blanc-Mouchet", "parsedDate": "2015", "numChildren": 0 }, "data": { "key": "5BYIAEG2", "version": 114, "itemType": "bookSection", "title": "A la poursuite de la dimension olfactive", "creators": [ { "creatorType": "editor", "firstName": "Chantal", "lastName": "Jaquet" }, { "creatorType": "editor", "firstName": "", "lastName": "Université de Paris IV: Paris-Sorbonne" }, { "creatorType": "author", "firstName": "Jacqueline", "lastName": "Blanc-Mouchet" } ], "abstractNote": "", "bookTitle": "L'art olfactif contemporain", "series": "Rencontres", "seriesNumber": "120", "volume": "", "numberOfVolumes": "", "edition": "", "date": "2015", "publisher": "Classiques Garnier", "place": "Paris", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "pages": "65-78", "ISBN": "978-2-8124-3551-5", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "fre", "libraryCatalog": "Library of Congress ISBN", "callNumber": "N8234.O36 C64 2014", "rights": "", "extra": "", "tags": [ { 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"N8234.O36 C64 2014", "rights": "", "extra": "", "tags": [ { "tag": "20th century", "type": 1 }, { "tag": "21st century", "type": 1 }, { "tag": "Arts, Modern", "type": 1 }, { "tag": "Congresses", "type": 1 }, { "tag": "Odors in art", "type": 1 }, { "tag": "Perfumes", "type": 1 }, { "tag": "Smell", "type": 1 } ], "collections": [], "relations": {}, "dateAdded": "2018-04-16T08:48:11Z", "dateModified": "2018-04-16T08:48:11Z" } }, { "key": "IZ8S33QT", "version": 105, "library": { "type": "group", "id": 531162, "name": "Formation doctorant cresson", "links": { "alternate": { "href": "https://www.zotero.org/groups/formation_doctorant_cresson", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/531162/items/IZ8S33QT", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/formation_doctorant_cresson/items/IZ8S33QT", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/531162/items/AEAIACB6", "type": "application/json" } }, "meta": { "createdByUser": { "id": 850526, "username": "Suzel Balez", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/suzel_balez", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "IZ8S33QT", "version": 105, "parentItem": "AEAIACB6", "itemType": "note", "note": "Introduction. Des objets à flairer à l'oeuvre parfumée -- Les conditions d'émergence d'un art olfactif -- Les conditions théoriques : le renouveau des conceptions artistiques -- Reconnaître le parfum.L'horizon historique d'une nouvelle conception de l'art élargi -- La reconnaissance artistique du parfum -- Les trois piliers de l'art du parfum -- Les conditions matérielles : les techniques d'odorisation -- À la poursuite de la dimension olfactive -- Techniques d'odorisation dans les arts vivants -- Les conditions neuroscientifiques de l'art olfactif -- Être parfumeur, une question de prédisposition ou d'entraînement ? -- Jugement esthétique olfactif et neurosciences ? -- Les pratiques artistiques olfactives -- L'art olfactif à l'oeuvre -- Le parfum, un acte poétique -- Trois oeuvres d'art olfactives mettant en pratique le concept d'interface Parfum-Musique -- Performances et installations olfactives -- Smell : The Hybrid Art -- Mes chroniques olfactives -- La voie de l'art olfactif chez Maki Ueda -- La possibilité de la nouvelle reconnaissance de l'espace et l'art olfactif japonais -- Théâtre et parfum -- L'acteur olfactif -- Théâtre olfactif. Un itinéraire singulier -- Création olfactive \"hors piste\". L'odorisation théâtrale des Parfums de l'âme -- Le spectateur olfactif. La réception de la pièce Les Parfums de l'âme par le public", "tags": [], "relations": {}, "dateAdded": "2018-04-16T08:48:11Z", "dateModified": "2018-04-16T08:48:11Z" } }, { "key": "PLWK8MI6", "version": 105, "library": { "type": "group", "id": 531162, "name": "Formation doctorant cresson", "links": { "alternate": { "href": "https://www.zotero.org/groups/formation_doctorant_cresson", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/531162/items/PLWK8MI6", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/formation_doctorant_cresson/items/PLWK8MI6", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/531162/items/AEAIACB6", "type": "application/json" } }, "meta": { "createdByUser": { "id": 850526, "username": "Suzel Balez", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/suzel_balez", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "PLWK8MI6", "version": 105, "parentItem": "AEAIACB6", "itemType": "note", "note": "\"Actes du Colloque 'La création olfactive,' organisé les 23 et 24 mai 2014 à l'Université de Paris-Sorbonne\"--Page preceding title page", "tags": [], "relations": {}, "dateAdded": "2018-04-16T08:48:11Z", "dateModified": "2018-04-16T08:48:11Z" } }, { "key": "QUHIVM39", "version": 36, "library": { "type": "group", "id": 531162, "name": "Formation doctorant cresson", "links": { "alternate": { "href": "https://www.zotero.org/groups/formation_doctorant_cresson", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/531162/items/QUHIVM39", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/formation_doctorant_cresson/items/QUHIVM39", "type": "text/html" } }, "meta": { "createdByUser": { "id": 850526, "username": "Suzel Balez", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/suzel_balez", "type": "text/html" } } }, "creatorSummary": "de Gasparin (Comte de)", "parsedDate": "2006", "numChildren": 0 }, "data": { "key": "QUHIVM39", "version": 36, "itemType": "book", "title": "Symboles et procès techniques", "creators": [ { "creatorType": "author", "firstName": "Serge", "lastName": "de Gasparin (Comte de)" } ], "abstractNote": ", Adrien; Delaporte, Yves; Desrosiers, Sophie; Ingold, Tim; Leblic, Isabelle; Méchin, Colette; Sadler", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "", "date": "2006", "publisher": "", "place": "", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "", "ISBN": "", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "", "callNumber": "", "rights": "", "extra": "", "tags": [], "collections": [ "ZXY8265Y" ], "relations": {}, "dateAdded": "2017-08-29T19:09:54Z", "dateModified": "2017-09-04T14:20:40Z" } }, { "key": "YDDR4MG4", "version": 35, "library": { "type": "group", "id": 531162, "name": "Formation doctorant cresson", "links": { "alternate": { "href": "https://www.zotero.org/groups/formation_doctorant_cresson", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/531162/items/YDDR4MG4", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/formation_doctorant_cresson/items/YDDR4MG4", "type": "text/html" } }, "meta": { "createdByUser": { "id": 850526, "username": "Suzel Balez", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/suzel_balez", "type": "text/html" } } }, "creatorSummary": "Becker et al.", "parsedDate": "2012", "numChildren": 0 }, "data": { "key": "YDDR4MG4", "version": 35, "itemType": "book", "title": "Écologiques. Enquêtes sur les milieux humains", "creators": [ { "creatorType": "author", "firstName": "Natalia La, Joffrey;", "lastName": "Becker" }, { "creatorType": "author", "firstName": "", "lastName": "Charbonnier, Pierre; Garçon, Lucile; ;" }, { "creatorType": "author", "firstName": "", "lastName": "Gille, Baptiste; Hache, Émilie;" }, { "creatorType": "author", "firstName": "Tim", "lastName": "Ingold" } ], "abstractNote": "", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "", "date": "2012", "publisher": "", "place": "", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "", "ISBN": "", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "", "callNumber": "", "rights": "", "extra": "", "tags": [], "collections": [ "ZXY8265Y" ], "relations": {}, "dateAdded": "2017-08-29T19:09:54Z", "dateModified": "2017-09-04T14:19:38Z" } }, { "key": "LIQ7BHZP", "version": 5, "library": { "type": "group", "id": 531162, "name": "Formation doctorant cresson", "links": { "alternate": { "href": "https://www.zotero.org/groups/formation_doctorant_cresson", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/531162/items/LIQ7BHZP", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/formation_doctorant_cresson/items/LIQ7BHZP", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/531162/items/HFIRMRDJ", "type": "application/json" } }, "meta": { "createdByUser": { "id": 850526, "username": "Suzel Balez", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/suzel_balez", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "LIQ7BHZP", "version": 5, "parentItem": "HFIRMRDJ", "itemType": "note", "note": "Landscape and temporality are the major unifying themes of archaeology and social-cultural anthropology. This paper attempts to show how the temporality of the landscape may be understood by way of a 'dwelling perspective' that sets out from the premise of people's active, perceptual engagement in the world. The meaning of 'landscape' is clarified by contrast to the concepts of land, nature and space. The notion of 'taskscape' is introduced to denote a pattern of dwelling activities, and the intrinsic temporality of the taskscape is shown to lie in its rhythmic interrelations or patterns of resonance. By considering how taskscape relates to landscape, the distinction between them is ultimately dissolved, and the landscape itself is shown to be fundamentally temporal. Some concrete illustrations of these arguments are drawn from a painting by Bruegel, The Harvesters.
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