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"https://www.zotero.org/groups/interactive_arts", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/10030/items/JDFM3RWF", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/interactive_arts/items/JDFM3RWF", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/10030/items/PKVPJ2I6", "type": "application/json" } }, "meta": { "createdByUser": { "id": 65823, "username": "earlab", "name": "Iannis Zannos", "links": { "alternate": { "href": "https://www.zotero.org/earlab", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "JDFM3RWF", "version": 1, "parentItem": "PKVPJ2I6", "itemType": "note", "note": "Mel-frequency cepstral coefficients are used as an abstract representation of the spectral envelope of a given signal. Although they have been shown to be a powerful descriptor for speech and music signals, more accurate and easily interpretable options can be devised. In this study, we present and evaluate the shape-based spectral contrast descriptor, which is build up from the previously proposed octave-based spectral contrast descriptor. We compare the three aforementioned descriptors with regard to their discriminative power and MP3 compression robustness. Discriminative power is evaluated within a prototypical genre classification task. MP3 compression robustness is measured by determining the descriptor values' change between different encodings. We show that the proposed shape-based spectral contrast descriptor yields a significant increase in accuracy, robustness, and applicability over the octave-based spectral contrast descriptor. Our results also corroborate initial findings regarding the accuracy improvement of the octave-based spectral contrast descriptor over Mel-frequency cepstral coefficients for the genre classification task.", "tags": [], "relations": {}, "dateAdded": "2010-01-15T12:07:00Z", "dateModified": "2010-01-15T12:07:00Z" } }, { "key": "HCVXM25F", "version": 1, "library": { "type": "group", "id": 10030, "name": "Interactive Arts", "links": { "alternate": { "href": "https://www.zotero.org/groups/interactive_arts", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/10030/items/HCVXM25F", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/interactive_arts/items/HCVXM25F", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/10030/items/PKVPJ2I6", "type": "application/json" } }, "meta": { "createdByUser": { "id": 65823, "username": "earlab", "name": "Iannis Zannos", "links": { "alternate": { "href": "https://www.zotero.org/earlab", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "HCVXM25F", "version": 1, "parentItem": "PKVPJ2I6", "itemType": "note", "note": "Available online at", "tags": [], "relations": {}, "dateAdded": "2010-01-15T12:07:00Z", "dateModified": "2010-01-15T12:07:00Z" } }, { "key": "DCC9T64V", "version": 1, "library": { "type": "group", "id": 10030, "name": "Interactive Arts", "links": { "alternate": { "href": "https://www.zotero.org/groups/interactive_arts", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/10030/items/DCC9T64V", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/interactive_arts/items/DCC9T64V", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/10030/items/APVHUTWT", "type": "application/json" } }, "meta": { "createdByUser": { "id": 65823, "username": "earlab", "name": "Iannis Zannos", "links": { "alternate": { "href": "https://www.zotero.org/earlab", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "DCC9T64V", "version": 1, "parentItem": "APVHUTWT", "itemType": "note", "note": "642631 105-112", "tags": [], "relations": {}, "dateAdded": "2010-01-15T12:07:00Z", "dateModified": "2010-01-15T12:07:00Z" } }, { "key": "VNJPKD53", "version": 1, "library": { "type": "group", "id": 10030, "name": "Interactive Arts", "links": { "alternate": { "href": "https://www.zotero.org/groups/interactive_arts", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/10030/items/VNJPKD53", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/interactive_arts/items/VNJPKD53", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/10030/items/ZP64S59V", "type": "application/json" } }, "meta": { "createdByUser": { "id": 65823, "username": "earlab", "name": "Iannis Zannos", "links": { "alternate": { "href": "https://www.zotero.org/earlab", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "VNJPKD53", "version": 1, "parentItem": "ZP64S59V", "itemType": "note", "note": "By means of a sensing system we are able to capture bowing\nand ¯ngering actions executed by a violinist during real performances.\nThe aim of this research is to model the relation between those actions\nand the sound produced. We describe the process for training and op-\ntimizing the model by means of neural networks. Given a set of control\nactions, the model is able to predict the spectral envelopes of the har-\nmonic and noisy components of the sound which are used for sound\nsynthesis. The model is validated by comparing a real recording with the\ncorresponding synthetic sound produced.", "tags": [], "relations": {}, "dateAdded": "2010-01-15T12:07:00Z", "dateModified": "2010-01-15T12:07:00Z" } }, { "key": "PCXXC3ER", "version": 1, "library": { "type": "group", "id": 10030, "name": "Interactive Arts", "links": { "alternate": { "href": "https://www.zotero.org/groups/interactive_arts", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/10030/items/PCXXC3ER", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/interactive_arts/items/PCXXC3ER", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/10030/items/ANNABP5D", "type": "application/json" } }, "meta": { "createdByUser": { "id": 65823, "username": "earlab", "name": "Iannis Zannos", "links": { "alternate": { "href": "https://www.zotero.org/earlab", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "PCXXC3ER", "version": 1, "parentItem": "ANNABP5D", "itemType": "note", "note": "This thesis describes the design and implementation of an expressive performance model focused on emotions for a singing voice synthesizer. The resulting model can modify the performance features of a musical fragment in order to simulate different moods or emotions in the performer such as happiness, fear, anger, sadness, etc. The model is based on the rule system developed by Johan Sundberg and Anders Friberg at the KTH university in Stockholm and the results of the research on musical expression and singing voice by Patrik N. Juslin and Petri Laukka from the university of Uppsala, Sweden. The singing voice synthesizer used is Daisy, developed at the Music Technology Group of the University Pompeu Fabra in Barcelona.", "tags": [], "relations": {}, "dateAdded": "2010-01-15T12:07:00Z", "dateModified": "2010-01-15T12:07:00Z" } }, { "key": "EX4NAZZP", "version": 1, "library": { "type": "group", "id": 10030, "name": "Interactive Arts", "links": { "alternate": { "href": "https://www.zotero.org/groups/interactive_arts", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/10030/items/EX4NAZZP", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/interactive_arts/items/EX4NAZZP", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/10030/items/R3IEJDF4", "type": "application/json" } }, "meta": { "createdByUser": { "id": 65823, "username": "earlab", "name": "Iannis Zannos", "links": { "alternate": { "href": "https://www.zotero.org/earlab", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "EX4NAZZP", "version": 1, "parentItem": "R3IEJDF4", "itemType": "note", "note": "In this thesis a novel multiresolution approach for note detection in a polyphonic mix is proposed. The idea is to use a set of wavelets whose lengths are adapted to the theoretical fundamental period of musical notes. Using the typical wavelet dyadic decomposition we can generate a set of wavelets that match the fundamental frequency (F0) of a given note in every octave. Therefore, using a set of 12 different wavelets, one per each semitone, we can represent the fundamental frequency of every note in every octave using one wavelet scale per each octave. The magnitude and phase continuity of wavelet coefficients across temporal frames is exploited to draw a special kind of spectrogram, namely Pitch-Synchronous Wavelet Spectrogram (PSWS). When the corresponding F0 and harmonics of a note are present in the signal, a special DC pattern appears in the PSWS, due to the aforementioned continuity. Any other harmonic signal or noise produces pseudo-periodic or random AC patterns. This way, by filtering the AC components, we can identify the DC patterns in the PSWS and state the presence of a given musical note at some moment in time, even if the signal is polyphonic. For the moment, the method only works satisfactorily when the harmonic peaks in the music signal are close to the theoretical position of the frequencies of the musical notes. Some techniques are suggested in order to improve the system and extend it to non-stable pitch musical instruments.", "tags": [], "relations": {}, "dateAdded": "2010-01-15T12:07:00Z", "dateModified": "2010-01-15T12:07:00Z" } }, { "key": "86ADR9NW", "version": 1, "library": { "type": "group", "id": 10030, "name": "Interactive Arts", "links": { "alternate": { "href": "https://www.zotero.org/groups/interactive_arts", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/10030/items/86ADR9NW", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/interactive_arts/items/86ADR9NW", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/10030/items/A4C8QKC5", "type": "application/json" } }, "meta": { "createdByUser": { "id": 65823, "username": "earlab", "name": "Iannis Zannos", "links": { "alternate": { "href": "https://www.zotero.org/earlab", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "86ADR9NW", "version": 1, "parentItem": "A4C8QKC5", "itemType": "note", "note": "In this paper we present an Internet browser plug-in for real-time sound synthesis. The plug-in uses the Pure Data (Pd) sound synthesis engine, and allows flexible and transparent sound generation and control embedded into webpages. Pd is a general sound synthesis language that is based on the MAX graphical programming paradigm. It can be used to construct and implement a broad range of sound synthesis algorithms and paradigms, ranging from standard sample playback to interactive sound generation and manipulation. The plug-in is cross-platform and runs on Windows, OSX and Linux platforms. Versions for Windows Internet Explorer as well as for Netscape/Mozilla have been developed. The plug-in opens a wide range of new possibilities for the presentation of dynamic multimedia content, where sound plays an important role and the playback of static sound files is not sufficient.\nThe data format used by the plug-in (the pd patch), has to be transmitted over the net, is very small in size and thus perfectly suitable for low bandwidth connections. Examples of potential applications are games, adaptive sound backgrounds, interactive sound installations, web sites, collaborative music on the web, education and e-learning. The first implementation of the Pd plug-in has been written for a project in collaboration with the Catalan theater group ”La Fura dels Baus”.", "tags": [], "relations": {}, "dateAdded": "2010-01-15T12:07:00Z", "dateModified": "2010-01-15T12:07:00Z" } }, { "key": "U8MNX7KI", "version": 1, "library": { "type": "group", "id": 10030, "name": "Interactive Arts", "links": { "alternate": { "href": "https://www.zotero.org/groups/interactive_arts", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/10030/items/U8MNX7KI", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/interactive_arts/items/U8MNX7KI", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/10030/items/6BNMWSCP", "type": "application/json" } }, "meta": { "createdByUser": { "id": 65823, "username": "earlab", "name": "Iannis Zannos", "links": { "alternate": { "href": "https://www.zotero.org/earlab", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "U8MNX7KI", "version": 1, "parentItem": "6BNMWSCP", "itemType": "note", "note": "In this paper we present Fast Perceptual Quantization (FPQ), a novel procedure to quantize and code audio signals. It employs the same psychoacoustics principles used in the popular MPEG/Audio coders, but substantially simplifies the complexity and computational needs of the encoding process. FPQ is based on defining a hierarchy of privileged quantization values so that the masking threshold calculated through a psychoacoustic model is leveraged to quantize the real values to the privileged ones when possible. The computational cost of this process is very low compared to MP3’s or AAC’s quantization/coding loops. Experimental results show that it is possible to achieve nearly transparent coding using as few as approximately 100 quantization values. This leads to very efficient bit compaction using Huffman or arithmetic coding so that nearly state-of-the-art performance can be achieved in terms of quality/bit-rate trade-off. Since uantization and codification (bit compaction) procedures are completely independent here, efficient scalable decoding can be chieved either by parsing and entropy re-encoding the original quantized values or by coding the bit-planes independently and sorting them in order of perceptual significance. Very low delay performance is also possible to achieve, which makes the proposed coding scheme suitable for real-time applications.", "tags": [], "relations": {}, "dateAdded": "2010-01-15T12:07:00Z", "dateModified": "2010-01-15T12:07:00Z" } }, { "key": "3ME254TR", "version": 1, "library": { "type": "group", "id": 10030, "name": "Interactive Arts", "links": { "alternate": { "href": "https://www.zotero.org/groups/interactive_arts", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/10030/items/3ME254TR", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/interactive_arts/items/3ME254TR", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/10030/items/3BVE2ITT", "type": "application/json" } }, "meta": { "createdByUser": { "id": 65823, "username": "earlab", "name": "Iannis Zannos", "links": { "alternate": { "href": "https://www.zotero.org/earlab", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "3ME254TR", "version": 1, "parentItem": "3BVE2ITT", "itemType": "note", "note": "Since the MIDI 1.0 specification, well over 15 years ago, many have been the attempts to give a solution to all the limitations that soon became clear. None of these have had a happy ending, mainly due to commercial interests and as a result, when trying to find an appropriate synthesis control user interface for the SMS (Spectral Modeling Synthesis) Framework, we had not many choices but the use of MIDI. That's the reason why the idea of defining METRIX aroused. In this Website you will find the main achievements of the Metrix project.", "tags": [], "relations": {}, "dateAdded": "2010-01-15T12:07:00Z", "dateModified": "2010-01-15T12:07:00Z" } }, { "key": "8W7VS9H3", "version": 1, "library": { "type": "group", "id": 10030, "name": "Interactive Arts", "links": { "alternate": { "href": "https://www.zotero.org/groups/interactive_arts", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/10030/items/8W7VS9H3", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/interactive_arts/items/8W7VS9H3", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/10030/items/XXA89FKM", "type": "application/json" } }, "meta": { "createdByUser": { "id": 65823, "username": "earlab", "name": "Iannis Zannos", "links": { "alternate": { "href": "https://www.zotero.org/earlab", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "8W7VS9H3", "version": 1, "parentItem": "XXA89FKM", "itemType": "note", "note": "En aquest article donem un visió global dels avantatges filosòfics i pràctics del Programari Lliure en un context general i més específicament en un entorn educatiu i universitari. A més es proposa un model d'adopció de Programari Lliure progressiu amb viabilitat pràctica. L'autor espera que el contingut d'aquest document pugui servir de guia per aquells que en un entorn acadèmic es vegin en la situació d'haver de defensar la idoneïtat d'adoptar el Programari Lliure de forma generalitzada.", "tags": [], "relations": {}, "dateAdded": "2010-01-15T12:07:00Z", "dateModified": "2010-01-15T12:07:00Z" } }, { "key": "FRC7XCF3", "version": 1, "library": { "type": "group", "id": 10030, "name": "Interactive Arts", "links": { "alternate": { "href": "https://www.zotero.org/groups/interactive_arts", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/10030/items/FRC7XCF3", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/interactive_arts/items/FRC7XCF3", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/10030/items/TWQG9CM9", "type": "application/json" } }, "meta": { "createdByUser": { "id": 65823, "username": "earlab", "name": "Iannis Zannos", "links": { "alternate": { "href": "https://www.zotero.org/earlab", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "FRC7XCF3", "version": 1, "parentItem": "TWQG9CM9", "itemType": "note", "note": "CLAM is a C++ framework that offers a complete development and research platform for the audio and music domain. Apart from offering an abstract model for audio systems, it also includes a repository of processing algorithms and data types as well as a number of tools such as audio or MIDI input/output. All these features can be exploited to build cross-platform applications or to build rapid prototypes to test signal processing algorithms. In this article we will review the main features included in the framework. We will also present some of the applications that have been developed and can be used by themselves. We will finally introduce the newest tools that have been added in order to use the framework as a rapid prototyping tool.", "tags": [], "relations": {}, "dateAdded": "2010-01-15T12:07:00Z", "dateModified": "2010-01-15T12:07:00Z" } }, { "key": "TVAHBXPI", "version": 1, "library": { "type": "group", "id": 10030, "name": "Interactive Arts", "links": { "alternate": { "href": "https://www.zotero.org/groups/interactive_arts", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/10030/items/TVAHBXPI", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/interactive_arts/items/TVAHBXPI", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/10030/items/9VA2NEU5", "type": "application/json" } }, "meta": { "createdByUser": { "id": 65823, "username": "earlab", "name": "Iannis Zannos", "links": { "alternate": { "href": "https://www.zotero.org/earlab", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "TVAHBXPI", "version": 1, "parentItem": "9VA2NEU5", "itemType": "note", "note": "This paper reviews the advantages suitability of Free Software with particular regard to education. The characteristics of Free Software and Open Source and their respective licenses are explained. The pragmatic advantages of Free Software are outlined, with a focus on technical, economical and business related issues. It is proposed that the choice of software is not morally neutral, and that free software is a more coherent choice. The education specific aspects of Free Software are examined, and arguments put forward as to why Free Software is the best option for education and research. Practical guidance is provided on Free applications which can substitute for proprietary applications. Finally a four step route map is proposed for individuals or institutions who wish to move from a proprietary to a Free software environment.", "tags": [], "relations": {}, "dateAdded": "2010-01-15T12:07:00Z", "dateModified": "2010-01-15T12:07:00Z" } }, { "key": "7GQVJUR8", "version": 1, "library": { "type": "group", "id": 10030, "name": "Interactive Arts", "links": { "alternate": { "href": "https://www.zotero.org/groups/interactive_arts", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/10030/items/7GQVJUR8", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/interactive_arts/items/7GQVJUR8", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/10030/items/HH6T3QPQ", "type": "application/json" } }, "meta": { "createdByUser": { "id": 65823, "username": "earlab", "name": "Iannis Zannos", "links": { "alternate": { "href": "https://www.zotero.org/earlab", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "7GQVJUR8", "version": 1, "parentItem": "HH6T3QPQ", "itemType": "note", "note": "Content description has become a topic of interest for many researchers in the audiovisual field. While manual annotation has been used for many years in different applications, the focus now is on finding automatic content-extraction and content-navigation tools. An increasing number of projects, in some of which we are actively involved, focus on the extraction of meaningful features from an audio signal. Meanwhile, standards like MPEG7 are trying to find a convenient way of describing audiovisual content. Nevertheless, content description is usually thought of as an additional information stream attached to the actual content and the only envisioned scenario is that of a search and retrieval framework. However, in this article it will be argued that if there is a suitable content description, the actual content itself may no longer be needed and we can concentrate on transmitting only its description. Thus, the receiver should be able to interpret the information that, in the form of metadata, is available at its inputs, and synthesize new content relying only on this description. It is possibly in the music field where this last step has been further developed, and that fact allows us to think of such a transmission scheme being available on the near future", "tags": [], "relations": {}, "dateAdded": "2010-01-15T12:07:00Z", "dateModified": "2010-01-15T12:07:00Z" } }, { "key": "VIP9K6MG", "version": 1, "library": { "type": "group", "id": 10030, "name": "Interactive Arts", "links": { "alternate": { "href": "https://www.zotero.org/groups/interactive_arts", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/10030/items/VIP9K6MG", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/interactive_arts/items/VIP9K6MG", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/10030/items/NTXAD5AZ", "type": "application/json" } }, "meta": { "createdByUser": { "id": 65823, "username": "earlab", "name": "Iannis Zannos", "links": { "alternate": { "href": "https://www.zotero.org/earlab", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "VIP9K6MG", "version": 1, "parentItem": "NTXAD5AZ", "itemType": "note", "note": "As audio and music applications tend to a higher level of abstraction and to fill in the gap between the signal processing world and the end-user we are more and more interested on processing content and not (only) signal. This change in point of view leads to the redefinition of several \"classical\" concepts, and a new conceptual framework needs to be set to give support to these new trends. In [Amatriain and Herrera 2001], a model for the transmission of audio content was introduced. The model is now extended to include the idea of Sound Objects. With these thoughts in mind, examples of design decisions that have led to the implementation of the CLAM framework are also given.", "tags": [], "relations": {}, "dateAdded": "2010-01-15T12:07:00Z", "dateModified": "2010-01-15T12:07:00Z" } }, { "key": "RCC6XP49", "version": 1, "library": { "type": "group", "id": 10030, "name": "Interactive Arts", "links": { "alternate": { "href": "https://www.zotero.org/groups/interactive_arts", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/10030/items/RCC6XP49", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/interactive_arts/items/RCC6XP49", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/10030/items/TD3ZWF6F", "type": "application/json" } }, "meta": { "createdByUser": { "id": 65823, "username": "earlab", "name": "Iannis Zannos", "links": { "alternate": { "href": "https://www.zotero.org/earlab", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "RCC6XP49", "version": 1, "parentItem": "TD3ZWF6F", "itemType": "note", "note": "Spectral processing", "tags": [], "relations": {}, "dateAdded": "2010-01-15T12:07:00Z", "dateModified": "2010-01-15T12:07:00Z" } }, { "key": "ZEUWFDTI", "version": 1, "library": { "type": "group", "id": 10030, "name": "Interactive Arts", "links": { "alternate": { "href": "https://www.zotero.org/groups/interactive_arts", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/10030/items/ZEUWFDTI", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/interactive_arts/items/ZEUWFDTI", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/10030/items/TD3ZWF6F", "type": "application/json" } }, "meta": { "createdByUser": { "id": 65823, "username": "earlab", "name": "Iannis Zannos", "links": { "alternate": { "href": "https://www.zotero.org/earlab", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "ZEUWFDTI", "version": 1, "parentItem": "TD3ZWF6F", "itemType": "note", "note": "Since the MIDI 1.0 specification, well over 15 years ago, many have been the attempts to give a solution to all the limitations that soon became clear. None of these have had a happy ending, mainly due to commercial interests and as a result, when trying to find an appropriate synthesis control user interface, we had not many choices but the use of MIDI. That's the reason why the idea of defining a new user interface aroused. In this article, the main components of this interface will be discussed, paying special attention to the advantages and new features it reports to the end-user.", "tags": [], "relations": {}, "dateAdded": "2010-01-15T12:07:00Z", "dateModified": "2010-01-15T12:07:00Z" } }, { "key": "5VI7I2GZ", "version": 1, "library": { "type": "group", "id": 10030, "name": "Interactive Arts", "links": { "alternate": { "href": "https://www.zotero.org/groups/interactive_arts", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/10030/items/5VI7I2GZ", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/interactive_arts/items/5VI7I2GZ", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/10030/items/QGSAVIQT", "type": "application/json" } }, "meta": { "createdByUser": { "id": 65823, "username": "earlab", "name": "Iannis Zannos", "links": { "alternate": { "href": "https://www.zotero.org/earlab", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "5VI7I2GZ", "version": 1, "parentItem": "QGSAVIQT", "itemType": "note", "note": "When designing audio effects for music processing, we are always aiming at providing higher-level representations that may somehow fill in the gap between the signal processing world and the end-user. Spectral models in general, and the Sinusoidal plus Residual model in particular, can sometimes offer ways to implement such schemes.", "tags": [], "relations": {}, "dateAdded": "2010-01-15T12:07:00Z", "dateModified": "2010-01-15T12:07:00Z" } }, { "key": "X4ZMCQ8W", "version": 1, "library": { "type": "group", "id": 10030, "name": "Interactive Arts", "links": { "alternate": { "href": "https://www.zotero.org/groups/interactive_arts", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/10030/items/X4ZMCQ8W", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/interactive_arts/items/X4ZMCQ8W", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/10030/items/J5PPRPHM", "type": "application/json" } }, "meta": { "createdByUser": { "id": 65823, "username": "earlab", "name": "Iannis Zannos", "links": { "alternate": { "href": "https://www.zotero.org/earlab", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "X4ZMCQ8W", "version": 1, "parentItem": "J5PPRPHM", "itemType": "note", "note": "CLAM (C++ Library for Audio and Music) is a framework for audio and music programming. It may be used for developing any type of audio or music application as well as for doing more complex research related with the field. In this paper we introduce the practicalities of CLAM's first release as well as some of the sample application that have been developed within the framework. See [1] for a more conceptual approach to the description of the CLAM framework.\n\nCLAM website", "tags": [], "relations": {}, "dateAdded": "2010-01-15T12:07:00Z", "dateModified": "2010-01-15T12:07:00Z" } }, { "key": "5ZJXP7DR", "version": 1, "library": { "type": "group", "id": 10030, "name": "Interactive Arts", "links": { "alternate": { "href": "https://www.zotero.org/groups/interactive_arts", "type": "text/html" } } }, "links": { "self": { "href": "https://api.zotero.org/groups/10030/items/5ZJXP7DR", "type": "application/json" }, "alternate": { "href": "https://www.zotero.org/groups/interactive_arts/items/5ZJXP7DR", "type": "text/html" }, "up": { "href": "https://api.zotero.org/groups/10030/items/9TMDF4RB", "type": "application/json" } }, "meta": { "createdByUser": { "id": 65823, "username": "earlab", "name": "Iannis Zannos", "links": { "alternate": { "href": "https://www.zotero.org/earlab", "type": "text/html" } } }, "numChildren": 0 }, "data": { "key": "5ZJXP7DR", "version": 1, "parentItem": "9TMDF4RB", "itemType": "note", "note": "CLAM (C++ Library for Audio and Music) is a framework that aims to offer extensible, generic and efficient design and implementation solutions for developing Audio and Music applications as well as for doing more complex research related with the field. Although similar libraries exist, some particularities make CLAM of high interest for anyone interested in the field.\n\nCLAM website", "tags": [], "relations": {}, "dateAdded": "2010-01-15T12:07:00Z", "dateModified": "2010-01-15T12:07:00Z" } } ]