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Annotated Bibliography

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Valerie Traub analyzes the representation of female-female love, desire and eroticism in a range of early modern discourses, including poetry, drama, visual arts, pornography and medicine. Contrary to the silence and invisibility typically ascribed to lesbianism in the Renaissance, Traub argues that the early modern England witnessed a renaissance of representations of female homoerotic desire. (Claim) Traub want to propose a different way of engaging with the historical and interpretive problems it poses. Her work on the tribade, on female friendship, and on the psychomorphology of the clitoris is pathbreaking. (Significance)   

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The author give 3 reasons to explain why the early modern England witnessed a renaissance of representations of female homoerotic desire. First, references to female-female desire in English texts increased dramatically over the sixteenth and seventeenth centuries. Second, renaissance also is meant to suggest that representations of female-female desire during this period depend heavily on classical antecedents for their modes of comprehension. Finally, she used the term renaissance is meant to reclaim, ironize, and redeploy the meaning of the Renaissance itself. Traub changes the terms through which it is possible to read forms of female intimacy in Early Modern England. By means of sophisticated interpretations of a comprehensive set of texts, the article not only charts a crucial shift in representations of female homoeroticism over the course of the seventeenth century, but also offers a provocative genealogy of contemporary lesbianism. A contribution to the history of sexuality and to feminist and queer theory, the article addresses current theoretical preoccupations through the lens of historical inquiry.

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The Renaissance of Lesbianism shows us how female same-sex desires become not only legible but pivotal during the course of the English Renaissance. Traub's readings of sexual representation, both in early modern texts and in the scholarly imagination today, turn the screw of interpretation on figures from Queen Elizabeth to Katherine Philips and on topics from terminology to teleology. A contribution to the history of sexuality and to feminist and queer theory, the article addresses current theoretical preoccupations through the lens of historical inquiry. This synthesis of 'theory' and 'history' sets a new standard for lesbian scholarship and opens new paths for studying both sexuality and early modernity.

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Annotated Bibliography

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The article discusses the individuation in in Shakespeare’ play A Midsummer Night’s Dream. The author consider that the effect of repeated transformations in A Midsummer Night’s Dream is a certain haziness not only in the characters’ minds but in those of viewers as well. Such metamorphoses and resulting uncertainty of mind work against one meaning of individuation---- the unique. (Problem) By reviewing the whole article, Hunt argues that the individuation is very important for Shakespeare’s design. (Claim) Individuation for audiences to make a good memory of the play, however the audiences valued this blurring of identities,  in their minds, it made possible that pleasing, narcotic dreaminess associated with the fairies of the play.(Significance)

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Hunt talked about the detail of A Midsummer Night’s Dream confirm the importance of individuation of Shakespeare’s design. First, the author proposes that a breakdown of individuation lies at the heart of the play’s central conflict. He gave the evidence of “ possession of indian boy who sparks Oberon and Titania’s feud becomes the key to overall comic harmony”. Second, the author thinks that the importance of individuation in Midsummer Night’s Dream is implied by the thrust toward a troublesome loss of identity. Because Helena can’t get the love from his lover at the beginning of the play, she believes that she would lose a despised identity and gain the feminine shape to bewitch Demetrius. Thirdly, Shakespeare creates dramatic tension in the middle senses by showing how identity is easily lost in the dark wood outside Athens. “Yet despite its depersonalizing effects, the dark wood in essence is a realm of magical, even redemptive individuation. Rather that always confounding identity, the process of metamorphosis can on occasion crystallize it.”(p.7)

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By analyzing the structure (central conflict,beginning, middle senses) and a lot of characters (Titania, Helena, Hermia, etc.) of the play, Hunt cited more detail to shows that the importance of individuation. Even the author motion that Titania’s name is important, the moon goddess is termed Titania. And also he compared Demetrius and  Lysander the two male youths, “ Demetrius’s relative lack of individuation in comparison to Lysander becomes meaningful”. ( p.4) Individuation is important for the play to make people know the role of every characters and understand better what’s the play’s meaning.

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Volume 7, Number 2, 2001

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In ironic fashion both the \"good\" and the impish fairies reflect not only the play's \"gossamer web\" charm, but are anthropomorphized in such a manner as to be equally human in their concern for petty triumph—hence the acerbity of the quarrel between Oberon and Titania. Their \"jangling\" is similar to that of the human lovers Hermia, Lysander, Helena, and Demetrius. Even the more noble and, in a sense, ideally representative human lovers, Theseus and Hippolyta, are touched by complacency and irrationalism, modifying somewhat our delight in the perfect harmony of their union. Out of this discord, however, like Helena's \"comforts from the East,\" comes concord, a harmony which in retrospect the play makes seem inevitable. 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Volume 61, Number 3, Fall 2010

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