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N.", "lastName": "Hansen" }, { "creatorType": "editor", "firstName": "Stephen", "lastName": "Sale" }, { "creatorType": "editor", "firstName": "Laura", "lastName": "Salisbury" } ], "abstractNote": "", "bookTitle": "Kittler Now: Current Perspectives in Kittler Studies", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "", "date": "2015", "publisher": "Polity", "place": "Cambridge MA", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "pages": "210-237", "ISBN": "", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "", "callNumber": "", "rights": "", "extra": "", "tags": [], "collections": [], "relations": {}, "dateAdded": "2015-05-04T22:35:16Z", "dateModified": "2015-05-04T22:38:17Z" } }, { "key": "G6UGTFIT", "version": 131, "library": { "type": "group", "id": 245999, "name": "Sound, new media, and digital networks", "links": { "alternate": { "href": "https://www.zotero.org/groups/sound_new_media_and_digital_networks", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/245999/items/G6UGTFIT", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/sound_new_media_and_digital_networks/items/G6UGTFIT", "type": "text/html" } }, "meta": { "createdByUser": { "id": 173012, "username": "dcecchet", "name": "David Cecchetto", "links": { "alternate": { "href": "https://www.zotero.org/dcecchet", "type": "text/html" } } }, "creatorSummary": "Hayles", "parsedDate": "2006", "numChildren": 0 }, "data": { "key": "G6UGTFIT", "version": 131, "itemType": "journalArticle", "title": "Traumas of Code", "creators": [ { "creatorType": "author", "firstName": "Katherine", "lastName": "Hayles" } ], "abstractNote": "", "publicationTitle": "Critical Inquiry", "publisher": "", "place": "", "date": "2006", "volume": "33", "issue": "1", "section": "", "partNumber": "", "partTitle": "", "pages": "136-157", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "PMID": "", "PMCID": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "", "callNumber": "", "rights": "", "extra": "", "tags": [], "collections": [], "relations": {}, "dateAdded": "2015-04-22T20:06:04Z", "dateModified": "2015-04-22T20:07:06Z" } }, { "key": "B92A9V6A", "version": 130, "library": { "type": "group", "id": 245999, "name": "Sound, new media, and digital networks", "links": { "alternate": { "href": "https://www.zotero.org/groups/sound_new_media_and_digital_networks", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/245999/items/B92A9V6A", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/sound_new_media_and_digital_networks/items/B92A9V6A", "type": "text/html" } }, "meta": { "createdByUser": { "id": 173012, "username": "dcecchet", "name": "David Cecchetto", "links": { "alternate": { "href": "https://www.zotero.org/dcecchet", "type": "text/html" } } }, "creatorSummary": "Ikoniadou", "parsedDate": "2014-07-18", "numChildren": 1 }, "data": { "key": "B92A9V6A", "version": 130, "itemType": "book", "title": "The Rhythmic Event: Art, Media, and the Sonic", "creators": [ { "creatorType": "author", "firstName": "Eleni", "lastName": "Ikoniadou" } ], "abstractNote": "The sonic has come to occupy center stage in the arts and humanities. In the age of computational media, sound and its subcultures can offer more dynamic ways of accounting for bodies, movements, and events. In The Rhythmic Event, Eleni Ikoniadou explores traces and potentialities prompted by the sonic but leading to contingent and unknowable forces outside the periphery of sound. She investigates the ways in which recent digital art experiments that mostly engage with the virtual dimensions of sound suggest alternate modes of perception, temporality, and experience. Ikoniadou draws on media theory, digital art, and philosophical and technoscientific ideas to work toward the articulation of a media philosophy that rethinks the media event as abstract and affective. The Rhythmic Event seeks to define the digital media artwork as an assemblage of sensations that outlive the space, time, and bodies that constitute and experience it. Ikoniadou proposes that the notion of rhythm--detached, however, from the idea of counting and regularity -- can unlock the imperceptible, aesthetic potential enveloping the artwork. She speculates that addressing the event on the level of rhythm affords us a glimpse into the nonhuman modalities of thought proper to the digital and hidden in the gaps between strict definitions (e.g., human/sonic/digital) and false dichotomies (e.g., virtual/real). Operating at the margins of perception, the rhythmic artwork summons an obscure zone of sonic thought, which considers the event according to its power to become.", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "1 edition", "date": "July 18, 2014", "publisher": "The MIT Press", "place": "Cambridge, Massachusetts", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "136", "ISBN": "9780262027649", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "The Rhythmic Event", "language": "English", "libraryCatalog": "", "callNumber": "", "rights": "", "extra": "", "tags": [], "collections": [], "relations": {}, "dateAdded": "2015-02-03T16:35:03Z", "dateModified": "2015-02-03T16:35:23Z" } }, { "key": "6EUVVHFI", "version": 129, "library": { "type": "group", "id": 245999, "name": "Sound, new media, and digital networks", "links": { "alternate": { "href": "https://www.zotero.org/groups/sound_new_media_and_digital_networks", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/245999/items/6EUVVHFI", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/sound_new_media_and_digital_networks/items/6EUVVHFI", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/245999/items/B92A9V6A", "type": "application/json" } }, "meta": { "createdByUser": { "id": 173012, "username": "dcecchet", "name": "David Cecchetto", "links": { "alternate": { "href": "https://www.zotero.org/dcecchet", "type": "text/html" } } } }, "data": { "key": "6EUVVHFI", "version": 129, "parentItem": "B92A9V6A", "itemType": "attachment", "linkMode": "linked_url", "title": "Amazon.com Link", "accessDate": "2015-02-03T16:35:03Z", "url": "http://www.amazon.com/The-Rhythmic-Event-Technologies-Abstraction/dp/026202764X", "note": "", "contentType": "text/html", "charset": "", "tags": [], "relations": {}, "dateAdded": "2015-02-03T16:35:03Z", "dateModified": "2015-02-03T16:35:03Z" } }, { "key": "WUAV94DB", "version": 128, "library": { "type": "group", "id": 245999, "name": "Sound, new media, and digital networks", "links": { "alternate": { "href": "https://www.zotero.org/groups/sound_new_media_and_digital_networks", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/245999/items/WUAV94DB", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/sound_new_media_and_digital_networks/items/WUAV94DB", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/245999/items/26B38537", "type": "application/json" } }, "meta": { "createdByUser": { "id": 173012, "username": "dcecchet", "name": "David Cecchetto", "links": { "alternate": { "href": "https://www.zotero.org/dcecchet", "type": "text/html" } } } }, "data": { "key": "WUAV94DB", "version": 128, "parentItem": "26B38537", "itemType": "attachment", "linkMode": "linked_url", "title": "Amazon.com Link", "accessDate": "2015-01-05T18:07:41Z", "url": "http://www.amazon.ca/The-Tone-Our-Times-Economy/dp/0262028085", "note": "", "contentType": "text/html", "charset": "", "tags": [], "relations": {}, "dateAdded": "2015-01-05T18:07:41Z", "dateModified": "2015-01-05T18:07:41Z" } }, { "key": "26B38537", "version": 128, "library": { "type": "group", "id": 245999, "name": "Sound, new media, and digital networks", "links": { "alternate": { "href": "https://www.zotero.org/groups/sound_new_media_and_digital_networks", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/245999/items/26B38537", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/sound_new_media_and_digital_networks/items/26B38537", "type": "text/html" } }, "meta": { "createdByUser": { "id": 173012, "username": "dcecchet", "name": "David Cecchetto", "links": { "alternate": { "href": "https://www.zotero.org/dcecchet", "type": "text/html" } } }, "creatorSummary": "Dyson", "parsedDate": "2014-09-26", "numChildren": 1 }, "data": { "key": "26B38537", "version": 128, "itemType": "book", "title": "The Tone of Our Times: Sound, Sense, Economy, and Ecology", "creators": [ { "creatorType": "author", "firstName": "Frances", "lastName": "Dyson" } ], "abstractNote": "In this wide-ranging book, Frances Dyson examines the role of sound in the development of economic and ecological systems that are today in crisis. Connecting early theories of harmony, cosmology, and theological doctrine to contemporary media and governance, Dyson uses sound, tone, music, voice, and noise as forms of sonority through which the crises of \"eco\" can be read. The sonic environment, Dyson argues, is fundamental to both sense and sensibility, and its delimitation has contributed to the \"senselessness\" of a world now caught between spiraling debt and environmental degradation. Dyson draws on scenes, historical moments, artworks, and artistic and theoretical practice to situate the reverberative atmosphere that surrounds and sustains us. From Pythagoras's hammer and the transmutation of music into mathematics, to John Cage's famous experience in the anechoic chamber, to the relocation of the stock market from the street to the computer screen, to Occupy Wall Street's \"people's microphone\": Dyson finds policies and practices of exclusion. The sound of Pythagoras's forge and the rabble of the market have been muted, rearticulated, and transformed, Dyson argues, through the monotones of media, the racket of financialization, and the gibberish of political speech. Informed by contemporary sound art, philosophy, media and sociopolitical theory, The Tone of Our Times offers insights into present crises that are relevant to a broader understanding of how space, the aural, and listening have shaped and continue to shape the world we live in.", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "", "date": "Sept. 26 2014", "publisher": "The MIT Press", "place": "Cambridge, Massachusetts", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "208", "ISBN": "9780262028080", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "The Tone of Our Times", "language": "English", "libraryCatalog": "Amazon.com", "callNumber": "", "rights": "", "extra": "", "tags": [], "collections": [], "relations": {}, "dateAdded": "2015-01-05T18:07:41Z", "dateModified": "2015-01-05T18:07:41Z" } }, { "key": "JSV9KB3G", "version": 127, "library": { "type": "group", "id": 245999, "name": "Sound, new media, and digital networks", "links": { "alternate": { "href": "https://www.zotero.org/groups/sound_new_media_and_digital_networks", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/245999/items/JSV9KB3G", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/sound_new_media_and_digital_networks/items/JSV9KB3G", "type": "text/html" } }, "meta": { "createdByUser": { "id": 173012, "username": "dcecchet", "name": "David Cecchetto", "links": { "alternate": { "href": "https://www.zotero.org/dcecchet", "type": "text/html" } } }, "creatorSummary": "Priest", "parsedDate": "2013", "numChildren": 0 }, "data": { "key": "JSV9KB3G", "version": 127, "itemType": "presentation", "title": "Earworms and the fatal technics of lived abstraction", "creators": [ { "creatorType": "presenter", "firstName": "eldritch", "lastName": "Priest" } ], "abstractNote": "", "presentationType": "Conference paper presented at Tuning Speculation", "date": "2013", "meetingName": "", "place": "Toronto", "series": "", "sessionTitle": "", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "shortTitle": "", "language": "", "rights": "", "extra": "", "tags": [], "collections": [], "relations": {}, "dateAdded": "2014-12-17T17:09:20Z", "dateModified": "2014-12-17T17:12:26Z" } }, { "key": "X2SHZZX6", "version": 120, "library": { "type": "group", "id": 245999, "name": "Sound, new media, and digital networks", "links": { "alternate": { "href": "https://www.zotero.org/groups/sound_new_media_and_digital_networks", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/245999/items/X2SHZZX6", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/sound_new_media_and_digital_networks/items/X2SHZZX6", "type": "text/html" } }, "meta": { "createdByUser": { "id": 173012, "username": "dcecchet", "name": "David Cecchetto", "links": { "alternate": { "href": "https://www.zotero.org/dcecchet", "type": "text/html" } } }, "creatorSummary": "Massumi", "parsedDate": "2014-08-15", "numChildren": 1 }, "data": { "key": "X2SHZZX6", "version": 120, "itemType": "book", "title": "What Animals Teach Us about Politics", "creators": [ { "creatorType": "author", "firstName": "Brian", "lastName": "Massumi" } ], "abstractNote": "In What Animals Teach Us about Politics, Brian Massumi takes up the question of \"the animal.\" By treating the human as animal, he develops a concept of an animal politics. His is not a human politics of the animal, but an integrally animal politics, freed from connotations of the \"primitive\" state of nature and the accompanying presuppositions about instinct permeating modern thought. Massumi integrates notions marginalized by the dominant currents in evolutionary biology, animal behavior, and philosophy - notions such as play, sympathy, and creativity - into the concept of nature. As he does so, his inquiry necessarily expands, encompassing not only animal behavior but also animal thought and its distance from, or proximity to, those capacities over which human animals claim a monopoly: language and reflexive consciousness. For Massumi, humans and animals exist on a continuum. Understanding that continuum, while accounting for difference, requires a new logic of \"mutual inclusion.\" Massumi finds the conceptual resources for this logic in the work of thinkers including Gregory Bateson, Henri Bergson, Gilbert Simondon, and Raymond Ruyer. 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"presentation", "title": "Ear Room", "creators": [ { "creatorType": "presenter", "firstName": "Steven", "lastName": "Connor" } ], "abstractNote": "", "presentationType": "Paper presented at Audio Forensics Symposium", "date": "30 November 2008", "meetingName": "", "place": "Image-Music-Text Gallery London", "series": "", "sessionTitle": "", "DOI": "", "citationKey": "", "url": "http://www.stevenconnor.com/earroom/", "accessDate": "", "shortTitle": "", "language": "", "rights": "", "extra": "", "tags": [], "collections": [], "relations": {}, "dateAdded": "2014-12-15T17:42:28Z", "dateModified": "2014-12-15T22:40:38Z" } }, { "key": "8HMAUZXZ", "version": 112, "library": { "type": "group", "id": 245999, "name": "Sound, new media, and digital networks", "links": { "alternate": { "href": "https://www.zotero.org/groups/sound_new_media_and_digital_networks", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/245999/items/8HMAUZXZ", "type": "application/json" 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"creators": [ { "creatorType": "author", "firstName": "Alexander R.", "lastName": "Galloway" } ], "abstractNote": "Interfaces are back, or perhaps they never left. The familiar Socratic conceit from the Phaedrus, of communication as the process of writing directly on the soul of the other, has returned to center stage in today's discussions of culture and media. Indeed Western thought has long construed media as a grand choice between two kinds of interfaces. Following the optimistic path, media seamlessly interface self and other in a transparent and immediate connection. But, following the pessimistic path, media are the obstacles to direct communion, disintegrating self and other into misunderstanding and contradiction. In other words, media interfaces are either clear or complicated, either beautiful or deceptive, either already known or endlessly interpretable.Recognizing the limits of either path, Galloway charts an alternative course by considering the interface as an autonomous zone of aesthetic activity, guided by its own logic and its own ends: the interface effect. Rather than praising user-friendly interfaces that work well, or castigating those that work poorly, this book considers the unworkable nature of all interfaces, from windows and doors to screens and keyboards. Considered allegorically, such thresholds do not so much tell the story of their own operations but beckon outward into the realm of social and political life, and in so doing ask a question to which the political interpretation of interfaces is the only coherent answer.Grounded in philosophy and cultural theory and driven by close readings of video games, software, television, painting, and other images, Galloway seeks to explain the logic of digital culture through an analysis of its most emblematic and ubiquitous manifestation –  the interface.", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "1 edition", "date": "October 8, 2012", "publisher": "Polity", "place": "Cambridge, UK ; Malden, MA", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "200", "ISBN": "9780745662534", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "English", "libraryCatalog": "Amazon.com", "callNumber": "", "rights": "", "extra": "", "tags": [], "collections": [], "relations": {}, "dateAdded": "2014-08-25T13:23:26Z", "dateModified": "2014-08-25T13:23:26Z" } }, { "key": "M5RIUTX7", "version": 107, "library": { "type": "group", "id": 245999, "name": "Sound, new media, and digital networks", "links": { "alternate": { "href": "https://www.zotero.org/groups/sound_new_media_and_digital_networks", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/245999/items/M5RIUTX7", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/sound_new_media_and_digital_networks/items/M5RIUTX7", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/245999/items/Q78QHK5S", "type": "application/json" } }, "meta": { "createdByUser": { "id": 173012, "username": "dcecchet", "name": "David Cecchetto", "links": { "alternate": { "href": "https://www.zotero.org/dcecchet", "type": "text/html" } } } }, "data": { "key": "M5RIUTX7", "version": 107, "parentItem": "Q78QHK5S", "itemType": "attachment", "linkMode": "linked_url", "title": "Amazon.com Link", "accessDate": "2014-08-25T13:23:26Z", "url": "http://www.amazon.com/Interface-Effect-Alexander-R-Galloway/dp/0745662536", "note": "", "contentType": "text/html", "charset": "", "tags": [], "relations": {}, "dateAdded": "2014-08-25T13:23:26Z", "dateModified": "2014-08-25T13:23:26Z" } }, { "key": "FAGSRP9A", "version": 106, "library": { "type": "group", "id": 245999, "name": "Sound, new media, and digital networks", "links": { "alternate": { "href": "https://www.zotero.org/groups/sound_new_media_and_digital_networks", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/245999/items/FAGSRP9A", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/sound_new_media_and_digital_networks/items/FAGSRP9A", "type": "text/html" } }, "meta": { "createdByUser": { "id": 173012, "username": "dcecchet", "name": "David Cecchetto", "links": { "alternate": { "href": "https://www.zotero.org/dcecchet", "type": "text/html" } } }, "creatorSummary": "LaBelle", "parsedDate": "2006-04-19", "numChildren": 1 }, "data": { "key": "FAGSRP9A", "version": 106, "itemType": "book", "title": "Background Noise: Perspectives on Sound Art", "creators": [ { "creatorType": "author", "firstName": "Brandon", "lastName": "LaBelle" } ], "abstractNote": "Background Noise follows the development of sound as an artistic medium and illustrates how sound is put to use within modes of composition, installation, and performance. While chronological in its structure, Brandon LaBelle's book is informed by spatial thinking - weaving architecture, environments, and the specifics of location into the work of sound, with the aim of formulating an expansive history and understanding of sound art. At its center the book presupposes an intrinsic relation between sound and its location, galvanizing acoustics, sound phenomena, and the environmental with the tensions inherent in what LaBelle identifies as sound's relational dynamic. For the author, this is embedded within sound's tendency to become public expressed in its ability to travel distances, foster cultural expression, and define spaces while being radically flexible.How does sound embed us within local environments while connecting us to a broader circumference? What consequence does sound art have for notions of spatiality and site-specific practice? Can we engage questions of identity and subjective experience in relation to listening and the resonance of place? Such questions are addressed through consideration of the work of a range of artists, musicians, performers, and composers, including Vito Acconci, Maryanne Amacher, Michael Asher, John Cage, Bill Fontana, Christof Migone, Max Neuhaus, Yasunao Tone, Achim Wollscheid, and Iannis Xenakis. Intersecting material analysis with theoretical frameworks spanning art and architectural theory, performance studies, and media theory, Background Noise makes the case that sound art should be at the core of contemporary culture.  America's First Women Philosophers is indexed in H.W. Wilson's Essay and General Literature Index.", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "", "date": "2006-04-19", "publisher": "Bloomsbury Academic", "place": "", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "342", "ISBN": "9780826418456", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "Background Noise", "language": "en", "libraryCatalog": "Google Books", "callNumber": "", "rights": "", "extra": "", "tags": [ { "tag": "Art / Criticism & Theory", "type": 1 }, { "tag": "Music / History & Criticism", "type": 1 }, { "tag": "Music / Musical Instruments / General", "type": 1 } ], "collections": [], "relations": { "owl:sameAs": "http://zotero.org/groups/251880/items/F3SBSFK2" }, "dateAdded": "2014-05-29T13:20:31Z", "dateModified": "2014-07-27T19:50:28Z" } }, { "key": "BT9UIHZF", "version": 105, "library": { "type": "group", "id": 245999, "name": "Sound, new media, and digital networks", "links": { "alternate": { "href": "https://www.zotero.org/groups/sound_new_media_and_digital_networks", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/245999/items/BT9UIHZF", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/sound_new_media_and_digital_networks/items/BT9UIHZF", "type": "text/html" } }, "meta": { "createdByUser": { "id": 173012, "username": "dcecchet", "name": "David Cecchetto", "links": { "alternate": { "href": "https://www.zotero.org/dcecchet", "type": "text/html" } } }, "creatorSummary": "Hegarty", "parsedDate": "2007-09-01", "numChildren": 1 }, "data": { "key": "BT9UIHZF", "version": 105, "itemType": "book", "title": "Noise Music: A History", "creators": [ { "creatorType": "author", "firstName": "Paul", "lastName": "Hegarty" } ], "abstractNote": "Noise/Music looks at the phenomenon of noise in music, from experimental music of the early 20th century to the Japanese noise music and glitch electronica of today. It situates different musics in their cultural and historical context, and analyses them in terms of cultural aesthetics. Paul Hegarty argues that noise is a judgement about sound, that what was noise can become acceptable as music, and that in many ways the idea of noise is similar to the idea of the avant-garde. While it provides an excellent historical overview, the book's main concern is in the noise music that has emerged since the mid 1970s, whether through industrial music, punk, free jazz, or the purer noise of someone like Merzbow. The book progresses seamlessly from discussions of John Cage, Erik Satie, and Pauline Oliveros through to bands like Throbbing Gristle and the Boredoms. Sharp and erudite, and underpinned throughout by the ideas of thinkers like Adorno and Deleuze, Noise/Music is the perfect primer for anyone interested in the louder side of experimental music.", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "1 edition", "date": "Sept. 1 2007", "publisher": "Bloomsbury Academic", "place": "New York", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "232", "ISBN": "9780826417275", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "Noise Music", "language": "English", "libraryCatalog": "Amazon.com", "callNumber": "", "rights": "", "extra": "", "tags": [], "collections": [], "relations": { "owl:sameAs": "http://zotero.org/groups/251880/items/X87RMUVK" }, "dateAdded": "2014-05-29T13:20:31Z", "dateModified": "2014-07-27T19:47:31Z" } }, { "key": "SZ6ZMKTI", "version": 104, "library": { "type": "group", "id": 245999, "name": "Sound, new media, and digital networks", "links": { "alternate": { "href": "https://www.zotero.org/groups/sound_new_media_and_digital_networks", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/245999/items/SZ6ZMKTI", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/sound_new_media_and_digital_networks/items/SZ6ZMKTI", "type": "text/html" } }, "meta": { "createdByUser": { "id": 173012, "username": "dcecchet", "name": "David Cecchetto", "links": { "alternate": { "href": "https://www.zotero.org/dcecchet", "type": "text/html" } } }, "creatorSummary": "Warner and Cox", "parsedDate": "2004-09-01", "numChildren": 1 }, "data": { "key": "SZ6ZMKTI", "version": 104, "itemType": "book", "title": "Audio Culture: Readings in Modern Music", "creators": [ { "creatorType": "author", "firstName": "Daniel", "lastName": "Warner" }, { "creatorType": "author", "firstName": "Christoph", "lastName": "Cox" } ], "abstractNote": "The groundbreaking Audio Culture: Readings in Modern Music (Continuum; September 2004; paperback original) maps the aural and discursive terrain of vanguard music today. Rather than offering a history of contemporary music, Audio Culture traces the genealogy of current musical practices and theoretical concerns, drawing lines of connection between recent musical production and earlier moments of sonic experimentation. It aims to foreground the various rewirings of musical composition and performance that have taken place in the past few decades and to provide a critical and theoretical language for this new audio culture.Via writings by philosophers, cultural theorists, and composers, Audio Culture explores the interconnections among such forms as minimalism, indeterminacy, musique concrète, free improvisation, experimental music, avant-rock, dub reggae, Ambient music, HipHop, and Techno. Instead of focusing on the putative \"crossover\" between \"high art\" and \"popular culture,\" Audio Culture takes all of these musics as experimental practices on par with, and linked to, one another. While cultural studies has tended to look at music (primarily popular music) from a sociological perspective, the concern here is philosophical, musical, and historical.Audio Culture includes writing by some of the most important musical thinkers of the past half-century, among them John Cage, Brian Eno, Glenn Gould, Umberto Eco, Ornette Coleman, Jacques Attali, Simon Reynolds, Pauline Oliveros, Paul D. Miller, David Toop, John Zorn, Karlheinz Stockhausen, and many others. The book is divided into nine thematically-organized sections, each with its own introduction. Section headings include topics such as \"Modes of Listening,\" \"Minimalisms,\" and \"DJ Culture.\" In addition, each essay has its own short introduction, helping the reader to place the essay within musical, historical, and conceptual contexts. 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In clear and authoritative prose, the fundamental aspects of hearing are addressed. The reader is introduced to the nature of sound and the spectrum, and the anatomy and physiology of the auditory system. Basic auditory processes including frequency selectivity, loudness and pitch perception, temporal resolution, and sound localization are explained. The reader is led to an understanding of the remarkable abilities of the auditory system in a systematic and coherent way. In the final chapters, it is shown how complex processes, such as perceptual organization and speech perception, are dependent on the initial analysis that occurs when sounds enter the ear.The text benefits from 139 original illustrations, including uncluttered diagrams that illuminate auditory mechanisms. An extensive glossary provides definitions of technical terms. The emphasis is on explanation and clarity of style throughout, and the book will be an essential resource for students and educators involved in this sometimes challenging field.", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "1 edition", "date": "May 15, 2005", "publisher": "Psychology Press", "place": "Mahwah, N.J", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "288", "ISBN": "9780805848847", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "English", "libraryCatalog": "Amazon.com", "callNumber": "", "rights": "", "extra": "", "tags": [], "collections": [], "relations": {}, "dateAdded": "2014-07-27T18:19:35Z", "dateModified": "2014-07-27T18:19:35Z" } }, { "key": "GKI6ZT38", "version": 100, "library": { "type": "group", "id": 245999, "name": "Sound, new media, and digital networks", "links": { "alternate": { "href": "https://www.zotero.org/groups/sound_new_media_and_digital_networks", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/245999/items/GKI6ZT38", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/sound_new_media_and_digital_networks/items/GKI6ZT38", "type": "text/html" } }, "meta": { "createdByUser": { "id": 173012, "username": "dcecchet", "name": "David Cecchetto", "links": { "alternate": { "href": "https://www.zotero.org/dcecchet", "type": "text/html" } } }, "creatorSummary": "Hansen", "parsedDate": "2006-02-17", "numChildren": 1 }, "data": { "key": "GKI6ZT38", "version": 100, "itemType": "book", "title": "New Philosophy for New Media", "creators": [ { "creatorType": "author", "firstName": "Mark B. N.", "lastName": "Hansen" } ], "abstractNote": "In New Philosophy for New Media, Mark Hansen defines the image in digital art in terms that go beyond the merely visual. Arguing that the \"digital image\" encompasses the entire process by which information is made perceivable, he places the body in a privileged position -- as the agent that filters information in order to create images. By doing so, he counters prevailing notions of technological transcendence and argues for the indispensability of the human in the digital era.Hansen examines new media art and theory in light of Henri Bergson's argument that affection and memory render perception impure -- that we select only those images precisely relevant to our singular form of embodiment. Hansen updates this argument for the digital age, arguing that we filter the information we receive to create images rather than simply receiving images as preexisting technical forms. This framing function yields what Hansen calls the \"digital image.\" He argues that this new \"embodied\" status of the frame corresponds directly to the digital revolution: a digitized image is not a fixed representation of reality, but is defined by its complete flexibility and accessibility. It is not just that the interactivity of new media turns viewers into users; the image itself has become the body's process of perceiving it.To illustrate his account of how the body filters information in order to create images, Hansen focuses on new media artists who follow a \"Bergsonist vocation\"; through concrete engagement with the work of artists like Jeffrey Shaw, Douglas Gordon, and Bill Viola, Hansen explores the contemporary aesthetic investment in the affective, bodily basis of vision. 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