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Resumen:

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La pérdida de la inocencia epistemológica y teórica en el periodo investigado (55-85)

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---

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P 7: VER QUÉ ES UN FILM ETNOGRÁFICO

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Jay Ruby  1975 habla de satisfacer cuatro criterios... Karl Heider (76) similar, (ambos poner en imágenes investigaciones etnográficas)

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también  consideraciones de estilo: como Heider, ni los primeros planos ni el sonido diacrónico...estos recursos debilitan la autoridad del film como etnográfico.

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VALOR ANTROPOLÓGICO DE LO AUDIOVISUAL

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p 7:

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\"It is perfectly plausible to treat a wider range of documentaries about humanity in any culture in the world as having value to anthropologist, and feature films (from American westerns and detective dramas, to Ozu's studies of Japanese family life) can equally plausibly be treated as sources for cultural analysis.\"

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sobre la fina línea entre documental y ficción. (6)

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- p 10 innovaciones en la producción de filmes etnográficos: producción, temas, formas de argumentación, y VINCULACIÓN CON TEXTOS QUE ACOMPAÑAN LAS PRODUCCIÓNES YA AYUDAN A SU USO COMO HERRAMIENTAS DE enseñanza-aprendizaje

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- P13,

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COLABORACIÓN: políticas de producción (según las llama él:  Robert Flaherty es considerado el primero en aenseñar el material filmado a us informantes inuits. (Aunque Rouch llevo este procedimiento más allá, no sólo llevando el material para que lo comentasen, sino involucrándolos en la la creación de narrativas ( como co-creadores de los improvisados films. (Feld 1989, f)

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Feld, S. 1989. Themes in the cinema of Jean Rouch. Visual Anthropology: Published in cooperation with the Commission on Visual Anthropology 2, 223. 

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Stoller, P. 1992. The cinematic griot: the ethnography of Jean Rouch. University of Chicago Press.

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Muchos experimentos de colaboración durante los setenta y ochenta, (hasta el punto que el autor reconoce que no está de moda no tener algún grado de colaboración con los sujetos.

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-21. VALOR ANTROPOLÓGICO:

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Los producidos por los miembros de una cultura para exprerar su propio punto de vista, pueden ser considerados \"documentos primarios\". (los hechos por antropologos serían secundarios, aunq el autor constata que a medida que los realizadores pierden la inocencia, buscan más la colaboración de los sujetos de los que hablan o que filman.

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ver artículo: Antrhopological transparency: film, representation and politics. En este volumen de Faris, J.C

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