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Annotations
(7/6/2022, 12:16:08 PM)

\n


(Burk, 2013, p. 65)

(Burk, 2013, p. 65) Do more research on these artists!

“\"We are all lesbians, white, college-educated, and mostly middle class women who Uve in New York and have a background in the arts\" (\"Lesbian Art and Artists\" 1977, inside cover).” (Burk, 2013, p. 65) Read these entire article!

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For confidence in painting's link to a public world has persisted beyond the eclipse of realism, beyond the subjective extremes of modernism. This question leads to others, such as whether contemporary society's image- traffic limits the meanings possible in painting, no matter its style. The pleasing palette of Fishman's previous show too has given way to half dull, half brash hues that keep uneasy company, as if she had deliberately set herself the challenge of generating light without the warmth of lyrical color. Zurier works closer to the edge of nonsense than Fishman does, yet here and there, as in \"Oblaka 10 (N)\" (2000), the thin cascade of paint strokes down the canvas seems as irresistible and self-explanatory as a blush or a cold sweat.", "websiteTitle": "SFGate", "websiteType": "", "date": "", "publisher": "", "place": "", "DOI": "", "citationKey": "", "url": "http://www.sfgate.com/entertainment/article/Louise-Fishman-s-Visual-Give-and-Take-She-2931697.php", "accessDate": "2015-03-02T18:27:50Z", "shortTitle": "", "language": "", "rights": "", "extra": "", "tags": [], "collections": [ "266GDMRV" ], "relations": {}, "dateAdded": "2015-03-11T14:35:38Z", "dateModified": "2015-03-11T14:35:38Z" } } ]