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"note": "", "contentType": "text/html", "charset": "", "tags": [], "relations": {}, "dateAdded": "2013-07-05T17:55:02Z", "dateModified": "2013-07-05T17:55:02Z" } }, { "key": "F6XVA2KS", "version": 32, "library": { "type": "group", "id": 152247, "name": "amst2661 visualization", "links": { "alternate": { "href": "https://www.zotero.org/groups/amst2661_visualization", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/152247/items/F6XVA2KS", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/amst2661_visualization/items/F6XVA2KS", "type": "text/html" } }, "meta": { "createdByUser": { "id": 32686, "username": "lubar", "name": "Steven Lubar", "links": { "alternate": { "href": "https://www.zotero.org/lubar", "type": "text/html" } } }, "creatorSummary": "Stafford", "parsedDate": "1998-02-06", "numChildren": 1 }, "data": { "key": "F6XVA2KS", "version": 32, "itemType": "book", "title": "Good Looking: Essays on the Virtue of Images", "creators": [ { "creatorType": "author", "firstName": "Barbara Maria", "lastName": "Stafford" } ], "abstractNote": "\"\"Good Looking\" constitutes an important and permanent contribution to the growing critique of text-driven post-structuralist critical practice as an efficacious tool for talking about visible and visual artifacts in this culture.\" -- David Hickey, Associate Professor of Art Criticism and Theory, University of Nevada, Las Vegas Building on the arguments of her previous books, Body Criticism (1991) and Artful Science (1994), Good Looking challenges the reflexive identification of images with vice. Today rampant criticism, both inside and outside the academy, condemns the immoralities of aesthetic illusion, museum display, cable televison, and hypermedia. Believing with the American pragmatists that it is harder to do than to denounce, Barbara Stafford urges imagists to abandon Foucault's bankrupt paradigm of verbal combat. Instead of more \"improving\" theoretical discourse, she calls for developing a positive visual praxis on the interpretive ruins of linguistic postmodernism. Not deconstructive autopsy, but demonstrating the historical virtues of visualization for the emergent era of computerism is the task at hand.", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "", "date": "1998-02-06", "publisher": "MIT Press", "place": "", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "284", "ISBN": "9780262692106", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "Good Looking", "language": "en", "libraryCatalog": "Google Books", "callNumber": "", "rights": "", "extra": "", "tags": [ { "tag": "Art / General", "type": 1 }, { "tag": "Literary Collections / Essays", "type": 1 } ], "collections": [], "relations": {}, "dateAdded": "2013-07-05T17:55:02Z", "dateModified": "2013-07-05T17:55:02Z" } }, { "key": "RVWE22I6", "version": 31, "library": { "type": "group", "id": 152247, "name": "amst2661 visualization", "links": { "alternate": { "href": "https://www.zotero.org/groups/amst2661_visualization", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/152247/items/RVWE22I6", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/amst2661_visualization/items/RVWE22I6", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/152247/items/FZ8FXPEK", "type": "application/json" } }, "meta": { "createdByUser": { "id": 32686, "username": "lubar", "name": "Steven Lubar", "links": { "alternate": { "href": "https://www.zotero.org/lubar", "type": "text/html" } } } }, "data": { "key": "RVWE22I6", "version": 31, "parentItem": "FZ8FXPEK", "itemType": "attachment", "linkMode": "linked_url", "title": "Google Books Link", "accessDate": "2013-07-05T17:51:18Z", "url": "http://books.google.com/books?id=b6AY4Fje_2QC", "note": "", "contentType": "text/html", "charset": "", "tags": [], "relations": {}, "dateAdded": "2013-07-05T17:51:18Z", "dateModified": "2013-07-05T17:51:18Z" } }, { "key": "FZ8FXPEK", "version": 31, "library": { "type": "group", "id": 152247, "name": "amst2661 visualization", "links": { "alternate": { "href": "https://www.zotero.org/groups/amst2661_visualization", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/152247/items/FZ8FXPEK", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/amst2661_visualization/items/FZ8FXPEK", "type": "text/html" } }, "meta": { "createdByUser": { "id": 32686, "username": "lubar", "name": "Steven Lubar", "links": { "alternate": { "href": "https://www.zotero.org/lubar", "type": "text/html" } } }, "creatorSummary": "Elkins", "parsedDate": "2007-09-14", "numChildren": 1 }, "data": { "key": "FZ8FXPEK", "version": 31, "itemType": "book", "title": "Visual Literacy", "creators": [ { "creatorType": "author", "firstName": "James", "lastName": "Elkins" } ], "abstractNote": "What does it mean to be visually literate? Does it mean different things in the arts and the sciences? In the West, in Asia, or in developing nations? If we all need to become \"visually literate,\" what does that mean in practical terms? The essays gathered here examine a host of issues surrounding \"the visual,\" exploring national and regional ideas of visuality and charting out new territories of visual literacy that lie far beyond art history, such as law and chemistry. With an afterword by Christopher Crouch, this groundbreaking collection brings together the work of major art and visual studies scholars and critics to explore what impact the new concept of \"visual literacy\" will have on the traditional field of art history. Contributors: Matthias Bruhn, Vera Dünkel, Jonathan Crary, Christopher Crouch, Peter Dallow, James Elkins, Henrik Enquist, W.J.T. Mitchell, Richard K. Sherwin, Susan Shifrin, Jon Simons, Barbara Maria Stafford, William Washabaugh", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "", "date": "2007-09-14", "publisher": "Routledge", "place": "", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "226", "ISBN": "9780203939574", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "en", "libraryCatalog": "Google Books", "callNumber": "", "rights": "", "extra": "", "tags": [ { "tag": "Art / Criticism & Theory", "type": 1 }, { "tag": "Social Science / Media Studies", "type": 1 } ], "collections": [], "relations": {}, "dateAdded": "2013-07-05T17:51:18Z", "dateModified": "2013-07-05T17:51:18Z" } }, { "key": "R5Q74RDP", "version": 30, "library": { "type": "group", "id": 152247, "name": "amst2661 visualization", "links": { "alternate": { "href": "https://www.zotero.org/groups/amst2661_visualization", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/152247/items/R5Q74RDP", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/amst2661_visualization/items/R5Q74RDP", "type": "text/html" } }, "meta": { "createdByUser": { "id": 32686, "username": "lubar", "name": "Steven Lubar", "links": { "alternate": { "href": "https://www.zotero.org/lubar", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "R5Q74RDP", "version": 30, "itemType": "webpage", "title": "» collections as landscapes : part 1 – empowering spatial, experiential interaction", "creators": [], "abstractNote": "", "websiteTitle": "", "websiteType": "", "date": "", "publisher": "", "place": "", "DOI": "", "citationKey": "", "url": "http://timwray.net/2012/07/collections-as-landscapes-thoughts-in-experiential-interaction/", "accessDate": "2013-06-17T12:35:41Z", "shortTitle": "", "language": "", "rights": "", "extra": "", "tags": [], "collections": [], "relations": {}, "dateAdded": "2013-06-17T12:35:41Z", "dateModified": "2013-06-17T12:35:41Z" } }, { "key": "IDZHKDTZ", "version": 29, "library": { "type": "group", "id": 152247, "name": "amst2661 visualization", "links": { "alternate": { "href": "https://www.zotero.org/groups/amst2661_visualization", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/152247/items/IDZHKDTZ", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/amst2661_visualization/items/IDZHKDTZ", "type": "text/html" } }, "meta": { "createdByUser": { "id": 32686, "username": "lubar", "name": "Steven Lubar", "links": { "alternate": { "href": "https://www.zotero.org/lubar", "type": "text/html" } } }, "creatorSummary": "Monmonier", "numChildren": 1 }, "data": { "key": "IDZHKDTZ", "version": 29, "itemType": "book", "title": "Mapping It Out", "creators": [ { "creatorType": "author", "firstName": "Mark", "lastName": "Monmonier" } ], "abstractNote": "
Writers know only too well how long it can take—and how awkward it can be—to describe spatial relationships with words alone. And while a map might not always be worth a thousand words, a good one can help writers communicate an argument or explanation clearly, succinctly, and effectively.

In his acclaimed How to Lie with Maps, Mark Monmonier showed how maps can distort facts. In Mapping it Out: Expository Cartography for the Humanities and Social Sciences, he shows authors and scholars how they can use expository cartography—the visual, two-dimensional organization of information—to heighten the impact of their books and articles.

This concise, practical book is an introduction to the fundamental principles of graphic logic and design, from the basics of scale to the complex mapping of movement or change. Monmonier helps writers and researchers decide when maps are most useful and what formats work best in a wide range of subject areas, from literary criticism to sociology. He demonstrates, for example, various techniques for representing changes and patterns; different typefaces and how they can either clarify or confuse information; and the effectiveness of less traditional map forms, such as visibility base maps, frame-rectangle symbols, and complementary scatterplot designs for conveying complex spatial relationships.

There is also a wealth of practical information on map compilation, cartobibliographies, copyright and permissions, facsimile reproduction, and the evaluation of source materials. Appendixes discuss the benefits and limitations of electronic graphics and pen-and-ink drafting, and how to work with a cartographic illustrator.

Clearly written, and filled with real-world examples, Mapping it Out demystifies mapmaking for anyone writing in the humanities and social sciences.

\"A useful guide to a subject most people probably take too much for granted. It shows how map makers translate abstract data into eye-catching cartograms, as they are called. It combats cartographic illiteracy. It fights cartophobia. It may even teach you to find your way.\"—Christopher Lehmann-Haupt, The New York Times
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