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            "title": "Multiethnic Slavery and the African Diaspora in Macau: The Search for the Geographic Limits of Vast Early America",
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                    "firstName": "Stuart M.",
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            "abstractNote": "The geographic limits of early American history are continuously being debated. Recently, this has culminated in the popular adoption of the expression \"vast early America,\" which looks beyond the previously dominant Atlantic paradigm to embrace hemispheric perspectives while underlining the need to delve more into continental Africa, the Mediterranean, Eurasia, and the Pacific and Indian Ocean worlds. But what are the limits of this widening historical panorama in the case of the history of slavery? A hitherto-unstudied set of mid-eighteenth-century baptismal records from the Portuguese enclave of Macau, which noted the birth, ethnicity, and parentage of dozens of African and other enslaved people, offers evidence that the transatlantic slave trade was part of a larger trade in people of African descent (and others) that was geographically uneven and regionally segmented but global in extent, reaching as far as China. Placing this unique new dataset within the context of other contemporary Portuguese- and Chinese-language sources reveals that the presence of \"Black slaves\" (黑 奴, heinu) in this port city was shaped by many of the same imperial and missionary projects as in the Atlantic, as well as racialized in ways highly reminiscent of the Western Hemisphere by both European and Chinese observers. The increasingly racialized slave trade of vast early America was thus horrifyingly \"vast.\"",
            "publicationTitle": "The William and Mary Quarterly",
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            "date": "2024",
            "volume": "81",
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            "pages": "395-430",
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            "DOI": "10.1353/wmq.2024.a925935",
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            "creatorSummary": "Lee 李慧漱",
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            "itemType": "journalArticle",
            "title": "Voices from the Crimson Clouds Library: Reading Liu Rushi’s (1618–1664) Misty Willows by Moonlit Dike",
            "creators": [
                {
                    "creatorType": "author",
                    "firstName": "Hui-Shu",
                    "lastName": "Lee 李慧漱"
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            "abstractNote": "Misty Willows by Moonlit Dike, painted in 1643 by the celebrated courtesan-turned-gentry-lady Liu Yin (1618–1664, better known as Liu Rushi), and documented by the literary talent Qian Qianyi (1582–1664), serves as the definitive statement on the romantic and artistic union of this eminent pair of cultural figures precisely a year before the fall of the Ming dynasty. It also reflects upon a complex gender dimension in the expression of reclusion entangled with the trauma of dynastic transition. This is revealed, in part, by two additions to the scroll: a small landscape painting of eight years later dedicated to Liu by her close female associate, Huang Jieling (ca. 1620-ca. 1669), and a long commemorative preface that Qian Qianyi wrote for Huang in 1651 reminiscing on bygone glory through the topos of their beloved Jianyun Library that tragically burnt down in 1650. Through a close reading of Liu’s and Huang’s paintings and Qian’s inscriptions on the scroll, this article aims to explore the macrocultural milieu of the time by examining, on the one hand, these two female paradigms of reclusion, and on the other the collective sentiment and memory of the catastrophe of the Ming-Qing dynastic transition as voiced through words and images in their paintings, calligraphy, and the iconography of the willow. [End Page 173]",
            "publicationTitle": "Journal of Chinese Literature and Culture",
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            "date": "2015",
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            "DOI": "10.1215/23290048-2887589",
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            "shortTitle": "Voices from the Crimson Clouds Library",
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                    "tag": "Liu Rushi",
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                    "tag": "Qian Qianyi",
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            "creatorSummary": "Cen et al.",
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            "itemType": "journalArticle",
            "title": "The Aesthetics of Water Management of The Humble Administrator's Garden",
            "creators": [
                {
                    "creatorType": "author",
                    "firstName": "Xiaofeng",
                    "lastName": "Cen"
                },
                {
                    "creatorType": "author",
                    "firstName": "Gao",
                    "lastName": "Letian"
                },
                {
                    "creatorType": "author",
                    "firstName": "Selvaraj Jonathan",
                    "lastName": "Nimal"
                },
                {
                    "creatorType": "author",
                    "firstName": "Zhu",
                    "lastName": "Yisong"
                }
            ],
            "abstractNote": "With the development of literati gardens during the Ming dynasty (1368–1644), the layout and design level of gardens reached an unprecedented height. As the representative of Suzhou gardens, The Humble Administrator's Garden (Zhuozhengyuan, 拙政园, 1530) has unique natural conditions and mature garden design, and its water management art is particularly exquisite. The best-preserved graphic information of The Humble Administrator's Garden are the poems and paintings by Wen Zhengming (文徵明, 1470–1559), including Thirty-One Scenes of The Humble Administrator's Garden (拙政园三十一景图, 1533), thirty landscape poems, and the biography Wang's Humble Administrator's Garden (王氏拙政园记, 1533). As the research object, this article aims to restore the image of The Humble Administrator's Garden by analyzing the water scene of the garden, summarizing its water technique and art, and extracting \"Source of inflowing water\" (为有源头活水来), \"Esteem the mountain, revere the water, imitate the heaven and earth\" (敬山畏水, 象天法地), \"Fusion of the imitation of nature and the subjective ideas of the artist\" (外师造化, 中得心源), and \"Free and unfettered, enjoy the joy of leisure\" (逍遥自得, 享闲居之乐) as the water aesthetic thoughts of the garden. In addition, this article provides some reference for the current landscape design.",
            "publicationTitle": "The Journal of Aesthetic Education",
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            "date": "2023",
            "volume": "57",
            "issue": "2",
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            "pages": "73-93",
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            "DOI": "10.5406/15437809.57.2.05",
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            "extra": "mlzsync1:0060{\"extrafields\":{\"publisher\":\"University of Illinois Press\"}}",
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