[ { "key": "2Q5KP2W7", "version": 146, "library": { "type": "group", "id": 267339, "name": "Music and Class/Social Stratification", "links": { "alternate": { "href": "https://www.zotero.org/groups/music_and_classsocial_stratification", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/267339/items/2Q5KP2W7", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/music_and_classsocial_stratification/items/2Q5KP2W7", "type": "text/html" } }, "meta": { "createdByUser": { "id": 1921689, "username": "shumailahemani", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/shumailahemani", "type": "text/html" } } }, "creatorSummary": "Hawkins", "parsedDate": "2009-01-01", "numChildren": 1 }, "data": { "key": "2Q5KP2W7", "version": 146, "itemType": "book", "title": "The British Pop Dandy: Masculinity, Popular Music and Culture", "creators": [ { "creatorType": "author", "firstName": "Stan", "lastName": "Hawkins" } ], "abstractNote": "Who are pop dandies? 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As a young man living in the multiethnic working-class community of New York's Lower East Side, Mount took part in the black-white musical interchange his paintings depict. An avid musician and tune collector as well as an artist, he was the among the first to depict vernacular fiddlers, banjo players, and dancers precisely and sympathetically. His close observations and meticulous renderings provide rich evidence of performance techniques and class-inflected paths of musical apprenticeship that connected white and black practitioners.   Looking closely at the bodies and instruments Mount depicts in his paintings as well as other ephemera, Christopher J. Smith traces the performance practices of African American and Anglo-European music-and-dance traditions while recovering the sounds of that world. Further, Smith uses Mount's depictions of black and white music-making to open up fresh perspectives on cross-ethnic cultural transference in Northern and urban contexts, showing how rivers, waterfronts, and other sites of interracial interaction shaped musical practices by transporting musical culture from the South to the North and back. The \"Africanization\" of Anglo-Celtic tunes created minstrelsy's musical \"creole synthesis,\" a body of melodic and rhythmic vocabularies, repertoires, tunes, and musical techniques that became the foundation of American popular music.   Reading Mount's renderings of black and white musicians against a background of historical sites and practices of cross-racial interaction, Smith offers a sophisticated interrogation and reinterpretation of minstrelsy, significantly broadening historical views of black-white musical exchange.", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "", "date": "2013", "publisher": "University of Illinois Press", "place": "", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "314", "ISBN": "9780252037764", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "The Creolization of American Culture", "language": "en", "libraryCatalog": "Google Books", "callNumber": "", "rights": "", "extra": "", "tags": [ { "tag": "Music / Ethnomusicology", "type": 1 }, { "tag": "Music / Genres & Styles / Pop Vocal", "type": 1 }, { "tag": "Music / History & Criticism", "type": 1 }, { "tag": "Social Science / Ethnic Studies / African American Studies", "type": 1 } ], "collections": [ "8RFHTCQR" ], "relations": {}, "dateAdded": "2014-10-03T15:31:20Z", "dateModified": "2014-10-03T15:31:20Z" } }, { "key": "T5FCRRW3", "version": 144, "library": { "type": "group", "id": 267339, "name": "Music and Class/Social Stratification", "links": { "alternate": { "href": "https://www.zotero.org/groups/music_and_classsocial_stratification", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/267339/items/T5FCRRW3", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/music_and_classsocial_stratification/items/T5FCRRW3", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/267339/items/75HXCT7U", "type": "application/json" } }, "meta": { "createdByUser": { "id": 1921689, "username": "shumailahemani", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/shumailahemani", "type": "text/html" } } } }, "data": { "key": "T5FCRRW3", "version": 144, "parentItem": "75HXCT7U", "itemType": "attachment", "linkMode": "linked_url", "title": "Amazon.com Link", "accessDate": "2014-10-03T05:09:47Z", "url": "http://www.amazon.com/Music-Social-Movements-Mobilizing-Traditions/dp/0521629667/ref=sr_1_10?s=books&ie=UTF8&qid=1412111706&sr=1-10&keywords=music+and+labor", "note": "", "contentType": "text/html", "charset": "", "tags": [], "relations": {}, "dateAdded": "2014-10-03T05:09:47Z", "dateModified": "2014-10-03T05:09:47Z" } }, { "key": "75HXCT7U", "version": 144, "library": { "type": "group", "id": 267339, "name": "Music and Class/Social Stratification", "links": { "alternate": { "href": "https://www.zotero.org/groups/music_and_classsocial_stratification", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/267339/items/75HXCT7U", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/music_and_classsocial_stratification/items/75HXCT7U", "type": "text/html" } }, "meta": { "createdByUser": { "id": 1921689, "username": "shumailahemani", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/shumailahemani", "type": "text/html" } } }, "creatorSummary": "Eyerman", "parsedDate": "1998-02-28", "numChildren": 1 }, "data": { "key": "75HXCT7U", "version": 144, "itemType": "book", "title": "Music and Social Movements: Mobilizing Traditions in the Twentieth Century", "creators": [ { "creatorType": "author", "firstName": "Ron", "lastName": "Eyerman" } ], "abstractNote": "Music and song are central to modern culture--social movements to cultural change. Building on their studies of the sixties culture and the theory of cognitive praxis, the authors examine the mobilization of cultural traditions and the formation of new collective identities through the music of activism. Specific chapters examine American folk and country music, black music, music of the sixties, and the transfer of the American experience to Europe. This highly readable book is among the first to link social movement and cultural theory.", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "", "date": "February 28, 1998", "publisher": "Cambridge University Press", "place": "Cambridge, England ; New York", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "204", "ISBN": "9780521629669", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "Music and Social Movements", "language": "English", "libraryCatalog": "Amazon.com", "callNumber": "", "rights": "", "extra": "", "tags": [], "collections": [ "GUA99JFN" ], "relations": {}, "dateAdded": "2014-10-03T05:09:47Z", "dateModified": "2014-10-03T05:09:47Z" } }, { "key": "76VH9D9A", "version": 135, "library": { "type": "group", "id": 267339, "name": "Music and Class/Social Stratification", "links": { "alternate": { "href": "https://www.zotero.org/groups/music_and_classsocial_stratification", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/267339/items/76VH9D9A", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/music_and_classsocial_stratification/items/76VH9D9A", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/267339/items/DPT2ZW57", "type": "application/json" } }, "meta": { "createdByUser": { "id": 1921689, "username": "shumailahemani", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/shumailahemani", "type": "text/html" } } } }, "data": { "key": "76VH9D9A", "version": 135, "parentItem": "DPT2ZW57", "itemType": "attachment", "linkMode": "linked_url", "title": "Google Books Link", "accessDate": "2014-10-01T19:58:46Z", "url": "http://books.google.ca/books?id=30NDj3_0wmMC", "note": "", "contentType": "text/html", "charset": "", "tags": [], "relations": {}, "dateAdded": "2014-10-01T19:58:46Z", "dateModified": "2014-10-01T19:58:46Z" } }, { "key": "DPT2ZW57", "version": 135, "library": { "type": "group", "id": 267339, "name": "Music and Class/Social Stratification", "links": { "alternate": { "href": "https://www.zotero.org/groups/music_and_classsocial_stratification", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/267339/items/DPT2ZW57", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/music_and_classsocial_stratification/items/DPT2ZW57", "type": "text/html" } }, "meta": { "createdByUser": { "id": 1921689, "username": "shumailahemani", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/shumailahemani", "type": "text/html" } } }, "creatorSummary": "Hawkins", "parsedDate": "2009-01-01", "numChildren": 1 }, "data": { "key": "DPT2ZW57", "version": 135, "itemType": "book", "title": "The British Pop Dandy: Masculinity, Popular Music and Culture", "creators": [ { "creatorType": "author", "firstName": "Stan", "lastName": "Hawkins" } ], "abstractNote": "Who are pop dandies? Why are stars like David Bowie, Jarvis Cocker and Robbie Williams so dandified? Taking up a range of British pop stars, Hawkins seeks to find out why so many British pop stars have cast themselves in roles that often take style to absurd extremes. In this study, male pop artists are mapped against a cultural and historical background through a genealogy of British personalities, such as Oscar Wilde, W.H. Auden, Bernard Shaw, Noël Coward, Derek Jarmen, David Beckham and countless others. A critical analysis of issues and approaches to musical performance through masculinity becomes the focal point of this fascinating study.", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "", "date": "2009-01-01", "publisher": "Ashgate Publishing, Ltd.", "place": "", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "252", "ISBN": "9780754658580", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "The British Pop Dandy", "language": "en", "libraryCatalog": "Google Books", "callNumber": "", "rights": "", "extra": "", "tags": [ { "tag": "Music / Genres & Styles / Pop Vocal", "type": 1 }, { "tag": "Music / History & Criticism", "type": 1 } ], "collections": [ "XUWTR6IA" ], "relations": {}, "dateAdded": "2014-10-01T19:58:46Z", "dateModified": "2014-10-01T19:58:46Z" } }, { "key": "N5QQDNZU", "version": 134, "library": { "type": "group", "id": 267339, "name": "Music and Class/Social Stratification", "links": { "alternate": { "href": "https://www.zotero.org/groups/music_and_classsocial_stratification", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/267339/items/N5QQDNZU", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/music_and_classsocial_stratification/items/N5QQDNZU", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/267339/items/WHTJQD8B", "type": "application/json" } }, "meta": { "createdByUser": { "id": 1921689, "username": "shumailahemani", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/shumailahemani", "type": "text/html" } } } }, "data": { "key": "N5QQDNZU", "version": 134, "parentItem": "WHTJQD8B", "itemType": "attachment", "linkMode": "linked_url", "title": "Google Books Link", "accessDate": "2014-10-01T19:57:19Z", "url": "http://books.google.ca/books?id=V-S4lHgtldYC", "note": "", "contentType": "text/html", "charset": "", "tags": [], "relations": {}, "dateAdded": "2014-10-01T19:57:19Z", "dateModified": "2014-10-01T19:57:19Z" } }, { "key": "WHTJQD8B", "version": 134, "library": { "type": "group", "id": 267339, "name": "Music and Class/Social Stratification", "links": { "alternate": { "href": "https://www.zotero.org/groups/music_and_classsocial_stratification", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/267339/items/WHTJQD8B", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/music_and_classsocial_stratification/items/WHTJQD8B", "type": "text/html" } }, "meta": { "createdByUser": { "id": 1921689, "username": "shumailahemani", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/shumailahemani", "type": "text/html" } } }, "creatorSummary": "Whiteley and Rycenga", "parsedDate": "2006", "numChildren": 1 }, "data": { "key": "WHTJQD8B", "version": 134, "itemType": "book", "title": "Queering the Popular Pitch", "creators": [ { "creatorType": "author", "firstName": "Sheila", "lastName": "Whiteley" }, { "creatorType": "author", "firstName": "Jennifer", "lastName": "Rycenga" } ], "abstractNote": "Queering the Popular Pitch is a new collection of 19 essays that situate queering within the discourse of sex and sexuality in relation to popular music. This investigation addresses the changing debates within gay, lesbian and queer discourse in relation to the dissemination of musical texts -performance, cultural production and sexual meaning - situating music within the broader patterns of culture that it both mirrors and actively reproduces.The collection is divided into four parts:queering bordersqueer spaceshidden historiesqueer thoughts, mixed media.Queering the Popular Pitch will appeal to students of popular music, Gay and Lesbian studies. 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Extreme metal musicians have developed an often impenetrable sound that teeters on the edge of screaming, incomprehensible noise. Extreme metal circulates on the edge of mainstream culture within the confines of an obscure 'scene', in which members explore dangerous themes such as death, war and the occult, sometimes embracing violence, neo-fascism and Satanism. In the first book-length study of extreme metal, Keith Kahn-Harris draws on first-hand research to explore the global extreme metal scene. 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Alexander", "lastName": "Reed" } ], "abstractNote": "\"Industrial\" is a descriptor that fans and critics have applied to a remarkable variety of music: the oildrum pounding of Einsturzende Neubauten, the processed electronic groans of Throbbing Gristle, the drumloop clatter of Skinny Puppy, and the synthpop songcraft of VNV Nation, to name just a few. But the stylistic breadth and subcultural longevity of industrial music suggests that the common ground here might not be any one particular sound, but instead a network of ideologies. This book traces industrial music's attitudes and practices from their earliest articulations--a hundred years ago--through the genre's mid-1970s formation and its development up to the present and beyond. Taking cues from radical intellectuals like Antonin Artaud, William S. Burroughs, and Guy Debord, industrial musicians sought to dismantle deep cultural assumptions so thoroughly normalized by media, government, and religion as to seem invisible. 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In this book, Chris McDonald assesses the band’s impact on popular music and its legacy for legions of fans. McDonald explores the ways in which Rush’s critique of suburban life—and its strategies for escape—reflected middle-class aspirations and anxieties, while its performances manifested the dialectic in prog rock between discipline and austerity, and the desire for spectacle and excess. The band’s reception reflected the internal struggles of the middle class over cultural status. Critics cavalierly dismissed, or apologetically praised, Rush’s music for its middlebrow leanings. McDonald's wide-ranging musical and cultural analysis sheds light on one of the most successful and enduring rock bands of the 1970s and 1980s.", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "", "date": "2009", "publisher": "Indiana University Press", "place": "", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "270", "ISBN": "0253221498", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "Rush, Rock Music and the Middle Class", "language": "en", "libraryCatalog": "Google Books", "callNumber": "", "rights": "", "extra": "", "tags": [ { "tag": "Biography & Autobiography / Composers & Musicians", "type": 1 }, { "tag": "Music / Genres & Styles / General", "type": 1 }, { "tag": "Music / Genres & Styles / Pop Vocal", "type": 1 }, { "tag": "Music / Individual Composer & Musician", "type": 1 } ], "collections": [ "MTS23BP9" ], "relations": {}, "dateAdded": "2014-10-01T16:51:49Z", "dateModified": "2014-10-01T16:51:49Z" } }, { "key": "MRJXKUNW", "version": 131, "library": { "type": "group", "id": 267339, "name": "Music and Class/Social Stratification", "links": { "alternate": { "href": "https://www.zotero.org/groups/music_and_classsocial_stratification", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/267339/items/MRJXKUNW", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/music_and_classsocial_stratification/items/MRJXKUNW", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/267339/items/4IZF23DE", "type": "application/json" } }, "meta": { "createdByUser": { "id": 1921689, "username": "shumailahemani", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/shumailahemani", "type": "text/html" } } } }, "data": { "key": "MRJXKUNW", "version": 131, "parentItem": "4IZF23DE", "itemType": "attachment", "linkMode": "linked_url", "title": "Google Books Link", "accessDate": "2014-10-01T16:51:37Z", "url": "http://books.google.ca/books?id=G-41n_wuTj0C", "note": "", "contentType": "text/html", "charset": "", "tags": [], "relations": {}, "dateAdded": "2014-10-01T16:51:37Z", "dateModified": "2014-10-01T16:51:37Z" } }, { "key": "4IZF23DE", "version": 131, "library": { "type": "group", "id": 267339, "name": "Music and Class/Social Stratification", "links": { "alternate": { "href": "https://www.zotero.org/groups/music_and_classsocial_stratification", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/267339/items/4IZF23DE", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/music_and_classsocial_stratification/items/4IZF23DE", "type": "text/html" } }, "meta": { "createdByUser": { "id": 1921689, "username": "shumailahemani", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/shumailahemani", "type": "text/html" } } }, "creatorSummary": "Holsinger", "parsedDate": "2001", "numChildren": 1 }, "data": { "key": "4IZF23DE", "version": 131, "itemType": "book", "title": "Music, Body, and Desire in Medieval Culture: Hildegard of Bingen to Chaucer", "creators": [ { "creatorType": "author", "firstName": "Bruce W.", "lastName": "Holsinger" } ], "abstractNote": "Ranging chronologically from the twelfth to the fifteenth centuries and thematically from Latin to vernacular literary modes, this book challenges standard assumptions about the musical cultures and philosophies of the European Middle Ages. Engaging a wide range of premodern texts and contexts, from the musicality of sodomy in twelfth-century polyphony to Chaucer’s representation of pedagogical violence in the Prioress’s Tale, from early Christian writings on the music of the body to the plainchant and poetry of Hildegard of Bingen, the author argues that medieval music was quintessentially a practice of the flesh. The book reveals a sonorous landscape of flesh and bone, pleasure and pain, a medieval world in which erotic desire, sexual practice, torture, flagellation, and even death itself resonated with musical significance and meaning. 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Yet musicology has thus far largely ignored the phenomenon of displacement and underestimated its significance for musical landscapes and music history. Music and Displacement: Diasporas, Mobilities, and Dislocations in Europe and Beyond constitutes a pioneering volume that aims to fill this gap as it explores the interactions between music and displacement in theoretical and practical terms. Contributions by distinguished international scholars address the theme through a wide range of case studies, incorporating art, popular, folk, and jazz music and interacting with areas, such as gender and post-colonial studies, critical theory, migration, and diaspora. The book is structured in three stages silence, acculturation, and theory that move from silence to sound and from displacement to placement. 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