[ { "key": "VU26QIFP", "version": 1, "library": { "type": "group", "id": 49837, "name": "Widner, Literature and Psychology, Fall 2011", "links": { "alternate": { "href": "https://www.zotero.org/groups/widner_literature_and_psychology_fall_2011", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/49837/items/VU26QIFP", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/widner_literature_and_psychology_fall_2011/items/VU26QIFP", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/49837/items/TSD3XBT2", "type": "application/json" } }, "meta": { "createdByUser": { "id": 486702, "username": "ram3966", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/ram3966", "type": "text/html" } } } }, "data": { "key": "VU26QIFP", "version": 1, "parentItem": "TSD3XBT2", "itemType": "attachment", "linkMode": "linked_url", "title": "JSTOR Full Text PDF", "accessDate": "2011-11-30T14:42:48Z", "url": "http://www.jstor.org.ezproxy.lib.utexas.edu/stable/pdfplus/4239856.pdf?acceptTC=true", "note": "", "contentType": "application/pdf", "charset": "", "tags": [], "relations": {}, "dateAdded": "2011-11-30T14:42:48Z", "dateModified": "2011-11-30T14:42:48Z" } }, { "key": "TSD3XBT2", "version": 1, "library": { "type": "group", "id": 49837, "name": "Widner, Literature and Psychology, Fall 2011", "links": { "alternate": { "href": "https://www.zotero.org/groups/widner_literature_and_psychology_fall_2011", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/49837/items/TSD3XBT2", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/widner_literature_and_psychology_fall_2011/items/TSD3XBT2", "type": "text/html" } }, "meta": { "createdByUser": { "id": 486702, "username": "ram3966", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/ram3966", "type": "text/html" } } }, "creatorSummary": "Berger", "parsedDate": "1988-03-01", "numChildren": 1 }, "data": { "key": "TSD3XBT2", "version": 1, "itemType": "journalArticle", "title": "Theories of History and Social Order in \"Astounding Science Fiction\", 1934-55 (Théories de l'histoire et de la structure sociale dans \"Astounding Science Fiction\", 1934-55)", "creators": [ { "creatorType": "author", "firstName": "Albert I.", "lastName": "Berger" } ], "abstractNote": "Les écrivains de SF américaine se sont confrontés depuis toujours à une dilemme causé par trois aspects contradictoires du statut de \"littérature populaire\" de leur discipline. La SF traite de changement; pourtant la plupart des écrivains qui s'y adonnaient étaient partisans de la mythologie des valeurs politiques et économiques des E-U, et croyaient que celles-ci devaient être maintenues. La SF se doit d'extrapoler plausiblement la connaissance fournie par la recherche scientifique; pourtant les écrivains publiant dans des revues lesquelles ne donnaient aucun intérêt commercial à une telle extrapolation ou d'autre formes de spéculation sérieuse. De plus, le tournant que prenait la science au XXe siècle, notamment la physique de Einstein et de Heisenberg, semblait devoir poser d'insurmontables obstacles scientifiques au développement effréné de l'imagination aventureuse si nécessaire à la SF commerciale, obstacles tels que la \"limite de vitesse universelle\", soit, la vitesse de la lumière. L'éditeur le plus important de SF, John W. Campbell Jr, et plusieurs d'entre ses écrivains les plus célèbres ont toutefois essayé de résoudre de leur propre façon certaines de ces contradictions. Ils ont, en fait, extrapolé leurs théories de l'histoire et de la structure sociale à partir du concept d'entropie articulé par la Seconde Loi de Thermodynamie, des théories annonçant le déclin inévitable des sociétés existantes. Une telle attitude est bien sûr, compréhensible, vu le contexte socio-historique immédiat de la Dépression atteignant des proportions mondiales et le conflit militaire international commençant à gronder. Campbell lui-même (sous le nom de plume de Don A. Stuart) proposa une analogie directe entre le concept d'entropie et la structure sociale dans \"Twilight\" et \"Night\". Ces deux oeuvres, de même que sa trilogie plus tardive, \"The Teachers\", fixèrent les contours d'une vision du monde que la fiction publiée dans ASF par Isaac Asimov, A.E. van Vogt, et surtout Robert A. Heinlein, finira par rendre beaucoup plus explicite. Les éléments communs des écrits de plus en plus auto-réflexifs publiés dans ASF et traitant d'histoire et de structure sociale sont les suivants: la croyance que c'est surtout le développement scientifique et technologique qui fait mouvoir l'histoire humaine, à moins que la peur irrationellement émotive de l'homme n'y fasse obstacle; l'attente que la grande majorité des êtres humaines succombera à cette peur, ainsi qu'a leur faiblesse innée et leur sybaritisme; le préacquis que seule une petite élite de gens rationnels et courageux refusera de succomber, et qu'il ne lui restera qu'a choisir entre le fait de s'exiler volontairement et celui de gouverner de façon autoritaire la majorité; la théorie que seul le contrôle exercé par l'élite peut permettre à la société humaine de se développer de façon stable, malgré une attitude pessimiste quant à la possibilité d'une développement stable se perpetuant pour une période de temps prolongée. De tels concepts offraient implicitement, mais aussi de façon essentielle, un modèle pour les formes de gouvernement autoritaires. Et malgré celà, leurs partisans se révélèrent incapables de résoudre certaines des conséquences paradoxales du progrès scientifique et technologique identifiées pour la première fois par Campbell dans ses récits \"Stuart\". /// American SF writers have always confronted a dilemma with roots in three contradictory circumstances surrounding its existence as commercial literature. SF is about change, yet most of the writers who produced it were adherents of at least the mythology of US political and economic values, and believed that these ought not to change. SF is supposed to extrapolate plausibly from known science, yet the writers wrote for magazines that initially placed no commercial value on serious extrapolation or speculation. And the modern science of the 20th century-the physics of Einstein and Heisenberg-could place serious scientific limits, like the \"universal speed limit\" represented by the speed of light, on the range of the adventurous imagination so necessary in commercial SF. The most important SF editor, John W. Campbell, Jr, and many of his most influential writers did try to resolve some of these contradictions in their own fashion, and extrapolated theories of history and social order from the concept of entropy articulated in the Second Law of Thermodynamics-theories that emphasized the inevitable decay of existing societies (within, of course, the immediate context of the worldwide Depression and growing international conflict that existed as they wrote). Campbell himself (as \"Don A. Stuart\") drew an explicit analogy between entropy and social order in \"Twilight\" and \"Night,\" which, along with his later trilogy, \"The Teachers,\" established the outlines of a world-view that will later appear in more developed form in the fiction published in ASF by Isaac Asimov, A.E. van Vogt, and-most significantly-Robert A. Heinlein. The common threads that run through the increasingly self-conscious ASF stories dealing with issues of history and social order are: a belief that scientific and technological development is the prime mover of human history unless thwarted by irrational, emotional human fear; an expectation that the vast majority of human beings will succumb to such fear-and to their own self-indulgence; an assumption that only a narrow elite of the rational and courageous will refuse to succumb, and that they will be able to choose only between self-exile and authoritarian rule in governing their relations with the majority; a theory that elite control is the only way in which human society can develop with stability, in combination with a pessimistic attitude regarding the possibilities of such stable development over any extended period of time. Such ideas provided-implicitly, but also essentially-a brief for authoritarian forms of political rule. And even at that, their exponents were unable to resolve some of the paradoxical consequences of scientific and technological developments first identified by Campbell in his \"Stuart\" stories.", "publicationTitle": "Science Fiction Studies", "publisher": "", "place": "", "date": "March 01, 1988", "volume": "15", "issue": "1", "section": "", "partNumber": "", "partTitle": "", "pages": "12-35", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "", "DOI": "", "citationKey": "", "url": "http://www.jstor.org/stable/4239856", "accessDate": "2011-11-30T14:42:48Z", "PMID": "", "PMCID": "", "ISSN": "0091-7729", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "JSTOR", "callNumber": "", "rights": "", "extra": "ArticleType: research-article / Full publication date: Mar., 1988 / Copyright © 1988 SF-TH Inc", "tags": [], "collections": [], "relations": {}, "dateAdded": "2011-11-30T14:42:48Z", "dateModified": "2011-11-30T14:42:48Z" } }, { "key": "CF8HDXNE", "version": 1, "library": { "type": "group", "id": 49837, "name": "Widner, Literature and Psychology, Fall 2011", "links": { "alternate": { "href": "https://www.zotero.org/groups/widner_literature_and_psychology_fall_2011", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/49837/items/CF8HDXNE", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/widner_literature_and_psychology_fall_2011/items/CF8HDXNE", "type": "text/html" } }, "meta": { "createdByUser": { "id": 486702, "username": "ram3966", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/ram3966", "type": "text/html" } } }, "creatorSummary": "Porush", "parsedDate": "1991-11-01", "numChildren": 1 }, "data": { "key": "CF8HDXNE", "version": 1, "itemType": "journalArticle", "title": "Prigogine, Chaos, and Contemporary Science Fiction (Prigogine, le chaos, et la science fiction contemporaine)", "creators": [ { "creatorType": "author", "firstName": "David", "lastName": "Porush" } ], "abstractNote": "Le nouveau paradigme scientifique du chaos déterministe-qui explique comment des systèmes complexes et apparament chaotiques se transforme subitement en de nouveaux registres de complexité-entretient un rapport particulièrement fascinant avec la SF. Le modèle de chaos proposé par Ilya Prigogine, des \"structures dissipatives,\" explique comment un système ouvert, sous certaines conditions physiques, tend à se réorganiser spontanément à un niveau plus haut de complexité, ainsi résolvant les différences fondamentales entre l'évolution et l'entropie et entre les tendances vers la simplicité ou vers la complexité dans les descriptions scientifiques de la réalité. Certains écrivains américains postmodernes de la SF se servent des théories de Prigogine à la fois comme sujets explicites et comme un nouveau discours qui porte la SF à un niveau plus élevé de mérite artistique. Dans son roman Radix (1981), A.A. Attanasio incorpore les idées de Prigogine dans son portrait de l'auto-évolution d'une intelligence artificielle. Lewis Shiner, dans son Deserted Cities of the Heart construit son roman comme un portrait des déséquilibres complexes de l'espace-temps historique qui sont implicites dans les théories du chaos. Bruce Sterling dans ses fictions de \"Mech-and-Shaper\"-The Cicada Queen et Schismatrix-évoque les complexités d'un univers \"post-humain\" où des boucles de feed-back de plus en plus élaborés entre la technologie et la culture humaine finissent par créer des conditions tout à fait imprévisibles. Et dans The Difference Engine (1990), Sterling et William Gibson appliquent ces théories à un autre mode du genre SF: l'histoire alternative. /// The new scientific paradigm of deterministic chaos, which explains how complex, apparently chaotic systems leap into new orders of complexity, has an especially intriguing relationship with SF. The chaos model of Ilya Prigogine, called dissipative structures, explains how an open system under certain physical conditions will spontaneously organize itself at a higher level of complexity; it thus resolves apparently fundamental contradictions between evolution and entropy, and between the impulses to simplicity and complexity in scientific descriptions of reality. A group of postmodern American SF writers use Prigogine's theories both as explicit subjects, and as a new discourse that raises the standards of SF as an art form. In his Radix (1981), A.A. Attanasio applies Prigoginian ideas to depict the auto-evolution of a machine intelligence. Lewis Shiner, in his Deserted Cities of the Heart (1988), constructs his novel as a depiction of the complex destabilizations of historical time and space implied in Chaos Theory. Bruce Sterling, in his Mech-and-Shaper fictions-The Cicada Queen and Schismatrix-constructs ever more complicated feedback loops between technology and human culture create unpredictable new conditions. In The Difference Engine (1990), Sterling and William Gibson apply chaotic systems theory to the alternate history mode of SF.", "publicationTitle": "Science Fiction Studies", "publisher": "", "place": "", "date": "November 01, 1991", "volume": "18", "issue": "3", "section": "", "partNumber": "", "partTitle": "", "pages": "367-386", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "", "DOI": "", "citationKey": "", "url": "http://www.jstor.org/stable/4240092", "accessDate": "2011-11-30T12:24:41Z", "PMID": "", "PMCID": "", "ISSN": "0091-7729", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "JSTOR", "callNumber": "", "rights": "", "extra": "ArticleType: research-article / Issue Title: Science Fiction and Postmodernism / Full publication date: Nov., 1991 / Copyright © 1991 SF-TH Inc", "tags": [], "collections": [], "relations": {}, "dateAdded": "2011-11-30T12:24:41Z", "dateModified": "2011-11-30T14:39:40Z" } }, { "key": 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Volume 19, Number 3, May 2009

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The Long Life of a Medieval Creation", "creators": [ { "creatorType": "author", "firstName": "Moshe", "lastName": "Barasch" } ], "abstractNote": "The essay deals with the iconography of departing soul. Although Egyptian and Greek art knew the motif of a soul, it was medieval culture which created iconography of a figure of the soul at the particular moment of leaving the body of a dying person. The author investigates medieval examples of this topic. Souls were always represented as anonymous, which may be explained in connection with some intellectual trends of the Middle Ages like Monopsychism. In the late Middle Ages and early modern age the motif of the departing soul was developed. Not only was the soul of the Virgin, or of a particularly venerated saint imagined as departing from the body but also the soul of every mortal human being, including the sinful. The other new feature is the focusing of interest and attention on the fate of the soul. The departure of the soul is fussed with the motif of the judgment of the soul. Later, in the 16th and 17th centuries, Italian artists didn't create a unified image of the motif. Nevertheless, certain features recur in all representations -- one is the anonymity of soul, another is its youthfulness. The late medieval images juxtaposed soul and body, the images made in the age of Mannerism and early Baroque detach the soul form its former dwelling place, the body, and show it on its way to the final destination, the heavens. The author shows how long-lived the medieval creation was.", "publicationTitle": "Artibus et Historiae", "publisher": "", "place": "", "date": "January 01, 2005", "volume": "26", "issue": "52", "section": "", "partNumber": "", "partTitle": "", "pages": "13-28", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "", "DOI": "10.2307/20067095", "citationKey": "", "url": "http://www.jstor.org/stable/20067095", "accessDate": "2011-11-07T16:20:35Z", "PMID": "", "PMCID": "", "ISSN": "0391-9064", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "JSTOR", "callNumber": "", "rights": "", "extra": "ArticleType: research-article / Full publication date: 2005 / Copyright © 2005 IRSA s.c.", "tags": [], "collections": [], "relations": {}, "dateAdded": "2011-11-08T04:18:25Z", "dateModified": "2011-11-08T04:18:25Z" } }, { "key": "VPJQZ4WV", "version": 1, "library": { "type": "group", "id": 49837, "name": "Widner, Literature and Psychology, Fall 2011", "links": { "alternate": { "href": "https://www.zotero.org/groups/widner_literature_and_psychology_fall_2011", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/49837/items/VPJQZ4WV", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/widner_literature_and_psychology_fall_2011/items/VPJQZ4WV", "type": "text/html" } }, "meta": { "createdByUser": { "id": 726401, "username": "TaylorStilwell", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/taylorstilwell", "type": "text/html" } } }, "creatorSummary": "Miller et al.", "numChildren": 0 }, "data": { "key": "VPJQZ4WV", "version": 1, "itemType": "journalArticle", "title": "On \"The Love Song of J. 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J. Edwards", "parsedDate": "2011", "numChildren": 0 }, "data": { "key": "DHUGPD9H", "version": 1, "itemType": "journalArticle", "title": "The Pilot and the Keys: Milton's Lycidas 167-171", "creators": [ { "creatorType": "author", "firstName": "", "lastName": "M. J. Edwards" } ], "abstractNote": "", "publicationTitle": "Studies in Philology", "publisher": "", "place": "", "date": "2011", "volume": "108", "issue": "4", "section": "", "partNumber": "", "partTitle": "", "pages": "605-618", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "", "DOI": "", "citationKey": "", "url": "http://muse.jhu.edu.ezproxy.lib.utexas.edu/journals/studies_in_philology/v108/108.4.edwards.html", "accessDate": "2011-10-31T00:10:42Z", "PMID": "", "PMCID": "", "ISSN": "1543-0383", "archive": "", "archiveLocation": "", "shortTitle": "The Pilot and the Keys", "language": "", "libraryCatalog": "Project MUSE", "callNumber": "", "rights": "", "extra": "

Volume 108, Number 4, Fall 2011

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Volume 32, Number 3, October 1998

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"2011-10-25T15:54:20Z" } }, { "key": "6F6WUWIM", "version": 1, "library": { "type": "group", "id": 49837, "name": "Widner, Literature and Psychology, Fall 2011", "links": { "alternate": { "href": "https://www.zotero.org/groups/widner_literature_and_psychology_fall_2011", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/49837/items/6F6WUWIM", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/widner_literature_and_psychology_fall_2011/items/6F6WUWIM", "type": "text/html" } }, "meta": { "createdByUser": { "id": 23585, "username": "mwidner", "name": "Michael Widner", "links": { "alternate": { "href": "https://www.zotero.org/mwidner", "type": "text/html" } } }, "creatorSummary": "International Psycho-Analytical Association", "parsedDate": "2007", "numChildren": 1 }, "data": { "key": "6F6WUWIM", "version": 1, "itemType": "book", "title": "On Freud's \"Mourning and Melancholia\"", "creators": [ { "creatorType": 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The PDF format of the first item was what I was referring to.

\n

 

", "tags": [], "relations": {}, "dateAdded": "2011-10-06T17:02:29Z", "dateModified": "2011-10-06T17:03:03Z" } } ]