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This paper explores one route, drawing on Queer Theory to look at resistance to computer formalisation of identity through queering. Several case studies explore how we might apply the oblique route to design of a range of technologies that help users define themselves. 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The attempts aimed at addressing the body have very different outcomes spanning from theoretical arguments for understanding the body in the design process, to more practical examples of designing for bodily potential. This paper presents Kinesthetic Interaction as a unifying concept for describing the body in motion as a foundation for designing interactive systems. Based on the theoretical foundation for Kinesthetic Interaction, a conceptual framework is introduced to reveal bodily potential in relation to three design themes --- kinesthetic development, kinesthetic means and kinesthetic disorder; and seven design parameters --- engagement, sociality, movability, explicit motivation, implicit motivation, expressive meaning and kinesthetic empathy. 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By way of illustration I explore interactive artworks from Ken Rinaldo, Wolfgang Müench and Kiyoshi Furukawa, and Paul Sermon, which emphasise the intersection of a layer of technology in our sensory and physical experiences of the world. In order to develop an object-oriented exploration of these works, and our day-to-day interactions with technology in a broader sense, I explore digital interaction as a process that involves the transductive relationships set up between objects and the milieu in which these objects find themselves. 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