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            "note": "<p>Cole, Peter. 'Nine Daies Morris - Pete Cole's Story.' The Lichfield Morris Men. Available at http://www.rock-cottage.demon.co.uk/ (30 August 2003).</p>\n<p>Douglas, Audrey, ed. Records of Early English Drama: Cumberland/Westmoreland/Gloucestershire. Toronto: University of Toronto Press, 1986.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>Galloway, David, ed. Records of Early English Drama: Norwich 1540-1642. Toronto: University of Toronto Press, 1984.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>George, David, ed. Records of Early English Drama: Lancashire. Toronto: University of Toronto Press, 1991.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>Gibson, James M., ed. Records of Early English Drama: Kent: Diocese of Canterbury. 3 vols. Toronto: University of Toronto Press, 2002.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>Hays, Rosalind Conklin, C. E. McGee, Sally Joyce, and Evelyn Newlyn, eds. Records of Early English Drama: Dorset/Cornwall. Toronto: University of Toronto Press, 1999.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>Ingram, R. W., ed. Records of Early English Drama: Coventry. Toronto: University of Toronto Press, 1981.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>James I, and Charles I. The Kings Maiesties Declaration to His Subiects, concerning lawfull Sports to bee vsed, new expanded ed. London: Robert Barker, 1633.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>Johnston, Alexandra, and Margaret Rogerson, eds. Records of Early English Drama: York. 2 vols. Toronto: University of Toronto Press, 1979.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>Kemp, William. Kemps nine daies wonder, performed in a daunce from London to Norwich. Ed. Richard Bear. 1600. 2000. Available at http://www.uoregon.edu/~rbear/kemp.html  (21 April 2003).</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>Klausner, David, ed. Records of Early English Drama: Herefordshire/Worcestershire. Toronto: University of Toronto Press, 1990.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>'Licensing Act 2003.' http://www.legislation.hmso.gov.uk/acts/acts2003/20030017.htm. Acts of Parliament, 2003.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>Louis, Cameron, ed. Records of Early English Drama: Sussex. Toronto: University of Toronto Press, 2000.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>Montagut, B. de. Louange de la Danse. Ed. Barbara Ravelhofer. 1623. Cambridge: RTM Publications, 2000.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>Nelson, Alan, ed. Records of Early English Drama: Cambridge. 2 vols. Toronto: University of Toronto Press, 1989.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>Nichols, John. The Progresses and Public Processions of Queen Elizabeth. 3 vols. Vol. 3. New York, London: Burt Franklin, 1823.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>Pilkinton, Mark, ed. Records of Early English Drama: Bristol. Toronto: University of Toronto Press, 1997.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>Playford, John. The English Dancing Master: or, Plaine and easie Rules for the Dancing of Country Dances, with the Tune to each Dance.. Ed. Hugh Mellor and Leslie Bridgewater. 1651. London: Dance Books Ltd., 1933, 1984.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>Sharp, Cecil. The Country Dance Book, Parts I &amp; II. Ed. Maud Karpeles, 2nd ed. 1909. London: Novello and Company, Ltd., 1934, 1975, 1976, 1978.</p>\n<p> </p>\n<p>--- and Herbert Macilwaine. The Morris Book, Parts I, II, III &amp; IV. London: Novello and Company, Ltd., 1909-1912.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>Somerset, J. Alan B., ed. Records of Early English Drama: Shropshire. 2 vols. Toronto: University of Toronto Press, 1994.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>Stokes, James, ed. Records of Early English Drama: Somerset, including Bath. 2 vols. Toronto: University of Toronto Press, 1996.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>Wasson, John, ed. Records of Early English Drama: Devon. Toronto: University of Toronto Press, 1986.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>Secondary Works</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>Baskervill, Charles Read. The Elizabethan Jig and Related Song Drama. New York: Dover Publications, Inc., 1929, 1965.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>Béhar, Pierre, and Helen Watanabe O'Kelly, eds. Spectaculum Europaeum: Theatre and Spectacle in Europe. Wiesbaden: Harrassowitz, 1999.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>Borys, P. A. M. 'Historical Changes in Morris Costume and Sponsorship.”' American Morris Newsletter 14.3 (November/December 1990).</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>Brissenden, Alan. Shakespeare and the Dance. New Jersey: Humanities Press, 1981.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>Chambers, E. K. The Elizabethan Stage. 4 vols. Oxford: Clarendon Press, 1923.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>Cohen, Selma J., ed. International Encyclopedia of Dance: A project of Dance Perspectives Foundation, Inc., 6 vols. New York: Oxford University Press, 1998.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>Collinson, Patrick. The Birthpangs of Protestant England: Religious and Cultural Change in the Sixteenth and Seventeenth Centuries. London: Macmillan Press, 1988.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>Cross, Gary. A Social History of Leisure Since 1600. State College, PA: Venture Publishing, Inc., 1990.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>Cunningham, James. Dancing in the Inns of Court. London: Jordan &amp; Sons, Ltd., 1965.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>Culpin, Rafe. 'The new Licensing Bill: Licensing of public entertainment in England and Wales.' http://www.filk.co.uk/pel.html. Folk Music and Dance, 2003.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>Davies, Sir John. Orchestra Or a Poeme of Dauncing. 1596. In The Poems of Sir John Davies, ed. R. Krueger. Oxford: Clarendon Press, 1975.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>Daye, Anne. 'Ben Jonson: Choreographer of the Antimasque.' Society of Dance History Scholars Conference Proceedings 22nd Annual (1999), 185-193.</p>\n<p> </p>\n<p>---. 'Torchbearers in the English masque.' Early Music 26.2 (May 1998), 246-262.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>Dolmetsch, Mabel. Dances of England and France from 1450 to 1600: with their music and authentic manner of performance. New York: De Capo Press, 1949, 1975.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>Ewbank, Inga-Stina. '“The Eloquence of Masques\": A Retrospective View of Masque Criticism.' In Renaissance Drama: Essays Principally on Masques and Entertainments, ed. S. Schoenbaum. Evanston, Illinois, 1968, 307-327.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>Forrest, John. The History of Morris Dancing, 1458-1750. Cambridge: James Clarke &amp; Co Ltd, 1999.</p>\n<p> </p>\n<p>---. 'Morris Dance.' In International Encyclopedia of Dance: A project of Dance Perspectives Foundation, Inc., ed. Selma J. Cohen. Vol. 4. New York: Oxford University Press, 1998.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>Graham, Jean E. 'The Performing Heir in Jonson’s Jacobean Masques.' Studies in English Literature 1500-1900 41.2 (2001), 381-398.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>Howard, Skiles. The Politics of Courtly Dancing in Early Modern England. Amherst, 1998.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>Hutton, Ronald. The Rise and Fall of Merry England: The Ritual Year 1400-1700. Oxford, New York: Oxford University Press, 1994, 1996.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>Kessler, Jeremy H. 'Review: The History of Morris Dancing, 1458-1750.' American Morris Newsletter (December 2000).</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>Laurence, Anne. Women in England 1500-1760: A Social History. London: Phoenix Press, 1994, 1996.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>'Tudor England: map showing counties.' http://renaissance.dm.net/compendium/map-england.html. Life in Elizabethan England: a compendium of common knowledge, 2003.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>McManus, Clare. Women on the Renaissance stage: Anna of Denmark and female masquing in the Stuart court 1590-1619. Manchester, New York: Manchester University Press, 2002.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>Meagher, John C. 'The Dance and the Masques of Ben Jonson.' Journal of the Warburg and Courtauld Institutes 25 (1962), 258-277.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>Orgel, Stephen. The Illusion of Power: Political Theater in the English Renaissance. Berkeley, Los Angeles, London: California University Press, 1975.</p>\n<p> </p>\n<p>---. The Jonsonian Masque. Cambridge, Massachusetts, Harvard University Press, 1967.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>Pennino-Baskerville, Mary. 'Terpsichore Reviled: Andidance Tracts in Elizabethan England.' Sixteenth Century Journal 22.3 (Fall 1991), 475-494.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>Ravelhofer, Barbara. '“Virgin wax\" and \"hairy men-monsters\": unstable movement codes in the Stuart masque.' In The Politics of the Stuart Court Masque, ed. David Bevington and Peter Holbrook. Cambridge: Cambridge University Press, 1998, 244-272.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>Reay, Barry. Popular Cultures in England 1550-1750. London, New York: Longman, 1998.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>Sorell, Walter. Dance in Its Time. Garden City, New York: Anchor Press/Doubleday, 1981.</p>\n<p> </p>\n<p>---. 'Shakespeare and the Dance.' Shakespeare Quarterly 8.3 (Summer 1957), 367-384.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>Underdown, David. Revel, Riot, and Rebellion: Popular Politics and Culture in England 1603-1660. Oxford: Clarendon Press, 1985.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>Walls, Peter. Music in the English Courtly Masque 1604-1640. Oxford: Clarendon Press, 1996.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>Welsford, Enid. The Court Masque: A Study in the Relationship between Poetry &amp; The Revels. Cambridge: Russell &amp; Russell Inc., 1962.</p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p>Wilson, D. R. 'Dancing in the Inns of Court.' Historical Dance 2.5 (1986-1987), 3-16.</p>\n<p> </p>\n<p>---. 'The Old Measures and the Inns of Court: a note.' Historical Dance 3.3 (1994), 24.</p>",
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