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Although these spaces are located both in and outside of China, the global nature of the Internet gives them a transnational character. The dominant language of communication in these spaces is Chinese and the `publics' are drawn from what Tu Wei-ming calls `cultural China'. Analysis based on ethnographic data reveals the size and diversity of these spaces, as well as their similarities, differences and connections. Further analysis shows that these online spaces have had visible influences on trans-national politics and civil society in China. The picture that emerges from this analysis is that of a transnational Chinese cultural sphere. The article concludes with a discussion of three key conditions of its emergence: media, culture, and society.", "publicationTitle": "Media, Culture & Society", "publisher": "", "place": "", "date": "July 01 , 2003", "volume": "25", "issue": "4", "section": "", "partNumber": "", "partTitle": "", "pages": "469 -490", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "", "DOI": "10.1177/01634437030254003", "citationKey": "", "url": "http://mcs.sagepub.com/content/25/4/469.abstract", "accessDate": "2011-04-20T11:21:32Z", "PMID": "", "PMCID": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "Highwire 2.0", "callNumber": "", "rights": "", "extra": "", "tags": [], "collections": [], "relations": {}, "dateAdded": "2011-04-20T11:21:37Z", "dateModified": "2011-04-20T11:21:37Z" } }, { "key": "4RMIIPXC", "version": 1, "library": { "type": "group", "id": 42202, "name": "Convergence Cultures and Digital Disciplines", "links": { "alternate": { "href": "https://www.zotero.org/groups/convergence_cultures_and_digital_disciplines", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/42202/items/4RMIIPXC", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/convergence_cultures_and_digital_disciplines/items/4RMIIPXC", "type": "text/html" } }, "meta": { "createdByUser": { "id": 34908, "username": "jstenger", "name": "Stenger", "links": { "alternate": { "href": "https://www.zotero.org/jstenger", "type": "text/html" } } }, "creatorSummary": "Yar", "parsedDate": "2005", "numChildren": 1 }, "data": { "key": "4RMIIPXC", "version": 1, "itemType": "journalArticle", "title": "The global ‘epidemic’ of movie ‘piracy’: crime-wave or social construction?", "creators": [ { "creatorType": "author", "firstName": "Majid", "lastName": "Yar" } ], "abstractNote": "The growth of film ‘piracy’ has become an increasingly high-profile issue. Business groups, national governments, international organizations and law enforcement agencies have claimed that ‘piracy’ has undergone near-exponential growth, doing untold damage to the movie industry. This article attempts to critically examine this apparent ‘epidemic’. Two contrasting types of explanation are explored. The first treats the rise in film ‘piracy’ as the real effect of a range of social, economic and technological changes. However, the second perspective takes a more critical stance towards ‘official’ discourse, and suggests that the ‘epidemic’ in fact ought to be seen as the product of shifting legal regimes, lobbying activities, rhetorical manoeuvres, criminal justice agendas, and ‘interested’ or ‘partial’ processes of statistical inference. 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"alternate": { "href": "https://www.zotero.org/groups/convergence_cultures_and_digital_disciplines/items/7Q8N74GK", "type": "text/html" } }, "meta": { "createdByUser": { "id": 34908, "username": "jstenger", "name": "Stenger", "links": { "alternate": { "href": "https://www.zotero.org/jstenger", "type": "text/html" } } }, "creatorSummary": "Leyshon et al.", "parsedDate": "2005-03-01", "numChildren": 1 }, "data": { "key": "7Q8N74GK", "version": 1, "itemType": "journalArticle", "title": "On the Reproduction of the Musical Economy After the Internet", "creators": [ { "creatorType": "author", "firstName": "Andrew", "lastName": "Leyshon" }, { "creatorType": "author", "firstName": "Peter", "lastName": "Webb" }, { "creatorType": "author", "firstName": "Shaun", "lastName": "French" }, { "creatorType": "author", "firstName": "Nigel", "lastName": "Thrift" }, { "creatorType": "author", "firstName": "Louise", "lastName": "Crewe" } ], "abstractNote": "The focus of this article is a crisis of reproduction that beset the contemporary popular music industry from the late 1990s onwards. In the early 21st century the music industry began to suffer from declining sales, negative growth and financial losses. Explanations internal to the music industry identified the cause of the crisis as the rise of Internet piracy, although the emergence of software formats, such as MP3, and Internet distribution systems is more accurately described as a ‘tipping point’ that brought into focus a set of deeper structural problems for the industry related to changing forms of popular music consumption. Drawing on research undertaken by the authors within US music companies, the article examines responses to the crisis in the form of three distinctive business models that represent different strategies in the face of the contemporary crisis of the musical economy, an arena within which a range of experiments are being undertaken in an effort to develop new ways of generating income. Nevertheless, there is reluctance within the industry to embrace the more radical organizational changes that might allow it to fully accommodate the impact of software formats and Internet distribution systems. A key reason for this, we argue, is the stakes that the leaders of the major record companies have in the preservation of the current social order of the musical economy.", "publicationTitle": "Media, Culture & Society", "publisher": "", "place": "", "date": "March 01 , 2005", "volume": "27", "issue": "2", "section": "", "partNumber": "", "partTitle": "", "pages": "177 -209", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "", "DOI": "10.1177/0163443705050468", "citationKey": "", "url": "http://mcs.sagepub.com/content/27/2/177.abstract", "accessDate": "2011-04-20T11:19:31Z", "PMID": "", "PMCID": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "Highwire 2.0", "callNumber": "", "rights": "", "extra": "", "tags": [], "collections": [], "relations": {}, "dateAdded": "2011-04-20T11:19:57Z", "dateModified": "2011-04-20T11:19:57Z" } }, { "key": "TDGQBPF7", "version": 1, "library": { "type": "group", "id": 42202, "name": "Convergence Cultures and Digital Disciplines", "links": { "alternate": { "href": "https://www.zotero.org/groups/convergence_cultures_and_digital_disciplines", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/42202/items/TDGQBPF7", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/convergence_cultures_and_digital_disciplines/items/TDGQBPF7", "type": "text/html" } }, "meta": { "createdByUser": { "id": 34908, "username": "jstenger", "name": "Stenger", "links": { "alternate": { "href": "https://www.zotero.org/jstenger", "type": "text/html" } } }, "creatorSummary": "McCourt and Burkart", "parsedDate": "2003-05-01", "numChildren": 1 }, "data": { "key": "TDGQBPF7", "version": 1, "itemType": "journalArticle", "title": "When Creators, Corporations and Consumers Collide: Napster and the Development of On-line Music Distribution", "creators": [ { "creatorType": "author", "firstName": "Tom", "lastName": "McCourt" }, { "creatorType": "author", "firstName": "Patrick", "lastName": "Burkart" } ], "abstractNote": "The Internet is often depicted as the ultimate arena for unfettered capitalism, erasing geographic boundaries and barriers to entry while providing a plethora of goods and services to consumers. This article traces how public and private reactions by the five major record companies to new Internet distribution technologies have undermined this popular myth. We use a political economic approach to examine the case of A&M Records et al. v. Napster, and discuss how this case underscores the importance of controlling the Internet as an entertainment distribution pipeline. Expressed concerns about piracy mask the actual intentions of the `Big Five' - control of all modes of distribution. The strength of the Big Five's cartel has a momentum of its own based in its market oligopoly, which has been secured through its ownership and management of intellectual property; through format changes and setting standards for other technologies; and through lobbying and legal activities.", "publicationTitle": "Media, Culture & Society", "publisher": "", "place": "", "date": "May 01 , 2003", "volume": "25", "issue": "3", "section": "", "partNumber": "", "partTitle": "", "pages": "333 -350", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "", "DOI": "10.1177/0163443703025003003", "citationKey": "", "url": "http://mcs.sagepub.com/content/25/3/333.abstract", "accessDate": "2011-04-20T11:19:15Z", "PMID": "", "PMCID": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "When Creators, Corporations and Consumers Collide", "language": "", "libraryCatalog": "Highwire 2.0", "callNumber": "", "rights": "", "extra": "", "tags": [], "collections": [], "relations": {}, "dateAdded": "2011-04-20T11:19:21Z", "dateModified": "2011-04-20T11:19:21Z" } } ]