[ { "key": "BHFS7UCP", "version": 8, "library": { "type": "group", "id": 504160, "name": "UWSD_Polefrone_S16", "links": { "alternate": { "href": "https://www.zotero.org/groups/uwsd_polefrone_s16", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/504160/items/BHFS7UCP", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/uwsd_polefrone_s16/items/BHFS7UCP", "type": "text/html" } }, "meta": { "createdByUser": { "id": 3020242, "username": "camy125", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/camy125", "type": "text/html" } } }, "lastModifiedByUser": { "id": 3020254, "username": "esc2186", "name": "Shin Cousens", "links": { "alternate": { "href": "https://www.zotero.org/esc2186", "type": "text/html" } } }, "creatorSummary": "Uricchio", "parsedDate": "2011-08", "numChildren": 1 }, "data": { "key": "BHFS7UCP", "version": 8, "itemType": "journalArticle", "title": "A 'proper point of view': The panorama and some of its early media iterations", "creators": [ { "creatorType": "author", "firstName": "William", "lastName": "Uricchio" } ], "abstractNote": "The panorama entered the world not as a visual format but as a claim: to lure viewers into seeing in a particular way. Robert Barker's 1787 patent for a 360-degree painting of 'nature at a glance' (Nature a Coup d'Oeil) emphasized the construction of a 'proper point of view' as a means of making the viewer 'feel as if really on the spot'. This situating strategy would, over the following centuries, take many forms within the world of the painted panorama and its photographic, magic lantern, and cinematic counterparts. This essay charts some of the unexpected twists and turns of this strategy, exploring among others the moving panorama (both as a parallel development to the cinematic moving picture and as deployed by the film medium as a background to suggest movement) and the relations between the spatial promise of the late nineteenth-century stereoscope and that most populous of early motion picture titles, the panorama. The essay focuses on changing technologies and strategies for achieving Barker's initial goals, while attending to the implications for the viewer. Drawing from the observations of scholars as diverse as Bentham, Foucault, and Crary, the essay uses the various iterations of the panorama to explore the implications of a particularly rich strand of technologies of seeing.", "publicationTitle": "Early Popular Visual Culture", "publisher": "", "place": "", "date": "August 2011", "volume": "9", "issue": "3", "section": "", "partNumber": "", "partTitle": "", "pages": "225-238", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "Early Popular Visual Culture", "DOI": "10.1080/17460654.2011.601165", "citationKey": "", "url": "http://ezproxy.cul.columbia.edu/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=f3h&AN=65216826&site=ehost-live&scope=site", "accessDate": "2016-03-28T16:47:20Z", "PMID": "", "PMCID": "", "ISSN": "17460654", "archive": "", "archiveLocation": "", "shortTitle": "A 'proper point of view'", "language": "", "libraryCatalog": "EBSCOhost", "callNumber": "", "rights": "", "extra": "", "tags": [ { "tag": "ACTUALITIES (Motion pictures)", "type": 1 }, { "tag": "CINEMATOGRAPHY", "type": 1 }, { "tag": "PANORAMA (Cinematography)", "type": 1 }, { "tag": "PANORAMAS", "type": 1 }, { "tag": "STEREOSCOPE", "type": 1 }, { "tag": "actualities", "type": 1 }, { "tag": "early film", "type": 1 }, { "tag": "panorama", "type": 1 }, { "tag": "regimes of seeing", "type": 1 } ], "collections": [], "relations": {}, "dateAdded": "2016-03-28T16:47:20Z", "dateModified": "2016-03-28T16:47:20Z" } }, { "key": "U38HI9FH", "version": 7, "library": { "type": "group", "id": 504160, "name": "UWSD_Polefrone_S16", "links": { "alternate": { "href": "https://www.zotero.org/groups/uwsd_polefrone_s16", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/504160/items/U38HI9FH", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/uwsd_polefrone_s16/items/U38HI9FH", "type": "text/html" }, "up": { "href": 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"tags": [], "relations": {}, "dateAdded": "2016-03-28T16:25:37Z", "dateModified": "2016-03-28T16:25:37Z" } }, { "key": "QPEGHQGD", "version": 4, "library": { "type": "group", "id": 504160, "name": "UWSD_Polefrone_S16", "links": { "alternate": { "href": "https://www.zotero.org/groups/uwsd_polefrone_s16", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/504160/items/QPEGHQGD", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/uwsd_polefrone_s16/items/QPEGHQGD", "type": "text/html" } }, "meta": { "createdByUser": { "id": 3020250, "username": "addyzou", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/addyzou", "type": "text/html" } } }, "creatorSummary": "Szeman", "parsedDate": "2012-05", "numChildren": 1 }, "data": { "key": "QPEGHQGD", "version": 4, "itemType": "journalArticle", "title": "Crude Aesthetics: The Politics of Oil Documentaries", "creators": [ { "creatorType": "author", "firstName": "Imre", "lastName": "Szeman" } ], "abstractNote": "How does the problem of oil appear in documentary film? I provide an answer to this question by examining the narrative and aesthetic choices through which the problem of oil is framed in three recent “feature” documentaries: Basil Gelpke and Ray McCormack's A Crude Awakening (2006), Joe Berlinger’s Crude: The Real Price of Oil (2009), and Shannon Walsh's H2Oil (2009). My aim is to understand not only the specific politics enacted through the formal and aesthetic choices made in each film, but to map out what these documentaries tell us about the social life of oil today, and the capacity for films such as these to meaningfully intervene in the looming consequences of our dependence on oil. The essay proceeds in three parts. First, by offering readings of the discursive, narrative and aesthetic strategies of these documentaries, I draw out the ways in which each comes to understand the problem of oil. In the second part, I identify the key insights that these films offer regarding the specific social contradictions and political blockages that emerge from their attempt to name and understand oil. Finally, I conclude with an exploration of the insights these films provide for addressing the antinomies that define and separate the anticapitalist and environmental movements.", "publicationTitle": "Journal of American Studies", "publisher": "", "place": "", "date": "May 2012", "volume": "46", "issue": "Special Issue 02", "section": "", "partNumber": "", "partTitle": "", "pages": "423–439", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "", "DOI": "10.1017/S0021875812000151", "citationKey": "", "url": "http://journals.cambridge.org/article_S0021875812000151", "accessDate": "2016-03-28T16:25:37Z", "PMID": "", "PMCID": "", "ISSN": "1469-5154", "archive": "", "archiveLocation": "", "shortTitle": "Crude Aesthetics", "language": "", "libraryCatalog": "Cambridge Journals Online", "callNumber": "", "rights": "", "extra": "", "tags": [], "collections": [], "relations": {}, "dateAdded": "2016-03-28T16:25:37Z", "dateModified": "2016-03-28T16:25:37Z" } }, { "key": "C46783GN", "version": 2, "library": { "type": "group", "id": 504160, "name": "UWSD_Polefrone_S16", "links": { "alternate": { "href": "https://www.zotero.org/groups/uwsd_polefrone_s16", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/504160/items/C46783GN", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/uwsd_polefrone_s16/items/C46783GN", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/504160/items/TGJ5FA6G", "type": "application/json" } }, "meta": { "createdByUser": { "id": 3020250, "username": "addyzou", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/addyzou", "type": "text/html" } } } }, "data": { "key": "C46783GN", "version": 2, "parentItem": "TGJ5FA6G", "itemType": "attachment", "linkMode": "linked_url", "title": "EBSCO Record", "accessDate": "2016-03-28T16:21:50Z", "url": "http://ezproxy.cul.columbia.edu/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=f3h&AN=76246757&site=ehost-live&scope=site&scope=cite", "note": "", "contentType": "text/html", "charset": "", "tags": [], "relations": {}, "dateAdded": "2016-03-28T16:22:02Z", "dateModified": "2016-03-28T16:22:02Z" } } ]