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"title": "EL TIENTO DE FALSAS COMO TIENTO DE FIGURAE: RETÓRICA EN LA MÚSICA PARA ÓRGANO DE CABANILLES",
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"abstractNote": "Este artículo analiza la diferencia de matiz que la teoría musical española del siglo XVII encuentra entre los términos disonancia y falsa, demostrando que este último concepto puede ser equivalente al concepto de figura desarrollado por Christoph Bernhard. Se estudian los procedimientos compositivos empleados en dos tientos de falsas de Cabanilles y otras piezas, su relación con determinadas figuras retóricas, así como un determinado tipo de construcción que parece emplearse en diversas ocasiones. Se constata la similitud de los temas de estas piezas con ejemplos de Buxtehude y Bach en música vocal relacionada con la Pasión, basados en una figura que la musicología actual ha denominado quiasmo. Esta relación semántica sería un ejemplo de la influencia en la música puramente instrumental de procedimientos procedentes de la música vocal, así como una justificación de su empleo en el contexto litúrgico correspondiente. This article analyzes the difference in nuance that Spanish music theory from the 17th century attributes to the terms disonancia and falsa, showing that the latter could be similar to the concept of figure as developed by Christoph Bernhard. Studying the compositional procedures of two tientos de falsas by Cabanilles and other pieces, their relation to specific rhetorical figures, and a constructive schema employed several times confirms the similarity of the themes of these pieces to vocal music for the Passion by Buxtehude and Bach. These themes are based on a figure called the chiasmus in modern musicology. This semantic relationship could be an example of the influence on instrumental music of procedures originating in vocal music as well as a justification for using the pieces in a corresponding liturgical context.",
"publicationTitle": "Revista de Musicología",
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"title": "\"Better a Live Sparrow than a Stuffed Eagle\": Towards a Translation of Guillaume de Machaut's \"Dit de l'Alerion.\"",
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"abstractNote": "A discussion of some special problems in translating medieval poetry into a modern language while conveying the original meaning, emotional tone and word play. The discussion centers on the poetry of Machaut, a medieval poet of interest to English scholars because of his influence on Chaucer.",
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