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Abstract

From early discussions of the disruptive potential of computer technologies for archaeological applications, to the present era of digital archaeology as the technical underpinning of modern archaeological practice, we have continued to debate the potential impacts of digital communication and digital capture and storage on our knowledge, profession and communications. The increased use of digital tools and methods for archaeological research and dissemination, as well as what Roosevelt (2015) has referred to as the shift to the digital paradigm within archaeological practice, leads us to suggest that the impact of this paradigm shift requires careful and critical examination. This article will examine the edges of the disciplines of archaeology and sociology, where we aim to advance our understanding of the relationship between digital technologies and archaeological knowledge from a uniquely social perspective, using the theoretical approaches of both classic and modern sociologists. The application of this lens of sociology to digital archaeology equips us to understand how archaeology and archaeological practice is situated in a social world, which is especially relevant in the Global West, where digital technology is ubiquitous. Through a critical consideration of the complexity of use of digital technologies within digital archaeology, we can begin to shift our focus away from the character and method of tools and workflow, to the background of intellectual power and influence.

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Multi-sited ethnography and archeology", "creators": [ { "creatorType": "author", "firstName": "Krysta", "lastName": "Ryzewski" } ], "abstractNote": "Recent literature hails George Marcus' multi-sited ethnographic strategy as a potentially useful approach for juxtaposing relations that transcend conventional spatiotemporal boundaries of archeological sites. Emerging from these discussions is what has been labeled multi-sited archeology, adapted from multi-sited ethnography to serve archeologists' interests in comparing locales, multi-scalar connections, and local—global relations. Following a brief overview of multi-sited ethnographic principles, a review of the archeological literature exposes how archeologists are increasingly engaged with parts of multi-sited ethnography in practice, but in ways that remain, in our critical discussions, largely disengaged with the genealogy and idiosyncrasies of the approach's foundational elements. Convergences and disjunctures between multi-sited strategies in ethnographic and in archeological practice are explored; these provide the basis for suggesting what might be a multi-sited archeology, illustrated here by a case study about the early New England iron industry. 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Drawing on Ivan Illich, Jacques Ellul, and Gilles Deleuze, the article suggests that current trends in digital practices risk alienating archaeological labour and de-territorializing archaeological work., Dans cet article l'auteur examine l'impact des pratiques transhumaines historiques et numériques en archéologie en prenant compte des conversations récentes relatives à l'archéologie lente, l'archéologie punk et l'archéologie « concernée ». En s'appuyant sur les travaux d'Ivan Illich, Jacques Ellul et Gilles Deleuze, l'auteur soutient que les tendances actuelles en pratiques numériques risquent d'aliéner et de déterritorialiser le travail des archéologues. Translation by Madeleine Hummler, Die Auswirkungen von historischen und digitalen transhumanen Verfahren in der Archäologie vor dem Hintergrund der jüngsten Diskussionen über die sogenannte langsame Archäologie, Punk Archäologie und „beteiligte Archäologie“ werden hier untersucht. In diesem Beitrag, der von den Arbeiten von Ivan Illich, Jacques Ellul und Gilles Deleuze inspiriert ist, wird darauf hingedeutet, dass die aktuellen Entwicklungen in der digitalen Praxis das Risiko eingehen, die Archäologen zu entfremden und die archäologische Arbeit zu deterritorialisieren. Translation by Madeleine Hummler", "publicationTitle": "European Journal of Archaeology", "publisher": "", "place": "", "date": "2019/08", "volume": "22", "issue": "3", "section": "", "partNumber": "", "partTitle": "", "pages": "372-385", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "", "DOI": "10.1017/eaa.2019.15", "citationKey": "Caraher2019", "url": "https://www.cambridge.org/core/journals/european-journal-of-archaeology/article/slow-archaeology-punk-archaeology-and-the-archaeology-of-care/29DAFE15FF3678BBC61E5CC93BE58103", "accessDate": "2020-11-12T12:44:47Z", "PMID": "", "PMCID": "", "ISSN": "1461-9571, 1741-2722", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "en", "libraryCatalog": "Cambridge University Press", "callNumber": "", "rights": "", "extra": "mlzsync1:0058{\"extrafields\":{\"publisher\":\"Cambridge University Press\"}}ZSCC: 0000011", "tags": [ { "tag": "Digitalarchäologie", "type": 1 }, { "tag": "Ivan Illich", "type": 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"abstractNote": "This entry provides the genealogy of bricolage and underscores the modifications it has undergone within the sociologies of culture and religion. Claude Lévi-Strauss and Roger Bastide employed “bricolage” as a metaphor to depict the ways in which, in reference to traditional settings, cultures generate new myths and religious systems. Adopted within studies of culture and religion in highly differentiated societies, bricolage took a microsociological turn. It became synonymous with individual creative practices, the crafting of eclectic styles, religiosities, and identities through personal choice, as a result of the breakdown of social structures and traditions. However, it would be best to reclaim bricolage's original meaning, prompting questions about the contexts that make certain elements available, social patterns that may organize bricolage, who engages in bricolage, what for, who is empowered, from what, and by using whose tradition.", "bookTitle": "The Blackwell Encyclopedia of Sociology", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "", "date": "2018", "publisher": "Blackwell", "place": "Oxford", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "pages": "1-2", "ISBN": "978-1-4051-6551-8", "DOI": "", "citationKey": "altglasBricolage2018", "url": "https://doi.org/10.1002/9781405165518.wbeosb050.pub2", "accessDate": "2020-06-04T14:49:42Z", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "en", "libraryCatalog": "Wiley Online Library", "callNumber": "", "rights": "Copyright © 2018 John Wiley & Sons, Ltd.", "extra": "ZSCC: NoCitationData[s1] \nhttp://web.archive.org/web/20200604144952/https://onlinelibrary.wiley.com/doi/abs/10.1002/9781405165518.wbeosb050.pub2", "tags": [ { "tag": "African American", "type": 1 }, { "tag": "creativity", "type": 1 }, { "tag": "culture", "type": 1 }, { "tag": "religion", "type": 1 }, { "tag": "subculture", "type": 1 }, { "tag": "syncretism", "type": 1 } ], "collections": [], "relations": {}, "dateAdded": "2020-11-18T17:45:12Z", "dateModified": "2023-12-17T18:25:06Z" } }, { "key": "UP8764BK", "version": 8133, "library": { "type": "group", "id": 19546, "name": "Semantic Web in Museums, Libraries, and Archives", "links": { "alternate": { "href": "https://www.zotero.org/groups/semantic_web_in_museums_libraries_and_archives", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/19546/items/UP8764BK", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/semantic_web_in_museums_libraries_and_archives/items/UP8764BK", "type": "text/html" } }, "meta": { "createdByUser": { "id": 1225089, "username": "Kall12", "name": "Kalliopi", "links": { "alternate": { "href": "https://www.zotero.org/kall12", "type": "text/html" } } }, "lastModifiedByUser": { "id": 705993, "username": "bencomp", "name": "Ben Companjen", "links": { "alternate": { "href": "https://www.zotero.org/bencomp", "type": "text/html" } } }, "creatorSummary": "Alesso and Smith", "numChildren": 0 }, "data": { "key": "UP8764BK", "version": 8133, "itemType": "book", "title": "Thinking on the Web: Berners-Lee, Gödel, and Turing", "creators": [ { "creatorType": "author", "firstName": "H. 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And as archaeologists accustomed to dealing with “deep time,” how can we best understand the possibilities and limitations of the Web in meeting the specialized needs of professionals in this field? These are among the many questions posed and addressed in Archaeology 2.0: New Approaches to Communication and Collaboration, edited by Eric Kansa, Sarah Whitcher Kansa, and Ethan Watrall. With contributions from a range of experts in archaeology and technology, this volume is organized around four key topics that illuminate how the revolution in communications technology reverberates across the discipline: approaches to information retrieval and information access; practical and theoretical concerns inherent in design choices for archaeology’s computing infrastructure; collaboration through the development of new technologies that connect field-based researchers and specialists within an international archaeological community; and scholarly communications issues, with an emphasis on concerns over sustainability and preservation imperatives. This book not only describes practices that attempt to mitigate some of the problems associated with the Web, such as information overload and disinformation, it also presents compelling case studies of actual digital projects—many of which are rich in structured data and multimedia content or focused on generating content from the field “in real time,” and all of which demonstrate how the Web can and is being used to transform archaeological communications into forms that are more open, inclusive, and participatory. 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Our research forms part of the Personal Architectonics Through INteraction with Artefacts (PATINA) project, a project focused on the design of technologies for supporting research. Archaeological fieldwork is one of the research environments being studied by the project, and one of our primary concerns was to observe and record current research practices in the wild and to examine the influence of new technologies on those practices. This research brings together well-established and advanced observation techniques used in social sciences and computing fields such as human–computer interaction with archaeological research and presents the deployment of an off-the-shelf wearable camcorder as a recording interface in archaeological fieldwork. 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"type": "text/html" } }, "meta": { "createdByUser": { "id": 12608, "username": "costisd", "name": "Costis Dallas", "links": { "alternate": { "href": "https://www.zotero.org/costisd", "type": "text/html" } } }, "lastModifiedByUser": { "id": 705993, "username": "bencomp", "name": "Ben Companjen", "links": { "alternate": { "href": "https://www.zotero.org/bencomp", "type": "text/html" } } }, "creatorSummary": "Antonijevic and Cahoy", "parsedDate": "2018-11-19", "numChildren": 1 }, "data": { "key": "6YYNQEFG", "version": 8122, "itemType": "journalArticle", "title": "Researcher as bricoleur: contextualizing humanists’ digital workflows", "creators": [ { "creatorType": "author", "firstName": "Smiljana", "lastName": "Antonijevic" }, { "creatorType": "author", "firstName": "Ellysa Stern", "lastName": "Cahoy" } ], "abstractNote": "This paper presents findings from a set of contextual inquiry sessions completed in 2016 as part of the four year Digital Scholarly Workflow project (2012-2016) conducted at the Pennsylvania State University and funded by the Andrew W. Mellon Foundation. Studying humanists’ workflows through contextual inquiry enabled us to gain valuable empirical insights into digital scholarship from the perspective of individual scholars. This small-scale observational study (N=8) supplemented findings from our larger scale (N=196) and medium scale (N=23) studies previously completed in the project, allowing us to develop deeper qualitative understanding of how humanists’ research practices change in the encounter with digital technologies. Through close contextual analysis of information-based research activities we illustrate how humanists build rich personal collections of digital sources, which become important information resources in their work. We also examine how adoption of digital tools transforms the established methods of managing primary and secondary sources, bringing hastier digital workflows to traditionally more methodical work. Finally, we show that efficiency cannot be qualified as a neutral or inherent characteristic of digital tools, independent of scholars’ practices, since scholars’ interaction with digital artifacts determines what constitutes efficiency of a tool in the context of a scholar’s workflow. We conclude that in humanists’ workflows digital and analog tools and resources do not necessarily replace one another or vie for the dominant position. They rather supplement each other in an interconnected, hybrid workflow that comes to our respondents as an organic manifestation of their work, and as an illustration of the bricolage character of humanists’ digital workflows.", "publicationTitle": "Digital Humanities Quarterly", "publisher": "", "place": "", "date": "2018-11-19", "volume": "012", "issue": "3", "section": "", "partNumber": "", "partTitle": "", "pages": "", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "DHQ", "DOI": "", "citationKey": "antonijevicResearcherBricoleurContextualizing2018", "url": "http://digitalhumanities.org:8081/dhq/vol/12/3/000399/000399.html", "accessDate": "", "PMID": "", "PMCID": "", "ISSN": "1938-4122", "archive": "", "archiveLocation": "", "shortTitle": "Researcher as bricoleur", "language": "", "libraryCatalog": "", "callNumber": "", "rights": "", "extra": "ZSCC: 0000003 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"href": "https://api.zotero.org/groups/19546/items/TC6U23M3", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/semantic_web_in_museums_libraries_and_archives/items/TC6U23M3", "type": "text/html" } }, "meta": { "createdByUser": { "id": 12608, "username": "costisd", "name": "Costis Dallas", "links": { "alternate": { "href": "https://www.zotero.org/costisd", "type": "text/html" } } }, "lastModifiedByUser": { "id": 705993, "username": "bencomp", "name": "Ben Companjen", "links": { "alternate": { "href": "https://www.zotero.org/bencomp", "type": "text/html" } } }, "creatorSummary": "Tlili", "parsedDate": "2016", "numChildren": 0 }, "data": { "key": "TC6U23M3", "version": 8122, "itemType": "journalArticle", "title": "Encountering the creative museum: museographic creativeness and the bricolage of time materials", "creators": [ { "creatorType": "author", "firstName": "Anwar", "lastName": "Tlili" } ], "abstractNote": "", "publicationTitle": "Educational 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Yet during the late sixteenth and early seventeenth centuries, the two became linked through a \"new\" philosophy known as science. In The Body of the Artisan, Pamela H. Smith demonstrates how much early modern science owed to an unlikely source - artists and artisans.\" \"From goldsmiths to locksmiths and from carpenters to painters, artists and artisans were much sought after by the new scientists for their intimate, hands-on knowledge of natural materials and the ability to manipulate them. Drawing on a fascinating array of new evidence from northern Europe including artisans objects and their writings. 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