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Wzmianka o tym, czym jest realizm w sztuce.

\n

Nie ma jednoznacznych kryteriów.

\n

Realizm jest wieloraki.

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"creatorType": "author", "firstName": "Canadian Anthropology", "lastName": "Society" } ], "abstractNote": "", "publicationTitle": "", "publisher": "", "place": "", "date": "1991", "volume": "", "issue": "", "pages": "", "ISSN": "", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "Google Books", "callNumber": "", "rights": "", "extra": "", "tags": [ { "tag": "teoria" } ], "collections": [], "relations": {}, "dateAdded": "2011-01-11T22:27:51Z", "dateModified": "2011-01-11T22:27:51Z" } }, { "key": "V67C44W3", "version": 1, "library": { "type": "group", "id": 34645, "name": "elements of realism in Japanese theatre", "links": { "alternate": { "href": "https://www.zotero.org/groups/elements_of_realism_in_japanese_theatre", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/34645/items/V67C44W3", "type": "application/json" }, "alternate": { "href": 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"accessDate": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "Google Books", "callNumber": "", "rights": "", "extra": "", "tags": [ { "tag": "animacja" }, { "tag": "bunraku" }, { "tag": "lalki" } ], "collections": [], "relations": {}, "dateAdded": "2011-01-11T22:27:46Z", "dateModified": "2011-01-11T22:27:46Z" } }, { "key": "5D4A5JQJ", "version": 1, "library": { "type": "group", "id": 34645, "name": "elements of realism in Japanese theatre", "links": { "alternate": { "href": "https://www.zotero.org/groups/elements_of_realism_in_japanese_theatre", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/34645/items/5D4A5JQJ", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/elements_of_realism_in_japanese_theatre/items/5D4A5JQJ", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/34645/items/P5CFRVN3", "type": "application/json" } }, "meta": { 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Opis teatru lalkowego. Wzmianka o mistrzostwie animatorów.

\n

 

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artykuł o przedstawieniu kabuki w Ameryce. Opis kilku sztuk

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"application/json" }, "alternate": { "href": "https://www.zotero.org/groups/elements_of_realism_in_japanese_theatre/items/2BAN6S9F", "type": "text/html" } }, "meta": { "createdByUser": { "id": 405535, "username": "adam.slucki", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/adam.slucki", "type": "text/html" } } }, "creatorSummary": "Inc", "parsedDate": "1943-11-01", "numChildren": 2 }, "data": { "key": "2BAN6S9F", "version": 1, "itemType": "magazineArticle", "title": "LIFE", "creators": [ { "creatorType": "author", "firstName": "Time", "lastName": "Inc" } ], "abstractNote": "", "publicationTitle": "", "publisher": "", "place": "", "date": "1943-11-01", "volume": "", "issue": "", "pages": "", "ISSN": "", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "Google Books", "callNumber": "", "rights": "", "extra": "", "tags": [ { "tag": "Ameryka" }, { "tag": "kabuki" }, { "tag": "streszczenie" } ], "collections": [], "relations": {}, "dateAdded": "2011-01-11T22:27:38Z", "dateModified": "2011-01-11T22:27:38Z" } }, { "key": "8T9JF4NI", "version": 1, "library": { "type": "group", "id": 34645, "name": "elements of realism in Japanese theatre", "links": { "alternate": { "href": "https://www.zotero.org/groups/elements_of_realism_in_japanese_theatre", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/34645/items/8T9JF4NI", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/elements_of_realism_in_japanese_theatre/items/8T9JF4NI", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/34645/items/2BAN6S9F", "type": "application/json" } }, "meta": { "createdByUser": { "id": 405535, "username": "adam.slucki", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/adam.slucki", "type": "text/html" } } } }, "data": { "key": "8T9JF4NI", "version": 1, "parentItem": 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Opis sztuki \"47 roninów\".

\n

Teatr kabuki jako źródło wiedzy o Japonii.

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Przykład mistrzowskiej animacji lalki.

\n

Opis lalki.

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Historia Noh, przykłady wykorzystania rekwizytów, realistyczne kostiumy Shite.

\n

Fragment farsy, przedstawiający przyziemną sytuację.

", "tags": [], "relations": {}, "dateAdded": "2011-01-11T22:27:30Z", "dateModified": "2011-01-11T22:27:30Z" } }, { "key": "QD8AHXEQ", "version": 1, "library": { "type": "group", "id": 34645, "name": "elements of realism in Japanese theatre", "links": { "alternate": { "href": "https://www.zotero.org/groups/elements_of_realism_in_japanese_theatre", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/34645/items/QD8AHXEQ", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/elements_of_realism_in_japanese_theatre/items/QD8AHXEQ", "type": "text/html" } }, "meta": { "createdByUser": { "id": 405535, "username": "adam.slucki", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/adam.slucki", "type": "text/html" } } }, "creatorSummary": "unesco", "parsedDate": "2009-09-28", "numChildren": 1 }, "data": { "key": "QD8AHXEQ", "version": 1, "itemType": "videoRecording", "title": "Nôgaku Theatre", "creators": [ { "creatorType": "contributor", "name": "unesco" } ], "abstractNote": "UNESCO: Representative List of the Intangible Cultural Heritage of Humanity - 2008\nURL: http://www.unesco.org/culture/ich/RL/00045\nDescription: Nôgaku theatre had its heyday in the fourteenth and fifteenth centuries, but actually originated in the eighth century when the Sangaku was transmitted from China to Japan. At the time, the term Sangaku referred to various types of performance featuring acrobats, song and dance as well as comic sketches. Its subsequent adaption to Japanese society led to its assimilation of other traditional art forms. Today, Nôgaku is the principal form of Japanese theatre and has influenced the puppet theatre as well as Kabuki. \nOften based on tales from traditional literature, Nôgaku theatre integrates masks, costumes and various props in a dance-based performance. Moreover, this theatre requires highly trained actors and musicians. Nôgaku encompasses two types of theatre: Noh and Kyôgen, which are performed in the same space. The stage projects into the audience and is linked by a walkway to a hall of mirrors backstage. In Noh, emotions are represented by stylised conventional gestures. The hero is often a supernatural being who takes on human form to narrate a story. The distinctive masks for which Noh is renowned are used for the roles of ghosts, women, children and old people. Kyôgen, on the other hand, relies less on the use of masks and is derived from the humorous plays of the Sangaku, as reflected in its comic dialogue. The text is written in ancient language and vividly describes the ordinary people of the twelfth to sixteenth centuries. \nIn 1957 the Japanese Government designated Nôgaku as an Important Intangible Cultural Property, which affords a degree of legal protection to the tradition as well as its most accomplished practitioners. The National Noh Theatre was founded in 1983 and stages regular performances. It also organizes courses to train actors in the leading roles of the Nôgaku.\nCountry(ies): Japan", "videoRecordingFormat": "", "seriesTitle": "", "volume": "", "numberOfVolumes": "", "studio": "", "place": "", "date": "2009-09-28", "runningTime": "223 seconds", "ISBN": "", "DOI": "", "citationKey": "", "url": "http://www.youtube.com/watch?v=lBl6FGVuFQo&feature=youtube_gdata_player", "accessDate": "2010-11-25T23:20:57Z", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "YouTube", "callNumber": "", "rights": "", "extra": "", "tags": [ { "tag": "kostiumy" }, { "tag": "kyogen" } ], "collections": [], "relations": {}, "dateAdded": "2011-01-11T22:27:30Z", "dateModified": "2011-01-11T22:27:30Z" } }, { "key": "T3MTSSF3", "version": 1, "library": { "type": "group", "id": 34645, "name": "elements of realism in Japanese theatre", "links": { "alternate": { "href": "https://www.zotero.org/groups/elements_of_realism_in_japanese_theatre", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/34645/items/T3MTSSF3", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/elements_of_realism_in_japanese_theatre/items/T3MTSSF3", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/34645/items/JG5FPPTT", "type": "application/json" } }, "meta": { "createdByUser": { "id": 405535, "username": "adam.slucki", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/adam.slucki", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "T3MTSSF3", "version": 1, "parentItem": "JG5FPPTT", "itemType": "note", "note": "

Przykład realistycznej scenografii.

\n

Opis animacji lalki

", "tags": [], "relations": {}, "dateAdded": "2011-01-11T22:27:28Z", "dateModified": "2011-01-11T22:27:28Z" } }, { "key": "JG5FPPTT", "version": 1, "library": { "type": "group", "id": 34645, "name": "elements of realism in Japanese theatre", "links": { "alternate": { "href": "https://www.zotero.org/groups/elements_of_realism_in_japanese_theatre", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/34645/items/JG5FPPTT", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/elements_of_realism_in_japanese_theatre/items/JG5FPPTT", "type": "text/html" } }, "meta": { "createdByUser": { "id": 405535, "username": "adam.slucki", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/adam.slucki", "type": "text/html" } } }, "creatorSummary": "unesco", "parsedDate": "2009-09-28", "numChildren": 1 }, "data": { "key": "JG5FPPTT", "version": 1, "itemType": "videoRecording", "title": "Ningyo Johruri Bunraku Puppet Theatre", "creators": [ { "creatorType": "contributor", "name": "unesco" } ], "abstractNote": "UNESCO: Representative List of the Intangible Cultural Heritage of Humanity - 2008\nURL: http://www.unesco.org/culture/ich/RL/00046\nDescription: Ranking with Nô and Kabuki as one of Japans foremost stage arts, the Ningyo Johruri Bunraku puppet theatre is a blend of sung narrative, instrumental accompaniment and puppet drama. This theatrical form emerged during the early Edo period (ca. 1600) when puppetry was coupled with Johruri, a popular fifteenth-century narrative genre. The plots related in this new form of puppet theatre derived from two principal sources: historical plays set in feudal times (Jidaimono) and contemporary dramas exploring the conflict between affairs of the heart and social obligation (Sewamono).\nNingyo Johruri had adopted its characteristic staging style by the mid eighteenth century. Three puppeteers, visible to the audience, manipulate large articulated puppets on the stage behind a waist high screen. From a projecting elevated platform (yuka), the narrator (tayu) recounts the action while a musician provides musical accompaniment on the three-stringed spike lute (shamisen). The tayu plays all the characters, both male and female, and uses different voices and intonations to suit each role and situation. Although the tayu reads from a scripted text, there is ample room for improvisation.\nThe three puppeteers must carefully co-ordinate their movements to ensure that the puppets gestures and attitudes appear realistic. The puppets, replete with elaborate costumes and individualized facial expressions, are handcrafted by master puppet makers. The genre acquired its present full name Ningyo Johruri Bunraku in the late nineteenth century, a period in which the Bunrakuza was a leading theatre. Today, the pre-eminent venue is the National Bunraku Theatre in Osaka, but its highly reputed troupe also performs in Tokyo and regional theatres. Approximately 160 works out of the 700 plays written during the Edo period have remained in todays repertory. Performances, once lasting the entire day, have been shortened from the original six to two or three acts. Ningyo Johruri Bunraku was designated Important Intangible Cultural Property in 1955. Nowadays, it attracts numerous young performers, and the aesthetic qualities and dramatic content of the plays continue to appeal to modern audiences.\nCountry(ies): Japan", "videoRecordingFormat": "", "seriesTitle": "", "volume": "", "numberOfVolumes": "", "studio": "", "place": "", "date": "2009-09-28", "runningTime": "281 seconds", "ISBN": "", "DOI": "", "citationKey": "", "url": "http://www.youtube.com/watch?v=kEUQNvn8EJQ&feature=youtube_gdata_player", "accessDate": "2010-11-25T23:15:32Z", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "YouTube", "callNumber": "", "rights": "", "extra": "", "tags": [ { "tag": "animacja" }, { "tag": "lalki" }, { "tag": "scenografia" } ], "collections": [], "relations": {}, "dateAdded": "2011-01-11T22:27:28Z", "dateModified": "2011-01-11T22:27:28Z" } }, { "key": "I2PRTRAV", "version": 1, "library": { "type": "group", "id": 34645, "name": "elements of realism in Japanese theatre", "links": { "alternate": { "href": "https://www.zotero.org/groups/elements_of_realism_in_japanese_theatre", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/34645/items/I2PRTRAV", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/elements_of_realism_in_japanese_theatre/items/I2PRTRAV", "type": "text/html" } }, "meta": { "createdByUser": { "id": 405535, "username": "adam.slucki", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/adam.slucki", "type": "text/html" } } }, "creatorSummary": "unesco", "parsedDate": "2009-09-28", "numChildren": 1 }, "data": { "key": "I2PRTRAV", "version": 1, "itemType": "videoRecording", "title": "Kabuki Theatre", "creators": [ { "creatorType": "contributor", "name": "unesco" } ], "abstractNote": "UNESCO: Representative List of the Intangible Cultural Heritage of Humanity - 2008\nURL: http://www.unesco.org/culture/ich/RL/00047\nDescription: Kabuki is a Japanese traditional theatre form, which originated in the Edo period at the beginning of the seventeenth century and was particularly popular among townspeople. Originally, both men and women acted in Kabuki plays, but eventually only male actors performed the plays: a tradition that has remained to the present day. Male actors specialized in womens roles are called onnagata. Two other major role types are aragoto (rough style) and wagoto (soft style). \nKabuki plays are about historical events and moral conflict in relationships of the heart. The actors speak in a monotone voice and are accompanied by traditional instruments. The Kabuki stage is equipped with several gadgets, such as revolving stages and trapdoors through which the actors can appear and disappear. Another speciality of the Kabuki stage is a footbridge (hanamichi) that extends into the audience. Important characteristics of Kabuki theatre include its particular music, costumes, stage devices and props as well as specific plays, language and acting styles, such as the mie, in which the actor holds a characteristic pose to establish his character. Keshÿ, the particular make-up, provides an element of style easily recognizable even by those unfamiliar with the art form. \nAfter 1868, when Japan opened to Western influence, actors strove to heighten the reputation of Kabuki among the upper classes and to adapt the traditional styles to modern tastes. Today, Kabuki is the most popular of the traditional styles of Japanese drama.\nCountry(ies): Japan", "videoRecordingFormat": "", "seriesTitle": "", "volume": "", "numberOfVolumes": "", "studio": "", "place": "", "date": "2009-09-28", "runningTime": "264 seconds", "ISBN": "", "DOI": "", "citationKey": "", "url": "http://www.youtube.com/watch?v=67-bgSFJiKc&feature=youtube_gdata_player", "accessDate": "2010-11-25T23:11:05Z", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "YouTube", "callNumber": "", "rights": "", "extra": "", "tags": [ { "tag": "charakteryzacja" }, { "tag": "kostiumy" }, { "tag": "mieszczanie" } ], "collections": [], "relations": {}, "dateAdded": "2011-01-11T22:27:24Z", "dateModified": "2011-01-11T22:27:24Z" } }, { "key": "FCTEQ99M", "version": 1, "library": { "type": "group", "id": 34645, "name": "elements of realism in Japanese theatre", "links": { "alternate": { "href": "https://www.zotero.org/groups/elements_of_realism_in_japanese_theatre", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/34645/items/FCTEQ99M", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/elements_of_realism_in_japanese_theatre/items/FCTEQ99M", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/34645/items/I2PRTRAV", "type": "application/json" } }, "meta": { "createdByUser": { "id": 405535, "username": "adam.slucki", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/adam.slucki", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "FCTEQ99M", "version": 1, "parentItem": "I2PRTRAV", "itemType": "note", "note": "

Podstawowe informacje o Kabuki.

\n

Wzmianka o znaczeniu tej formy teatru dla miejszczan.

\n

Przykłady charakteryzacji. Fragmenty kilku sztuk.

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Demonstracja mechanizmu umożliwiającego szybką zmniane wyglądu lalki.

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Broszura　z \"Gion corner\", streszcznona jest na niej jedna z bardziej znanych sztuk bunraku

\n

informacje o bunraku

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