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1584660, "username": "CasperSiers", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/caspersiers", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "FGRFZX9W", "version": 4, "parentItem": "54QGPXEF", "itemType": "attachment", "linkMode": "imported_url", "title": "Full Text PDF", "accessDate": "2013-09-19T11:58:52Z", "url": "http://con.sagepub.com/content/5/2/80.full.pdf", "note": "", "contentType": "application/pdf", "charset": "", "filename": "Manovich - 1999 - Database as Symbolic Form.pdf", "md5": "e8795cadb85858c6436f9495e54955ab", "mtime": 1379591937237, "tags": [], "relations": { "owl:sameAs": "http://zotero.org/groups/213084/items/MSTWUBEK" }, "dateAdded": "2013-09-19T11:58:52Z", "dateModified": "2013-09-19T11:58:57Z" } }, { "key": "54QGPXEF", "version": 3, "library": { "type": "group", "id": 213108, "name": "dpwg1-5", "links": { "alternate": { "href": "https://www.zotero.org/groups/dpwg1-5", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/213108/items/54QGPXEF", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/dpwg1-5/items/54QGPXEF", "type": "text/html" } }, "meta": { "createdByUser": { "id": 1584660, "username": "CasperSiers", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/caspersiers", "type": "text/html" } } }, "creatorSummary": "Manovich", "parsedDate": "1999-06-01", "numChildren": 2 }, "data": { "key": "54QGPXEF", "version": 3, "itemType": "journalArticle", "title": "Database as Symbolic Form", "creators": [ { "creatorType": "author", "firstName": "Lev", "lastName": "Manovich" } ], "abstractNote": "After the novel, and subsequently cinema, privileged narrative as the key form of cultural expression of the modern age, the computer age introduces its correlate - database. 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A possible history of a database form in modern media and culture in general is sketched. The last part of the article addreses the tension between database and narrative in the history of cinema. It considers the works of such filmmakers as Peter Greenaway and Dziga Vertov as part of the tradition which can be called 'database cinema'. 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