[ { "key": "HM9TTAN5", "version": 558, "library": { "type": "group", "id": 304071, "name": "ZenMEM", "links": { "alternate": { "href": "https://www.zotero.org/groups/zenmem", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/304071/items/HM9TTAN5", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/zenmem/items/HM9TTAN5", "type": "text/html" } }, "meta": { "createdByUser": { "id": 3484705, "username": "andreasmuenzmay", "name": "Andreas Münzmay", "links": { "alternate": { "href": "https://www.zotero.org/andreasmuenzmay", "type": "text/html" } } }, "creatorSummary": "Münzmay and Siegert", "parsedDate": "2019", "numChildren": 0 }, "data": { "key": "HM9TTAN5", "version": 558, "itemType": "journalArticle", "title": "Phonographischer Text, Interpretation und Aufführungsmaterial als kritisch edierbarer Sachzusammenhang", "creators": [ { "creatorType": "author", "firstName": "Andreas", "lastName": "Münzmay" }, { "creatorType": "author", "firstName": "Christine", "lastName": "Siegert" } ], "abstractNote": "The article discusses possibilities and specific problems of including audio material in the realm of scholarly music editions. From this perspective, the authors propose to include the sounding manifestation of music both into the notion of the musical ‚work‘ and of the musical ‚text‘. The outcome of this thought experiment which considers music as performative art, Beethoven’s and other classical composers’ own wider notions of musical works as musical practice, phonographic recordings as text, different types of music as different types of data, programmed concordances as specific feature of digital editions, and musical interpreters as authors of musical interpretations is a theoretical model that for the first time makes record productions the object of scholarly critical edition.", "publicationTitle": "Editio", "publisher": "", "place": "", "date": "11 2019", "volume": "33", "issue": "", "section": "", "partNumber": "", "partTitle": "", "pages": "10-30", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "", "DOI": "10.1515/editio-2019-0002", "citationKey": "", "url": "", "accessDate": "", "PMID": "", "PMCID": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "", "callNumber": "", "rights": "All rights reserved", "extra": "", "tags": [ { "tag": "ViFE" }, { "tag": "ZenMEM" } ], "collections": [ "D6V5PPZV" ], "relations": {}, "dateAdded": "2020-03-23T14:55:58Z", "dateModified": "2020-03-23T15:41:22Z" } }, { "key": "WQHREZ35", "version": 556, "library": { "type": "group", "id": 304071, "name": "ZenMEM", "links": { "alternate": { "href": "https://www.zotero.org/groups/zenmem", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/304071/items/WQHREZ35", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/zenmem/items/WQHREZ35", "type": "text/html" } }, "meta": { "createdByUser": { "id": 3484705, "username": "andreasmuenzmay", "name": "Andreas Münzmay", "links": { "alternate": { "href": "https://www.zotero.org/andreasmuenzmay", "type": "text/html" } } }, "creatorSummary": "Münzmay", "parsedDate": "2019", "numChildren": 0 }, "data": { "key": "WQHREZ35", "version": 556, "itemType": "bookSection", "title": "Kulturtransferforschung und Musikwissenschaft", "creators": [ { "creatorType": "author", "firstName": "Andreas", "lastName": "Münzmay" } ], "abstractNote": "Discusses the research paradigm of ‘transferts culturels’ (cultural transfers), as established by French C.N.R.S. scholars Michel Espagne and Michael Werner in the 1980s and rapidly evolving in the context of French-German research after 1989, from the point of view of musicology. Ideological categories like ‘nation’ and ‘culture’ are weighed against frames that allow for more precise definitions, like local/regional repertoires or culture politics. Likewise, the opposed theoretical concepts of ‘reception’ and ‘production’ fundamentally affect the conceptualization of the musical ‘work’ entity. Taking cultural transfers into account has helped stimulating practice-oriented views of music history that no longer consider modifications or adaptations of works only as derivatives or even misunderstandings of ‘the original’, but, to the contrary, acknowledge them as historical facts and cultural expressions in their own rights. The examples of Richard Wagner’s Die Meistersinger von Nürnberg and Eduard Hanslick’s Die moderne Oper show how this was already a controversial issue in the 19th century under the impression of the international nature of the standard (French) opera repertoire of the time. A concluding section points out the possibilities for the coverage of culture transfer processes arising from the implementation of the FRBR (Functional Requirements for Bibliographic Records) model in bibliographic authority data on the ‘work’ level.", "bookTitle": "Zwischen Transfer und Transformation: Horizonte der Rezeption von Musik", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "", "date": "12 2019", "publisher": "", "place": "", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "pages": "175-192", "ISBN": "978-3-99012-779-7", "DOI": "", "citationKey": "", "url": "10.2307/j.ctvt6rjq6.10", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "", "callNumber": "", "rights": "All rights reserved", "extra": "DOI: 10.2307/j.ctvt6rjq6.10", "tags": [ { "tag": "ViFE" }, { "tag": "ZenMEM" } ], "collections": [], "relations": {}, "dateAdded": "2020-03-23T15:24:39Z", "dateModified": "2020-03-23T15:39:18Z" } }, { "key": "SD2NZWGV", "version": 552, "library": { "type": "group", "id": 304071, "name": "ZenMEM", "links": { "alternate": { "href": "https://www.zotero.org/groups/zenmem", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/304071/items/SD2NZWGV", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/zenmem/items/SD2NZWGV", "type": "text/html" } }, "meta": { "createdByUser": { "id": 3484705, "username": "andreasmuenzmay", "name": "Andreas Münzmay", "links": { "alternate": { "href": "https://www.zotero.org/andreasmuenzmay", "type": "text/html" } } }, "creatorSummary": "Münzmay", "parsedDate": "2018-06-10", "numChildren": 0 }, "data": { "key": "SD2NZWGV", "version": 552, "itemType": "journalArticle", "title": "Der FID Musikwissenschaft (Musiconn) in Lehre und Forschung. 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