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Why does new media favour database form over others? Can we explain ist popularity by analysing the specificity of the digital medium and of computer programming? What is the relationship between database and another form, which has traditionally dominated human culture — narrative? In addressing these questions, I discuss the connection between computer's ontology — the way software represents the world — and the new cultural forms privileged by computer culture such as database. I propose that computerisation of culture involves projection of two fundamental parts of computer software — data structures and algorithms — onto the cultural sphere. Thus CD-ROMs and Web databases are cultural manifestations of one half of this ontology — data structures; while new media narratives are manifestations of the second part — algorithms. I conclude by proposing that in computer culture database and narrative do not have the same status. 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1989 - DECONSTRUCTING THE MAP.pdf", "md5": "9295afe4270964155c5a539525728f2b", "mtime": 1378059810000, "tags": [], "relations": {}, "dateAdded": "2013-09-01T18:23:28Z", "dateModified": "2013-09-01T18:23:30Z" } }, { "key": "ZIGABNEW", "version": 50, "library": { "type": "group", "id": 200656, "name": "Digital Flanerie", "links": { "alternate": { "href": "https://www.zotero.org/groups/digital_flanerie", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/200656/items/ZIGABNEW", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/digital_flanerie/items/ZIGABNEW", "type": "text/html" } }, "meta": { "createdByUser": { "id": 1458188, "username": "ambroses", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/ambroses", "type": "text/html" } } }, "creatorSummary": "HARLEY", "parsedDate": "1989-10-01", "numChildren": 2 }, "data": { "key": "ZIGABNEW", "version": 50, "itemType": "journalArticle", "title": "DECONSTRUCTING THE MAP", "creators": [ { "creatorType": "author", "firstName": "J B", "lastName": "HARLEY" } ], "abstractNote": "The paper draws on ideas in postmodern thinking to redefine the nature of maps as representations of power. The traditional rules of cartography – long rooted in a scientific epistemology of the map as an objective form of knowledge – will first be reviewed as an object of deconstruction. Second, a deconstructionist argument will explore the textuality of maps, including their metaphorical and rhetorical nature. Third, the paper will examine the dimensions both of external power and of the omnipresence of internal power in the cartographic representation of place. Cet article s'aventure dans des concepts post-modernes afin de redéfinir la nature des cartes comme étant des représentations du pouvoir. Longuement enracinées dans une épistémologie scientifique de la carte comme forme objective de connaissance, les règles traditionnelles de la cartographie seront d'abord revues en tant qu'objets de \"déconstruction\". Ensuite, les arguments d'un \"déconstructioniste\" exploreront la \"textualité\" des cartes, y compris leurs natures métaphorique et rhétorique. Enfin, l'article examinera à la fois les dimensions du pouvoir externe et celles de l'omniprésence du pouvoir interne dans la représentation cartographique d'endroits.", "publicationTitle": "Cartographica: The International Journal for Geographic Information and Geovisualization", "publisher": "", "place": "", "date": "October 1, 1989", "volume": "26", "issue": "2", "section": "", "partNumber": "", "partTitle": "", "pages": "1-20", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "", "DOI": "10.3138/E635-7827-1757-9T53", "citationKey": "", "url": "http://dx.doi.org/10.3138/E635-7827-1757-9T53", "accessDate": "2013-09-01T18:23:28Z", "PMID": "", "PMCID": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "MetaPress", "callNumber": "", "rights": "", "extra": "", "tags": [], "collections": [ "96DR2J5M" ], "relations": {}, "dateAdded": "2013-09-01T18:23:28Z", "dateModified": "2013-09-01T18:23:28Z" } }, { "key": "ZSBINDIH", "version": 49, "library": { "type": "group", "id": 200656, "name": "Digital Flanerie", "links": { "alternate": { "href": "https://www.zotero.org/groups/digital_flanerie", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/200656/items/ZSBINDIH", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/digital_flanerie/items/ZSBINDIH", "type": "text/html" } }, "meta": { "createdByUser": { "id": 1458188, "username": "ambroses", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/ambroses", "type": "text/html" } } }, "creatorSummary": "Harley and Laxton", "parsedDate": "2001", "numChildren": 0 }, "data": { "key": "ZSBINDIH", "version": 49, "itemType": "book", "title": "The New Nature of Maps: Essays in the History of Cartography", "creators": [ { "creatorType": "author", "firstName": "J. B", "lastName": "Harley" }, { "creatorType": "author", "firstName": "Paul", "lastName": "Laxton" } ], "abstractNote": "\"Focusing on historical examples and the practices of modern cartography, J.B. Harley (1932-1991) offers an alternative to the dominant view that Western cartography since the Renaissance has been a progressive technological, scientific, and objective trajectory of development. This traditional view asserts that maps produce an accurate relational model of terrain and, as such, epitomize representational modernism, which is rooted in the project of the Enlightenment; in sum, maps banish subjectivity from the image. Accordingly, cartographers have promoted a standard scientific model for their discipline, one in which a mirror of nature can be projected through geometry and measurement. 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