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In different but related ways, in the writings of both Jacques Derrida and Roger Caillois, play is characterized by a certain kind of rule—a rule that is only quasi-teleological and partially breakable, and is fundamental precisely because of its disconnection from particular cultural contexts. Looking closely at \n\t \n\t World of Warcraft\n\t \n\t , and in particular the forms of questing, character development, progress, and sociality developed in the game, questions emerge about the degree to which using the game is or is not a form of play. While often discussed as benefits of contemporary gaming environments, the many connections between games like \n\t \n\t World of Warcraft\n\t \n\t and external world contexts (historical, political, and cultural), when joined to the game’s problematic instantiation of play, thus can be seen to lead to deep questions about the game’s cultural and subjective functions.", "publicationTitle": "New Literary History", "publisher": "", "place": "", "date": "2009", "volume": "40", "issue": "1", "section": "", "partNumber": "", "partTitle": "", "pages": "179-204", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "", "DOI": "", "citationKey": "", "url": "http://muse.jhu.edu/journals/new_literary_history/v040/40.1.golumbia.html", "accessDate": "2012-09-29T19:59:02Z", "PMID": "", "PMCID": "", "ISSN": "1080-661X", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "Project MUSE", "callNumber": "", "rights": "", "extra": "

Volume 40, Number 1, Winter 2009

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To understand their place in contemporary culture, Patrick Crogan argues, we must first understand the military logics that created and continue to inform them. Gameplay Mode situates computer games and gaming within the contemporary technocultural moment, connecting them to developments in the conceptualization of pure war since the Second World War and the evolution of simulation as both a technological achievement and a sociopolitical tool.Crogan begins by locating the origins of computer games in the development of cybernetic weapons systems in the 1940s, the U.S. Air Force's attempt to use computer simulation to protect the country against nuclear attack, and the U.S. military's development of the SIMNET simulated battlefield network in the late 1980s. He then examines specific game modes and genres in detail, from the creation of virtual space in fight simulation games and the co-option of narrative forms in gameplay to the continuities between online gaming sociality and real-world communities and the potential of experimental or artgame projects like September 12th: A Toy World and Painstation, to critique conventional computer games.Drawing on critical theoretical perspectives on computer-based technoculture, Crogan reveals the profound extent to which today's computer games--and the wider culture they increasingly influence--are informed by the technoscientific program they inherited from the military-industrial complex. But, Crogan concludes, games can play with, as well as play out, their underlying logic, offering the potential for computer gaming to anticipate a different, more peaceful and hopeful future\"--", "series": "", "seriesNumber": "", "volume": "", "numberOfVolumes": "", "edition": "", "date": "2011", "publisher": "University of Minnesota Press", "place": "Minneapolis", "originalDate": "", "originalPublisher": "", "originalPlace": "", "format": "", "numPages": "", "ISBN": "9780816653348 0816653348 9780816653355 0816653356", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "Gameplay mode", "language": "English", "libraryCatalog": "Open WorldCat", "callNumber": "", "rights": "", "extra": "", "tags": [], "collections": [ "NWPIIXKJ" ], "relations": {}, "dateAdded": "2013-04-08T15:21:02Z", "dateModified": "2013-04-08T15:21:02Z" } }, { "key": "K7HUNJHN", "version": 9, "library": { "type": "group", "id": 145183, "name": "Theories of Digital Media", "links": { "alternate": { "href": "https://www.zotero.org/groups/theories_of_digital_media", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/145183/items/K7HUNJHN", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/theories_of_digital_media/items/K7HUNJHN", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/145183/items/47PPRDUS", "type": "application/json" } }, "meta": { "createdByUser": { "id": 4074, "username": "marksample", "name": "Mark Sample", "links": { "alternate": { "href": "https://www.zotero.org/marksample", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "K7HUNJHN", "version": 9, "parentItem": "47PPRDUS", "itemType": "attachment", "linkMode": "imported_url", "title": "Lenoir_2000_All but War Is Simulation.pdf", "accessDate": "2013-02-05T04:08:13Z", "url": "http://muse.jhu.edu.mutex.gmu.edu/journals/configurations/v008/8.3lenoir.pdf", "note": "", "contentType": "application/pdf", "charset": "", "filename": "Lenoir_2000_All but War Is Simulation.pdf", "md5": "4c6a01f327713f2be3542ce68a043f84", "mtime": 1365434431242, "tags": [], "relations": {}, "dateAdded": "2013-04-08T15:20:30Z", "dateModified": "2013-04-08T15:20:32Z" } }, { "key": "47PPRDUS", "version": 8, "library": { "type": "group", "id": 145183, "name": "Theories of Digital Media", "links": { "alternate": { "href": "https://www.zotero.org/groups/theories_of_digital_media", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/145183/items/47PPRDUS", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/theories_of_digital_media/items/47PPRDUS", "type": "text/html" } }, "meta": { "createdByUser": { "id": 4074, "username": "marksample", "name": "Mark Sample", "links": { "alternate": { "href": "https://www.zotero.org/marksample", "type": "text/html" } } }, "creatorSummary": "Lenoir", "parsedDate": "2000", "numChildren": 1 }, "data": { "key": "47PPRDUS", "version": 8, "itemType": "journalArticle", "title": "All but War Is Simulation: The Military-Entertainment Complex", "creators": [ { "creatorType": "author", "firstName": "Tim", "lastName": "Lenoir" } ], "abstractNote": "", "publicationTitle": "Configurations", "publisher": "", "place": "", "date": "2000", "volume": "8", "issue": "3", "section": "", "partNumber": "", "partTitle": "", "pages": "289-335", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "", "DOI": "10.1353/con.2000.0022", "citationKey": "", "url": "http://muse.jhu.edu/journals/configurations/v008/8.3lenoir.html", "accessDate": "2013-02-05T03:42:31Z", "PMID": "", "PMCID": "", "ISSN": "1080-6520", "archive": "", "archiveLocation": "", "shortTitle": "All but War Is Simulation", "language": "", "libraryCatalog": "Project MUSE", "callNumber": "", "rights": "", "extra": "

Volume 8, Number 3, Fall 2000

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