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The contents are not online sadly, but the folder includes a list of veterinary writers from 16th-19th century, notes on Jeremiah Bridges' book No Foot, No Horse [German: \"ohne Fuss, kein Pferd\"], and notes on the history of veterinary anatomy (with slides).

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How would you compare hanDover to the last couple of Skinny Puppy albums (The Greater Wrong of the Right [2004] and Mythmaker [2007]) since you've been back together? Definitely when we first reformed the band again, the concept was there to make Skinny Puppy ... to re-form the basis of what it was about; really the whole discussion of it and eventual recording of it is idealized into a collaboration. [...] I think that with the similarity, I'll say, of the [current] economy of the U.S. and Canada [to] the time when we first started, [it] started catching up, so let's say the pressure came on, and the variables in the band.... Instead of, \"oh, let's conceive what Skinny Puppy is and let's bounce around the idea about it,\" it's truly to me about what Skinny Puppy should be, which is a barometer of what you're feeling and the expression of it. To me, it's more melancholic, it's darker, it has more of the boundaries that a person that is a loner, that is in need of like, their record, which is what I feel Skinny Puppy was about in the past, these misfit feeling people who need that connection with something in the music biz. There's some real moments of beauty on the album - for instance, the acoustic guitar and piano on \"Wavy.\" GC: \"Icktums\" [on hanDover] contains a chant, \"system's overloaded,\" and there's a frenzied feel to the music, like things are speeding up, going out of control. [...] to me, technology has been overwhelming, it's way beyond what even Dwayne [Goettel] and I used to joke about, you know, back in the day, which is kind of funny. When we first started using a computer to steer sequences on an Atari computer, that we joked there would one day be ability to just simply record audio into a computer. [...] grasping that when it comes to composition, and then putting that all in your head and stuff, it really takes a lot of time to figure out it all, and then become comfortable again with basically being simple. [...] that's what I learned about the giant collaboration of being in a band with too much technology, it can take away a lot of your personality, I think. [...] for myself though, even just the fact that I'm getting into releasing modular [material], taking it back to this pure analogue and the beginnings of the synthesizer again, I'm really impressed with the interest in people in getting back to the purist form, so there's an amazing advancement in computers and technology, but there's also been amazing advancements in the modular world. GC: \"Brownstone\" on the new one is a spoken word piece that reminded me of something like \"The Gift,\" John Cale's classic narrative with The Velvet Underground, with more technology added. Yeah, so we had worked on some ideas and we thought, \"if we give this album to a record label that's going to sink under the sea, that it would be kind of pointless to put all this energy into it,\" so we started thinking on the level of Lou Reed's Metal Machine Music. [...] we started thinking well, let's make an album that will be the album we give them, but it will be designed to go sink in the sea [laughter]! [...] when we started piecing [hanDover] together, we thought wow, it's kind of cool that because we thought that way for awhile, and made these songs, these two really kind of stood out as two, ideally, that could still be on the album. [...] you know, I think [Metallica guitarist] Kirk Hammett is a really really nice guy, I really like him. Skinny Puppy seems one of the few remaining bands, along with maybe Roger Waters and Rammstein, who are interested in doing something more than just standing there playing music, but in staging a real audio-visual spectacle for the audience. Right from the very first show we've done, [Ogre's] always had a pretty clear concept about what he wants to do, and I've never stopped being surprised and amazed by it - what it is I end up seeing. On a personal note, you did a great solo album called Music For Cats, so I have to ask, are your a cat fan? People always say they're independent and not affectionate, but I've never found that. [...] when you look at the music business as it is now, are you optimistic or pessimistic? [...] I kinda like that, I'm glad we're not appealing to just people who are wearing the large Frankenstein boots and the yarn hair [laughter]. 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