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The film involves a farmer and contractor being put out of work due to a land grab scheme. With his family facing poverty, he yields to crime in order to make ends meet.

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The documentary explicitly chronicles the history of the L.A. Aqueduct and puts it in relation to Roman Polanski’s Chinatown.

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Widow Nancy Evens refuses to sell her land to Mike Abbot who knows about its hidden water resources and strategic value. Abbot tries to drive Evans away from her land. The notion of the land grab and exploitation again forms part of the central premise.

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The film is about the misappropriation of land and the inhumane business practice of evicting farmers to make room for real estate. The central argument of the Owens River Valley controversy is again utilized as the premise of dramatic conflict.

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The film revolves around a ruthless magnate named Kincade who controls the local water supply and aims to force local farmers into exorbitant contracts to expand his territory. The hero, a government agent with the name Saunders, sets out to re-open a lost river and re-allocate the water for farming. The film emphasizes water as power and utilizes the shady business practices documented in the L.A. Aqueduct history as its premise.

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This Gene Autry Western plays on both the resistance to the L.A. Aqueduct as well as its significance for the city’s greater metropolitan area. Gene is tasked to stop a group of robbers from torpedoing the construction of a dam. The dam is presented as crucial for the land which faces a major drought and requires immediate irrigation. When the robbers steal the payroll, construction workers rebel and threaten to blow up the dam.

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Filmmaker Jenna Cavelle describes the premise of her Kickstarter-funded film as follows: “My film documents the history of Paiute Native Americans who constructed and managed 60-miles of intricate irrigation systems in Owens Valley for millennia long before LA secured its largest source of water through modern engineering a century ago. After the Indian War of 1863, surviving Paiute returned to the Valley from the Eastern Sierra and White Mountains to find their ancient waterworks taken over by white settlers. Today, 150-years later, the Paiute continue the fight to save their waterworks, which are remnant in the Owens Valley landscape. PAYA (“water” in Paiute) stands to recover Paiute water culture and history through the powerful medium of documentary film.”

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The film displays evident parallels to the history of the L.A. Aqueduct. The plot seems to have been directly inspired by the events that transpired in the Owens River Valley. In the film, the state government plans to build a flood-control dam and seeks to appropriate the property of the local farmers and ranchers. While the state intends to compensate the land-owners fairly, a crooked real-estate promoter plans a scheme to enrich himself.

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The film displays evident parallels to the history of the L.A. Aqueduct. The plot seems to have been directly inspired by the events that transpired in the Owens River Valley. In the film, the state government plans to build a flood-control dam and seeks to appropriate the property of the local farmers and ranchers. While the state intends to compensate the land-owners fairly, a crooked real-estate promoter plans a scheme to enrich himself.

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