[ { "key": "448WE894", "version": 13, "library": { "type": "group", "id": 159957, "name": "civilwarfilm", "links": { "alternate": { "href": "https://www.zotero.org/groups/civilwarfilm", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/159957/items/448WE894", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/civilwarfilm/items/448WE894", "type": "text/html" } }, "meta": { "createdByUser": { "id": 1332475, "username": "ptmacdon", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/ptmacdon", "type": "text/html" } } }, "creatorSummary": "Brown", "parsedDate": "2008-06-20", "numChildren": 0 }, "data": { "key": "448WE894", "version": 13, "itemType": "journalArticle", "title": "Spectacle/gender/history: the case of Gone with the Wind", "creators": [ { "creatorType": "author", "firstName": "Tom", "lastName": "Brown" } ], "abstractNote": "The essay asserts that, since pioneering work in the 1970s and 80s (in Screen in particular), the study of classical Hollywood cinema has failed adequately to acknowledge and understand the role of spectacle therein. This essay outlines theoretical but, even more, practical understandings of particular kinds of spectacle; they are susceptible to the practice of close analysis. Seeking to discuss spectacle in precise terms and in particular contexts, I define two kinds of spectacle associated with the historical film: ‘the decor of history’ and ‘the spectacular vista’.\nThe example of Gone with the Wind illustrates the interrelationship between these two kinds of spectacle and their associations with particular ideas of femininity and masculinity. This gendering of spectacle is related to ‘the historical gaze’, a performative gesture that exemplifies the wider rhetoric of historical films, in their seeking to address the historical knowledge of the film spectator and to uphold a vision of history as being driven by powerful men, aware of their own destiny. Over the course of the three famous hilltop scenes in Gone with the Wind, one can plot Scarlett O'Hara's increased access to this kind of foresight and fortitude coded as ‘masculine’. This character arc can also be traced through Scarlett's shifting place within the film's use of spectacle: she begins the film wholly preoccupied with the domestic world of lavish parties and beautiful gowns; however, after her encounter with cataclysmic history visualized as a vast, terrible spectacle (the fall of Atlanta), Scarlett assumes the role occupied by her broken and emasculated father.", "publicationTitle": "Screen", "publisher": "", "place": "", "date": "06/20/2008", "volume": "49", "issue": "2", "section": "", "partNumber": "", "partTitle": "", "pages": "157-178", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "Screen", "DOI": "10.1093/screen/hjn023", "citationKey": "", "url": "http://screen.oxfordjournals.org.prox.lib.ncsu.edu/content/49/2/157", "accessDate": "2013-04-16T16:05:58Z", "PMID": "", "PMCID": "", "ISSN": "0036-9543, 1460-2474", "archive": "", "archiveLocation": "", "shortTitle": "Spectacle/gender/history", "language": "en", "libraryCatalog": "screen.oxfordjournals.org.prox.lib.ncsu.edu", "callNumber": "", "rights": "", "extra": "", "tags": [], "collections": [], "relations": {}, "dateAdded": "2013-04-16T16:19:24Z", "dateModified": "2013-04-16T16:19:24Z" } }, { "key": "FVDXSHVW", "version": 13, "library": { "type": "group", "id": 159957, "name": "civilwarfilm", "links": { "alternate": { "href": "https://www.zotero.org/groups/civilwarfilm", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/159957/items/FVDXSHVW", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/civilwarfilm/items/FVDXSHVW", "type": "text/html" } }, "meta": { "createdByUser": { "id": 1332475, "username": "ptmacdon", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/ptmacdon", "type": "text/html" } } }, "creatorSummary": "Baird", "parsedDate": "1993", "numChildren": 0 }, "data": { "key": "FVDXSHVW", "version": 13, "itemType": "journalArticle", "title": "\"Going Indian\" Through Dances With Wolves", "creators": [ { "creatorType": "author", "firstName": "Robert", "lastName": "Baird" } ], "abstractNote": "", "publicationTitle": "Film & History: An Interdisciplinary Journal of Film and Television Studies", "publisher": "", "place": "", "date": "1993", "volume": "23", "issue": "1", "section": "", "partNumber": "", "partTitle": "", "pages": "91-102", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "", "DOI": "", "citationKey": "", "url": "http://muse.jhu.edu/journals/film_and_history/v023/23.1-4.baird.html", "accessDate": "2013-04-16T16:10:26Z", "PMID": "", "PMCID": "", "ISSN": "1548-9922", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "Project MUSE", "callNumber": "", "rights": "", "extra": "

Volume 23, Numbers 1-4, 1993

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Limerick tells why she feels the film `Dances with Wolves' and other Western movies are myths that ignore history and the importance of other civilizations.", "publicationTitle": "People", "publisher": "", "place": "", "date": "April 22, 1991", "volume": "35", "issue": "15", "section": "", "partNumber": "", "partTitle": "", "pages": "97", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "People", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "PMID": "", "PMCID": "", "ISSN": "00937673", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "EBSCOhost", "callNumber": "9105061554", "rights": "", "extra": "", "tags": [ { "tag": "LIMERICK", "type": 1 }, { "tag": "Patricia", "type": 1 } ], "collections": [], "relations": {}, "dateAdded": "2013-04-16T16:19:24Z", "dateModified": "2013-04-16T16:19:24Z" } }, { "key": "8X59KV88", "version": 13, "library": { "type": "group", "id": 159957, "name": "civilwarfilm", "links": { "alternate": { "href": "https://www.zotero.org/groups/civilwarfilm", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/159957/items/8X59KV88", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/civilwarfilm/items/8X59KV88", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/159957/items/5BPTR622", "type": "application/json" } }, "meta": { "createdByUser": { "id": 1332475, "username": "ptmacdon", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/ptmacdon", "type": "text/html" } } } }, "data": { "key": "8X59KV88", "version": 13, "parentItem": "5BPTR622", "itemType": "attachment", "linkMode": "linked_url", "title": "EBSCO Record", "accessDate": "2013-04-16T16:12:42Z", "url": "http://proxying.lib.ncsu.edu/index.php?url=http://search.ebscohost.com/login.aspx?direct=true&db=f6h&AN=9105061554&site=ehost-live&scope=site&scope=cite", "note": "", "contentType": "", "charset": "", "tags": [], "relations": {}, "dateAdded": "2013-04-16T16:19:24Z", "dateModified": "2013-04-16T16:19:24Z" } }, { "key": "R2T386GT", "version": 13, "library": { "type": "group", "id": 159957, "name": "civilwarfilm", "links": { "alternate": { "href": "https://www.zotero.org/groups/civilwarfilm", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/159957/items/R2T386GT", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/civilwarfilm/items/R2T386GT", "type": "text/html" } }, "meta": { "createdByUser": { "id": 1332475, "username": "ptmacdon", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/ptmacdon", "type": "text/html" } } }, "creatorSummary": "CZITROM", "parsedDate": "2003", "numChildren": 0 }, "data": { "key": "R2T386GT", "version": 13, "itemType": "journalArticle", "title": "", "creators": [ { "creatorType": "author", "firstName": "DANIEL", "lastName": "CZITROM" } ], "abstractNote": "The director dreamed of making the movie for decades; the studio spent over $100 million on a project completed two years behind schedule; the hype machine cranked out tales of endless script rewrites and bitter power struggles among the film makers. Historians kept their fingers crossed, hoping that one of the world's premier movie auteurs would combine his artistic imagination, street savvy, and passion for history to produce that rarest of creatures: an epic drama that entertains a commercial audience while bringing history plausibly and intelligently to life. Could any film live up to these expectations? Probably not. But Martin Scorsese's Gangs of New York disappoints both as drama and as historical vision, its flaws all the more glaring because of the enormous build-up. In October 2001, just a few weeks after the 9/11 catastrophe, Scorsese appeared at a special session devoted to his work-inprogress at the first ever conference on New York City history, held at the CUNY Graduate Center. Underneath the production anecdotes and the breezy banter, one sensed Scorsese's strong desire to be taken seriously by the hundreds of historians and other scholars who packed the auditorium. When the lights dimmed and he began showing a few scenes from the rough cut the audience let out a collective gasp—the sound of having its breath taken away by the movie's extraordinary look. It was hard to make much sense of these clips, but the world of New York's Five Points in the 1850s appeared so lovingly and carefully recreated that one could practically smell the offal, taste the stale beer, and feel the tense ethnic hatred hanging over the streets like the worst August humidity. The Five Points set is the real star of this movie. Shot in the sprawling Cinecitta studios in Rome, the film evidently spared no expense in recreating the dismal tenements, filthy streets, and period clothing of America's first and worst urban slum. By eschewing computer generated imagery Scorsese harks back to the old-school Hollywood tradition of directors like Cecil B. DeMille and D. W. Griffith, who placed a premium on bringing “realistic” physical spectacle to the screen.", "publicationTitle": "Labor History", "publisher": "", "place": "", "date": "2003", "volume": "44", "issue": "3", "section": "", "partNumber": "", "partTitle": "", "pages": "301-304", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "", "DOI": "10.1080/002365603200012900", "citationKey": "", "url": "http://www.tandfonline.com/doi/abs/10.1080/002365603200012900", "accessDate": "2013-04-16T16:03:07Z", "PMID": "", "PMCID": "", "ISSN": "0023-656X", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "Taylor and Francis+NEJM", "callNumber": "", "rights": "", "extra": "", "tags": [], "collections": [], "relations": {}, "dateAdded": "2013-04-16T16:19:24Z", "dateModified": "2013-04-16T16:19:24Z" } }, { "key": "KAMFQSUP", "version": 13, "library": { "type": "group", "id": 159957, "name": "civilwarfilm", "links": { "alternate": { "href": "https://www.zotero.org/groups/civilwarfilm", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/159957/items/KAMFQSUP", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/civilwarfilm/items/KAMFQSUP", "type": "text/html" } }, "meta": { "createdByUser": { "id": 1332475, "username": "ptmacdon", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/ptmacdon", "type": "text/html" } } }, "creatorSummary": "Cayton", "parsedDate": "1995", "numChildren": 0 }, "data": { "key": "KAMFQSUP", "version": 13, "itemType": "journalArticle", "title": "Gone With the Wind", "creators": [ { "creatorType": "author", "firstName": "Andrew R. L. (Andrew Robert Lee)", "lastName": "Cayton" } ], "abstractNote": "", "publicationTitle": "Reviews in American History", "publisher": "", "place": "", "date": "1995", "volume": "23", "issue": "3", "section": "", "partNumber": "", "partTitle": "", "pages": "402-407", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "", "DOI": "10.1353/rah.1995.0066", "citationKey": "", "url": "http://muse.jhu.edu/journals/reviews_in_american_history/v023/23.3cayton.html", "accessDate": "2013-04-16T16:08:33Z", "PMID": "", "PMCID": "", "ISSN": "1080-6628", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "Project MUSE", "callNumber": "", "rights": "", "extra": "

Volume 23, Number 3, September 1995

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Volume 10, Number 2, Summer 2004

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Cash", "lastName": "Koeniger" } ], "abstractNote": "", "publicationTitle": "The Journal of Military History", "publisher": "", "place": "", "date": "April 1, 1991", "volume": "55", "issue": "2", "section": "", "partNumber": "", "partTitle": "", "pages": "225-233", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "The Journal of Military History", "DOI": "10.2307/1985896", "citationKey": "", "url": "http://www.jstor.org/stable/1985896", "accessDate": "2013-04-09T04:41:23Z", "PMID": "", "PMCID": "", "ISSN": "0899-3718", "archive": "", "archiveLocation": "", "shortTitle": "Review Essay", "language": "", "libraryCatalog": "JSTOR", "callNumber": "", "rights": "Copyright © 1991 Society for Military History", "extra": "ArticleType: research-article / Full publication date: Apr., 1991 / Copyright © 1991 Society for Military History", "tags": [], "collections": [], "relations": {}, "dateAdded": "2013-04-09T04:45:40Z", "dateModified": "2013-04-09T04:45:40Z" } }, { "key": "QUW5F5PV", "version": 5, "library": { "type": "group", "id": 159957, "name": "civilwarfilm", "links": { "alternate": { "href": "https://www.zotero.org/groups/civilwarfilm", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/159957/items/QUW5F5PV", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/civilwarfilm/items/QUW5F5PV", "type": "text/html" } }, "meta": { "createdByUser": { "id": 1332475, "username": "ptmacdon", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/ptmacdon", "type": "text/html" } } }, "creatorSummary": "Wallace", "parsedDate": "2003-10-01", "numChildren": 0 }, "data": { "key": "QUW5F5PV", "version": 5, "itemType": "journalArticle", "title": "The Good Lynching and \"The Birth of a Nation\": Discourses and Aesthetics of Jim Crow", "creators": [ { "creatorType": "author", "firstName": "Michele Faith", "lastName": "Wallace" } ], "abstractNote": "\"The Birth of a Nation\" (1915) is a landmark in the development of the feature film and in the history of American racial discourse in the Jim Crow period. This article proposes that the corrective for our current perspective on \"The Birth of a Nation\" is that we more thoroughly study how the techniques of feature film inscribe and underwrite dominant racial ideologies.", "publicationTitle": "Cinema Journal", "publisher": "", "place": "", "date": "October 1, 2003", "volume": "43", "issue": "1", "section": "", "partNumber": "", "partTitle": "", "pages": "85-104", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "Cinema Journal", "DOI": "10.2307/1225932", "citationKey": "", "url": "http://www.jstor.org/stable/1225932", "accessDate": "2013-04-09T04:43:30Z", "PMID": "", "PMCID": "", "ISSN": "0009-7101", "archive": "", "archiveLocation": "", "shortTitle": "The Good Lynching and \"The Birth of a Nation\"", "language": "", "libraryCatalog": "JSTOR", "callNumber": "", "rights": "Copyright © 2003 University of Texas Press", "extra": "ArticleType: research-article / Full publication date: Autumn, 2003 / Copyright © 2003 University of Texas Press", "tags": [], "collections": [], "relations": {}, "dateAdded": "2013-04-09T04:45:40Z", "dateModified": "2013-04-09T04:45:40Z" } }, { "key": "D9TTQV26", "version": 4, "library": { "type": "group", "id": 159957, "name": "civilwarfilm", "links": { "alternate": { "href": "https://www.zotero.org/groups/civilwarfilm", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/159957/items/D9TTQV26", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/civilwarfilm/items/D9TTQV26", "type": "text/html" } }, "meta": { "createdByUser": { "id": 1332475, "username": "ptmacdon", "name": "", "links": { "alternate": { "href": "https://www.zotero.org/ptmacdon", "type": "text/html" } } }, "creatorSummary": "Boritt", "parsedDate": "1991-07-01", "numChildren": 0 }, "data": { "key": "D9TTQV26", "version": 4, "itemType": "journalArticle", "title": "Ken Burns' Civil War", "creators": [ { "creatorType": "author", "firstName": "Gabor S.", "lastName": "Boritt" } ], "abstractNote": "", "publicationTitle": "Pennsylvania History", "publisher": "", "place": "", "date": "July 1, 1991", "volume": "58", "issue": "3", "section": "", "partNumber": "", "partTitle": "", "pages": "212-221", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "Pennsylvania History", "DOI": "10.2307/27773462", "citationKey": "", "url": "http://www.jstor.org/stable/27773462", "accessDate": "2013-04-09T04:38:04Z", "PMID": "", "PMCID": "", "ISSN": "0031-4528", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "JSTOR", "callNumber": "", "rights": "Copyright © 1991 Penn State University Press", "extra": "ArticleType: research-article / Full publication date: July 1991 / Copyright © 1991 Penn State University Press", "tags": [], "collections": [], "relations": {}, "dateAdded": "2013-04-09T04:38:41Z", "dateModified": "2013-04-09T04:38:41Z" } } ]