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Accession Number: 46333467; Authors: Winstel, Tobias Cohen, Deborah; Note: Based on the published accounts of and interviews with Jews who returned to Germany and secondary sources; 67 notes.; Historical Period: 1945 to 1960; Subject: NATIONAL socialism; Subject: RETURN migration; Subject: JEWS; Subject: INDEMNITY; Subject: GERMANY; Number of Pages: 16p

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Whether making ethnographic, propagandistic, or educational films, documentarians have pointed the camera outward, drawing as little attention to themselves as possible. In recent decades, however, a new kind of documentary has emerged in which the filmmaker has become the subject of the work. Whether chronicling family history, sexual identity, or a personal or social world, this new generation of nonfiction filmmakers has defiantly embraced autobiography.In The Subject of Documentary, Michael Renov focuses on how documentary filmmaking has become an important means for both examining and constructing selfhood. By looking at key figures in documentary filmmaking as well as noncanonical video art and avant-garde artists, Renov broadens the definition of what counts as documentary, and explores the intersection of the personal and political, considering how memory can create a way into asking troubling questions about identity, oppression, and resiliency.Offering historical context for the explosion of personal nonfiction filmmaking in the 1980s and 1990s, Renov analyzes films in which the subjectivity of the filmmaker is expressly defined in relation to political struggle or historical trauma, from Haskell Wexler's Medium Cool to Jonas Mekas's Lost, Lost, Lost. And, looking beyond the traditional documentary, Renov contemplates such nontraditional modes of autobiographical practice as the essay film, the video confession, and the personal Web page.Unique in its attention to diverse expressions of personal nonfiction filmmaking, The Subject of Documentary forges a new understanding of the heightened role and function of subjectivity in contemporary documentary practice.Michael Renov is professor of critical studies at the USC School of Cinema-Television. He is the editor of Theorizing Documentary and the coeditor of Resolutions: Contemporary Video Practices (Minnesota, 1996) and Collecting Visible Evidence (Minnesota, 1999).", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "", "date": "2004", "publisher": "University of Minnesota Press", "place": "Minneapolis", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "318", "ISBN": "978-0-8166-3441-5", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "en", "libraryCatalog": "Google Books", "callNumber": "", "rights": "", "extra": "", "tags": [ { "tag": "Documentary films", "type": 1 }, { "tag": "Documentary films/ History and criticism", "type": 1 }, { "tag": "Performing Arts / Film & Video / General", "type": 1 }, { "tag": "Performing Arts / Film & Video / History & Criticism", "type": 1 } ], "collections": [ "JHKF8VNN" ], "relations": {}, "dateAdded": "2012-04-04T08:13:44Z", "dateModified": "2012-04-04T08:13:44Z" } }, { "key": "8TTTPPQF", "version": 5, "library": { "type": "group", "id": 46101, "name": "Manchurian Incident", "links": { "alternate": { "href": "https://www.zotero.org/groups/manchurian_incident", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/46101/items/8TTTPPQF", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/manchurian_incident/items/8TTTPPQF", "type": "text/html" } }, "meta": { "createdByUser": { "id": 814881, "username": "lmzoller23", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/lmzoller23", "type": "text/html" } } }, "lastModifiedByUser": { "id": 24587, "username": "edecker", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/edecker", "type": "text/html" } } }, "creatorSummary": "Corner", "parsedDate": "1998", "numChildren": 1 }, "data": { "key": "8TTTPPQF", "version": 5, "itemType": "book", "title": "Studying Media. Problems of Theory and Method", "creators": [ { "creatorType": "author", "firstName": "John", "lastName": "Corner" } ], "abstractNote": "Media studies courses are more popular than ever. This collection brings together a selection of John Corner's writings, considering such issues as Media Language, Reception Studies, the Role of Theory, and Cultural Evaluation. This accessibly written book is an invaluable resource for advanced students, providing new perspectives on the media. It covers developments in media studies across twenty years and analyzes central problems in theory and method affecting media study.", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "", "date": "1998", "publisher": "Edinburgh University Press", "place": "Edinburgh", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "196", "ISBN": "978-0-7486-1067-9", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "Studying media", "language": "en", "libraryCatalog": "Google Books", "callNumber": "", "rights": "", "extra": "", "tags": [ { "tag": "COMMUNICATION", "type": 1 }, { "tag": "Mass media", "type": 1 }, { "tag": "Performing Arts / Television / Screenwriting", "type": 1 }, { "tag": "Social Science / Media Studies", "type": 1 } ], "collections": [ "JHKF8VNN" ], "relations": {}, "dateAdded": "2012-04-04T08:13:44Z", "dateModified": "2012-04-04T08:13:44Z" } }, { "key": "NB8RMI9S", "version": 5, "library": { "type": "group", "id": 46101, "name": "Manchurian Incident", "links": { "alternate": { "href": "https://www.zotero.org/groups/manchurian_incident", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/46101/items/NB8RMI9S", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/manchurian_incident/items/NB8RMI9S", "type": "text/html" } }, "meta": { "createdByUser": { "id": 814881, "username": "lmzoller23", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/lmzoller23", "type": "text/html" } } }, "lastModifiedByUser": { "id": 24587, "username": "edecker", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/edecker", "type": "text/html" } } }, "creatorSummary": "Nichols", "parsedDate": "1991", "numChildren": 1 }, "data": { "key": "NB8RMI9S", "version": 5, "itemType": "book", "title": "Representing Reality. Issues and Concepts in Documentary", "creators": [ { "creatorType": "author", "firstName": "Bill", "lastName": "Nichols" } ], "abstractNote": "\"... a valuable and important book...\" -- The Year's Work in Critical and Cultural Theory Representing Reality is the first book to offer a conceptual overview of documentary filmmaking practice. It addresses numerous social issues and how they are presented to the viewer by means of style, rhetoric, and narrative technique. The volume poses questions about the relationship of the documentary tradition to power, the body, authority, knowledge, and our experience of history. This study advances the pioneering work of Nichols's earlier book, Ideology and the Image. \"[Nichols] has written a road-block of a book which reconfigures the debate on the documentary at a new level of sophistication and complexity which can only be ignored at the risk of ignoring the whole area of documentary film.\" -- Sight and Sound \"... the most important book on documentary film yet published.\" -- Canadian Journal of Film Studies", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "", "date": "1991", "publisher": "Indiana University Press", "place": "Bloomington", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "340", "ISBN": "978-0-253-20681-7", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "Representing reality", "language": "en", "libraryCatalog": "Google Books", "callNumber": "", "rights": "", "extra": "", "tags": [ { "tag": "Documentary films", "type": 1 }, { "tag": "Documentary films - History and criticism", "type": 1 }, { "tag": "Documentary films/ History and criticism", "type": 1 }, { "tag": "Performing Arts / Film & Video / General", "type": 1 }, { "tag": "Performing Arts / Film & Video / History & Criticism", "type": 1 } ], "collections": [ "JHKF8VNN" ], "relations": {}, "dateAdded": "2012-04-04T08:13:44Z", "dateModified": "2012-04-04T08:13:44Z" } }, { "key": "4R8VE5AH", "version": 5, "library": { "type": "group", "id": 46101, "name": "Manchurian Incident", "links": { "alternate": { "href": "https://www.zotero.org/groups/manchurian_incident", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/46101/items/4R8VE5AH", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/manchurian_incident/items/4R8VE5AH", "type": "text/html" } }, "meta": { "createdByUser": { "id": 814881, "username": "lmzoller23", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/lmzoller23", "type": "text/html" } } }, "lastModifiedByUser": { "id": 24587, "username": "edecker", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/edecker", "type": "text/html" } } }, "creatorSummary": "Barsam", "parsedDate": "1992", "numChildren": 1 }, "data": { "key": "4R8VE5AH", "version": 5, "itemType": "book", "title": "Nonfiction Film. A Critical History", "creators": [ { "creatorType": "author", "firstName": "Richard Meran", "lastName": "Barsam" } ], "abstractNote": "\"Richard Barsam has given us as comprehensive a study of the origins and development of the nonfiction mode in motion pictures as we are ever likely to have in one volume. He draws on all the major written sources and many which are little known, and he shares with us many eloquent descriptions of the films themselves, giving us a valuable textbook.\" -- Richard Dyer MacCann\"... superb work... \" -- Historical Journal of Film, Radio, and Television", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "", "date": "1992", "publisher": "Indiana University Press", "place": "Bloomington", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "508", "ISBN": "978-0-253-20706-7", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "Nonfiction film", "language": "en", "libraryCatalog": "Google Books", "callNumber": "", "rights": "", "extra": "", "tags": [ { "tag": "Documentary films", "type": 1 }, { "tag": "Documentary films - History and criticism", "type": 1 }, { "tag": "Documentary films/ History and criticism", "type": 1 }, { "tag": "Performing Arts / Film & Video / General", "type": 1 }, { "tag": "Performing Arts / Film & Video / History & Criticism", "type": 1 } ], "collections": [ "JHKF8VNN" ], "relations": {}, "dateAdded": "2012-04-04T08:13:44Z", "dateModified": "2012-04-04T08:13:44Z" } }, { "key": "VVBSSMMI", "version": 5, "library": { "type": "group", "id": 46101, "name": "Manchurian Incident", "links": { "alternate": { "href": "https://www.zotero.org/groups/manchurian_incident", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/46101/items/VVBSSMMI", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/manchurian_incident/items/VVBSSMMI", "type": "text/html" } }, "meta": { "createdByUser": { "id": 814881, "username": "lmzoller23", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/lmzoller23", "type": "text/html" } } }, "lastModifiedByUser": { "id": 24587, "username": "edecker", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/edecker", "type": "text/html" } } }, "creatorSummary": "Rosenthal and Corner", "parsedDate": "2005", "numChildren": 1 }, "data": { "key": "VVBSSMMI", "version": 5, "itemType": "book", "title": "New Challenges for Documentary", "creators": [ { "creatorType": "author", "firstName": "Alan", "lastName": "Rosenthal" }, { "creatorType": "author", "firstName": "John", "lastName": "Corner" } ], "abstractNote": "The first edition of this book provided a major stimulus for teaching about documentary film and television and fresh encouragement for critical thinking about practice. This second edition brings together many new contributions both from academics and filmmakers, reflecting shifts both in documentary production itself, and in ways of discussing it. Once again, the emphasis has been on clear and provocative writing, sympathetic to the practical challenges of documentary filmmaking but making connections with a range of work in media and communications analysis.With its wide range of contributors and the international scope of its agenda, this will be essential reading for general filmmakers and documentary students both of academic and practical inclinations.", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "2nd", "date": "2005", "publisher": "Manchester University Press", "place": "New York", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "524", "ISBN": "978-0-7190-6899-7", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "en", "libraryCatalog": "Google Books", "callNumber": "", "rights": "", "extra": "", "tags": [ { "tag": "Documentary films", "type": 1 }, { "tag": "Documentary films/ History and criticism", "type": 1 }, { "tag": "Documentary television programs", "type": 1 }, { "tag": "Documentary television programs/ History and criticism", "type": 1 }, { "tag": "Performing Arts / Film & Video / General", "type": 1 } ], "collections": [ "JHKF8VNN" ], "relations": {}, "dateAdded": "2012-04-04T08:13:44Z", "dateModified": "2012-04-04T08:13:44Z" } }, { "key": "AAKTR3KB", "version": 5, "library": { "type": "group", "id": 46101, "name": "Manchurian Incident", "links": { "alternate": { "href": "https://www.zotero.org/groups/manchurian_incident", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/46101/items/AAKTR3KB", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/manchurian_incident/items/AAKTR3KB", "type": "text/html" } }, "meta": { "createdByUser": { "id": 814881, "username": "lmzoller23", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/lmzoller23", "type": "text/html" } } }, "lastModifiedByUser": { "id": 24587, "username": "edecker", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/edecker", "type": "text/html" } } }, "creatorSummary": "Nichols", "parsedDate": "2010", "numChildren": 1 }, "data": { "key": "AAKTR3KB", "version": 5, "itemType": "book", "title": "Introduction to Documentary", "creators": [ { "creatorType": "author", "firstName": "Bill", "lastName": "Nichols" } ], "abstractNote": "Introduction to Documentary provides a one-of-a-kind overview of the most important topics and issues in documentary history and criticism. Designed for students in any field that makes use of visual evidence and persuasive strategies, from the law to anthropology, and from history to journalism, this book spells out the distinguishing qualities of documentary. A wide-ranging and freewheeling form of filmmaking, documentary has not yet received a proper, written introduction to its public, or its future makers.Introduction to Documentary is not organized as a history of the form although its examples span a century of filmmaking. Instead, this book offers suggestive answers to basic issues that have stood at the center of all debate on documentary from its very beginnings to today. Each chapter takes up a distinct question from \"How did documentary filmmaking get started?\" to \"Why are ethical issues central to documentary?\" These questions move through issues of ethics, form, modes, voice, history and politics, among others. A final chapter addresses the question of how to write about documentary in a clear, convincing manner. Introduction to Documentary provides the foundational key to further explorations in this exceptionally vital area of filmmaking today.", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "2nd", "date": "2010", "publisher": "Indiana University Press", "place": "Bloomington", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "254", "ISBN": "978-0-253-21469-0", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "en", "libraryCatalog": "Google Books", "callNumber": "", "rights": "", "extra": "", "tags": [ { "tag": "Documentary films", "type": 1 }, { "tag": "Documentary films - History and criticism", "type": 1 }, { "tag": "Documentary films/ History and criticism", "type": 1 }, { "tag": "Performing Arts / Film & Video / General", "type": 1 }, { "tag": "Performing Arts / Film & Video / History & Criticism", "type": 1 }, { "tag": "Performing Arts / Television / General", "type": 1 } ], "collections": [ "JHKF8VNN" ], "relations": {}, "dateAdded": "2012-04-04T08:13:44Z", "dateModified": "2012-04-04T08:13:44Z" } }, { "key": "2RMTMHTU", "version": 5, "library": { "type": "group", "id": 46101, "name": "Manchurian Incident", "links": { "alternate": { "href": "https://www.zotero.org/groups/manchurian_incident", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/46101/items/2RMTMHTU", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/manchurian_incident/items/2RMTMHTU", "type": "text/html" } }, "meta": { "createdByUser": { "id": 814881, "username": "lmzoller23", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/lmzoller23", "type": "text/html" } } }, "lastModifiedByUser": { "id": 24587, "username": "edecker", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/edecker", "type": "text/html" } } }, "creatorSummary": "Gaines and Renov", "parsedDate": "1999", "numChildren": 1 }, "data": { "key": "2RMTMHTU", "version": 5, "itemType": "book", "title": "Collecting Visible Evidence", "creators": [ { "creatorType": "editor", "firstName": "Jane", "lastName": "Gaines" }, { "creatorType": "editor", "firstName": "Michael", "lastName": "Renov" } ], "abstractNote": "In documentary studies, the old distinctions between fiction and nonfiction no longer apply, as contemporary film and video artists produce works that defy classification. Coming together to make sense of these developments, the contributors to this book effectively redefine documentary studies. They trace the documentary impulse in the early detective camera, in the reenactment of battle scenes from World War I, and in the telecast of the Nevada A-bomb test in 1952. Other topics include experiments in virtual reality; the crisis of representation in anthropology; and video art and documentary work that challenge the asymmetry of the postcolonial us/them divide. Book jacket.", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "", "date": "1999", "publisher": "University of Minnesota Press", "place": "Minneapolis", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "356", "ISBN": "978-0-8166-3136-0", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "en", "libraryCatalog": "Google Books", "callNumber": "", "rights": "", "extra": "", "tags": [ { "tag": "Documentary films", "type": 1 }, { "tag": "Documentary films - History and criticism - Congresses", "type": 1 }, { "tag": "Documentary films/ History and criticism/ Congresses", "type": 1 }, { "tag": "Law / Evidence", "type": 1 }, { "tag": "Performing Arts / Film & Video / General", "type": 1 }, { "tag": "Performing Arts / Film & Video / History & Criticism", "type": 1 } ], "collections": [ "JHKF8VNN" ], "relations": {}, "dateAdded": "2012-04-04T08:13:44Z", "dateModified": "2012-04-04T08:13:44Z" } }, { "key": "BB7FZ9FX", "version": 5, "library": { "type": "group", "id": 46101, "name": "Manchurian Incident", "links": { "alternate": { "href": "https://www.zotero.org/groups/manchurian_incident", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/46101/items/BB7FZ9FX", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/manchurian_incident/items/BB7FZ9FX", "type": "text/html" } }, "meta": { "createdByUser": { "id": 814881, "username": "lmzoller23", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/lmzoller23", "type": "text/html" } } }, "lastModifiedByUser": { "id": 24587, "username": "edecker", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/edecker", "type": "text/html" } } }, "creatorSummary": "Ellis and McLane", "parsedDate": "2005", "numChildren": 1 }, "data": { "key": "BB7FZ9FX", "version": 5, "itemType": "book", "title": "A New History of Documentary Film", "creators": [ { "creatorType": "author", "firstName": "Jack C.", "lastName": "Ellis" }, { "creatorType": "author", "firstName": "Betsy A.", "lastName": "McLane" } ], "abstractNote": "This is a thorough and definitive survey/history of documentary films. Concentrating mainly on the output of the US, the UK, and Canada, the authors outline the origins of the form and then show its development over the next several decades. The book is completely up-to-date in discussing films like Fahrenheit 9/11 and Aileen: Life and Death of a Serial Killer, and in its coverage of IMAX movies and the development of cable and satellite television outlets. Written in a simple, chronological format, the text is straightforward and full of content, information, and historical perspective. (There is hardly any academic jargon or high-level theory). 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