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            "abstractNote": "This paper will present and try to demonstrate three main theses:\n\n    Digital space is actual space, the space in which we live. A space is a set of relationships between objects; in our contemporary society, space is a hybridization of connected and non-connected objects that are structured by writing.\n\n    In digital space, writing occupies a fundamental position. Writing is the essential material of digital space. The web, which is an important part of digital space, is comprised of writing: everything on the web is written; even images and videos are code. Writing is the actual material of digital space.\n\n    Digital space is best interpreted and understood using a performative paradigm. Digital space is not a representation of reality; it is, however, a particular way of producing and organizing reality.\n\nTwo main notions will be proposed to illustrate these theses: the notion of editorialization and the notion of metaontology.",
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            "note": "<p>0000 Mots clés</p>\n<p>Concepts clés</p>\n<p>&nbsp;&nbsp;&nbsp; plans de réflexion</p>\n<p>&nbsp;&nbsp;&nbsp; performativité</p>\n<p>&nbsp;&nbsp;&nbsp; métaontologie</p>\n<p>&nbsp;&nbsp;&nbsp; Imaginaire-réel</p>\n<p>&nbsp;&nbsp;&nbsp; Éditorialisation</p>\n<p>&nbsp;&nbsp;&nbsp; Conjonctures médiatrices</p>\n<p>&nbsp;&nbsp;&nbsp; Détournement</p>\n<p>Ajouts</p>\n<p>&nbsp;&nbsp; Espace numérique/Digital space</p>\n<p>&nbsp;&nbsp;&nbsp; Mémoire/</p>\n<p>&nbsp;&nbsp;&nbsp; Accès libre</p>\n<p>&nbsp;&nbsp;&nbsp; Virtuel/virtuality</p>\n<p>&nbsp;&nbsp;&nbsp; privé-public</p>\n<p>&nbsp;&nbsp;&nbsp; continu-discret</p>\n<p>&nbsp;&nbsp;&nbsp; rupture-continuité</p>\n<p>&nbsp;&nbsp;&nbsp; déterminisme/anti-déterminisme technologique</p>\n<p>&nbsp;&nbsp;&nbsp; essentialisme-anti-essentialisme?</p>\n<p>&nbsp;&nbsp;&nbsp; intermédialité?</p>\n<p>&nbsp;&nbsp;&nbsp; Support?</p>\n<p>&nbsp;&nbsp;&nbsp; Lecture?</p>\n<p>&nbsp;&nbsp;&nbsp; originalité/plagiat?</p>\n<p>&nbsp;&nbsp;&nbsp; présence?</p>\n<p>&nbsp;&nbsp;&nbsp; affordance ---</p>\n<p>&nbsp;&nbsp;&nbsp; stigmergie</p>\n<p>&nbsp;</p>\n<p>&nbsp;</p>\n<p>Objets de recherche</p>\n<p>&nbsp;&nbsp;&nbsp; Identité numérique et profils</p>\n<p>&nbsp;&nbsp;&nbsp; Auteurs et auctorialité</p>\n<p>&nbsp;&nbsp;&nbsp; Pratiques photolittéraires</p>\n<p>&nbsp;&nbsp;&nbsp; Plateformes numériques</p>\n<p>&nbsp;&nbsp;&nbsp; Paratextes</p>\n<p>&nbsp;&nbsp;&nbsp; Algorythme</p>\n<p>&nbsp;</p>\n<p>Ajouts:</p>\n<p>Livre/support?</p>\n<p>poésie grecque?</p>\n<p>traduction?</p>\n<p>&nbsp;</p>",
            "tags": [
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                {
                    "tag": "Conjonctures médiatrices"
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                    "tag": "Légitimation du savoir"
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                    "tag": "Projets"
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                    "tag": "Publications"
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                    "tag": "Théorie de l'édition"
                },
                {
                    "tag": "Théorie de la littérature"
                },
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                    "tag": "Théorie des médias"
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                {
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                {
                    "tag": "Événements"
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            "abstractNote": "L’apparition du numérique a entraîné ces dernières années une transformation profonde des modèles de production et de circulation des livres, qui ont peu changé depuis le XVIIIe siècle. Le web, en particulier, a provoqué une remise en question du sens même du partage des connaissances : d’une économie de la rareté, nous sommes passés à la surabondance. Auparavant, une poignée d’institutions centralisatrices, privées et publiques, étaient garantes du choix, de l’évaluation et de la distribution des contenus ; aujourd’hui, il n’y a plus de systèmes de légitimation, ou alors ils sont déstructurés. Après avoir fait le constat de la crise de ces modèles et de la difficulté d’en proposer de nouveaux, ce livre présente les enjeux et les défis complexes du nouveau monde de l’édition numérique.",
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            "abstractNote": "Bisogna ritenere paradossalmente conclusiva l'ingiunzione di Derrida secondo cui il pensiero dell'Altro come assolutamente altro è legato soltanto ad una prospettiva ebraica? E' possibile sottrarre il discorso levinassiano ad una tale chiusura e aprirlo ad un itinerario attraverso la filosofia di matrice greca? Tornare a riflettere sul discorso di Levinas significa mantenere inalterata la trascendenza, accettarne il richiamo senza però chiuderlo in una interpretazione definitiva: illuminare cioè la radice ebraica con la luce del risvegliato logos greco, dando all'Altro un'ulteriore possibilità di manifestarsi, oltre l'etica, nello spazio filosofico per eccellenza, quello del \"terzo\", della misura, del linguaggio. Attraverso un lavoro di risemantizzazione del concetto di \"riflessione\", l'etica proposta da Levinas può essere interpretata come una serie di strutture logiche capaci di ripetere il meccanismo di sottrazione del volto: ci può essere una riflessione che non appiattisca su di sé la trascendenza, ma che garantisca la possibilità di un vero incontro con l'Altro.",
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            "abstractNote": "Voici une réflexion sur le rapport entre le concept de \"virtuel\" et celui de \"corps\". Le virtuel, pensé dans son sens le plus banal, à savoir en rapport avec les nouvelles technologies, met en crise l'idée cartésienne de corps comme chose placée dans l'enceinte d'un espace défini avec des abscisses et des ordonnées. Cette recherche relève d'un triple enjeu : redéfinir le concept de corps, approfondir la notion de virtuel et rendre compte du rapport entre les deux termes.",
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