[ { "key": "KPIFDB28", "version": 75, "library": { "type": "group", "id": 132021, "name": "Sensory Musicology", "links": { "alternate": { "href": "https://www.zotero.org/groups/sensory_musicology", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/132021/items/KPIFDB28", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/sensory_musicology/items/KPIFDB28", "type": "text/html" } }, "meta": { "createdByUser": { "id": 735762, "username": "StaceySewell", "name": "Stacey Sewell", "links": { "alternate": { "href": "https://www.zotero.org/staceysewell", "type": "text/html" } } }, "creatorSummary": "Breene", "numChildren": 0 }, "data": { "key": "KPIFDB28", "version": 75, "itemType": "journalArticle", "title": "The instrumental body in the age of Mozart: science, aesthetics and performances of the self", "creators": [ { "creatorType": "author", "firstName": "Samuel", "lastName": "Breene" } ], "abstractNote": "During the European Enlightenment, scientific enquiries into the function of the nervous system led to new understandings of the self. These enquiries held implications far beyond the scientific community, extending to various cultural practices of the period, including music, and with surprising frequency instrumental performance was located at the heart of the matter. As producers of sonic vibrations, performers occupied a zone of heightened sensory experience that called into question the relationship between the physical body and the processes of consciousness. At the same time, the elevated status of the sensorium challenged traditional conceptions of the soul and deeply held beliefs about human life, existential concerns that touched on the nature of perception, pleasure, morality, health and emotion. By considering a range of historical material, this article aims to explore the intersections between instrumental performance practices and Enlightenment conceptions of embodiment, debated across Europe in the overlapping spheres of science and aesthetics. Although such perspectives are often lost in chronicles of Western music history, they provide a valuable cultural framework for interpreting the music of Wolfgang Amadeus Mozart and his contemporaries.", "publicationTitle": "Early Music", "publisher": "", "place": "", "date": "", "volume": "", "issue": "", "section": "", "partNumber": "", "partTitle": "", "pages": "", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "", "DOI": "10.1093/em/cau044", "citationKey": "", "url": "", "accessDate": "", "PMID": "", "PMCID": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "", "callNumber": "", "rights": "", "extra": "", "tags": [], "collections": [], "relations": {}, "dateAdded": "2014-05-10T20:22:47Z", "dateModified": "2014-05-10T20:22:47Z" } }, { "key": "JAUA2W3T", "version": 74, "library": { "type": "group", "id": 132021, "name": "Sensory Musicology", "links": { "alternate": { "href": "https://www.zotero.org/groups/sensory_musicology", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/132021/items/JAUA2W3T", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/sensory_musicology/items/JAUA2W3T", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/132021/items/NJAENKM8", "type": "application/json" } }, "meta": { "createdByUser": { "id": 1160164, "username": "Ely.Lyonblum", "name": "Ely Lyonblum", "links": { "alternate": { "href": "https://www.zotero.org/ely.lyonblum", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "JAUA2W3T", "version": 74, "parentItem": "NJAENKM8", "itemType": "attachment", "linkMode": "imported_url", "title": "Full Text PDF", "accessDate": "2014-03-14T19:50:59Z", "url": "http://www.tandfonline.com/doi/pdf/10.1080/07494469400640321", "note": "", "contentType": "application/pdf", "charset": "", "filename": "Windsor - 1994 - Using auditory information for events in electroac.pdf", "md5": "8c86c27783ca6b61a48aa3e61499e13b", "mtime": 1394826663000, "tags": [], "relations": {}, "dateAdded": "2014-03-14T19:50:59Z", "dateModified": "2014-03-14T19:51:02Z" } }, { "key": "SSNHUSJ2", "version": 74, "library": { "type": "group", "id": 132021, "name": "Sensory Musicology", "links": { "alternate": { "href": "https://www.zotero.org/groups/sensory_musicology", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/132021/items/SSNHUSJ2", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/sensory_musicology/items/SSNHUSJ2", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/132021/items/NJAENKM8", "type": "application/json" } }, "meta": { "createdByUser": { "id": 1160164, "username": "Ely.Lyonblum", "name": "Ely Lyonblum", "links": { "alternate": { "href": "https://www.zotero.org/ely.lyonblum", "type": "text/html" } } } }, "data": { "key": "SSNHUSJ2", "version": 74, "parentItem": "NJAENKM8", "itemType": "attachment", "linkMode": "imported_url", "title": "Snapshot", "accessDate": "2014-03-14T19:51:01Z", "url": "http://www.tandfonline.com/doi/abs/10.1080/07494469400640321#.UyNdU9w5Jps", "note": "", "contentType": "text/html", "charset": "utf-8", "filename": "07494469400640321.html", "md5": "7c1e7882a88cfd96bcf17e1a97feb22a", "mtime": 1394826662000, "tags": [], "relations": {}, "dateAdded": "2014-03-14T19:51:01Z", "dateModified": "2014-03-14T19:51:01Z" } }, { "key": "NJAENKM8", "version": 73, "library": { "type": "group", "id": 132021, "name": "Sensory Musicology", "links": { "alternate": { "href": "https://www.zotero.org/groups/sensory_musicology", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/132021/items/NJAENKM8", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/sensory_musicology/items/NJAENKM8", "type": "text/html" } }, "meta": { "createdByUser": { "id": 1160164, "username": "Ely.Lyonblum", "name": "Ely Lyonblum", "links": { "alternate": { "href": "https://www.zotero.org/ely.lyonblum", "type": "text/html" } } }, "creatorSummary": "Windsor", "parsedDate": "1994", "numChildren": 2 }, "data": { "key": "NJAENKM8", "version": 73, "itemType": "journalArticle", "title": "Using auditory information for events in electroacoustic music", "creators": [ { "creatorType": "author", "firstName": "W. Luke", "lastName": "Windsor" } ], "abstractNote": "This essay uses research in ecological acoustics to perform a critique of the rejection of worldly meaning and significance inherent in the classical notion of reduced or acousmatic listening, showing how the direct perception of events and their meanings, or affordances, can be exploited by electroacoustic musicians without betraying the spirit of an aural compositional technique. Our dynamic relationship with a meaningful environment and the structured auditory information that it produces is shown to provide the grounds for developing compositional techniques and tools that exploit a closer relationship to sounds through their direct perceptual links to causal actions and events. These links are also shown to provide the basis for a common ground between composer and listener that redefines the acousmatic by reinstating and reassessing the importance of mimesis in electroacoustic music.", "publicationTitle": "Contemporary Music Review", "publisher": "", "place": "", "date": "1994", "volume": "10", "issue": "2", "section": "", "partNumber": "", "partTitle": "", "pages": "85-93", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "", "DOI": "10.1080/07494469400640321", "citationKey": "", "url": "http://www.tandfonline.com/doi/abs/10.1080/07494469400640321", "accessDate": "2014-03-14T19:50:59Z", "PMID": "", "PMCID": "", "ISSN": "0749-4467", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "Taylor and Francis+NEJM", "callNumber": "", "rights": "", "extra": "", "tags": [], "collections": [], "relations": {}, "dateAdded": "2014-03-14T19:50:59Z", "dateModified": "2014-03-14T19:50:59Z" } }, { "key": "EIBXTAS7", "version": 72, "library": { "type": "group", "id": 132021, "name": "Sensory Musicology", "links": { "alternate": { "href": "https://www.zotero.org/groups/sensory_musicology", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/132021/items/EIBXTAS7", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/sensory_musicology/items/EIBXTAS7", "type": "text/html" } }, "meta": { "createdByUser": { "id": 735762, "username": "StaceySewell", "name": "Stacey Sewell", "links": { "alternate": { "href": "https://www.zotero.org/staceysewell", "type": "text/html" } } }, "lastModifiedByUser": { "id": 1160164, "username": "Ely.Lyonblum", "name": "Ely Lyonblum", "links": { "alternate": { "href": "https://www.zotero.org/ely.lyonblum", "type": "text/html" } } }, "creatorSummary": "Andrisani", "parsedDate": "2010", "numChildren": 0 }, "data": { "key": "EIBXTAS7", "version": 72, "itemType": "webpage", "title": "Relocating the Ear: A Cross-Cultural Exploration of the Electrified Soundscape", "creators": [ { "creatorType": "author", "firstName": "Vincent", "lastName": "Andrisani" } ], "abstractNote": "", "websiteTitle": "Sensory Studies", "websiteType": "", "date": "2010", "publisher": "", "place": "", "DOI": "", "citationKey": "", "url": "http://www.sensorystudies.org/sensorial-investigations/relocating-the-ear-a-cross-cultural-exploration-of-the-electrified-soundscape/", "accessDate": "", "shortTitle": "", "language": "", "rights": "", "extra": "", "tags": [], "collections": [], "relations": {}, "dateAdded": "2012-12-24T21:09:13Z", "dateModified": "2014-03-14T19:44:35Z" } }, { "key": "QBB38BKU", "version": 70, "library": { "type": "group", "id": 132021, "name": "Sensory Musicology", "links": { "alternate": { "href": "https://www.zotero.org/groups/sensory_musicology", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/132021/items/QBB38BKU", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/sensory_musicology/items/QBB38BKU", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/132021/items/JR6MVIUA", "type": "application/json" } }, "meta": { "createdByUser": { "id": 1160164, "username": "Ely.Lyonblum", "name": "Ely Lyonblum", "links": { "alternate": { "href": "https://www.zotero.org/ely.lyonblum", "type": "text/html" } } } }, "data": { "key": "QBB38BKU", "version": 70, "parentItem": "JR6MVIUA", "itemType": "attachment", "linkMode": "imported_url", "title": "Relocating the Ear: A Cross-Cultural Exploration of the Electrified Soundscape | Andrisani | Canadian Acoustics", "accessDate": "2014-02-20T22:05:10Z", "url": "http://jcaa.caa-aca.ca/index.php/jcaa/article/view/2265", "note": "", "contentType": "text/html", "charset": "utf-8", "filename": "2265.html", "md5": "bae44a86514eb4782385a1341c5460a5", "mtime": 1392933911000, "tags": [], "relations": {}, "dateAdded": "2014-02-20T22:05:10Z", "dateModified": "2014-02-20T22:05:10Z" } }, { "key": "JR6MVIUA", "version": 69, "library": { "type": "group", "id": 132021, "name": "Sensory Musicology", "links": { "alternate": { "href": "https://www.zotero.org/groups/sensory_musicology", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/132021/items/JR6MVIUA", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/sensory_musicology/items/JR6MVIUA", "type": "text/html" } }, "meta": { "createdByUser": { "id": 1160164, "username": "Ely.Lyonblum", "name": "Ely Lyonblum", "links": { "alternate": { "href": "https://www.zotero.org/ely.lyonblum", "type": "text/html" } } }, "creatorSummary": "Andrisani", "parsedDate": "2010-09-01", "numChildren": 1 }, "data": { "key": "JR6MVIUA", "version": 69, "itemType": "journalArticle", "title": "Relocating the Ear: A Cross-Cultural Exploration of the Electrified Soundscape", "creators": [ { "creatorType": "author", "firstName": "Vincent", "lastName": "Andrisani" } ], "abstractNote": "", "publicationTitle": "Canadian Acoustics", "publisher": "", "place": "", "date": "2010-09-01", "volume": "38", "issue": "3", "section": "", "partNumber": "", "partTitle": "", "pages": "102-103", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "Canadian Acoustics", "DOI": "", "citationKey": "", "url": "http://jcaa.caa-aca.ca/index.php/jcaa/article/view/2265", "accessDate": "", "PMID": "", "PMCID": "", "ISSN": "0711-6659", "archive": "", "archiveLocation": "", "shortTitle": "Relocating the Ear", "language": "", "libraryCatalog": "", "callNumber": "", "rights": "", "extra": "", "tags": [], "collections": [], "relations": {}, "dateAdded": "2014-02-20T22:05:08Z", "dateModified": "2014-02-20T22:05:08Z" } }, { "key": "U42S6SGA", "version": 68, "library": { "type": "group", "id": 132021, "name": "Sensory Musicology", "links": { "alternate": { "href": "https://www.zotero.org/groups/sensory_musicology", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/132021/items/U42S6SGA", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/sensory_musicology/items/U42S6SGA", "type": "text/html" } }, "meta": { "createdByUser": { "id": 735762, "username": "StaceySewell", "name": "Stacey Sewell", "links": { "alternate": { "href": "https://www.zotero.org/staceysewell", "type": "text/html" } } }, "creatorSummary": "Abenavoli", "parsedDate": "2013", "numChildren": 0 }, "data": { "key": "U42S6SGA", "version": 68, "itemType": "journalArticle", "title": "Le son tactile ou la sensorialité excentrique dans les performances solos de Magali Babin", "creators": [ { "creatorType": "author", "firstName": "Lorella", "lastName": "Abenavoli" } ], "abstractNote": "Le son tactile ou la sensorialité excentrique dans les performances solos de Magali Babin Comment l’éphémère frôlement d’une caresse peutil devenir un objet esthétique? Comment l’effleurement digital sur l’épiderme minéral d’une feuille de schiste peut-il devenir musique? Comment l’intime expérience tactile peut-elle devenir l’espace d’un rituel artistique collectif? Comment le son électronique devient-il, chez Magali Babin, médium d’une sensorialité excentrique? Cet article nous emmène dans l’une des contrées de la pratique de Magali Babin: le monde tactile de l’audio qu’elle déploie dans ses performances solos. Auteure d’une œuvre sonore polymorphe, Magali Babin est une artiste québécoise, performeure, compositrice et interprète, inaugurant depuis deux ans les pratiques installatives sonores. Elle est une figure majeure de la scène alternative montréalaise en art audio, de l’improvisation «à risque» ainsi que de la musique expérimentale, déambulant librement entre les catégories artistiques les plus actuelles.\n\nHow can the ephemeral touch of a caress become an aesthetic object? How can a fingernail scratching the mineral surface of a sheet of schist become music? How can intimate tactile experience become the scene of a collective artistic ritual? How does Magali Babin turn electronic sound into a medium for eccentric sensoriality? This article takes us into one region of Magali Babin’s artistic practice: the tactile world of sound that she uses in her solo performances. Author of a polymorphic sonic œuvre, Magali Babin is a Quebec artist, performer, and composer whose artistic practice has incorporated sonic installations for the past two years. She is a key figure in Montreal’s alternative audio art, “edgy” improvisation, and experimental music scenes, moving freely among cutting-edge artistic categories.", "publicationTitle": "Circuit: Musiques contemporaines", "publisher": "", "place": "", "date": "2013", "volume": "23", "issue": "1", "section": "", "partNumber": "", "partTitle": "", "pages": "", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "", "DOI": "", "citationKey": "", "url": "http://www.revuecircuit.ca/articles/23_1/04-le-son-tactile-ou-la-sensorialite/", "accessDate": "", "PMID": "", "PMCID": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "", "callNumber": "", "rights": "", "extra": "", "tags": [], "collections": [], "relations": {}, "dateAdded": "2013-07-08T18:59:28Z", "dateModified": "2013-07-08T19:01:48Z" } }, { "key": "JDRX8QU9", "version": 61, "library": { "type": "group", "id": 132021, "name": "Sensory Musicology", "links": { "alternate": { "href": "https://www.zotero.org/groups/sensory_musicology", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/132021/items/JDRX8QU9", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/sensory_musicology/items/JDRX8QU9", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/132021/items/EATJHXKW", "type": "application/json" } }, "meta": { "createdByUser": { "id": 735762, "username": "StaceySewell", "name": "Stacey Sewell", "links": { "alternate": { "href": "https://www.zotero.org/staceysewell", "type": "text/html" } } } }, "data": { "key": "JDRX8QU9", "version": 61, "parentItem": "EATJHXKW", "itemType": "attachment", "linkMode": "imported_url", "title": "Snapshot", "accessDate": "2013-05-11T12:28:32Z", "url": "http://www.tandfonline.com/doi/abs/10.1080/07494467.2012.759413#.UY44zkqwCPQ", "note": "", "contentType": "text/html", "charset": "utf-8", "filename": "07494467.2012.html", "md5": "6803e9153b087aeaf740509ecd461776", "mtime": 1368275313031, "tags": [], "relations": {}, "dateAdded": "2013-05-11T12:28:32Z", "dateModified": "2013-05-11T12:28:32Z" } }, { "key": "EATJHXKW", "version": 60, "library": { "type": "group", "id": 132021, "name": "Sensory Musicology", "links": { "alternate": { "href": "https://www.zotero.org/groups/sensory_musicology", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/132021/items/EATJHXKW", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/sensory_musicology/items/EATJHXKW", "type": "text/html" } }, "meta": { "createdByUser": { "id": 735762, "username": "StaceySewell", "name": "Stacey Sewell", "links": { "alternate": { "href": "https://www.zotero.org/staceysewell", "type": "text/html" } } }, "creatorSummary": "Kane", "parsedDate": "2012", "numChildren": 1 }, "data": { "key": "EATJHXKW", "version": 60, "itemType": "journalArticle", "title": "Jean-Luc Nancy and the Listening Subject", "creators": [ { "creatorType": "author", "firstName": "Brian", "lastName": "Kane" } ], "abstractNote": "This essay introduces the reader to Jean-Luc Nancy's writing on listening, by focusing on his use of two French verbs that both mean ‘to listen’, namely entendre and écouter. By playing close attention to way that Nancy differentiates these verbs, and the historical context in which they have played a role, one discovers an entryway into Nancy's challenging thinking about sound, sense, and subjectivity. Écouter and entendre are discussed in relation to the phenomenological theories of listening of Pierre Schaeffer. Schaeffer emphasizes entendre, which is etymologically related to word intentionality, as the privileged mode of listening to the sound object, an intentional object, whose sense is grounded on the closed reference back to the listening subject. Nancy critiques this mode of listening—and the implicit subject posited—by emphasizing écouter, which holds open the threshold between sense and signification. Listening reveals sound as a structure of resonance—an infinite sending and resending. Nancy's analyses also reveal that resonance is the structure of the subject and of sense.", "publicationTitle": "Contemporary Music Review", "publisher": "", "place": "", "date": "2012", "volume": "31", "issue": "5-6", "section": "", "partNumber": "", "partTitle": "", "pages": "439-447", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "", "DOI": "10.1080/07494467.2012.759413", "citationKey": "", "url": "http://www.tandfonline.com/doi/abs/10.1080/07494467.2012.759413", "accessDate": "2013-05-11T12:28:32Z", "PMID": "", "PMCID": "", "ISSN": "0749-4467", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "Taylor and Francis+NEJM", "callNumber": "", "rights": "", "extra": "", "tags": [], "collections": [], "relations": {}, "dateAdded": "2013-05-11T12:28:32Z", "dateModified": "2013-05-11T12:28:32Z" } }, { "key": "RUJUX4AK", "version": 59, "library": { "type": "group", "id": 132021, "name": "Sensory Musicology", "links": { "alternate": { "href": "https://www.zotero.org/groups/sensory_musicology", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/132021/items/RUJUX4AK", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/sensory_musicology/items/RUJUX4AK", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/132021/items/R555T98M", "type": "application/json" } }, "meta": { "createdByUser": { "id": 735762, "username": "StaceySewell", "name": "Stacey Sewell", "links": { "alternate": { "href": "https://www.zotero.org/staceysewell", "type": "text/html" } } } }, "data": { "key": "RUJUX4AK", "version": 59, "parentItem": "R555T98M", "itemType": "attachment", "linkMode": "imported_url", "title": "Snapshot", "accessDate": "2013-05-11T12:23:47Z", "url": "http://www.tandfonline.com/doi/abs/10.1080/07494467.2012.759414#.UY44MUqwCPQ", "note": "", "contentType": "text/html", "charset": "utf-8", "filename": "07494467.2012.html", "md5": "4c4a02fac60a22e3e699bcc4f90a6475", "mtime": 1368275028359, "tags": [], "relations": {}, "dateAdded": "2013-05-11T12:23:47Z", "dateModified": "2013-05-11T12:23:47Z" } }, { "key": "R555T98M", "version": 58, "library": { "type": "group", "id": 132021, "name": "Sensory Musicology", "links": { "alternate": { "href": "https://www.zotero.org/groups/sensory_musicology", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/132021/items/R555T98M", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/sensory_musicology/items/R555T98M", "type": "text/html" } }, "meta": { "createdByUser": { "id": 735762, "username": "StaceySewell", "name": "Stacey Sewell", "links": { "alternate": { "href": "https://www.zotero.org/staceysewell", "type": "text/html" } } }, "creatorSummary": "Leipert", "parsedDate": "2012", "numChildren": 1 }, "data": { "key": "R555T98M", "version": 58, "itemType": "journalArticle", "title": "Destination Unknown: Jean-François Lyotard and Orienting Musical Affect", "creators": [ { "creatorType": "author", "firstName": "Trent", "lastName": "Leipert" } ], "abstractNote": "Jean-François Lyotard (1924–1998) was an early theorist of postmodernity though the waning discourse of cultural ‘postmodernism’ has meant that many of his later writings have received little attention from scholars. Although music was never a central concern of Lyotard, it does recur with regularity as a topic throughout his writings. This essay considers the place of Lyotard's conception of affect in his discussions of listening and of contemporary music. As I suggest, music and affect, for Lyotard, share a number of challenges in that both introduce types of untranslatability and miscommunication—hence, a profound uncertainty and disorientation—among subjects. Nevertheless, these same features join with the role of technology and the feeling of time within postmodernity in characterizing (negatively) the present and pointing (more positively) to the development of new sound possibilities, new feelings, and ultimately, new relationships that are necessary within the ‘spaceless zone’ of the future.", "publicationTitle": "Contemporary Music Review", "publisher": "", "place": "", "date": "2012", "volume": "31", "issue": "5-6", "section": "", "partNumber": "", "partTitle": "", "pages": "425-438", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "", "DOI": "10.1080/07494467.2012.759414", "citationKey": "", "url": "http://www.tandfonline.com/doi/abs/10.1080/07494467.2012.759414", "accessDate": "2013-05-11T12:23:47Z", "PMID": "", "PMCID": "", "ISSN": "0749-4467", "archive": "", "archiveLocation": "", "shortTitle": "Destination Unknown", "language": "", "libraryCatalog": "Taylor and Francis+NEJM", "callNumber": "", "rights": "", "extra": "", "tags": [], "collections": [], "relations": {}, "dateAdded": "2013-05-11T12:23:47Z", "dateModified": "2013-05-11T12:23:47Z" } }, { "key": "5ZZCQW52", "version": 57, "library": { "type": "group", "id": 132021, "name": "Sensory Musicology", "links": { "alternate": { "href": "https://www.zotero.org/groups/sensory_musicology", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/132021/items/5ZZCQW52", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/sensory_musicology/items/5ZZCQW52", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/132021/items/9GI2NJHE", "type": "application/json" } }, "meta": { "createdByUser": { "id": 735762, "username": "StaceySewell", "name": "Stacey Sewell", "links": { "alternate": { "href": "https://www.zotero.org/staceysewell", "type": "text/html" } } } }, "data": { "key": "5ZZCQW52", "version": 57, "parentItem": "9GI2NJHE", "itemType": "attachment", "linkMode": "imported_url", "title": "Snapshot", "accessDate": "2013-05-11T12:22:54Z", "url": "http://www.tandfonline.com/doi/abs/10.1080/07494467.2012.749100#.UY43-kqwCPQ", "note": "", "contentType": "text/html", "charset": "utf-8", "filename": "07494467.2012.html", "md5": "6b112a3a355c47e35664b8431a7d4738", "mtime": 1368274974765, "tags": [], "relations": {}, "dateAdded": "2013-05-11T12:22:54Z", "dateModified": "2013-05-11T12:22:54Z" } }, { "key": "9GI2NJHE", "version": 56, "library": { "type": "group", "id": 132021, "name": "Sensory Musicology", "links": { "alternate": { "href": "https://www.zotero.org/groups/sensory_musicology", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/132021/items/9GI2NJHE", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/sensory_musicology/items/9GI2NJHE", "type": "text/html" } }, "meta": { "createdByUser": { "id": 735762, "username": "StaceySewell", "name": "Stacey Sewell", "links": { "alternate": { "href": "https://www.zotero.org/staceysewell", "type": "text/html" } } }, "creatorSummary": "Heuson", "parsedDate": "2012", "numChildren": 1 }, "data": { "key": "9GI2NJHE", "version": 56, "itemType": "journalArticle", "title": "Heidegger's Ears: Hearing, Attunement, and the Acoustic Shaping of Being and Time", "creators": [ { "creatorType": "author", "firstName": "Jennifer L.", "lastName": "Heuson" } ], "abstractNote": "Despite the centrality of hearing to Being and Time, Heidegger's ears are rarely engaged as significant. This essay speculates on how Heidegger's acoustic biography might inform readings of Being and Time. Specifically, it explores the relationship between what Heidegger heard and the theory of attunement that undergirds his existential analytic. Heidegger heard his world as deeply ‘out of tune’ and responded by crafting a text to re-tune it. Being and Time must be engaged, then, as a tuning that seeks to transform philosophy by altering hearing itself, by readying the ears not to fly, flee, or plunge but to stand reticent.", "publicationTitle": "Contemporary Music Review", "publisher": "", "place": "", "date": "2012", "volume": "31", "issue": "5-6", "section": "", "partNumber": "", "partTitle": "", "pages": "411-423", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "", "DOI": "10.1080/07494467.2012.749100", "citationKey": "", "url": "http://www.tandfonline.com/doi/abs/10.1080/07494467.2012.749100", "accessDate": "2013-05-11T12:22:54Z", "PMID": "", "PMCID": "", "ISSN": "0749-4467", "archive": "", "archiveLocation": "", "shortTitle": "Heidegger's Ears", "language": "", "libraryCatalog": "Taylor and Francis+NEJM", "callNumber": "", "rights": "", "extra": "", "tags": [], "collections": [], "relations": {}, "dateAdded": "2013-05-11T12:22:54Z", "dateModified": "2013-05-11T12:22:54Z" } }, { "key": "T4CGGTMA", "version": 55, "library": { "type": "group", "id": 132021, "name": "Sensory Musicology", "links": { "alternate": { "href": "https://www.zotero.org/groups/sensory_musicology", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/132021/items/T4CGGTMA", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/sensory_musicology/items/T4CGGTMA", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/132021/items/QHIZWNJT", "type": "application/json" } }, "meta": { "createdByUser": { "id": 735762, "username": "StaceySewell", "name": "Stacey Sewell", "links": { "alternate": { "href": "https://www.zotero.org/staceysewell", "type": "text/html" } } } }, "data": { "key": "T4CGGTMA", "version": 55, "parentItem": "QHIZWNJT", "itemType": "attachment", "linkMode": "imported_url", "title": "Snapshot", "accessDate": "2013-05-11T12:21:43Z", "url": "http://www.tandfonline.com/doi/abs/10.1080/07494467.2012.759411#.UY43lEqwCPQ", "note": "", "contentType": "text/html", "charset": "utf-8", "filename": "07494467.2012.html", "md5": "d93984894ad19bc6ecbe55e35958c3ce", "mtime": 1368274904343, "tags": [], "relations": {}, "dateAdded": "2013-05-11T12:21:43Z", "dateModified": "2013-05-11T12:21:43Z" } }, { "key": "QHIZWNJT", "version": 54, "library": { "type": "group", "id": 132021, "name": "Sensory Musicology", "links": { "alternate": { "href": "https://www.zotero.org/groups/sensory_musicology", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/132021/items/QHIZWNJT", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/sensory_musicology/items/QHIZWNJT", "type": "text/html" } }, "meta": { "createdByUser": { "id": 735762, "username": "StaceySewell", "name": "Stacey Sewell", "links": { "alternate": { "href": "https://www.zotero.org/staceysewell", "type": "text/html" } } }, "creatorSummary": "Cimini", "parsedDate": "2012", "numChildren": 1 }, "data": { "key": "QHIZWNJT", "version": 54, "itemType": "journalArticle", "title": "Vibrating Colors and Silent Bodies. Music, Sound and Silence in Maurice-Merleau-Ponty's Critique of Dualism", "creators": [ { "creatorType": "author", "firstName": "Amy", "lastName": "Cimini" } ], "abstractNote": "Maurice Merleau-Ponty's phenomenology offers an extremely robust and frequently utilized framework for understanding embodied life, but the interlocking roles of music, sound and silence in his treatment of embodiment are rarely noted. Across his oevre, Merleau-Ponty engages art, literature philosophy and politics, and this article prioritizes Merleau-Ponty's interventions on René Descartes' notorious mind–body dualism, which remains a polemical touchstone for music scholarship engaged with embodied listening and performance. Unpacking some surprising sonorous dimensions of Merleau-Ponty's interventions on Cartesian dualism, this article draws critical focus on Merleau-Ponty's engagement with three crucial aspects of Descartes' thought: his theory of vision, the cogito and the method of doubt through which he produces the cogito. Attending to the important, if enigmatic, sonic aspects of Merleau-Ponty's anti-Cartesianism yields questions regarding the extent to which his philosophy is amenable to a thinking of the body as a site for socio-political transformation. Reading Merleau-Ponty at the conjunction of philosophy and musicology, then, reveals alternately resonant and silent sites for further theorizing with respect to the politics of musical embodiment.", "publicationTitle": "Contemporary Music Review", "publisher": "", "place": "", "date": "2012", "volume": "31", "issue": "5-6", "section": "", "partNumber": "", "partTitle": "", "pages": "353-370", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "", "DOI": "10.1080/07494467.2012.759411", "citationKey": "", "url": "http://www.tandfonline.com/doi/abs/10.1080/07494467.2012.759411", "accessDate": "2013-05-11T12:21:43Z", "PMID": "", "PMCID": "", "ISSN": "0749-4467", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "Taylor and Francis+NEJM", "callNumber": "", "rights": "", "extra": "", "tags": [], "collections": [], "relations": {}, "dateAdded": "2013-05-11T12:21:43Z", "dateModified": "2013-05-11T12:21:43Z" } }, { "key": "EHF9WWRV", "version": 53, "library": { "type": "group", "id": 132021, "name": "Sensory Musicology", "links": { "alternate": { "href": "https://www.zotero.org/groups/sensory_musicology", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/132021/items/EHF9WWRV", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/sensory_musicology/items/EHF9WWRV", "type": "text/html" } }, "meta": { "createdByUser": { "id": 735762, "username": "StaceySewell", "name": "Stacey Sewell", "links": { "alternate": { "href": "https://www.zotero.org/staceysewell", "type": "text/html" } } }, "creatorSummary": "James", "parsedDate": "2013", "numChildren": 0 }, "data": { "key": "EHF9WWRV", "version": 53, "itemType": "journalArticle", "title": "Immanence and Technicity", "creators": [ { "creatorType": "author", "firstName": "Ian", "lastName": "James" } ], "abstractNote": "This article examines Jean-Luc Nancy's understanding of sense and the senses in relation to the recent abandonment of the senses by contemporary thinkers such as Alain Badiou and Quentin Meillassoux. Contrasting Nancy's account of embodiment and sensing with Meillassoux's claim that the real can only be known mathematically, this piece argues that Nancean sense must be understood as a relation to the radical outside or non-human exteriority of the real. Moreover, this is the most fundamental relation to the real we can have since it opens the world to us as such and makes other kinds of relation to the real, e.g. mathematical discourse or axiomatic thinking, possible in the first instance. The piece concludes that Nancy, like Badiou and Meillassoux, seeks to think the infinity of the real in a way which exceeds any Kantian or post-Kantian logic of finitude.", "publicationTitle": "The Senses and Society", "publisher": "", "place": "", "date": "2013", "volume": "8", "issue": "1", "section": "", "partNumber": "", "partTitle": "", "pages": "14-25", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "The Senses and Society", "DOI": "10.2752/174589313X13500466750804", "citationKey": "", "url": "", "accessDate": "", "PMID": "", "PMCID": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "IngentaConnect", "callNumber": "", "rights": "", "extra": "", "tags": [ { "tag": "Body", "type": 1 }, { "tag": "Exteriority", "type": 1 }, { "tag": "Infinitude", "type": 1 }, { "tag": "Infinity", "type": 1 }, { "tag": "Sense", "type": 1 }, { "tag": "Trans-Immanence", "type": 1 } ], "collections": [], "relations": {}, "dateAdded": "2013-04-30T14:21:03Z", "dateModified": "2013-04-30T14:21:03Z" } }, { "key": "XUBSXC7P", "version": 52, "library": { "type": "group", "id": 132021, "name": "Sensory Musicology", "links": { "alternate": { "href": "https://www.zotero.org/groups/sensory_musicology", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/132021/items/XUBSXC7P", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/sensory_musicology/items/XUBSXC7P", "type": "text/html" } }, "meta": { "createdByUser": { "id": 735762, "username": "StaceySewell", "name": "Stacey Sewell", "links": { "alternate": { "href": "https://www.zotero.org/staceysewell", "type": "text/html" } } }, "creatorSummary": "Hui", "parsedDate": "2012", "numChildren": 0 }, "data": { "key": "XUBSXC7P", "version": 52, "itemType": "journalArticle", "title": "Sound Objects and Sound Products: Standardizing a New Culture of Listening in the First Half of the Twentieth Century", "creators": [ { "creatorType": "author", "firstName": "Alexandra", "lastName": "Hui" } ], "abstractNote": "In this chapter I develop the psychological underpinnings of environmental music towards an understanding of how the goals of cognitive and behavioral psycholo-gists contributed to a new kind of listening at the beginning of the twentieth century. I begin with an examination of nineteenth-century concerns about both the physical and psychological effects of music and fraught debate among experi-mental psychologists of the role of musical expertise in the laboratory. These con-cerns were, I argue, rooted in the assumption of a direct, corporeal connection between the generation and reception of music, usually bound within a single, individual body. In the twentieth century, new technology liberated the listener from a temporally- and geographically-bound experience of music. The Tone Tests, Re-Creation Recitals, and Mood Change “parties” of Thomas Edison and the psychologist Walter Bingham show that recording technology allowed for a normalization and standardization of listening not previously possible in the music halls and laboratories of the nineteenth century. Rather paradoxically, since it also made music more accessible to the individual listener, recorded music, mobilized by industrial psychologists and record companies alike, created a new sound experience actively designed for the lowest common denominator of mass listen-ing. It also contributed to the cultivation of a new practice of mass listening. The new mass listening practice presents broader questions about the definition of music and its functional role – If the function of music is to be ignored, is it still music?", "publicationTitle": "Culture Unbound", "publisher": "", "place": "", "date": "2012", "volume": "4", "issue": "33", "section": "", "partNumber": "", "partTitle": "", "pages": "", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "", "DOI": "10.3384/cu.2000.1525.124599", "citationKey": "", "url": "", "accessDate": "", "PMID": "", "PMCID": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "", "callNumber": "", "rights": "", "extra": "", "tags": [], "collections": [], "relations": {}, "dateAdded": "2013-03-31T16:18:31Z", "dateModified": "2013-03-31T16:18:31Z" } }, { "key": "VFVTQZN6", "version": 1, "library": { "type": "group", "id": 132021, "name": "Sensory Musicology", "links": { "alternate": { "href": "https://www.zotero.org/groups/sensory_musicology", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/132021/items/VFVTQZN6", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/sensory_musicology/items/VFVTQZN6", "type": "text/html" } }, "meta": { "createdByUser": { "id": 735762, "username": "StaceySewell", "name": "Stacey Sewell", "links": { "alternate": { "href": "https://www.zotero.org/staceysewell", "type": "text/html" } } }, "creatorSummary": "Valle Collado", "numChildren": 0 }, "data": { "key": "VFVTQZN6", "version": 1, "itemType": "magazineArticle", "title": "Castel, le clavecin oculaire\nou comment voir la musique", "creators": [ { "creatorType": "author", "firstName": "Ana M. del", "lastName": "Valle Collado" } ], "abstractNote": "", "publicationTitle": "Musicologie.org", "publisher": "", "place": "", "date": "", "volume": "", "issue": "", "pages": "", "ISSN": "", "DOI": "", "citationKey": "", "url": "http://www.musicologie.org/publirem/castel_le_clavecin_oculaire.html", "accessDate": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "", "callNumber": "", "rights": "", "extra": "", "tags": [], "collections": [], "relations": {}, "dateAdded": "2013-01-13T14:39:47Z", "dateModified": "2013-01-13T14:39:47Z" } }, { "key": "W33X45IW", "version": 1, "library": { "type": "group", "id": 132021, "name": "Sensory Musicology", "links": { "alternate": { "href": "https://www.zotero.org/groups/sensory_musicology", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/132021/items/W33X45IW", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/sensory_musicology/items/W33X45IW", "type": "text/html" } }, "meta": { "createdByUser": { "id": 735762, "username": "StaceySewell", "name": "Stacey Sewell", "links": { "alternate": { "href": "https://www.zotero.org/staceysewell", "type": "text/html" } } }, "creatorSummary": "Vélez", "parsedDate": "2012", "numChildren": 0 }, "data": { "key": "W33X45IW", "version": 1, "itemType": "journalArticle", "title": "A POLÍTICA DA ESCUTA. FORMALISMO E CORPOS SONOROS [THE POLITICS OF LISTENING: FORMALISM AND SOUNDING BODIES]", "creators": [ { "creatorType": "author", "firstName": "Daniel Villegas", "lastName": "Vélez" } ], "abstractNote": "English: Musicology as a scientific discipline has produced an idea of music as object of knowledge, and has set forth the conditions under which that knowledge might be attained. Under those conditions, music is understood overly through graphical representations and a pretention of sistematicitiy, leaving sound aside. Our own listening conditions are of a different kind and put us against a diversity of musics, sounding behaviours and sense, here comprehended as an excess. After analysing some key moments in the history of musicology where formalism emerges, a link with politics that today is illegible is discovered, calling for new attention. Finally a new aesthetics is proposed, based on listening -rather than a scientific attitude- where sound and politics converge over a body open to excess.\n\nSpanish: La musicología como disciplina científica ha producido una idea de música como objeto de conocimiento y ha dispuesto las condiciones en las que ese conocimiento debe llevarse a cabo. En estas condiciones, la música resulta comprendida a partir de sus representaciones gráficas y bajo una pretensión de sistematicidad, a costa de lo sonoro. Nuestras propias condiciones de escucha son diferentes y nos enfrentan a una diversidad de músicas, comportamientos sonoros, ruidos y sentido, que aquí se comprenden como exceso. Tras un análisis de algunos momentos en la historia de la musicología, en donde emerge el formalismo, se descubre también una ligazón con la política, que hoy es ilegible y que exige una nueva atención. Se propone, entonces, una estética basada en la escucha -y no en la actitud científica-, en la que sonido y política convergen sobre un cuerpo dispuesto para el exceso. \n\nPortuguese: A musicologia como uma disciplina científica tem produzido uma ideia de música como objecto de conhecimento e tem proporcionado as condições em as quais esse conhecimento tem ser realizado. Nestas condições a música resulta compreendida a partir da suas representações gráficas e numa pretensão de sistematicidade, a costa do sonoro. Nossas próprias condições da escuta são diferentes e nos enfrentam a uma diversidade de música, comportamentos sonoros, ruído e sentidos, entendios aqui como excesso. Depois de um analise de alguns momentos na historia da musicologia onde surge o formalismo, descobre-se uma ligação com a política que hoje é ilegível, que exigem nova atenção. Então propor se uma estética centrada na escuta —e não na atitude cientifica— na qual o som e a política convergem num corpo disposto ao excesso.", "publicationTitle": "Cuadernos de Música, Artes Visuales y Artes Escénicas", "publisher": "", "place": "", "date": "2012", "volume": "7", "issue": "1", "section": "", "partNumber": "", "partTitle": "", "pages": "147-170", "series": "", "seriesTitle": "", "seriesText": "", "journalAbbreviation": "", "DOI": "", "citationKey": "", "url": "", "accessDate": "", "PMID": "", "PMCID": "", "ISSN": "", "archive": "", "archiveLocation": "", "shortTitle": "", "language": "", "libraryCatalog": "", "callNumber": "", "rights": "", "extra": "", "tags": [], "collections": [], "relations": {}, "dateAdded": "2013-01-13T12:30:39Z", "dateModified": "2013-01-13T12:30:39Z" } }, { "key": "I2DC57NZ", "version": 1, "library": { "type": "group", "id": 132021, "name": "Sensory Musicology", "links": { "alternate": { "href": "https://www.zotero.org/groups/sensory_musicology", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/132021/items/I2DC57NZ", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/sensory_musicology/items/I2DC57NZ", "type": "text/html" } }, "meta": { "createdByUser": { "id": 735762, "username": "StaceySewell", "name": "Stacey Sewell", "links": { "alternate": { "href": "https://www.zotero.org/staceysewell", "type": "text/html" } } }, "creatorSummary": "Poliniak", "numChildren": 0 }, "data": { "key": "I2DC57NZ", "version": 1, "itemType": "journalArticle", "title": "Singing With All Nine Senses", "creators": [ { "creatorType": "author", "firstName": "Susan", "lastName": "Poliniak" } ], "abstractNote": "The article discusses eight non-auditory senses that can assist a singer communicate with the audience, as suggested by chorus director Robert Demaree. 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