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E.", "lastName": "Ramelli" } ], "abstractNote": "Lucius Annaeus Seneca the Younger (ca. 4 BCE–65 CE) is one of the foremost exponents of imperial Stoicism.", "bookTitle": "The Encyclopedia of Ancient History", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "", "date": "2012", "publisher": "John Wiley & Sons, Inc.", "place": "", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "pages": "", "ISBN": "978-1-4443-3838-6", "DOI": "", "citationKey": "", "url": "http://onlinelibrary.wiley.com.ezp-prod1.hul.harvard.edu/doi/10.1002/9781444338386.wbeah10065/abstract", "accessDate": "2014-07-13T18:33:29Z", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "English", "libraryCatalog": "Wiley Online Library", "callNumber": "", "rights": "Copyright © 2012 John Wiley & Sons, Inc. 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The salacious nature of this evidence means that it is often omitted from mainstream historical inquiry. Yet that is to underestimate the importance of 'gossip' and the act of thinking about an emperor's private life. In this book Dr Vout takes the reader from Rome, and Martial's and Statius' poems about Domitian's favourite eunuch, to Antioch and dialogues in praise of Lucius Verus' mistress, to the widespread visual commemoration and cult of Hadrian's young male lover, Antinous. She explores not the relationships themselves but rather the implications of their description. Such description provides a template with which to examine the relationship between emperor and subject, gods and mortals, East and West, centre and periphery. 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In this catalogue, which was written to accompany an international traveling exhibition organized by the Walters Art Gallery, Ellen Reeder turns to classical Greek marbles, bronzes, terracottas, and vases to help illustrate the ways in which women were perceived and how they lived. The discussion is enhanced through interpretive essays written for this catalogue by a group of eminent classicists and historians. Reeder finds a particular emphasis on myths dealing with the unmarried maiden and the difficulty of the transition to marriage and motherhood--as exemplified in the stories of Danae, Thetis, Atalanta, and Amymone. She also explores images of containers and untamed animals as metaphors for women; rituals involving women, such as the wedding and the cult of the Little Bears at Brauron; the character and cult of goddesses; and the close association of women with textiles. 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