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            "title": "関西大学ポピュラー音楽アーカイブの現状と課題",
            "creators": [
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                    "firstName": "舞",
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            "abstractNote": "本稿では,筆者らが現在構築を進めている日本のポピュラー音楽のデジタルアーカイブについて,その概要と課題について述べる.本アーカイブプロジェクトは,メディアや音楽関連団体などの協力を得て,日本のポピュラー音楽が独自的展開を見せ始める 1960 年代以降に焦点を当て,当時の音源に加え,ライブ記録や音楽クリップといった映像をデジタル化して保存するというものである.関連する雑誌や宣伝素材といった文書および画像,関係者へのインタビュー記録も対象とする.元の音源と映像の保存形態は時代に応じて多様であり,再生装置の確保が困難になりつつあるものもある.こういった資料をデジタル化するに当たっては,どのようなデータ形式を選ぶか,音質や画像の品質をどのように設定するべきか,さらに用途に応じて容易に検索可能とするためのメタデータ体系をどのように構築するかは慎重に検討せねばならない.また将来の活用を見据え,著作権・著作隣接権について解決すべき課題も多い.本稿では,このような諸課題に対する試みの現状を報告する.\n\t\t\t\t\tThis paper provides an overview of Kansai University's Popular Music Archives Project and several issues to be addressed through its implementation. This project focuses mainly on audio and video recordings of Japanese popular music, including live recordings and music clips since the 1960s. Further, original audio or video tapes will be digitalized for collections. Collections also include documents and still images such as music magazines, posters, and oral histories. Japanese popular music has been recorded in various audio or video formats; for some cases, it is difficult to find recording and reproducing devices. We must carefully examine suitable data formats for preservation and a metadata system for retrieval. Additionally, we must acknowledge that copyright issues are crucial for organizing the archives.",
            "publicationTitle": "情報処理学会研究報告. 人文科学とコンピュータ研究会報告",
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            "title": "楽譜・音源資料の保存及び電子化の動向とその課題〜海外におけるクラシック音楽の資料を中心に〜",
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            "abstractNote": "各種の音源や音楽に関する資料は、世界中の博物館、図書館、文書館のみならず、研究機関や各種の法人組織によって保存されている。これらの資料は、様々な形態でこれまで保存・公開されてきたが、各種資料の電子化とその公開の動向が顕著になるにつれ、それらの資料の電子化とその公開を行う事例が増加している。本発表では、海外におけるクラシック音楽について、楽譜と音源の保存及び電子化の現状を概観し、今後の展望とその課題を明らかにする。\n\t\t\t\t\tVarious kinds of sound and music related material have been preserves not only in museum, library and archive, but also in research organization and some kinds of corporative institutes. These materials have been preserved and published in various style until now, and the case study of digitizing and publishing of music material is increased according to the trend of digitization about cultural resources. In this paper, the outline of preservation and digitization about music score and sounds of classical music in the oversee are reviewed and perspective and subjects of digitalization in the future are explained.",
            "publicationTitle": "情報処理学会研究報告. 人文科学とコンピュータ研究会報告",
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            "itemType": "journalArticle",
            "title": "ニコライ・ゴーゴリの文体に見られる精神病理",
            "creators": [
                {
                    "creatorType": "author",
                    "firstName": "彰規",
                    "lastName": "世利"
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            "abstractNote": "本稿はニコライ・ゴーゴリの書簡における文体がいつの時代に変化したのかを特定することを目的とする.そして彼の死の原因となった精神病理がいつ何をきっかけに生じたのかを明らかにする.文章の特徴として 1) 一つ一つの文の長さと 2) 文を構成する単語の長さの 2 つとした.これらの特徴が 1820 年から 1852 年の間にゴーゴリの書簡においてどのように変化しているか調べた結果、1847 年を境に文が長くなったという結果を得ることができた.これは 『友人との往復書簡選』 を出版した時期と一致した.以上をふまえてゴーゴリの精神的な病は 『友人との往復書簡選』 の出版後に始まったという結論が得られた.\n\t\t\t\t\tThe purpose of this paper is to clarify when N.V.Gogol's styles in his letters changed, in order to find the reason of Gogol's mental sickness. We use the length of a sentence and the length of each word in a letter as the feature of Gogol's style. We surveyed changes of these features in Gogol's letters that were written between 1820 and 1852. It became clear that from 1847 sentence length became greater in Gogol's letters. In this period, `Selected Passages from Correspondence with his Friends' was published. As a result, we came to reach the conclusion that Gogol's mental sickness occurred after publishing `Selected Passages from Correspondence with his Friends'.",
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            "title": "\"声明\"のマルチメディアアーカイブの構築",
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                    "creatorType": "author",
                    "firstName": "成昭",
                    "lastName": "今村"
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                    "creatorType": "author",
                    "firstName": "至弘",
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                    "firstName": "真太郎",
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                    "firstName": "麻佐子",
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            "abstractNote": "僧侶達による仏典に節を付けた楽譜を朗誦する仏教の伝統的儀式音楽である\"声明\"を\n対象としたデジタルアーカイブの構成を検討した。声明は仏典の進行とそれに対応し\nた楽譜を有しており、この楽譜の構造に対応した僧侶の朗誦また所作の情報が含まれ\nているため、従来の音声や映像資料を中心としたアーカイブとは異なるアーカイブの\n構築が必要となる。本研究では、声明が包括する情報の構造化と記述を提案し、さら\nに，アーカイブ化したデータの一部を用いてマルチメディアコンテンツの制作によっ\nてアーカイブ利用の一例を示す。",
            "publicationTitle": "情報処理学会研究報告. 人文科学とコンピュータ研究会報告",
            "publisher": "",
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            "title": "音楽芸能の伝承において映像記録が果たしうる役割-徳之島の芸能を例に",
            "creators": [
                {
                    "creatorType": "author",
                    "firstName": "正太",
                    "lastName": "福岡"
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            "abstractNote": "急速な社会の変化に伴う民俗的な芸能の伝承の危機に際して,映像による記録の必要性が叫ばれ,実際に多くの映像記録が作成されるようになっている.しかし,記録作成やその活用の方法について,必ずしも明確な指針が確立しているとは言えず,映像記録が活用されずに眠っているケースもよく見られる.恐らく,その原因の 1 つは,芸能の伝承の過程に映像記録がうまく位置づけられていないことにあると思われる.そこで,私たちは,徳之島の芸能を例に,芸能の伝承者や地元の教育委員会の協力をあおぎ,関係者の意見を取り入れながら徳之島の芸能の映像記録を作成するプロジェクトを進めてきた.この発表では,この経験に基づき,望ましい芸能の映像記録とそのアーカイブのあり方について論じる.映像記録は,単に 「お手本」 として機能するばかりでなく,関係者同士の対話を生み出し,伝承へのモチベーションを高めていくきっかけともなる.伝承者らに利用しやすいアーカイブの構築こそが求められていると言えるだろう.\n\t\t\t\t\tThis paper discusses a desirable way of producing audio-visual documentation of traditional performing arts and archiving them. Audio-visual documentation could serve as a source of learning of physical movements, rhythm and music of performing arts. Besides, it could also provoke discussion between stakeholders and stimulate the motivation to learn. For the sake of transmission of traditional performing arts, we need to build archives which could be easily utilized by practitioners of traditional performing arts.",
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