[ { "key": "5FU6AUQC", "version": 239, "library": { "type": "group", "id": 506696, "name": "UCLA Virtual Guide", "links": { "alternate": { "href": "https://www.zotero.org/groups/ucla_virtual_guide", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/506696/items/5FU6AUQC", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/ucla_virtual_guide/items/5FU6AUQC", "type": "text/html" } }, "meta": { "createdByUser": { "id": 4865, "username": "cjohanson", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/cjohanson", "type": "text/html" } } }, "parsedDate": "2015-11-18", "numChildren": 0 }, "data": { "key": "5FU6AUQC", "version": 239, "itemType": "webpage", "title": "Digital Storytelling: Top 4 Lessons from “The Museum as a Digital Storyteller”", "creators": [], "abstractNote": "This study looked at how museums create engaging digital storytelling experiences without sacrificing academic integrity. Here's our top four takeaways.", "websiteTitle": "Museum Hack", "websiteType": "", "date": "2015-11-18T11:00:31-04:00", "publisher": "", "place": "", "DOI": "", "citationKey": "", "url": "https://museumhack.com/digital-storytelling-top-4-lessons-from-the-museum-as-a-digital-storyteller/", "accessDate": "2016-05-05T00:36:40Z", "shortTitle": "Digital Storytelling", "language": "", "rights": "", "extra": "", "tags": [], "collections": [ "EW65QJV3" ], "relations": {}, "dateAdded": "2016-05-05T00:36:54Z", "dateModified": "2016-05-05T00:36:54Z" } }, { "key": "HWTRIBE9", "version": 237, "library": { "type": "group", "id": 506696, "name": "UCLA Virtual Guide", "links": { "alternate": { "href": "https://www.zotero.org/groups/ucla_virtual_guide", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/506696/items/HWTRIBE9", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/ucla_virtual_guide/items/HWTRIBE9", "type": "text/html" } }, "meta": { "createdByUser": { "id": 3029082, "username": "stephaniejanetos", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/stephaniejanetos", "type": "text/html" } } }, "lastModifiedByUser": { "id": 3039095, "username": "amcrandall", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/amcrandall", "type": "text/html" } } }, "creatorSummary": "Barbault et al.", "parsedDate": "1770", "numChildren": 2 }, "data": { "key": "HWTRIBE9", "version": 237, "itemType": "book", "title": "Recueil de divers monumens anciens répandus en plusieurs endroits de l'Italie", "creators": [ { "creatorType": "author", "firstName": "Jean", "lastName": "Barbault" }, { "creatorType": "author", "firstName": "Domenico", "lastName": "Montaigu" }, { "creatorType": "author", "firstName": "Hubert", "lastName": "Robert" }, { "creatorType": "author", "firstName": "", "lastName": "Freicenet" }, { "creatorType": "author", "firstName": "Johann", "lastName": "Beheim" }, { "creatorType": "author", "firstName": "Giovanni", "lastName": "Bouchard" }, { "creatorType": "author", "firstName": "Jean", "lastName": "Gravier" }, { "creatorType": "author", "firstName": "Paolo", "lastName": "Giunchi" } ], "abstractNote": "Intended as a companion to Barbault's \"Les plus beaux monuments de Rome ancienne\" (1761), the Recueil comprises engravings and descriptions of ancient Roman architecture, monuments, and sculpture, as well as Roman pottery, bronze works, and related objects. Engravings include images of the temples of Paestum, the triumphal arch of Trajan at Ancona, the Palatine foundations opposite the Circus Maximus, the Arch of Septimius Severus and Caracalla at St George Velabro, amphitheater of Verona, the Temple of the Sibyl at Tivoli, the underground sepulchers of Roman noble families, and temples of Pozzuoli. Upon arriving in Rome in 1747, Barbault became involved with the circle of Piranesi with whom he worked on \"Varie vedute di Roma antica e moderna\" and for whose \"Antichità romane\" he contributed 14 plates. Barbault's own views appeared seven years after his collaboration with Piranesi, and their success was due to the great fashion for large Roman views that had been created by Piranesi's publications. The overlapping questions of plagiarism and influence are quite vivid, as Piranesi and Barbault were not only collaborators and rivals, but they also shared the same publisher", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "", "date": "1770", "publisher": "Chez Bouchard & Gravier libraires françois, rüe du Cours près de Saint Marcel : De l'imprimerie de Giunchi heritiers de Komarek", "place": "A Rome", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "6", "ISBN": "", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "catalog.library.ucla.edu Library Catalog", "callNumber": "N5761 .B37re 1770", "rights": "", "extra": "23 - Not Useful", "tags": [ { "tag": "Antiquities", "type": 1 }, { "tag": "Architecture, Roman", "type": 1 }, { "tag": "Art, Roman", "type": 1 }, { "tag": "Inscriptions, Latin", "type": 1 }, { "tag": "Italy", "type": 1 }, { "tag": "Monuments", "type": 1 }, { "tag": "Rome", "type": 1 }, { "tag": "Sculpture, Roman", "type": 1 }, { "tag": "Sepulchral monuments", "type": 1 } ], "collections": [], "relations": {}, "dateAdded": "2016-04-08T20:46:58Z", "dateModified": "2016-04-19T03:14:40Z" } }, { "key": "7KF738BF", "version": 237, "library": { "type": "group", "id": 506696, "name": "UCLA Virtual Guide", "links": { "alternate": { "href": "https://www.zotero.org/groups/ucla_virtual_guide", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/506696/items/7KF738BF", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/ucla_virtual_guide/items/7KF738BF", "type": "text/html" } }, "meta": { "createdByUser": { "id": 3039095, "username": "amcrandall", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/amcrandall", "type": "text/html" } } }, "creatorSummary": "Vitruvius Pollio", "parsedDate": "1521", "numChildren": 2 }, "data": { "key": "7KF738BF", "version": 237, "itemType": "book", "title": "Di Lucio Vitruuio Pollione De architectura libri dece / traducti de latino in uulgare affigurati, co[m]mentati, & con mirando ordine insigniti ; per il quale facilmente potrai trouare la multitudine de li abstrusi & reconditi uocabuli a li soi loci & in epsa tabula con summo studio expositi & enucleati ad immensa utilitate de ciascuno studioso & beniuolo di epsa opera.", "creators": [ { "creatorType": "author", "name": "Vitruvius Pollio" } ], "abstractNote": "", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "", "date": "1521", "publisher": "Impressa nel amoena & delecteuole citate de Como p[er] magistro Gotardus de Po[n]te citadino Milanese", "place": "Como", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "", "ISBN": "", "DOI": "", "citationKey": "", "url": "http://catalog.library.ucla.edu/vwebv/holdingsInfo?bibId=3548576", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "Di Lucio Vitruuio Pollione De architectura libri dece", "language": "Italian", "libraryCatalog": "catalog.library.ucla.edu Library Catalog", "callNumber": "BELT **NA2515 .V83dl 1521", "rights": "", "extra": "7 - Not Useful", "tags": [], "collections": [], "relations": {}, "dateAdded": "2016-04-08T21:11:47Z", "dateModified": "2016-04-19T03:14:26Z" } }, { "key": "XKZVTW46", "version": 236, "library": { "type": "group", "id": 506696, "name": "UCLA Virtual Guide", "links": { "alternate": { "href": "https://www.zotero.org/groups/ucla_virtual_guide", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/506696/items/XKZVTW46", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/ucla_virtual_guide/items/XKZVTW46", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/506696/items/HWTRIBE9", "type": "application/json" } }, "meta": { "createdByUser": { "id": 3029082, "username": "stephaniejanetos", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/stephaniejanetos", "type": "text/html" } } }, "lastModifiedByUser": { "id": 3039095, "username": "amcrandall", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/amcrandall", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "XKZVTW46", "version": 236, "parentItem": "HWTRIBE9", "itemType": "note", "note": "

Printer's statement follows date of publication on title-page Includes 104 numbered engravings, some of wohich are printed two-per-sheet; 45 of them are accompanied each by an unnumbered (sometimes smaller) print; in addition there are 17 in-text illustrations (including title page vignette), making the total of 166 engravings called for on the title page. Four groups of plates carry a Roman as well as an arabic numeral: plates 26-38 also numbered I-XIII; plates 39-44 also numbered I-VI; plates 46-52, also numbered I-XII; plates 53-57, also numbered I-V The smaller print below print no. 15 is inverted; plate numbered 52 is an in-text illustration Most plates are signed as drawn by Barbault; 7 are signed as both drawn and engraved by him; most carry the names of other engravers: Domenico Montaigu; Freicenet; Johann Beheim, and Hubert Robert

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Included monuments and drawings: Temple of Saturn, Senate house of Rome, Temple of Eshter, Triumphal Arch og Semptemius Severus, Ruins of Vespano Impature, baths of Titus, House of Caracella, aventine mountain with boats, pyramids. Claudius juicus, ampitheater, costellum of the marching aquaduct, baths of diaclecians, baths of constantine, column of trajan, calonina antoina, pantheon, mausoleum of augustus, theater that was built by augustus in the name of marcellus, circus of caracoa, 

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Text Highlights:

\n

Interesting binding with latches

\n

Two-page spread engravings made by author

\n

short introductions to each engraving

\n

first half of book focuses on the Colosseum; second half includes various paths, aqueducts, bridges

\n

Library insert reads as follows:

\n

Vincenzio Scamozzi (1552-1616)

\n

Discorsi sopra l'antichità di Roma. Venice: Francesco Ziletti, 1583.Engraved drawings of architectural ruins of Rome and its environs, by Vincenzo Scamozzi, who, along with Sebastiano Serlio, Andrea Palladio, and Giacomo Barozzi da Vignola, was one of the most distinguished theorists of the Renaissance.

\n

All plates - all etchings, with the exception of plate 8 which is engraved - are signed by Giovanni Battista Pittoni.

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Text Highlights:

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Not many pictures in text, but some of monuments discussed for project

\n

Book 3: Latin \"topological\" dictionary - index at front by building.

\n

Notes in margins, rarely in text

\n

Few pictures, but these include Romulus and Remus and the she-wolf, the Pantheon, the pyramid of Cestius and some columns/plans.

\n

No logical ordering to the entries?

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This work is divided by structure type (i.e., baths, temples, etc.) rather than by location.  The pictures are particularly detailed, though there is a heavy focus on ruins as well as surviving structures.  Text is French.

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Text Highlights:

\n

 General architecture and Vitruvius

\n

*not useful

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Printed by Gottardo da Ponte for Agostino Gallo and Aloisio Pirovano, whose note to readers appears below errata on leaf Z8r.
Italian translation by Cesare Cesariano, the first translation of Vitruvius into Italian.
Commentary by Cesare Cesariano who left the work uncorrected; editing was completed by Bono Mauro and Benedetto Jovio.
Signatures: pi⁸ A-Z⁸.
Woodcuts: Gottardo da Ponte's swan device on title page, within an architectural frame; his monogram device at end on verso of leaf Z7, featuring his initials \"G\" and \"P\" within a circle surmounted by a triple cross; illustrated throughout with 117 woodcuts of especial strength, with black backgrounds and strong black lines; leaves B6r, B7r, and B7v contain full-page plans and elevations of the Milan cathedral, representing the first illustration of gothic architecture in a classical text; one block (X6r) is signed with initials of Cesare Cesariano; woodcuts have been connected with drawings by Leonardo da Vinci, in whose atelier Cesariano had studied; large white-on-black historiated and foliated initials, including a large initial \"Q\" on leaf A1r featuring a scholar writing at his desk, possibly a portrait of Cesariano.
Text of Vitruvius printed in large roman type, surrounded by commentary of Cesariano in smaller roman type.
Errata: leaf Z8r.
Spec. Coll. Belt copy 1: modern vellum boards (44 cm); hand-written spine title in black ink \"Vitruvius De Architectura. Como. 1521.\" Forms part of the Elmer Belt Library of Vinciana, gift of Dr. Elmer Belt, 1961.
Spec. Coll. Belt copy 2: bound in modern brown leather boards (38 cm); earlier spine label laid on, with title \"Vitru. della archi.;\" leaves washed and cropped; edges sprinkled black. Forms part of the Elmer Belt Library of Vinciana, gift of Dr. Elmer Belt, 1961.

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The collection is divided into two parts: the first is about architecture; the second deals with sculpture. The architectural section is organized according to building types, such as temples, triumphal arches, theaters, columns and obelisks, baths and aqueducts, and tombs and altars. When Barbault arrived in Rome in 1747, he quickly became involved with the circle of Piranesi, collaborating with Piranesi on the \"Varie vedute di Roma antica e moderna,\" and contributing fourteen views for Piranesi's \"Antichità romane.\" The relationship of the two artists, as both collaborators and rivals, raises vivid questions of influence and plagiarism. In Giovanni Bouchard they shared a publisher as well. According to Martha Pollak in \"The Mark J. Millard architectural collection,\" Barbault's views were notable for their presentation and framing which made them \"tactile and appealing.\" His method of inscribing sculptural remains on larger, irregularly shaped stone fragments, was also employed by Piranesi, and was \"extremely effective in suggesting loss and the melancholy passage of time that inevitably destroys human work.\" Barbault's accompanying text in French contains many references to historians of Rome such as Pliny the Elder, Alessandro Donati, Bernard de Montfaucon, Famiano Nardini, Scipione Maffei, and Carlo Fontana", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "", "date": "1761", "publisher": "Chez Bouchard & Gravier Libraries françois rüe du Cours Près de Saint Marcel", "place": "A Rome", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "90", "ISBN": "", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "catalog.library.ucla.edu Library Catalog", "callNumber": "N5761 .B37 1761", "rights": "", "extra": "24", "tags": [ { "tag": "Antiquities", "type": 1 }, { "tag": "Antiquities Ouvrages avant 1800", "type": 1 }, { "tag": "Architecture", "type": 1 }, { "tag": "Architecture, Roman", "type": 1 }, { "tag": "Art antique", "type": 1 }, { "tag": "Art romain", "type": 1 }, { "tag": "Art, Roman", "type": 1 }, { "tag": "Early works", "type": 1 }, { "tag": "Italie Ouvrages avant 1800", "type": 1 }, { "tag": "Italy Rome", "type": 1 }, { "tag": "Monuments", "type": 1 }, { "tag": "Monuments historiques", "type": 1 }, { "tag": "Ouvrages avant 1800", "type": 1 }, { "tag": "Rome", "type": 1 } ], "collections": [], "relations": {}, "dateAdded": "2016-04-01T21:37:52Z", "dateModified": "2016-04-08T21:17:51Z" } }, { "key": "JCMV6FNX", "version": 220, "library": { "type": "group", "id": 506696, "name": "UCLA Virtual Guide", "links": { "alternate": { "href": "https://www.zotero.org/groups/ucla_virtual_guide", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/506696/items/JCMV6FNX", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/ucla_virtual_guide/items/JCMV6FNX", "type": "text/html" } }, "meta": { "createdByUser": { "id": 3029082, "username": "stephaniejanetos", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/stephaniejanetos", "type": "text/html" } } }, "lastModifiedByUser": { "id": 3039095, "username": "amcrandall", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/amcrandall", "type": "text/html" } } }, "creatorSummary": "Du Pérac and Della Vaccheria", "parsedDate": "1575", "numChildren": 1 }, "data": { "key": "JCMV6FNX", "version": 220, "itemType": "book", "title": "I uestigi dell' antichità di Roma", "creators": [ { "creatorType": "author", "firstName": "Etienne", "lastName": "Du Pérac" }, { "creatorType": "author", "firstName": "Lorenzo", "lastName": "Della Vaccheria" } ], "abstractNote": "", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "", "date": "1575", "publisher": "Appresso Lorenzo della Vaccheria alla insegna della palma, con priuilegio del Som. Pont", "place": "In Roma", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "2", "ISBN": "", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "catalog.library.ucla.edu Library Catalog", "callNumber": "Z233.I8 D87v 1575", "rights": "", "extra": "22", "tags": [ { "tag": "1575", "type": 1 }, { "tag": "Antiquities", "type": 1 }, { "tag": "Architecture, Roman", "type": 1 }, { "tag": "Engravings", "type": 1 }, { "tag": "Italy Rome", "type": 1 }, { "tag": "Rome (Italy)", "type": 1 } ], "collections": [], "relations": {}, "dateAdded": "2016-04-08T20:08:13Z", "dateModified": "2016-04-08T21:17:39Z" } }, { "key": "CD2V62RE", "version": 212, "library": { "type": "group", "id": 506696, "name": "UCLA Virtual Guide", "links": { "alternate": { "href": "https://www.zotero.org/groups/ucla_virtual_guide", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/506696/items/CD2V62RE", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/ucla_virtual_guide/items/CD2V62RE", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/506696/items/HWTRIBE9", "type": "application/json" } }, "meta": { "createdByUser": { "id": 3029082, "username": "stephaniejanetos", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/stephaniejanetos", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "CD2V62RE", "version": 212, "parentItem": "HWTRIBE9", "itemType": "note", "note": "

Johansson says DO NOT USE. Included images: There are many temples from beyond rome, Maison D'Auguste, columnbaria, funarary monuments and urns, sarcophogases, oil lamps and other artifacts, amphitheater at verona, statue of Jupiter, the roman triumph, Juno, images of foscis (axes with rods), Rostrum

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Text Highlights:

\n

Book 3: Monuments

\n

Cross sections and plans of Pantheon, Page 7

\n

Specific temples - temple introduction, plan, architectural features

\n

Theater of Augustus in the name of his grandson

\n

Colosseum page 64 - introduction, plan, features

\n

Baths of Titus

\n

Many arches, pg 102 - Septimus Severus (pg 110-113)

\n

Book 4: Decoration of Buildings (by period and general type)

\n

Book 5: Types of Temples

\n

 

\n

Book good for \"pop up\" aspects

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Printer from colophon, which reads: \"De l'imprimerie de Iehan Barbé le vingt deuxiesme iour d'aoust. M.D. quarante cinq [22 Aug. 1545].\" Signatures: ãã⁴ a-h⁸ (c₈, blank? wanting?), i¹ Woodcuts: ornamental initials and head-pieces

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The first edition, with the title page in the second state, which includes the 4-line dedication to Giacomo Buoncompagni below title: \"All' illmo. et eccellmo. Sig., il Sigl Giacomo Buoncompagni gouernator generale di Santa Chiesa.\" Engraved architectural t.p., featuring Minerva on the left, surrounded by armor and objects of learning, such as an armillary sphere, books, painting, architectural square, and small statue of Nike, goddess of victory, and Time on the right, with his scythe and hourglass; a cartouche centered above title contains papal coat of arms of Gregory XIII with his winged dragon Du Perac's dedicatory letter to Giacomo Buoncompagni on leaf [1] of second sequence, within elaborate ornamental border featuring scenes of war and peace, papal arms, and portrait medallions of figures representing Virtue and Honor Includes 39 architectural plates (numbered 2-40) depicting the major ancient ruins of Rome in their early Renaissance environment, with two or three lines of descriptive text in Italian below the drawings; in some plates, special features are marked with letters to correspond to their respective descriptions. Du Perac includes views of sites such as the triumphal arch of Septimius Severus, Capitoline Hill (Campidoglio), Temple of Antonius and Faustina, Circus Maximus, the Coliseum (Amphitheater of Titus), four of the major \"terme\" of Rome--the baths of Caracalla, Titus, Diocletian, and Constantine, and Trajan's Column. According to Fowler, \"the plates are arranged in the order of the itinerary it was customary for pilgrims of the time to follow. Du Pérac, engraver, painter, and architect arrived in Rome about 1559 and started to work for Lafrery, contributing various prints to his Speculum romanae magnificentiae (Rome 1575). Independently Du Pérac produced many prints of Roman ruins and, together with others, a valuable large map of the city, but his fame rests mostly on I vestigi antichità di Roma.\"

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Text highlights:

\n

Later copy of book 22, but missing the Baths of Titus and two engravings of the city of Rome without specific ruins.

\n

Engravings are darker and with less detail

\n

Includes engravings from areas outside of Rome including Pozzouli and Tivoli

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Z233.I8 D87v 1572

\n

 

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Printer from colophon, which reads: \"De l'imprimerie de Iehan Barbé le vingt deuxiesme iour d'aoust. M.D. quarante cinq [22 Aug. 1545].\"
Signatures: ãã⁴ a-h⁸ (c₈, blank? wanting?), i¹.
Woodcuts: ornamental initials and head-pieces.
In Italian and French.
Spec. Coll. Belt copy: number 24 omitted in the foliation; originally intended to be the title page of the second book?

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