[ { "key": "RTA7W7UX", "version": 3, "library": { "type": "group", "id": 213456, "name": "AQSG Essential Reads", "links": { "alternate": { "href": "https://www.zotero.org/groups/aqsg_essential_reads", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/213456/items/RTA7W7UX", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/aqsg_essential_reads/items/RTA7W7UX", "type": "text/html" } }, "meta": { "createdByUser": { "id": 144866, "username": "janneken", "name": "Janneken Smucker", "links": { "alternate": { "href": "https://www.zotero.org/janneken", "type": "text/html" } } }, "creatorSummary": "Clark et al.", "parsedDate": "1991", "numChildren": 0 }, "data": { "key": "RTA7W7UX", "version": 3, "itemType": "book", "title": "Quilts in Community: Ohio's Traditions", "creators": [ { "creatorType": "author", "firstName": "Ricky", "lastName": "Clark" }, { "creatorType": "author", "firstName": "George", "lastName": "Knepper" }, { "creatorType": "author", "firstName": "Ellice", "lastName": "Ronsheim" } ], "abstractNote": "", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "", "date": "1991", "publisher": "Rutledge Hill Press", "place": "Nashville, Tenn.", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "", "ISBN": "1-55853-101-7", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "Quilts in Community", "language": "English", "libraryCatalog": "OCLC WorldCat FirstSearch", "callNumber": "", "rights": "", "extra": "Access: http://www.loc.gov/catdir/enhancements/fy0609/91009132-d.html\nExternal Resources: Cite This Item Search for versions with same title and author | Advanced options ...\nAccess: Materials specified: Publisher description http://www.loc.gov/catdir/enhancements/fy0609/91009132-d.html\nNote(s): \"Exhibitions ... co-sponsored by the Ohio Quilt Research Project, the Dayton Art Institute, and the Ohio Historical Society\"--T.p. verso./ Includes bibliographical references (p. 165-166) and index.\nClass Descriptors: LC: NK9112; Dewey: 746.9/7/09771\nResponsibility: Ricky Clark, George W. Knepper, and Ellice Ronsheim ; edited by Ricky Clark ; with the support of American Association for State and Local History ... [et al.].\nMore Records: Show record information\nVendor Info: Baker & Taylor Baker and Taylor YBP Library Services (BKTY BTCP YANK) 29.95 $29.95 Status: active\nMaterial Type: Biography (bio)\nEntry: 19910208\nUpdate: 20080828\nProvider: OCLC", "tags": [ { "tag": "Biography", "type": 1 }, { "tag": "History. 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Quilts", "type": 1 }, { "tag": "Quilts", "type": 1 }, { "tag": "United States", "type": 1 } ], "collections": [], "relations": {}, "dateAdded": "2013-09-20T01:38:12Z", "dateModified": "2013-09-20T01:38:12Z" } }, { "key": "M5CX45GW", "version": 3, "library": { "type": "group", "id": 213456, "name": "AQSG Essential Reads", "links": { "alternate": { "href": "https://www.zotero.org/groups/aqsg_essential_reads", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/213456/items/M5CX45GW", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/aqsg_essential_reads/items/M5CX45GW", "type": "text/html" } }, "meta": { "createdByUser": { "id": 144866, "username": "janneken", "name": "Janneken Smucker", "links": { "alternate": { "href": "https://www.zotero.org/janneken", "type": "text/html" } } }, "creatorSummary": "Berlo and Crews", "parsedDate": "2003", "numChildren": 1 }, "data": { "key": "M5CX45GW", "version": 3, "itemType": "book", "title": "Wild by Design: Two Hundred Years of Innovation and Artistry in American Quilts", "creators": [ { "creatorType": "editor", "firstName": "Janet Catherine", "lastName": "Berlo" }, { "creatorType": "editor", "firstName": "Patricia Cox", "lastName": "Crews" } ], "abstractNote": "", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "", "date": "2003", "publisher": "International Quilt Study Center at the University of Nebraska-Lincoln in Association with University of Washington Press, Seattle", "place": "Lincoln, NE", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "158", "ISBN": "0-295-98309-4", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "Wild by Design", "language": "English", "libraryCatalog": "OCLC WorldCat FirstSearch", "callNumber": "", "rights": "", "extra": "External Resources: Cite This Item Search for versions with same title and author | Advanced options ...\nContents: Foreword / Michael James -- International Quilt Study Center collections / Patricia Cox Crews -- \"Acts of pride, desperation, and necessity\": aesthetics, social history, and American quilts / Janet Catherine Berlo -- Catalogue of quilts / Janet Catherine Berlo, Patricia Cox Crews, Carolyn Ducey, Jonathan Holstein.\nNote(s): Includes bibliographical references (p. 149-156).\nClass Descriptors: LC: NK9112; Dewey: 746.46/0973\nResponsibility: Janet Catherine Berlo and Patricia Cox Crews ; with contributions by Carolyn Ducey, Jonathan Holstein, and Michael James.\nMore Records: Show record information\nVendor Info: Baker & Taylor Ingram Baker and Taylor YBP Library Services (BKTY INGR BTCP YANK) 35.00 Status: active\nEntry: 20021217\nUpdate: 20080604\nProvider: OCLC", "tags": [ { "tag": "United States. Quilts", "type": 1 } ], "collections": [], "relations": {}, "dateAdded": "2013-09-20T01:38:12Z", "dateModified": "2013-09-20T01:38:12Z" } }, { "key": "V6WSM58G", "version": 3, "library": { "type": "group", "id": 213456, "name": "AQSG Essential Reads", "links": { "alternate": { "href": "https://www.zotero.org/groups/aqsg_essential_reads", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/213456/items/V6WSM58G", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/aqsg_essential_reads/items/V6WSM58G", "type": "text/html" } }, "meta": { "createdByUser": { "id": 144866, "username": "janneken", "name": "Janneken Smucker", "links": { "alternate": { "href": "https://www.zotero.org/janneken", "type": "text/html" } } }, "creatorSummary": "Arnett et al.", "parsedDate": "2006", "numChildren": 0 }, "data": { "key": "V6WSM58G", "version": 3, "itemType": "book", "title": "Gee's Bend: The Architecture of the Quilt", "creators": [ { "creatorType": "author", "firstName": "William", "lastName": "Arnett" }, { "creatorType": "author", "firstName": "Paul", "lastName": "Arnett" }, { "creatorType": "author", "firstName": "Joanne", "lastName": "Cubbs" }, { "creatorType": "author", "firstName": "E. W.", "lastName": "Metcalf" } ], "abstractNote": "", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "1st ed.", "date": "2006", "publisher": "Tinwood Books", "place": "Atlanta, GA", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "223", "ISBN": "0-9719104-5-6", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "Gee's Bend", "language": "English", "libraryCatalog": "OCLC WorldCat FirstSearch", "callNumber": "", "rights": "", "extra": "External Resources: Cite This Item Search for versions with same title and author | Advanced options ...\nContents: Gee's Bend: the architecture of the quilt / William Arnett -- A history of the work-clothes quilt / Joanne Cubbs -- \"Avocado leaf\" corduroy, remnant of the seventies / Lauren Whitley -- Bending geometry / Maggi McCormick Gordon -- A dirt road in Rehoboth / Dilys Blum -- The living legacy of Dinah the slave / Amei Wallach -- Dinah, Sally, Tank, mother, and me / Loretta P. Bennett -- Mama's song / Mary Lee Bendolph -- A new generation of \"housetops\" / Louisiana P. Bendolph -- Architectural definitions / Bernard L. Herman\nNamed Corp: Tinwood Alliance -- Exhibitions.\nNote(s): Published on the occasion of the exhibition organized by the Museum of Fine Arts, Houston and Tinwood Alliance--T.p. verso./ Includes bibliographical references and index.\nClass Descriptors: LC: NK9112; Dewey: 746.46/089/96073\nResponsibility: contributions by William Arnett ... [et al.] ; edited by Paul Arnett, Joanne Cubbs, Eugene W. Metcalf.\nMore Records: Show record information\nVendor Info: Baker & Taylor YBP Library Services Baker and Taylor Baker & Taylor Baker & Taylor (BKTY YANK BTCP BKTY BKTY) 60.00 50.00 40.00 Status: active active active\nEntry: 20060817\nUpdate: 20091111\nProvider: OCLC", "tags": [ { "tag": "African American quilts", "type": 1 }, { "tag": "Exhibitions. African American quiltmakers", "type": 1 }, { "tag": "Exhibitions. 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Plate 5: Silber "This piece was purchase in Intercourse, Pennsylvania, from an Amish woman who observed that the quilting in it is 'exceptional, even for an Amish quilt.'"

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Sally Garoutte's copy of the Renwick edition published first for French exhibit.

 

84 plates, some in color

 

including LC wool nine patch, original bars, and streak of lightening

 

Many of quilts are in B&w, which in fact is quite striking in these crisp photos.  The contrasts are accentuated, and the graphic visual stuff is really clear.

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"I further suggest that due to their divergent socialization, men and women relate to the distances differently: women are typically more comfortable than men with the nearer, more personal distances where involvement, texture, and detail are particularly salient; men often screen out details of the near distances and are more comfortable with the farther, more abstract and impersonal, distances." )239)

 

Gordon is drawing on work of anthropologist Edward T. Hall -- coined term Proxemics.  His work: The hidden Dimension (1966)

 

four distances:

intimate: to 18" from body, tied to physical contact and sense of touch, fragmented visually, as the whole cannot be seen.  Emotional zone.  

 

personal: 18" to 4'.  tactile qualities are apprehended visually.

 

social: 4' to 12'.  "textural and vision detail lost", (240) requires scanning

 

public: 12' to 25' to end of range "people and objects not only lose their detail but even their dimensionality; they begin to look flat" (241)  

 

"the two nearer distances are 'high tough'; they are zones of the senses, the tangible and concrete, and of involvement, relationship, and interaction.  The farther distances are 'low-touch,' zones of the intangible and the abstract; they allow a different kind of separation, domination, and depersonalization." (241)

 

"Holstein, in approaching geometric pieced quilts as large-scale abstract artworks, must have been standing back from them, perceiving them only as whole design units.  In proxemic terms, he would have been considering them from a social distance, probably from about seven to twelve feet away.  As we have seen, this represents an impersonal distance, suitable for abstract contemplation rather than emotional involvement.  It is a distance from which even three-dimensional objects begin to appear flat." (244)

 

"Traditional quilts were designed with this near distance in mind' they had another, entirely separate level of patterning that often could not even be perceived from Holstein's social distance vantage point.  The actual quilting design--as opposed to the pieced design of the quilt 'top'--was created by tiny stitches or ties that went through the layers of fabric and filler and held the quilt together.... the design could be perceived tactually, and it was texturally rich.  It could provide a sensual experience, not only for the hands but also for the entire body." (244-5)

 

 

"In a home or domestic setting, the quilts would have been placed on beds and perceived in a horizontal position that would have highlighted the relief of the stitching.  The differing placement also relates to power and control and the way objects are seen.  Hall explains that in the contest of eeryday experience, people look _down on_ objects that are close (near distances) and _up to_ objects that are far away (far distances).  Objects that are looked up t seem more awesome and powerful.  Hanging the quilts so that they had to be looked up to rather than down upon contributed to the distancing effect and added to the sense of grandeur that the classical Western academy expected of 'important' works of art." (246-7)

 

 

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Berlo's essay may be the best introduction to the historiography and history of quiltmaking and the appreciation of quilts in the United States.

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reference in introduction to Smithsonian quilt controversy

 

Williams' Keywords for Folk and Tradition

 

pg 2 Hmong made "Amish" quilts

 

"_Tradition_ and _folk_ , however, are ideologically constructed categories shaped by social, gender, and racial relations and by political and economic considerations. Definitions of these categories tell us less about the identified peiople and their cultures than about their interpreters" (2)

 

"The worth of Southern Appalachian crafts, thus commodified, depended not on an understanding of the mountaineers as Americans living in a complex and changing contemporary world, but rather upon the invisibility of the Southern Appalachian people in the present." -- but the Amish cottage industries contradict this.  There was something so special about buying a quilt directly from a real live Amish person.

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Best essays on technical aspects of manufacturing, printing, and dying the fabrics used to make 19th century quilts.

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Very readable survey history. My only hesitation in including it as an essential is its lack of notes and references.

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Holstein points to definite paradox about the simple designs in LC: \"It is possible that the very large pieced parts of most Lancaster Amish quilts, which we praise as an aesthetic achievement, were a strategy to avoid the appearance of pride; a top of such large pieces could be quickly assembled on a machine (as they invariably were), thus avoiding the temptation of involved piecing work done either by hand or machine.\" (94)

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