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            "extra": "Kylie Veale's 'Online Memorialisation' reminds us just how far cultural processes have moved onto the Internet, with a detailed description of online practices of mourning and remembering the dead. Veale attends to what is different in these practices, but also to what is brought across from the offline. This is a significant development for Internet culture (there's no culture without the dead). Veale also reminds us that in 'a society that is increasingly fragmented and where families and friends, often separated by significant distances, cannot actively participate in physical memorialisation', the online provides a useful form of adaptation, not only for information about the dead, but for the affective expression of the persistence of the past, even in the rapidly differentiating present.",
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            "abstractNote": "Obituary publication has experienced a remarkable revival in the British press during the past 20 years. Newspapers of quality now allocate generous column space on a daily basis, establishing the modern obituary as a literary phenomenon of appreciable magnitude. This shared enthusiasm, however, enjoys a varied manifestation on the pages themselves. That combined surge in column inches, and the consequent influence on public opinion by posthumous appraisal, has been accompanied by scholarly research into obituary publishing. Until now, however, quantitative studies of contemporary practice within the British press have been limited in scope. This article addresses that omission. Drawing on findings from the first large-scale study of its type, it examines 1183 obituaries published by the “quality quartet” (Times, Daily Telegraph, Guardian, Independent) over a three-month period (1 March to 31 May 2007), combined with interviews with obituary editors and writers, to determine: style and presentation factors; subject selection by gender and demographic description; the dominant form of reference applied in naming each obituary's central character; contemporaneousness of publication; and the extent to which cause of death is included in the text. In analysing the technique applied by each of these four newspapers, this study reports the policies of their obituary editors, discusses the forces which shape contemporary practice, and creates a platform for further scholarship within the immediate field.",
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            "abstractNote": "Obituary columns pick over the expired human condition and deliver their posthumous review with a formidable exercise of authority. They inform, they enlighten, they entertain; they also have the capacity to offend and wound. The obituarist's appraisal will be scrutinised by relatives, lovers, antagonists, and acquaintances who remember the characters on the page with a familiarity not necessarily available to the readership at large. At the same time, though, there is a duty to present a complete account so that the cause of historical record is satisfied. In composing these posthumous studies, therefore, writers and editors frequently encounter an ethical dilemma in deciding what measure of intimate information should be revealed. The cause of death (particularly if self-inflicted) and the subject's sexual persuasion appear in this regard as questions of notable complexity. Then there is the matter of qualification for the page itself. Formerly concerned largely with society's more prominent citizens, whose life histories could safely be compiled from biographies and the files, obituary practice has been extended in recent times to offer an egalitarian coverage - notably in the aftermath of terrorism. Obituary desks have had to intrude on grief and seek information from the newly (and violently) bereaved. This article considers prevailing demands in obituary practice which require the exercise of delicate editorial judgment.",
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            "rights": "Authors submitting a paper to First Monday automatically agree to confer a limited license to First Monday if and when the manuscript is accepted for publication. This license allows First Monday to publish a manuscript in a given issue. Authors have a choice of: 1. Dedicating the article to the public domain. This allows anyone to make any use of the article at any time, including commercial use. A good way to do this is to use the Creative Commons Public Domain Dedication Web form; see  http://creativecommons.org/license/publicdomain-2?lang=en . 2. Retaining some rights while allowing some use. For example, authors may decide to disallow commercial use without permission. Authors may also decide whether to allow users to make modifications (e.g. translations, adaptations) without permission. A good way to make these choices is to use a Creative Commons license. * Go to  http://creativecommons.org/license/ . * Choose and select a license. * What to do next — you can then e–mail the license html code to yourself. Do this, and then forward that e–mail to First Monday’s editors. Put your name in the subject line of the e–mail with your name and article title in the e–mail. Background information about Creative Commons licenses can be found at  http://creativecommons.org/about/licenses/ . 3. Retaining full rights, including translation and reproduction rights. Authors may use the statement: © Author 2008 All Rights Reserved. Authors may choose to use their own wording to reserve copyright. If you choose to retain full copyright, please add your copyright statement to the end of the article. Authors submitting a paper to First Monday do so in the understanding that Internet publishing is both an opportunity and challenge. In this environment, authors and publishers do not always have the means to protect against unauthorized copying or editing of copyright–protected works.",
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            "title": "From epitaph to obituary Death and celebrity in eighteenth-century British culture",
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            "abstractNote": "A B S T R A C T • This article explores the emergence of the obituary in British eighteenth-century print journalism, at a moment when the verse epitaph was in irrevocable decline. The new form of death memorial that the obituary represents reflected a changing attitude to death, and a new phase in its relationship with fame. Many of the features of the present-day phenomenon of celebrity can be identified as emerging in the eighteenth century, and we recognize all too well today the explosion of commerce and the new forms of deregulated media that produced this phenomenon. Death became 'news' in the context of the new transience and mobility of printed text, and the dead gained renown not only for historically momentous acts, or lasting works of art or intellect, but also for ephemeral skills and talents such as acting, singing, sports and eccentric feats of memory or agility. Celebrity — short-lived fame — became a feature of British society, and the untimely or dramatic death began to create as well as test this new kind of fame. The obituary plays a key role in this process, this article argues, and represents an important mechanism for introducing modern notions of fame and celebrity into British society.•",
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            "date": "09/01/2008",
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            "pages": "259-275",
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