[ { "key": "K5GPZ5AA", "version": 9727, "library": { "type": "group", "id": 35993, "name": "Andrew Czink GLS Research", "links": { "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/35993/items/K5GPZ5AA", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research/items/K5GPZ5AA", "type": "text/html" } }, "meta": { "createdByUser": { "id": 214632, "username": "aczink", "name": "Andrew Czink", "links": { "alternate": { "href": "https://www.zotero.org/aczink", "type": "text/html" } } }, "creatorSummary": "Clough and Halley", "parsedDate": "2007", "numChildren": 1 }, "data": { "key": "K5GPZ5AA", "version": 9727, "itemType": "book", "title": "The affective turn: theorizing the social", "creators": [ { "creatorType": "editor", "firstName": "Patricia Ticineto", "lastName": "Clough" }, { "creatorType": "editor", "firstName": "Jean O'Malley", "lastName": "Halley" } ], "abstractNote": "", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "", "date": "2007", "publisher": "Duke University Press", "place": "Durham", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "313", "ISBN": "978-0-8223-8960-6", "DOI": "", "citationKey": "", "url": "http://proxy.lib.sfu.ca/login?url=http://dx.doi.org/10.1215/9780822389606", "accessDate": "2014-09-13T19:13:32Z", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "troy.lib.sfu.ca Library Catalog", "callNumber": "BF175.5.A35 A335 2007", "rights": "", "extra": "", "tags": [ { "tag": "Affect (Psychology)", "type": 1 }, { "tag": "Cognition and culture", "type": 1 }, { "tag": "Emotions", "type": 1 }, { "tag": "Interpersonal relations", "type": 1 }, { "tag": "Traumatism", "type": 1 } ], "collections": [ "HBG8NZ8A", "KMBKETIA", "KVHGXM9U" ], "relations": {}, "dateAdded": "2014-09-13T19:13:32Z", "dateModified": "2017-03-19T00:19:21Z" } }, { "key": "WDM2H7UK", "version": 9799, "library": { "type": "group", "id": 35993, "name": "Andrew Czink GLS Research", "links": { "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/35993/items/WDM2H7UK", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research/items/WDM2H7UK", "type": "text/html" } }, "meta": { "createdByUser": { "id": 214632, "username": "aczink", "name": "Andrew Czink", "links": { "alternate": { "href": "https://www.zotero.org/aczink", "type": "text/html" } } }, "creatorSummary": "Lewis and Piekut", "parsedDate": "2016", "numChildren": 1 }, "data": { "key": "WDM2H7UK", "version": 9799, "itemType": "book", "title": "The Oxford handbook of critical improvisation studies", "creators": [ { "creatorType": "editor", "firstName": "George", "lastName": "Lewis" }, { "creatorType": "editor", "firstName": "Benjamin", "lastName": "Piekut" } ], "abstractNote": "", "series": "Oxford handbooks", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "", "date": "2016", "publisher": "Oxford University Press", "place": "New York, N.Y. ; Oxford, U.K", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "2", "ISBN": "978-0-19-537093-5 978-0-19-989292-1", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "troy.lib.sfu.ca Library Catalog", "callNumber": "MT 68 O97 2016", "rights": "", "extra": "OCLC: 928750684", "tags": [ { "tag": "Creation (Literary, artistic, etc.)", "type": 1 }, { "tag": "Improvisation (Music)", "type": 1 } ], "collections": [ "3MVQH5F5", "KMBKETIA" ], "relations": {}, "dateAdded": "2017-02-26T01:40:34Z", "dateModified": "2017-02-26T01:40:34Z" } }, { "key": "U77CEZD7", "version": 9724, "library": { "type": "group", "id": 35993, "name": "Andrew Czink GLS Research", "links": { "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/35993/items/U77CEZD7", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research/items/U77CEZD7", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/35993/items/WDM2H7UK", "type": "application/json" } }, "meta": { "createdByUser": { "id": 214632, "username": "aczink", "name": "Andrew Czink", "links": { "alternate": { "href": "https://www.zotero.org/aczink", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "U77CEZD7", "version": 9724, "parentItem": "WDM2H7UK", "itemType": "note", "note": "V. 1. Introduction George E. Lewis and Benjamin Piekut -- Roger T. Dean and Freya Bailes -- Aaron L. Berkowitz -- Vijay Iyer -- David Borgo -- Tracy McMullen -- Fred Moten -- Michael Gallope -- Yves Citton -- Davide Sparti -- Alexandre Pierrepont -- Susan Leigh Foster -- Timothy Hampton -- Angela Esterhammer -- Erik Simpson -- Glyn P. Norton -- Daniel Belgrad -- Danielle Goldman -- Thomas F. DeFrantz -- Anthea Kraut -- Amy Seham -- Paul Richards -- Paul Ingram and William Duggan -- Jared Burrows and Clyde G. Reed -- Philip Alperson -- Gary Peters -- Lydia Goehr -- Garry L. Hagberg -- David Rothenberg -- Arnold I. Davidson -- Samuel Wells On critical improvisation studies / Cognitions. Cognitive processes in musical improvisation / The cognitive neuroscience of improvisation / Improvisation, action understanding, and music cognition with and without bodies / The ghost in the music, or the perspective of an improvising ant / Critical theories. The improvisative / Jurisgenerative grammar (for alto) / Is improvisation present? / Politics as hypergestural improvisation in the age of mediocracy / On the edge: a frame of analysis for improvisation / The Salmon of Wisdom: on the consciousness of self and other in improvised musicand in the language that sets one free / Improvising yoga / Cultural histories. Michel de Montaigne, or philosophy as improvisation / The improvisation of poetry, 1750-1850: oral performance, print culture, and the modern Homer / Germaine de Staèel's Corinne, or Italy and the early usage of improvisation in English / Improvisation, time, and opportunity in the rhetorical tradition / Improvisation, democracy, and feedback / Mobilities. Improvised dance in the reconstruction of THEM / Improvising social exchange: African American social dance / Fixing improvisation: copyright and African American vernacular dancers in the early twentieth century / Performing gender, race, and power in improv comedy / Shifting cultivation as improvisation / Organizations. Improvisation in management / Free improvisation as a path-dependent process / Philosophies. Musical improvisation and the philosophy of music / Improvisation and time-consciousness / Improvising Impromptu, or,What to do with a broken string / Ensemble improvisation, collective intention, and group attention / Interspecies improvisation / Spiritual exercises,improvisation, and moral perfectionism: with special reference to Sonny Rollins / Improvisation and ecclesial ethics V. 2 George E. Lewis and Benjamin Piekut -- Christopher Dell and Ton Matton -- David P. Brown -- Eric Porter -- Raymond MacDonald and Graeme Wilson -- Brian Magerko -- Ed Sarath -- Bruce Ellis Benson -- Bruno Nettl -- Dana Gooley -- Sabine Feisst -- A.J. Racy -- Ellie M. Hisama -- Leo Treitler -- Rob Wallace -- Jennifer D. Ryan -- Sara Villa -- Walton Muyumba -- HazelSmith -- D. Fox Harrell -- SimonPenny -- Antoinette LaFarge -- Celia Pearce -- Adriene Jenik -- Sher Doruff -- Michael Young and Tom Blackwell -- Ge Wang On critical improvisation studies / Cities. Improvisation technology as mode of redesigning the urban / Lots will vary in the available city / Improvising the future in post-Katrina New Orleans / Creativities. Billy Connolly,Daniel Barenboim, Willie Wonka, jazz bastards, and the universality of improvisation / A computationally motivated approach to cognition studies in improvisation / A consciousness-based look at spontaneous creativity / In the beginning, there was improvisation / Musics. Landmarks in the study of improvisation: perspectives from ethnomusicology / Saving improvisation: Hummel and the free fantasia in the early nineteenth century / Negotiating freedom and controlin composition: improvisation and its offshoots, 1950-1980 Musical improvisation: play, efficacy,and significance / Improvisation in freestyle rap / Speaking of the I-word / Modernist improvisations / Diversity and divergencein the improvisational evolution of literary genres / Improvisatory practices and the dawn of the new American cinema / Brilliant corners: improvisation and practices of freedom in Sent for you yesterday / Improvisation in contemporary experimental poetry Media. Subjective computing and improvisation / Improvisation and interaction, canons and rules, emergence and play / Imposture as improvisation: living fiction / Role-play, improvisation, and emergent authorship / Bodies, border, technology: the promise and perils of telematic improvisation / She stuttered: mapping the spontaneous middle / Technologies. Live algorithms for music: can computers be improvisers? / Improvisation of the masses: anytime, anywhere mobile music", "tags": [], "relations": {}, "dateAdded": "2017-02-26T01:40:34Z", "dateModified": "2017-02-26T01:40:34Z" } }, { "key": "5EJHVHPA", "version": 9724, "library": { "type": "group", "id": 35993, "name": "Andrew Czink GLS Research", "links": { "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/35993/items/5EJHVHPA", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research/items/5EJHVHPA", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/35993/items/FSPG53R2", "type": "application/json" } }, "meta": { "createdByUser": { "id": 214632, "username": "aczink", "name": "Andrew Czink", "links": { "alternate": { "href": "https://www.zotero.org/aczink", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "5EJHVHPA", "version": 9724, "parentItem": "FSPG53R2", "itemType": "note", "note": "V. 1. Introduction George E. Lewis and Benjamin Piekut -- Roger T. Dean and Freya Bailes -- Aaron L. Berkowitz -- Vijay Iyer -- David Borgo -- Tracy McMullen -- Fred Moten -- Michael Gallope -- Yves Citton -- Davide Sparti -- Alexandre Pierrepont -- Susan Leigh Foster -- Timothy Hampton -- Angela Esterhammer -- Erik Simpson -- Glyn P. Norton -- Daniel Belgrad -- Danielle Goldman -- Thomas F. DeFrantz -- Anthea Kraut -- Amy Seham -- Paul Richards -- Paul Ingram and William Duggan -- Jared Burrows and Clyde G. Reed -- Philip Alperson -- Gary Peters -- Lydia Goehr -- Garry L. Hagberg -- David Rothenberg -- Arnold I. Davidson -- Samuel Wells On critical improvisation studies / Cognitions. Cognitive processes in musical improvisation / The cognitive neuroscience of improvisation / Improvisation, action understanding, and music cognition with and without bodies / The ghost in the music, or the perspective of an improvising ant / Critical theories. The improvisative / Jurisgenerative grammar (for alto) / Is improvisation present? / Politics as hypergestural improvisation in the age of mediocracy / On the edge: a frame of analysis for improvisation / The Salmon of Wisdom: on the consciousness of self and other in improvised musicand in the language that sets one free / Improvising yoga / Cultural histories. Michel de Montaigne, or philosophy as improvisation / The improvisation of poetry, 1750-1850: oral performance, print culture, and the modern Homer / Germaine de Staèel's Corinne, or Italy and the early usage of improvisation in English / Improvisation, time, and opportunity in the rhetorical tradition / Improvisation, democracy, and feedback / Mobilities. Improvised dance in the reconstruction of THEM / Improvising social exchange: African American social dance / Fixing improvisation: copyright and African American vernacular dancers in the early twentieth century / Performing gender, race, and power in improv comedy / Shifting cultivation as improvisation / Organizations. Improvisation in management / Free improvisation as a path-dependent process / Philosophies. Musical improvisation and the philosophy of music / Improvisation and time-consciousness / Improvising Impromptu, or,What to do with a broken string / Ensemble improvisation, collective intention, and group attention / Interspecies improvisation / Spiritual exercises,improvisation, and moral perfectionism: with special reference to Sonny Rollins / Improvisation and ecclesial ethics V. 2 George E. Lewis and Benjamin Piekut -- Christopher Dell and Ton Matton -- David P. Brown -- Eric Porter -- Raymond MacDonald and Graeme Wilson -- Brian Magerko -- Ed Sarath -- Bruce Ellis Benson -- Bruno Nettl -- Dana Gooley -- Sabine Feisst -- A.J. Racy -- Ellie M. Hisama -- Leo Treitler -- Rob Wallace -- Jennifer D. Ryan -- Sara Villa -- Walton Muyumba -- HazelSmith -- D. Fox Harrell -- SimonPenny -- Antoinette LaFarge -- Celia Pearce -- Adriene Jenik -- Sher Doruff -- Michael Young and Tom Blackwell -- Ge Wang On critical improvisation studies / Cities. Improvisation technology as mode of redesigning the urban / Lots will vary in the available city / Improvising the future in post-Katrina New Orleans / Creativities. Billy Connolly,Daniel Barenboim, Willie Wonka, jazz bastards, and the universality of improvisation / A computationally motivated approach to cognition studies in improvisation / A consciousness-based look at spontaneous creativity / In the beginning, there was improvisation / Musics. Landmarks in the study of improvisation: perspectives from ethnomusicology / Saving improvisation: Hummel and the free fantasia in the early nineteenth century / Negotiating freedom and controlin composition: improvisation and its offshoots, 1950-1980 Musical improvisation: play, efficacy,and significance / Improvisation in freestyle rap / Speaking of the I-word / Modernist improvisations / Diversity and divergencein the improvisational evolution of literary genres / Improvisatory practices and the dawn of the new American cinema / Brilliant corners: improvisation and practices of freedom in Sent for you yesterday / Improvisation in contemporary experimental poetry Media. Subjective computing and improvisation / Improvisation and interaction, canons and rules, emergence and play / Imposture as improvisation: living fiction / Role-play, improvisation, and emergent authorship / Bodies, border, technology: the promise and perils of telematic improvisation / She stuttered: mapping the spontaneous middle / Technologies. Live algorithms for music: can computers be improvisers? / Improvisation of the masses: anytime, anywhere mobile music", "tags": [], "relations": {}, "dateAdded": "2017-02-26T01:40:28Z", "dateModified": "2017-02-26T01:40:28Z" } }, { "key": "FSPG53R2", "version": 9724, "library": { "type": "group", "id": 35993, "name": "Andrew Czink GLS Research", "links": { "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/35993/items/FSPG53R2", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research/items/FSPG53R2", "type": "text/html" } }, "meta": { "createdByUser": { "id": 214632, "username": "aczink", "name": "Andrew Czink", "links": { "alternate": { "href": "https://www.zotero.org/aczink", "type": "text/html" } } }, "creatorSummary": "Lewis and Piekut", "parsedDate": "2016", "numChildren": 1 }, "data": { "key": "FSPG53R2", "version": 9724, "itemType": "book", "title": "The Oxford handbook of critical improvisation studies", "creators": [ { "creatorType": "editor", "firstName": "George", "lastName": "Lewis" }, { "creatorType": "editor", "firstName": "Benjamin", "lastName": "Piekut" } ], "abstractNote": "", "series": "Oxford handbooks", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "", "date": "2016", "publisher": "Oxford University Press", "place": "New York, N.Y. ; Oxford, U.K", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "2", "ISBN": "978-0-19-537093-5 978-0-19-989292-1", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "troy.lib.sfu.ca Library Catalog", "callNumber": "MT 68 O97 2016", "rights": "", "extra": "OCLC: 928750684", "tags": [ { "tag": "Creation (Literary, artistic, etc.)", "type": 1 }, { "tag": "Improvisation (Music)", "type": 1 } ], "collections": [ "HNVUV6U2" ], "relations": {}, "dateAdded": "2017-02-26T01:40:28Z", "dateModified": "2017-02-26T01:40:28Z" } }, { "key": "H56C5PJS", "version": 9723, "library": { "type": "group", "id": 35993, "name": "Andrew Czink GLS Research", "links": { "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/35993/items/H56C5PJS", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research/items/H56C5PJS", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/35993/items/HS5UH7IC", "type": "application/json" } }, "meta": { "createdByUser": { "id": 214632, "username": "aczink", "name": "Andrew Czink", "links": { "alternate": { "href": "https://www.zotero.org/aczink", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "H56C5PJS", "version": 9723, "parentItem": "HS5UH7IC", "itemType": "note", "note": "Editors' preface / Nicholas Cook and Richard Pettengill --A backward-looking foreword / Elisabeth Le Guin -- Introduction / Nicholas Cook and Richard Pettengill -- U2 3D : concert films and/as live performance / Susan Fast --Performing collective improvisation : the Grateful Dead's \"Dark star\" / Richard Pettengill -- Jazz improvisation as a social arrangement / Philip Auslander -- Bridging the unbridgeable? Empirical musicology and interdisciplinary performance studies / Nicholas Cook -- The written and thesung : ornamenting Il barbiere di Siviglia / Philip Gossett -- Enacting the revolution : Thalberg in 1848 / Dana Gooley -- Cutting loose : burying \"The first man of jazz\" / Joseph Roach -- Abbey Lincoln's screaming singing and the sonic liberatory potential thereafter / Aida Mbowa-- Got to get over the hump : the politics of glam in the work of Labelle and Parliament / Margaret F. Savilonis -- \"Bring the pain\" : post-Soul memory, neo-Soul affect, and Lauryn Hill in the Black public sphere / Daphne A. Brooks-- Don't stop 'til you get enough : presence, spectacle, and good feeling in Michael Jackson's This is it / Jason King -- Carles Santos : \"music in the theatre\" / Maria M. Delgado -- Tchekisse : Neba Solo's Senufo counterpoint in action / Ingrid Monson -- Playing games with music (and vice versa) : ludomusicological perspectives on guitar hero and rock band / Roger Moseley -- Beyond performance :transmusicking in cyberspace / David Borgo -- Afterword : Music as performance : the disciplinary dilemma revisited / Philip Auslander", "tags": [], "relations": {}, "dateAdded": "2017-02-26T01:39:08Z", "dateModified": "2017-02-26T01:39:08Z" } }, { "key": "HS5UH7IC", "version": 9723, "library": { "type": "group", "id": 35993, "name": "Andrew Czink GLS Research", "links": { "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/35993/items/HS5UH7IC", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research/items/HS5UH7IC", "type": "text/html" } }, "meta": { "createdByUser": { "id": 214632, "username": "aczink", "name": "Andrew Czink", "links": { "alternate": { "href": "https://www.zotero.org/aczink", "type": "text/html" } } }, "creatorSummary": "Cook and Pettengill", "parsedDate": "2013", "numChildren": 1 }, "data": { "key": "HS5UH7IC", "version": 9723, "itemType": "book", "title": "Taking it to the bridge: music as performance", "creators": [ { "creatorType": "editor", "firstName": "Nicholas", "lastName": "Cook" }, { "creatorType": "editor", "firstName": "Richard", "lastName": "Pettengill" } ], "abstractNote": "", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "", "date": "2013", "publisher": "University of Michigan Press", "place": "Ann Arbor", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "381", "ISBN": "978-0-472-07177-7 978-0-472-05177-9", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "Taking it to the bridge", "language": "", "libraryCatalog": "troy.lib.sfu.ca Library Catalog", "callNumber": "ML 457 T35 2013", "rights": "", "extra": "OCLC: 820123689", "tags": [ { "tag": "Music", "type": 1 }, { "tag": "Performance", "type": 1 } ], "collections": [ "HNVUV6U2" ], "relations": {}, "dateAdded": "2017-02-26T01:39:08Z", "dateModified": "2017-02-26T01:39:08Z" } }, { "key": "N2DCPDB8", "version": 9723, "library": { "type": "group", "id": 35993, "name": "Andrew Czink GLS Research", "links": { "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/35993/items/N2DCPDB8", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research/items/N2DCPDB8", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/35993/items/PHU3UCAV", "type": "application/json" } }, "meta": { "createdByUser": { "id": 214632, "username": "aczink", "name": "Andrew Czink", "links": { "alternate": { "href": "https://www.zotero.org/aczink", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "N2DCPDB8", "version": 9723, "parentItem": "PHU3UCAV", "itemType": "note", "note": "Editors' preface / Nicholas Cook and Richard Pettengill --A backward-looking foreword / Elisabeth Le Guin -- Introduction / Nicholas Cook and Richard Pettengill -- U2 3D : concert films and/as live performance / Susan Fast --Performing collective improvisation : the Grateful Dead's \"Dark star\" / Richard Pettengill -- Jazz improvisation as a social arrangement / Philip Auslander -- Bridging the unbridgeable? Empirical musicology and interdisciplinary performance studies / Nicholas Cook -- The written and thesung : ornamenting Il barbiere di Siviglia / Philip Gossett -- Enacting the revolution : Thalberg in 1848 / Dana Gooley -- Cutting loose : burying \"The first man of jazz\" / Joseph Roach -- Abbey Lincoln's screaming singing and the sonic liberatory potential thereafter / Aida Mbowa-- Got to get over the hump : the politics of glam in the work of Labelle and Parliament / Margaret F. Savilonis -- \"Bring the pain\" : post-Soul memory, neo-Soul affect, and Lauryn Hill in the Black public sphere / Daphne A. Brooks-- Don't stop 'til you get enough : presence, spectacle, and good feeling in Michael Jackson's This is it / Jason King -- Carles Santos : \"music in the theatre\" / Maria M. Delgado -- Tchekisse : Neba Solo's Senufo counterpoint in action / Ingrid Monson -- Playing games with music (and vice versa) : ludomusicological perspectives on guitar hero and rock band / Roger Moseley -- Beyond performance :transmusicking in cyberspace / David Borgo -- Afterword : Music as performance : the disciplinary dilemma revisited / Philip Auslander", "tags": [], "relations": {}, "dateAdded": "2017-02-26T01:39:03Z", "dateModified": "2017-02-26T01:39:03Z" } }, { "key": "PHU3UCAV", "version": 9723, "library": { "type": "group", "id": 35993, "name": "Andrew Czink GLS Research", "links": { "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/35993/items/PHU3UCAV", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research/items/PHU3UCAV", "type": "text/html" } }, "meta": { "createdByUser": { "id": 214632, "username": "aczink", "name": "Andrew Czink", "links": { "alternate": { "href": "https://www.zotero.org/aczink", "type": "text/html" } } }, "creatorSummary": "Cook and Pettengill", "parsedDate": "2013", "numChildren": 1 }, "data": { "key": "PHU3UCAV", "version": 9723, "itemType": "book", "title": "Taking it to the bridge: music as performance", "creators": [ { "creatorType": "editor", "firstName": "Nicholas", "lastName": "Cook" }, { "creatorType": "editor", "firstName": "Richard", "lastName": "Pettengill" } ], "abstractNote": "", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "", "date": "2013", "publisher": "University of Michigan Press", "place": "Ann Arbor", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "381", "ISBN": "978-0-472-07177-7 978-0-472-05177-9", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "Taking it to the bridge", "language": "", "libraryCatalog": "troy.lib.sfu.ca Library Catalog", "callNumber": "ML 457 T35 2013", "rights": "", "extra": "OCLC: 820123689", "tags": [ { "tag": "Music", "type": 1 }, { "tag": "Performance", "type": 1 } ], "collections": [ "KMBKETIA" ], "relations": {}, "dateAdded": "2017-02-26T01:39:03Z", "dateModified": "2017-02-26T01:39:03Z" } }, { "key": "97KUPBHE", "version": 9906, "library": { "type": "group", "id": 35993, "name": "Andrew Czink GLS Research", "links": { "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/35993/items/97KUPBHE", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research/items/97KUPBHE", "type": "text/html" } }, "meta": { "createdByUser": { "id": 214632, "username": "aczink", "name": "Andrew Czink", "links": { "alternate": { "href": "https://www.zotero.org/aczink", "type": "text/html" } } }, "creatorSummary": "Wyers et al.", "parsedDate": "2013", "numChildren": 0 }, "data": { "key": "97KUPBHE", "version": 9906, "itemType": "book", "title": "Sound, music and the moving-thinking body", "creators": [ { "creatorType": "editor", "firstName": "Marilyn", "lastName": "Wyers" }, { "creatorType": "editor", "firstName": "Osvaldo", "lastName": "Glieca" }, { "creatorType": "editor", "name": "ebrary, Inc" } ], "abstractNote": "", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "", "date": "2013", "publisher": "Cambridge Scholars Publishing", "place": "Newcastle upon Tyne, England", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "1", "ISBN": "978-1-4438-6384-1", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "troy.lib.sfu.ca Library Catalog", "callNumber": "ML3845 .S68 2013eb", "rights": "", "extra": "OCLC: 883571370", "tags": [ { "tag": "Electronic books", "type": 1 }, { "tag": "Music", "type": 1 }, { "tag": "Performance", "type": 1 }, { "tag": "Philosophy and aesthetics", "type": 1 } ], "collections": [ "3MVQH5F5", "KMBKETIA" ], "relations": {}, "dateAdded": "2017-02-26T01:38:39Z", "dateModified": "2017-02-26T01:38:39Z" } }, { "key": "TNNWD7Q7", "version": 9722, "library": { "type": "group", "id": 35993, "name": "Andrew Czink GLS Research", "links": { "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/35993/items/TNNWD7Q7", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research/items/TNNWD7Q7", "type": "text/html" } }, "meta": { "createdByUser": { "id": 214632, "username": "aczink", "name": "Andrew Czink", "links": { "alternate": { "href": "https://www.zotero.org/aczink", "type": "text/html" } } }, "creatorSummary": "Wyers et al.", "parsedDate": "2013", "numChildren": 0 }, "data": { "key": "TNNWD7Q7", "version": 9722, "itemType": "book", "title": "Sound, music and the moving-thinking body", "creators": [ { "creatorType": "editor", "firstName": "Marilyn", "lastName": "Wyers" }, { "creatorType": "editor", "firstName": "Osvaldo", "lastName": "Glieca" }, { "creatorType": "editor", "name": "ebrary, Inc" } ], "abstractNote": "", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "", "date": "2013", "publisher": "Cambridge Scholars Publishing", "place": "Newcastle upon Tyne, England", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "1", "ISBN": "978-1-4438-6384-1", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "troy.lib.sfu.ca Library Catalog", "callNumber": "ML3845 .S68 2013eb", "rights": "", "extra": "OCLC: 883571370", "tags": [ { "tag": "Electronic books", "type": 1 }, { "tag": "Music", "type": 1 }, { "tag": "Performance", "type": 1 }, { "tag": "Philosophy and aesthetics", "type": 1 } ], "collections": [ "HNVUV6U2" ], "relations": {}, "dateAdded": "2017-02-26T01:38:35Z", "dateModified": "2017-02-26T01:38:35Z" } }, { "key": "G6TWRBEE", "version": 9721, "library": { "type": "group", "id": 35993, "name": "Andrew Czink GLS Research", "links": { "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/35993/items/G6TWRBEE", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research/items/G6TWRBEE", "type": "text/html" } }, "meta": { "createdByUser": { "id": 214632, "username": "aczink", "name": "Andrew Czink", "links": { "alternate": { "href": "https://www.zotero.org/aczink", "type": "text/html" } } }, "creatorSummary": "Corbett", "parsedDate": "2016", "numChildren": 1 }, "data": { "key": "G6TWRBEE", "version": 9721, "itemType": "book", "title": "A listener's guide to free improvisation", "creators": [ { "creatorType": "author", "firstName": "John", "lastName": "Corbett" } ], "abstractNote": "", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "", "date": "2016", "publisher": "The University of Chicago Press", "place": "Chicago ; London", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "172", "ISBN": "978-0-226-30177-8 978-0-226-35380-7", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "troy.lib.sfu.ca Library Catalog", "callNumber": "MT 68 C658 2016", "rights": "", "extra": "OCLC: 918986530", "tags": [ { "tag": "Improvisation (Music)", "type": 1 }, { "tag": "Music", "type": 1 }, { "tag": "Performance", "type": 1 } ], "collections": [ "HNVUV6U2" ], "relations": {}, "dateAdded": "2017-02-26T01:37:07Z", "dateModified": "2017-02-26T01:37:07Z" } }, { "key": "KK7STFKX", "version": 9721, "library": { "type": "group", "id": 35993, "name": "Andrew Czink GLS Research", "links": { "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/35993/items/KK7STFKX", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research/items/KK7STFKX", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/35993/items/G6TWRBEE", "type": "application/json" } }, "meta": { "createdByUser": { "id": 214632, "username": "aczink", "name": "Andrew Czink", "links": { "alternate": { "href": "https://www.zotero.org/aczink", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "KK7STFKX", "version": 9721, "parentItem": "G6TWRBEE", "itemType": "note", "note": "Preparing to go into the field -- Range and diversity -- Fundamentals -- Rhythm: the hurdle -- Duration: another hurdle -- Basic identification: who is doing what? -- Entrances and exits: mapping the flow of events -- Interaction dynamics: the core -- Dynamics dynamics: passive-aggressive improvising -- Transitions: observing how the music changes -- Structure: the butcher shop -- Personal vocabulary: each unto themselves -- Advanced techniques -- On watching while listening -- Live or memorex? -- Tinder: 20 starter records for your improvisedmusic collection -- Once vs. ongoing -- The level of mystery -- The ambiguous and the unresolved: is Tony dead?-- The rule of threes -- Dancing between the hypothetical poles -- Poly-free -- Kindeling II: 20 classic poly-free records -- Distraction and sleep -- Thinking and chewing gum (at the same time) -- You and the night and the music:audience participation -- Additional reading: seven great books (plus one DVD) -- A little rouge, a touch of blush -- On the moral superiority of improvised music -- Life list: a selected checklist of major living free improvisors", "tags": [], "relations": {}, "dateAdded": "2017-02-26T01:37:07Z", "dateModified": "2017-02-26T01:37:07Z" } }, { "key": "F46KX874", "version": 9721, "library": { "type": "group", "id": 35993, "name": "Andrew Czink GLS Research", "links": { "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/35993/items/F46KX874", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research/items/F46KX874", "type": "text/html" } }, "meta": { "createdByUser": { "id": 214632, "username": "aczink", "name": "Andrew Czink", "links": { "alternate": { "href": "https://www.zotero.org/aczink", "type": "text/html" } } }, "creatorSummary": "Corbett", "parsedDate": "2016", "numChildren": 1 }, "data": { "key": "F46KX874", "version": 9721, "itemType": "book", "title": "A listener's guide to free improvisation", "creators": [ { "creatorType": "author", "firstName": "John", "lastName": "Corbett" } ], "abstractNote": "", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "", "date": "2016", "publisher": "The University of Chicago Press", "place": "Chicago ; London", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "172", "ISBN": "978-0-226-30177-8 978-0-226-35380-7", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "troy.lib.sfu.ca Library Catalog", "callNumber": "MT 68 C658 2016", "rights": "", "extra": "OCLC: 918986530", "tags": [ { "tag": "Improvisation (Music)", "type": 1 }, { "tag": "Music", "type": 1 }, { "tag": "Performance", "type": 1 } ], "collections": [ "KMBKETIA" ], "relations": {}, "dateAdded": "2017-02-26T01:37:02Z", "dateModified": "2017-02-26T01:37:02Z" } }, { "key": "BUEHN85T", "version": 9721, "library": { "type": "group", "id": 35993, "name": "Andrew Czink GLS Research", "links": { "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/35993/items/BUEHN85T", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research/items/BUEHN85T", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/35993/items/F46KX874", "type": "application/json" } }, "meta": { "createdByUser": { "id": 214632, "username": "aczink", "name": "Andrew Czink", "links": { "alternate": { "href": "https://www.zotero.org/aczink", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "BUEHN85T", "version": 9721, "parentItem": "F46KX874", "itemType": "note", "note": "Preparing to go into the field -- Range and diversity -- Fundamentals -- Rhythm: the hurdle -- Duration: another hurdle -- Basic identification: who is doing what? -- Entrances and exits: mapping the flow of events -- Interaction dynamics: the core -- Dynamics dynamics: passive-aggressive improvising -- Transitions: observing how the music changes -- Structure: the butcher shop -- Personal vocabulary: each unto themselves -- Advanced techniques -- On watching while listening -- Live or memorex? -- Tinder: 20 starter records for your improvisedmusic collection -- Once vs. ongoing -- The level of mystery -- The ambiguous and the unresolved: is Tony dead?-- The rule of threes -- Dancing between the hypothetical poles -- Poly-free -- Kindeling II: 20 classic poly-free records -- Distraction and sleep -- Thinking and chewing gum (at the same time) -- You and the night and the music:audience participation -- Additional reading: seven great books (plus one DVD) -- A little rouge, a touch of blush -- On the moral superiority of improvised music -- Life list: a selected checklist of major living free improvisors", "tags": [], "relations": {}, "dateAdded": "2017-02-26T01:37:02Z", "dateModified": "2017-02-26T01:37:02Z" } }, { "key": "T7968ZMQ", "version": 9720, "library": { "type": "group", "id": 35993, "name": "Andrew Czink GLS Research", "links": { "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/35993/items/T7968ZMQ", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research/items/T7968ZMQ", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/35993/items/RCUDGCKZ", "type": "application/json" } }, "meta": { "createdByUser": { "id": 214632, "username": "aczink", "name": "Andrew Czink", "links": { "alternate": { "href": "https://www.zotero.org/aczink", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "T7968ZMQ", "version": 9720, "parentItem": "RCUDGCKZ", "itemType": "note", "note": "\"First published 2016 by Routledge\"--Title page verso", "tags": [], "relations": {}, "dateAdded": "2017-02-26T01:36:20Z", "dateModified": "2017-02-26T01:36:20Z" } }, { "key": "RCUDGCKZ", "version": 9720, "library": { "type": "group", "id": 35993, "name": "Andrew Czink GLS Research", "links": { "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/35993/items/RCUDGCKZ", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research/items/RCUDGCKZ", "type": "text/html" } }, "meta": { "createdByUser": { "id": 214632, "username": "aczink", "name": "Andrew Czink", "links": { "alternate": { "href": "https://www.zotero.org/aczink", "type": "text/html" } } }, "creatorSummary": "Reason and Lindelof", "parsedDate": "2017", "numChildren": 3 }, "data": { "key": "RCUDGCKZ", "version": 9720, "itemType": "book", "title": "Experiencing liveness in contemporary performance: interdisciplinary perspectives", "creators": [ { "creatorType": "editor", "firstName": "Matthew", "lastName": "Reason" }, { "creatorType": "editor", "firstName": "Anja Mølle", "lastName": "Lindelof" } ], "abstractNote": "", "series": "Routledge advances in theatre and performance studies", "seriesNumber": "47", "volume": "", "numberOfVolumes": "", "edition": "", "date": "2017", "publisher": "Routledge", "place": "New York ; Abingdon, Oxon", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "304", "ISBN": "978-1-138-96159-3", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "Experiencing liveness in contemporary performance", "language": "", "libraryCatalog": "troy.lib.sfu.ca Library Catalog", "callNumber": "PN 1590 S6 E96 2017", "rights": "", "extra": "OCLC: 971544135", "tags": [ { "tag": "Audiences", "type": 1 }, { "tag": "Music", "type": 1 }, { "tag": "Performance", "type": 1 }, { "tag": "Performing arts", "type": 1 }, { "tag": "Psychological aspects", "type": 1 }, { "tag": "Social aspects", "type": 1 } ], "collections": [ "KMBKETIA" ], "relations": {}, "dateAdded": "2017-02-26T01:36:20Z", "dateModified": "2017-02-26T01:36:20Z" } }, { "key": "S8KNN238", "version": 9720, "library": { "type": "group", "id": 35993, "name": "Andrew Czink GLS Research", "links": { "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/35993/items/S8KNN238", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research/items/S8KNN238", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/35993/items/RCUDGCKZ", "type": "application/json" } }, "meta": { "createdByUser": { "id": 214632, "username": "aczink", "name": "Andrew Czink", "links": { "alternate": { "href": "https://www.zotero.org/aczink", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "S8KNN238", "version": 9720, "parentItem": "RCUDGCKZ", "itemType": "note", "note": "Brings together dynamic perspectives on the concept of liveness in the performing arts, engaging with the live through the particular analytical focus of audiences and experience. The status and significance of the live in performance has become contested: perceived as variously as a marker of ontological difference, a promotional slogan, or a mystical evocation of cultural value. Moving beyond debates about the relationship between the live andthe mediated, this collection considers what we can know and say about liveness in terms of processes of experiencing and processes of making Brings together dynamic perspectives on the concept of liveness in the performing arts, engaging with the live through the particular analytical focus of audiences and experience. The status and significance of the live in performance has become contested: perceived as variously as a marker of ontological difference, a promotional slogan, or a mystical evocation of cultural value. Moving beyond debates about the relationship between the live andthe mediated, this collection considers what we can know and say about liveness in terms of processes of experiencing and processes of making", "tags": [], "relations": {}, "dateAdded": "2017-02-26T01:36:20Z", "dateModified": "2017-02-26T01:36:20Z" } }, { "key": "V754TZZD", "version": 9720, "library": { "type": "group", "id": 35993, "name": "Andrew Czink GLS Research", "links": { "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/35993/items/V754TZZD", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research/items/V754TZZD", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/35993/items/RCUDGCKZ", "type": "application/json" } }, "meta": { "createdByUser": { "id": 214632, "username": "aczink", "name": "Andrew Czink", "links": { "alternate": { "href": "https://www.zotero.org/aczink", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "V754TZZD", "version": 9720, "parentItem": "RCUDGCKZ", "itemType": "note", "note": "Introduction / Matthew Reason and Anja Mølle Lindelof -- Audiencing. -- Coming (a)live: a prolegomenon to any future research on \"liveness\" / Martin Barker -- Orange dogs and memory responses: creativity in spectating and remembering / Katja Hilevaara -- Fandom, liveness and technology at Tori Amos music concerts: examining the movement of meaning within social media use / Lucy Bennett-- Social and online experiences: shaping live listening expectation in classical music / Stephanie E. Pitts -- Themeaning of lived experience / Paddy Scannell -- Affect andexperience / Matthew Reason -- Shorts. Live art, death threats: the theatrical antagonism of first night / AlexisSoloski -- Attention as a tension: affective experience between performer and audience in the live encounter / Victoria Gray -- Empathy and resonant relationships in performance art / Lynn Lu -- Embodied traces: co-presence,kinaesthesia and bodily inscription / Imogene Newland -- An experience of becoming: wearing a tail and Alpine walking / Catherine Bagnall -- Sisters academy: radical live intervention into the educational system / Gary WorreHalberg -- One-to-one performance: who's in charge? / Sarah Hogarth and Emma Bramley -- A performatic archive / Kerrie Reading -- Theatre of bone / Rebecca Schneider -- Materialising. What is a live event? / Gary Peters -- Improvising music experience: the eternal ex-temporisationof music made live / Steve Tromans -- The place of performance: a critical historiography on the topos of time / Jonah Westerman -- Objectifying liveness: labour, agency and the body in the 11 rooms exhibition / Lisa Newman -- Reconsidering liveness in the age of digital implication / Eirini Nedelkopoulou -- Environmental performance: framing time / Anja Mølle Lindelof, Ulrik Schmidt and Connie Svabo -- Shorts. Three performances: a virtual (musical) improvisation / Mathias Maschat and Christopher Williams -- Chronography / Craig Dworkin -- Memory, time and self: a text work based on a conceptual performance / Paul Forte Introduction / Matthew Reason and Anja Mølle Lindelof -- Audiencing. -- Coming (a)live: a prolegomenon to any future research on \"liveness\" / Martin Barker -- Orange dogs and memory responses: creativity in spectating and remembering / Katja Hilevaara -- Fandom, liveness and technology at Tori Amos music concerts: examining the movement of meaning within social media use / Lucy Bennett-- Social and online experiences: shaping live listening expectation in classical music / Stephanie E. Pitts -- Themeaning of lived experience / Paddy Scannell -- Affect andexperience / Matthew Reason -- Shorts. Live art, death threats: the theatrical antagonism of first night / AlexisSoloski -- Attention as a tension: affective experience between performer and audience in the live encounter / Victoria Gray -- Empathy and resonant relationships in performance art / Lynn Lu -- Embodied traces: co-presence,kinaesthesia and bodily inscription / Imogene Newland -- An experience of becoming: wearing a tail and Alpine walking / Catherine Bagnall -- Sisters academy: radical live intervention into the educational system / Gary WorreHalberg -- One-to-one performance: who's in charge? / Sarah Hogarth and Emma Bramley -- A performatic archive / Kerrie Reading -- Theatre of bone / Rebecca Schneider -- Materialising. What is a live event? / Gary Peters -- Improvising music experience: the eternal ex-temporisationof music made live / Steve Tromans -- The place of performance: a critical historiography on the topos of time / Jonah Westerman -- Objectifying liveness: labour, agency and the body in the 11 rooms exhibition / Lisa Newman -- Reconsidering liveness in the age of digital implication / Eirini Nedelkopoulou -- Environmental performance: framing time / Anja Mølle Lindelof, Ulrik Schmidt and Connie Svabo -- Shorts. Three performances: a virtual (musical) improvisation / Mathias Maschat and Christopher Williams -- Chronography / Craig Dworkin -- Memory, time and self: a text work based on a conceptual performance / Paul Forte", "tags": [], "relations": {}, "dateAdded": "2017-02-26T01:36:20Z", "dateModified": "2017-02-26T01:36:20Z" } }, { "key": "FAMAEXD2", "version": 9720, "library": { "type": "group", "id": 35993, "name": "Andrew Czink GLS Research", "links": { "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/35993/items/FAMAEXD2", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research/items/FAMAEXD2", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/35993/items/XKX4T5FH", "type": "application/json" } }, "meta": { "createdByUser": { "id": 214632, "username": "aczink", "name": "Andrew Czink", "links": { "alternate": { "href": "https://www.zotero.org/aczink", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "FAMAEXD2", "version": 9720, "parentItem": "XKX4T5FH", "itemType": "note", "note": "Introduction / Matthew Reason and Anja Mølle Lindelof -- Audiencing. -- Coming (a)live: a prolegomenon to any future research on \"liveness\" / Martin Barker -- Orange dogs and memory responses: creativity in spectating and remembering / Katja Hilevaara -- Fandom, liveness and technology at Tori Amos music concerts: examining the movement of meaning within social media use / Lucy Bennett-- Social and online experiences: shaping live listening expectation in classical music / Stephanie E. Pitts -- Themeaning of lived experience / Paddy Scannell -- Affect andexperience / Matthew Reason -- Shorts. Live art, death threats: the theatrical antagonism of first night / AlexisSoloski -- Attention as a tension: affective experience between performer and audience in the live encounter / Victoria Gray -- Empathy and resonant relationships in performance art / Lynn Lu -- Embodied traces: co-presence,kinaesthesia and bodily inscription / Imogene Newland -- An experience of becoming: wearing a tail and Alpine walking / Catherine Bagnall -- Sisters academy: radical live intervention into the educational system / Gary WorreHalberg -- One-to-one performance: who's in charge? / Sarah Hogarth and Emma Bramley -- A performatic archive / Kerrie Reading -- Theatre of bone / Rebecca Schneider -- Materialising. What is a live event? / Gary Peters -- Improvising music experience: the eternal ex-temporisationof music made live / Steve Tromans -- The place of performance: a critical historiography on the topos of time / Jonah Westerman -- Objectifying liveness: labour, agency and the body in the 11 rooms exhibition / Lisa Newman -- Reconsidering liveness in the age of digital implication / Eirini Nedelkopoulou -- Environmental performance: framing time / Anja Mølle Lindelof, Ulrik Schmidt and Connie Svabo -- Shorts. Three performances: a virtual (musical) improvisation / Mathias Maschat and Christopher Williams -- Chronography / Craig Dworkin -- Memory, time and self: a text work based on a conceptual performance / Paul Forte Introduction / Matthew Reason and Anja Mølle Lindelof -- Audiencing. -- Coming (a)live: a prolegomenon to any future research on \"liveness\" / Martin Barker -- Orange dogs and memory responses: creativity in spectating and remembering / Katja Hilevaara -- Fandom, liveness and technology at Tori Amos music concerts: examining the movement of meaning within social media use / Lucy Bennett-- Social and online experiences: shaping live listening expectation in classical music / Stephanie E. Pitts -- Themeaning of lived experience / Paddy Scannell -- Affect andexperience / Matthew Reason -- Shorts. Live art, death threats: the theatrical antagonism of first night / AlexisSoloski -- Attention as a tension: affective experience between performer and audience in the live encounter / Victoria Gray -- Empathy and resonant relationships in performance art / Lynn Lu -- Embodied traces: co-presence,kinaesthesia and bodily inscription / Imogene Newland -- An experience of becoming: wearing a tail and Alpine walking / Catherine Bagnall -- Sisters academy: radical live intervention into the educational system / Gary WorreHalberg -- One-to-one performance: who's in charge? / Sarah Hogarth and Emma Bramley -- A performatic archive / Kerrie Reading -- Theatre of bone / Rebecca Schneider -- Materialising. What is a live event? / Gary Peters -- Improvising music experience: the eternal ex-temporisationof music made live / Steve Tromans -- The place of performance: a critical historiography on the topos of time / Jonah Westerman -- Objectifying liveness: labour, agency and the body in the 11 rooms exhibition / Lisa Newman -- Reconsidering liveness in the age of digital implication / Eirini Nedelkopoulou -- Environmental performance: framing time / Anja Mølle Lindelof, Ulrik Schmidt and Connie Svabo -- Shorts. Three performances: a virtual (musical) improvisation / Mathias Maschat and Christopher Williams -- Chronography / Craig Dworkin -- Memory, time and self: a text work based on a conceptual performance / Paul Forte", "tags": [], "relations": {}, "dateAdded": "2017-02-26T01:36:15Z", "dateModified": "2017-02-26T01:36:15Z" } }, { "key": "IC7XPQGR", "version": 9720, "library": { "type": "group", "id": 35993, "name": "Andrew Czink GLS Research", "links": { "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/35993/items/IC7XPQGR", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research/items/IC7XPQGR", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/35993/items/XKX4T5FH", "type": "application/json" } }, "meta": { "createdByUser": { "id": 214632, "username": "aczink", "name": "Andrew Czink", "links": { "alternate": { "href": "https://www.zotero.org/aczink", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "IC7XPQGR", "version": 9720, "parentItem": "XKX4T5FH", "itemType": "note", "note": "Brings together dynamic perspectives on the concept of liveness in the performing arts, engaging with the live through the particular analytical focus of audiences and experience. The status and significance of the live in performance has become contested: perceived as variously as a marker of ontological difference, a promotional slogan, or a mystical evocation of cultural value. Moving beyond debates about the relationship between the live andthe mediated, this collection considers what we can know and say about liveness in terms of processes of experiencing and processes of making Brings together dynamic perspectives on the concept of liveness in the performing arts, engaging with the live through the particular analytical focus of audiences and experience. The status and significance of the live in performance has become contested: perceived as variously as a marker of ontological difference, a promotional slogan, or a mystical evocation of cultural value. Moving beyond debates about the relationship between the live andthe mediated, this collection considers what we can know and say about liveness in terms of processes of experiencing and processes of making", "tags": [], "relations": {}, "dateAdded": "2017-02-26T01:36:15Z", "dateModified": "2017-02-26T01:36:15Z" } }, { "key": "SNKEDIQK", "version": 9720, "library": { "type": "group", "id": 35993, "name": "Andrew Czink GLS Research", "links": { "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/35993/items/SNKEDIQK", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research/items/SNKEDIQK", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/35993/items/XKX4T5FH", "type": "application/json" } }, "meta": { "createdByUser": { "id": 214632, "username": "aczink", "name": "Andrew Czink", "links": { "alternate": { "href": "https://www.zotero.org/aczink", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "SNKEDIQK", "version": 9720, "parentItem": "XKX4T5FH", "itemType": "note", "note": "\"First published 2016 by Routledge\"--Title page verso", "tags": [], "relations": {}, "dateAdded": "2017-02-26T01:36:15Z", "dateModified": "2017-02-26T01:36:15Z" } }, { "key": "XKX4T5FH", "version": 9720, "library": { "type": "group", "id": 35993, "name": "Andrew Czink GLS Research", "links": { "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/35993/items/XKX4T5FH", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research/items/XKX4T5FH", "type": "text/html" } }, "meta": { "createdByUser": { "id": 214632, "username": "aczink", "name": "Andrew Czink", "links": { "alternate": { "href": "https://www.zotero.org/aczink", "type": "text/html" } } }, "creatorSummary": "Reason and Lindelof", "parsedDate": "2017", "numChildren": 3 }, "data": { "key": "XKX4T5FH", "version": 9720, "itemType": "book", "title": "Experiencing liveness in contemporary performance: interdisciplinary perspectives", "creators": [ { "creatorType": "editor", "firstName": "Matthew", "lastName": "Reason" }, { "creatorType": "editor", "firstName": "Anja Mølle", "lastName": "Lindelof" } ], "abstractNote": "", "series": "Routledge advances in theatre and performance studies", "seriesNumber": "47", "volume": "", "numberOfVolumes": "", "edition": "", "date": "2017", "publisher": "Routledge", "place": "New York ; Abingdon, Oxon", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "304", "ISBN": "978-1-138-96159-3", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "Experiencing liveness in contemporary performance", "language": "", "libraryCatalog": "troy.lib.sfu.ca Library Catalog", "callNumber": "PN 1590 S6 E96 2017", "rights": "", "extra": "OCLC: 971544135", "tags": [ { "tag": "Audiences", "type": 1 }, { "tag": "Music", "type": 1 }, { "tag": "Performance", "type": 1 }, { "tag": "Performing arts", "type": 1 }, { "tag": "Psychological aspects", "type": 1 }, { "tag": "Social aspects", "type": 1 } ], "collections": [ "HNVUV6U2" ], "relations": {}, "dateAdded": "2017-02-26T01:36:15Z", "dateModified": "2017-02-26T01:36:15Z" } }, { "key": "FGHZ5PB9", "version": 9719, "library": { "type": "group", "id": 35993, "name": "Andrew Czink GLS Research", "links": { "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/35993/items/FGHZ5PB9", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research/items/FGHZ5PB9", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/35993/items/R5E5DPGK", "type": "application/json" } }, "meta": { "createdByUser": { "id": 214632, "username": "aczink", "name": "Andrew Czink", "links": { "alternate": { "href": "https://www.zotero.org/aczink", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "FGHZ5PB9", "version": 9719, "parentItem": "R5E5DPGK", "itemType": "note", "note": "Introduction 1 Plato's Curse -- Sounded Writing -- Performative Turns? -- Page and Stage -- Theorist's Analysis -- Performer's Analysis -- Performance Analysis -- What the Theorist Heard -- Affecting the Sentiment -- Spoken Melody, or Sung Speech -- Schenker vs. Schenker -- Beyond Structure -- Structure in Context -- Mozart's Miniature Theatre -- Rhetoric Old and New -- In Time and of Time -- Close and Distant Listening -- Reinventing Style Analysis -- Forensics vs. Musicology-- Performing Poland -- Savour of the Slav -- Objective Expression -- Nature's Nuance -- Phrase Arching in History -- Phrase Arching in Culture -- Playing Somethin' -- Referents and Reference -- Workas Performance -- Social Scripts -- Ethnographic Turn -- Sociality in Sound -- Performing Complexity -- Signifying Body -- 31 August 1970, 3.30 am -- White Man's Black Man -- Everything Counts -- Pleasures of the Body -- Bodies in Sound -- BuildingBridges -- Ghost in the Machine -- Music Everywhere -- Original and Copy -- Signifying Sound -- Beyond Reproduction -- Best Seat in the Hall -- Acoustic Choreography -- Rethinking the Concert -- Making Music Together -- References -- Index", "tags": [], "relations": {}, "dateAdded": "2017-02-26T01:35:15Z", "dateModified": "2017-02-26T01:35:15Z" } }, { "key": "R5E5DPGK", "version": 9719, "library": { "type": "group", "id": 35993, "name": "Andrew Czink GLS Research", "links": { "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/35993/items/R5E5DPGK", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/andrew_czink_gls_research/items/R5E5DPGK", "type": "text/html" } }, "meta": { "createdByUser": { "id": 214632, "username": "aczink", "name": "Andrew Czink", "links": { "alternate": { "href": "https://www.zotero.org/aczink", "type": "text/html" } } }, "creatorSummary": "Cook", "parsedDate": "2013", "numChildren": 1 }, "data": { "key": "R5E5DPGK", "version": 9719, "itemType": "book", "title": "Beyond the score: music as performance", "creators": [ { "creatorType": "author", "firstName": "Nicholas", "lastName": "Cook" } ], "abstractNote": "", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "", "date": "2013", "publisher": "Oxford University Press", "place": "New York, NY", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "458", "ISBN": "978-0-19-935740-6", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "Beyond the score", "language": "", "libraryCatalog": "troy.lib.sfu.ca Library Catalog", "callNumber": "ML 457 C75 2013", "rights": "", "extra": "", "tags": [ { "tag": "Music", "type": 1 }, { "tag": "Musical analysis", "type": 1 }, { "tag": "Performance", "type": 1 }, { "tag": "Philosophy and aesthetics", "type": 1 } ], "collections": [], "relations": {}, "dateAdded": "2017-02-26T01:35:15Z", "dateModified": "2017-02-26T01:35:15Z" } } ]