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            "note": "<p>In this work Blake fully shows his reversed beliefs during this time. The work is named after Swedenborg's Heaven and Hell, and even directly criticizes Swedenborg. It also contains references to Milton's Paradise Lost and employs a visit to hell nature of Dante's Inferno. The main focus of the work is to show the repressive nature of morality and religion. Blake shows that he believes physical desire is a part of the divine order. He says, \"Energy, calld Evil,\" and, \"That God will torment man in eternity for following his Energies.. This quote shows how Blake disagrees with religion's tendency to use fear to suppress mans' desires. He also goes on to say, \"Those who restrain desire, do so because theirs is weak enough to be restrained;\". The whole work exemplifies Blake's hate of how religion and morality restrain man. Another good quote from the work is, \"He who desires but acts not, breeds pestilence.\". This work supports my topic because from the beginning to the end Blake argues of the dangers of suppressing mans desires, and he tries to reverse common thought to make man more complete. It is clear from this work that Blake feels that restraint of desire takes away from mans self and individuality.</p>",
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            "note": "<p>This is a collection of a number of poems from Blake. I chose to focus on a single poem from the collection, The Garden of Love. I chose my topic to show Blake's thoughts on the importance of desire and free will to the individual, and ultimately how Blake sees the suppression of this desire and free will is an alienation and depreciation of the self. Most of Blake's issues with suppression of desire are centered around religion, because of its tendency to place rules to deem ones desires as right or wrong. The first major sign of this in the poem is the stanza that says  \"Thou shalt not writ over the door;\". This directly shows Blake's contempt for the suppressive nature of religion. At the end of the poem he also says that priests are, \" binding with briars, my joys and desires.\". It becomes obvious that Blake believes that men are creatures of their desires and they are not intended to be constrained. The self is defined by ones actions and thoughts which are typically in pursuance of these desires. In the poem Blake also talks about graves and tombstones where flowers should be. He paints a picture of sadness and suffering to show that these people who lived their whole lives in suppression died in woe without knowing their real self and their bodies continue to exist in a dismal state.</p>",
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            "note": "<p>This source is a full length book that is written to analyze Blake's methods for discovering the true self. It is divided into five chapters or sections each of which focuses on a work or relationship of Blake's that further supports Quinney's ideas. One of the largest and most frequently recurring points of the work is that one must remove the \"I\" to reach this true inner being. \"The 'I' is the outward part of the inner life\". The other main point made is that deep inside is imagination and divine vision. By removing the selfhood and individuality one becomes divine. In this work Blake is quoted answering a question as to whether or not he thought Jesus was God, he said \"He is the only God... and so am I and so are you\". It generally goes to say that when the individuality is removed all men are a replica of God himself. This relates to my topic of free will because through multiple references and works Quinney shows that Blake believes without ones free will and desires that make the individual we are all divine beings. It is the selfhood and individuality that makes us man and not God. It is man's free will to fulfill his desires that makes him different from God and other men. In a number of his works Blake speaks out about the dangers of being controlled by other men and stifling your desires especially in reference to religion. This supports my point that Blake believes without the freedom to act on our individual desires we are not individuals.</p>",
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            "abstractNote": "It was William Blake's insight that the Christian churches, by inverting the Incarnation and the dialectical vision of Paul, have repressed the body, divided God from creation, substituted judgment for grace, and repudiated imagination, compassion, and the original apocalyptic faith of early Christianity. Blake's prophetic poetry thus contributes to the renewal of Christian ethics by a process of subversion and negation of Christian moral, ecclesiastical, and theological traditions, which are recognized precisely as inversions of Jesus, and therefore as instances of the forms of evil that God-in-Christ overcomes through Incarnation, reversing the Fall. Blake's great epic poems, particularly Milton (1804–08) and Jerusalem (1804–20), embody his heterodox representation of the final coincidence of Christ and Satan through which, at last, all things are made new. [ABSTRACT FROM AUTHOR]",
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            "note": "<p>This article's main focus is on Blake's revolutionary vision of a world of opposites. It references the reversed Satan of Milton's Paradise Lost as an example of how Blake treated nearly everything of accepted Christianity of his time. Other recurring themes are the self annihilation of God and apocalypse. The author points out how Blake is nearly unknown in politics and religion today because his works and beliefs were the inverse of most everything. In the book of Genesis most believe that when Adam and Eve ate of the fruit it was a moment of pure free will the author tries to prove that Blake believed the opposite. \"... transmission of original sin, and also the moment in which the will is least free.\". The author simply shows how Blake sought to challenge commonly accepted thought of the time. This relates to my topic because the thought of the time generally involved suppression of desire and free will through fear of punishment or damnation. Good people were thought to be the ones who ignored \"temptation\" or avoided \"sin\" rather than giving in to personal desire. Another quote from the article supports this idea that Blake championed pursuing desires of the imagination. \"Blake discovered repression before its discovery by Friedrich Nietzsche and Sigmund Freud,\". This quote shows Blake's belief in the dangers of repressing ones desires. Ultimately it is shown that these desires define the individual.</p>",
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            "title": "The Marriage of Heaven and Hell: A Facsimile in Full Color",
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            "note": "<p>From the instant of looking at the title one can notice that one of the focuses of this poem is selfhood or the individual. Urizen or \"your reason\" depends critically on the interpretation of the individual and  ultimately whatever lesson your mind reasons to gain from it. It focuses heavily on the woes and suffering of people being subjected to laws and rules. The removal of freedom, and Urizen's desire to have man follow these rules are the source of the dismay. Once again as in many other works Blake is showing the dangers of stifling free will and desire. A recurring symbol throughout the whole book are chains and fetters. He emphasizes the strength of this imprisonment. He refers to Urizen's rules as \"iron laws\". This poem directly relates to my subject of free will, because it illustrates the dangers of controlling ones desires, that free will that makes man individual. As in most of his works the source of control is directly related to a form of religion. A farther stretch or more slightly unsupported connection is that suffering is the human condition because of individuality. As long as men have differing desires they will use their free will to obtain these desires and ultimately cause a fellow man to suffer.</p>",
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